I am Anna around age seven or so, with my sister Elsa. We’re in a library like room. This room belongs to an older man. We’re not supposed to be in here.
I’m a psychic, and being in here reveals to me that the man is a sexual predator. I tell Elsa this, despite my better judgment not to. She starts knocking things off shelves, tearing down paintings, ripping up the sofas and chairs. I beg her to stop, that the man is a terrible person but that we cannot be caught doing this. Elsa refuses to stop. She gives me a superior look, not regretting what she’s done one bit, before disappearing out the door. I collapse to my knees in a pink and white schoolgirl uniform.
When the man returns to this mess, I know he’ll immediately blame Elsa. Unless he finds the culprit at the scene of the crime. Unless I take the fall for my sister. And that’s what I do.
He arrives, and instantly becomes infuriated when he sees the state of his beloved room. He sees me. I do nothing but meekly lift my arms in defense, knowing my fate. Everything fades to white. [End]
Relative to Real Life~
Night of February 25th, 2014
Real-life characters: Anna and Elsa (Frozen).
Dream-created characters: Man.
Real-life places: None.
Dream-created places: Library room.
Different than real life: Although nothing actually happened in the dream before I woke up it’s worth noting I have never been sexually assaulted, I’m 21 not 7.
Reoccurring: No.
Precognitive: No experiences.
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
A symbol of individuality—of private thoughts. The windows symbolize the possibility of understanding and of passing through to the external and
the beyond, and are also an illustration of any idea of communication. Hence, a
closed room lacking windows may be symbolic of virginity, according to Frazer,
and also of other kinds of non-communication. Many rites involving the
enclosureimage are performed to mark the reaching of puberty, all over the world.
The legend about Danae, shut up by her father in a bronze tower, pertains to this
particular symbolism. There is a Siberian legend concerning a ‘dark house of iron’
which is also relevant to it (21). We might also mention the ‘vase with a lid’, one
of the eight emblems of good luck in Chinese Buddhism, and a symbol of wholeness, of the idea with no ‘exit’, or, in other words, of supreme intelligence triumphant over birth and death (signified respectively by the doors and windows of
the room) (5). This explains why the hermetically sealed room may possibly be
a variant form of the ‘vase with a lid’.
To dream that you are in a room, represents a particular aspect of yourself or a specific relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. If the room is welcoming or comfortable, then it signifies opulence and satisfaction in life. If you see a dark or confined room, then it denotes that you feel trapped or repressed in a situation.
To dream that you find or discover a new room, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Consider what you find in the discovered room as it may indicate repressed memories, fears, or rejected emotions. Alternatively, such rooms are symbolic of neglected skills or rejected potential.
To dream that you are in an empty white room, indicates a fresh start. It is like a blank canvas where you want to start life anew. Alternatively, the dream means that you are trying to isolate yourself. You do not want any outside influences.
To dream of a yellow room, suggests that you need to use your mind. You are feeling stimulated mentally.
Dreaming that you are in a room, represents a particular aspect of yourself or a particular relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. Dreaming that you find or discover new rooms, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Seeing an appealing or comfortable room in your dream means opulence and satisfaction in life. Seeing a dark, eerie or confining room indicates that that you feel trapped or repressed in a situation.
To dream that you fall and are not frightened, signifies that you will overcome your adversities with ease.
To dream that you fall and are frightened, indicates a lack of control, insecurity, and/or lack of support in your waking life. You may be experiencing some major struggle and/or overwhelming problem. It may also imply that you have failed to achieve a goal that you have set forth for yourself.
To dream that you are free-falling through water, indicates that you are feeling overwhelmed with emotions. You may feel that it is easier to give up, then to try to stay afloat or prevent yourself from going under.
To dream of the fall season, indicates that something is about to come to an end and something new will begin. Alternatively, the dream is symbolic of the cycle of life. It is time to collect the benefits and rewards that you've worked so hard for.
To dream that you sustain a fall, and are much frightened, denotes that you will undergo some great struggle, but will eventually rise to honor and wealth; but if you are injured in the fall, you will encounter hardships and loss of friends.
Dreaming that you fall and not frightened means that you will overcome your adversities with ease. Dreaming that you fall and are frightened indicates a major struggle and overwhelming problem in your life. It may denote that you have failed to achieve a goal that you have set forth for yourself. Dreaming that you fall and are injured, foretells of hardships and loss of friends. Seeing someone fall means your secret desire for the downfall or even death of that person. You will triumph over your enemies.
To dream that you are in a library, signifies your search for knowledge and your hunger for ideas. You may be trying to seek out new meanings to life. You need to study and evaluate your situation before taking action. If the library is disorganized, then it suggests that too much information is coming at you at the same time. You are having difficulty sorting it all out.
To dream that you cannot find a book in the library or that the book you are looking for is already checked out, suggests that a certain aspect of your self is lacking enrichment or is under developed.
To see a library in your dream, symbolizes the knowledge you have accumulated over the years.
To dream that you are in a library, denotes that you will grow discontented with your environments and associations and seek companionship in study and the exploration of ancient customs.
To find yourself in a library for other purpose than study, foretells that your conduct will deceive your friends, and where you would have them believe that you had literary aspirations, you will find illicit assignations.
Dreaming that you are in a library means the search for knowledge and the hunger for ideas. You may be trying to seek out new meanings in life or you need to study and evaluate your situation before taking action. Seeing a library in your dream, symbolizes the knowledge you have accumulated over the years.
To see your sister in your dream, symbolizes some aspect of your relationship with her, whether it one of sibling rivalry, nurturance, protectiveness, etc. Your sister may draw attention to your family role. Or the dream may also serve to remind you that someone in your waking life has characteristics similar to your sister. Alternatively, your sister may be a metaphor for a nun. In this case, she may represent some spiritual issues.
If you do not have a sister and dream that you have one, then it signifies feminine qualities that you need to activate or acknowledge within your own self. Pay attention to the actions and behavior of your dream sister.
Seeing your sister in your dream, symbolizes some aspect of your relationship with her, whether it one of sibling rivalry, caring, protectiveness, etc. Your sister may draw attention to your family role and sense of belonging. It may also serve to remind you that someone in your waking life has characteristics similar to your sister. Alternatively, your sister may be a metaphor and actually refer to a nun. In this case, she may represent spiritual issues. If you do not have a sister and dream that you have one, then it means some qualities that you need to activate or acknowledge within your own self. Pay attention to the actions and behavior of your dream sister.
To dream of a certain place in your dream, is telling of your inner state of mind. Consider the feel, the appearance, and the coloring of the place. Also consider your own personal feelings and memories with that particular place.