I drive up a dirt road to a garage sale with my mom. I park and we walk to this semi trailer that is packed with items for sale. I look at this doll house, and can’t believe my eyes. I’ve found a perfectly preserved version of my friend’s most cherished stuffed animal, a little purple rhino. I pump my fist in the air and shout something to the affect of "I am the master commander!". She’s been searching for one for years, and now I have happened to find one. I’m so proud that I go straight to the back of the trailer to pay. I’d be willing to give any amount for the stuffy, knowing how rare and important it is. I know that I have a twenty in my pocket and another twenty in my purse if I should need to use it. I doubt it though.
I ask the older gentlemen and his wife, who sit behind a desk smoking, how much they want for it. They are overpriced, but I’m willing to pay up. I head outside and it isn’t until I’m back in the car with my mom that I realize that I accidentally stole a metal clipboard. I put it in my pocket and forgot to pay for it. It’s the type that have a hollow inside that opens so items can be stored inside. It’s full of some kind of relics made of bone and turquoise.
Now I’m in the city that neighbors our town with Granny, Papa, and my mom. We just finished eating at a restaurant, and are heading outside. It’s night time, or at least it looks like night time. The sky is dark and ominous, full of storm clouds. Then I see it, a tornado ahead of us. If I would have held out my hand, it would have been the thickness of my pointer and middle finger combined at this distance. Then I see another, a skinny zig-zaggy one that moves much faster. I tell my mom in horror, and she points out another further to my right. It’s thicker than the first. I keep turning, and I see another skinny one, another one similar to the size of the first, and then the biggest bugger of them all. At least a mile wide. We’re surrounded by six tornadoes, with no way of knowing which direction they’re going. Some seem like they’re heading away, some seem like they’re going to pass us. Some take deadly sharp turns in our direction, before steering away.
All of us get in the truck, and Papa starts driving. I insist we find somewhere that has a basement. The only place that comes to mind is the mall. I’m fairly certain they have a shelter there. Instead, everyone else insists on going to another restaurant. I’m not happy about this decision at all. I show my dismay by not ordering anything when the waitress asks. My Granny teases me about it, mocking that she’ll order shrimp fried rice for me anyway. I barely even pay attention to her. I’m on the edge of my seat, digging the end of my fork into the wood of the table as I look around the room. These people are oblivious to what’s outside, what could tear away the roof and kill all of us at any moment. And here I sit with three people who’d rather ignore the problem instead of helping these people to safety, get us to safety. Granny ends up not ordering any food either.
When the waitress comes by again, I ask her for a glass that I can pour my milk into, and a glass of apple juice that Granny was to shy to ask for. She comes back with one glass full of ice and one glass of juice. I take my glass to the soda fountain and fill it up with water. Since I have ice, I might as well drink it down with water before I get milk.
Now I’m in a classroom where the teacher is trying to teach us how to meld with our spirit animals. All of our animals look a lot like Stitch. Our first test is to run down this dock with them and I think ride them before we reach the water.
No one succeeds but me, but I end up going in the water with Stitch anyways. Once we’re submerged in the black water, Stitch turns into a scooter that dives down into the never ending black. We end up in an underwater cave that’s filled with air, but we barely make it. Me and my spirit animal are the only pair that made it. Two boys are with us, but they lost their animals on the way down. Their animals are dead, and I can see a part of their souls is dead with them. Most heartbreaking though, is a pink Stitch that has orange spots that sulks by the stone wall furthest from the entrance. The animal’s owner died on the way down. It’s much harder on the animal to loose the owner, than the other way around. Our teacher emerges from one of the caverns further into the cave, and tells us it’s time to get down to business. We’re here for something, and now is the time to go find it. We follow him into the cave. [End]
Relative to Real Life~
Night of February 23rd, 2014
Real-life characters: Mom, friend, Papa, Granny, Stitch.
Dream-created characters: Garage sale couple, people in restaurant, waitress, teacher, other students, two boys, pink stitch.
Real-life places: City, truck.
Dream-created places: Garage Sale trailer and dirt road that leads to it, restaurant, classroom, dock, water, cave.
Different than real life: It’s winter so I haven’t been to any garage sales lately.
Reasons:
Tornado = My mom told me that there was a tornado that interrupted the Daytona 500 (which my dad is attending) right before I went to bed. Guess that translated.
Reoccurring: No.
Precognitive: No experiences yet.
To dream that you have stitches, represent your responsibility in keeping and holding a situation or relationship together. You fear that this situation or relationship is falling apart and it is up to you to mend it. Consider also the symbolism of where the stitches are on the body for additional significance.
To dream that you are stitching, indicates that you need to take extra care in adding your personal care and special touch to some situation.
Dreaming that you have stitches, represents your responsibility in keeping/holding a situation or relationship together. You may fear that this situation/relationship is falling apart and needs to be mended. Consider also the symbolism of where the stitches are on the body for additional clues. Dreaming that you are stitching indicates that you need to take extra care in adding your personal care and special touch to some situation.
In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’
This indicates birth (of some person).
To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.
If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.
If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.
If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.
To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.
To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.
To sport with water, denotes a sudden awakening to love and passion.
To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.
The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:
``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.
To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.
To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.
To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.
To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.
Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.
To see glass in your dream, symbolizes passivity or protection. You may be putting up an invisible barrier to protect yourself in a situation or relationship. If the glass is dirty, cloudy or discolored, then it suggests that you are not seeing something clearly. You need more clarity in a situation. To dream that you are drinking from a glass, is an omen of good luck.
To dream that you are looking through glass, represents your openness and non-defensiveness. Alternatively, you may be putting up an invisible emotional barrier around yourself.
To see broken glass in your dream, signifies disappointments and negative changes in your life. Alternatively, it could be symbolic of an aspect of your life that is in pieces. A relationship or situation has come to an abrupt and untimely end. If you are walking on broken glass, then it suggests that you will be experiencing some heartache or pain. You are unsure with how to proceed with your life.
To dream that you are eating glass, highlights your vulnerability, confusion and frailty. You may have difficulties in communicating your thoughts across and getting the right words out. Alternatively, it may symbolize your hurtful and cutting comments. Perhaps you have been hurt or disappointed by something that someone had said. Or you need to be careful in how you phrase and word things or run the risk of offending others.
To dream that you are looking through glass, denotes that bitter disappointments will cloud your brightest hopes.
To see your image in a mirror, foretells unfaithfulness and neglect in marriage, and fruitless speculations.
To see another face with your own in a mirror indicates that you are leading a double life. You will deceive your friends.
To break a mirror, portends an early and accidental death.
To break glass dishes, or windows, foretells the unfavorable termination to enterprises.
To receive cut glass, denotes that you will be admired for your brilliancy and talent.
To make presents of cut glass ornaments, signifies that you will fail in your undertakings.
For a woman to see her lover in a mirror, denotes that she will have cause to institute a breach of promise suit.
For a married woman to see her husband in a mirror, is a warning that she will have cause to feel anxiety for her happiness and honor.
To look clearly through a glass window, you will have employment, but will have to work subordinately. If the glass is clouded, you will be unfortunately situated.
If a woman sees men, other than husband or lover, in a looking glass, she will be discovered in some indiscreet affair which will be humiliating to her and a source of worry to her relations.
For a man to dream of seeing strange women in a mirror, he will ruin his health and business by foolish attachments.
Seeing glass in your dream, symbolizes passivity. Dreaming that you are drinking from a glass, is an omen of good luck. Dreaming that you are looking through glass, represents your openness and non-defensiveness. Alternatively, you may be putting up an invisible emotional barrier around yourself. Seeing broken glass in your dream means a change in your life. You will find that a situation will come to an abrupt and untimely end. Dreaming that you are Seeing or eating glass, highlights your vulnerability, confusion and frailty. You may have difficulties in communicating your thoughts across and getting the right words out. Alternatively, it may symbolize your hurtful and cutting comments. Perhaps you have been hurt or disappointed by something that someone had said. Or you need to be careful in how you phrase and word things or run the risk of offending others.
To see or dream that you are in a cave, symbolizes the womb and thus signify refuge, protection and concealment.
To dream that you are walking in a dark cave, represents an exploration of your unconscious mind. It signals self discovery.
Dreaming that you are walking in a dark cave means refuge or the unconscious mind. It also means that you experience some unexpected misfortune or disagreement.
Caves are rich and thought-provoking dream symbols. At times, a woman with reproductive issues may have a cave dream, in which case it represents the womb. The cave, as the womb, can represent new life, new opportunities, creativity, warmth and safety. The cave can be a general symbol of a safe place, a sanctuary or a refuge. If you are experiencing much anxiety in daily life, in your dream state you may retreat to a warm cave where you cannot be disturbed by worldly demands. The cave could also represent the mysterious and unexplored parts of our selves. It could be symbolic of the unconscious mind, which could be a pleasant or a frightening experience. Your personal associations and experiences with caves, as well as the details and the emotional content of this dream, need to be carefully considered before making an interpretation.
To dream that you are in a restaurant, suggests that you are feeling overwhelmed by decisions and choices that you need to make in your life. Alternatively, it indicates that you are seeking for emotional nourishment outside of your social support system.
Dreaming that you are in a restaurant, suggests that you are feeling overwhelmed by decisions/choices that you need to make in your life. Alternatively, it indicates that you are seeking for emotional nourishment outside of your social support system.
To dream that something is on sale, represents opportunities that are readily available to you. Alternatively, it indicates that you are underestimating yourself in some area.
Dreaming that something is on sale, represents opportunities that are readily available to you.
To dream that you are in a garage, signifies a period of inactivity and idleness in your life. You feel that you are lacking direction or guidance in achieving your goals.
To dream that you are pulling your car into the garage, represents security and stability brought about by your accomplishments and efforts.
To dream that you are opening the garage door, denotes that you have made a decision about a matter. You have decided on the path you want to take to reach your opportunities and goals. On the other hand, if you are closing the garage door, then it suggests that you are putting off your goals for the sake of others around you.
Dreaming that you are in a garage means a period of inactivity and idleness in your life. You may feel that you have no direction or guidance toward achieving your goals. Dreaming that you are pulling your car into the garage, represents security and stability brought about by your accomplishments and efforts. Dreaming that you are opening the garage door indicates that you have made a decision about a matter. You may have decided on the path you will take in reaching your opportunities and goals. On the other hand, if you are closing the garage door, then it suggests that you are putting off your goals for the sake of others around you.
Travelling is very common theme in dreams and travelling in a car is the most common. Travelling in a vehicle generally can represent our journey through life -- or a portion of our life's journey. If in your dream you find yourself in a garage or a car park, two varying connotations can be made. Please consider the content of your dream, the mood in it, and your current dilemma or situation in life. The parked car could represent a period of inactivity and indecision in your life. The dream could be pointing out that you have been idol for a period of time and that it may be a good time to "get a move on." The more positive interpretation of this dream may be that the parked car is symbolic of a reflective period or mood. You may be parked for a while so that you can rest, relax, regroup, and think things over.
To see people you know in your dream, signifies qualities and feelings of them that you desire for yourself. If these people are from your past, then the dream refers to your shadow and other unacknowledged aspects of yourself. It may represent a waking situation that is bringing out similar feelings from your past relationships.
To see people you don't know in your dream, denotes hidden aspects of yourself that you need to confront or acknowledge.
Seeing people you know in your dream means qualities and feelings of those people that you desire for yourself. Seeing people you don't know in your dream indicates hidden aspects of yourself that you need to confront. Seeing people from your past in your dream, refers to your shadow and other unacknowledged aspects of yourself. It can represent a waking situation that is bringing out similar feelings as your past relationships.
Of the utmost importance in symbolism, both in connexion with
their distinguishing features, their movement, shapes and colours, and because of
their relationship with man. The origins of animal symbolism are closely linked
with totemism and animal worship. The symbolism of any given animal varies
according to its position in the symbolic pattern, and to the attitude and context
in which it is depicted. Thus the frequent symbol of the ‘tamed animal’ can
signify the reversal of those symbolic meanings associated with the same animal
when wild. In the struggle between a knight and a wild or fabulous animal—one of
the most frequent themes in symbolism—the knight’s victory can consist either
in the death or in the taming of the animal. In Chrétien de Troyes’ mediaeval
romance, Yvain, the hero is assisted by a lion. In the legend of St. George, the
conquered dragon serves its conqueror. In the West, some of the earliest references to animal symbolism are found in Aristotle and in Pliny, but the most
important source is the treatise Physiologus, written in Alexandria in the 2nd
century A.D. Another important contribution was made one or two centuries
later by Horapollo, with his two treatises on Hieroglyphica, based on Egyptian
symbolism. From these sources flows a stream of mediaeval animal symbolism
which produced such notable bestiaries as that of Philip of Thaun (A.D. 1121),
Peter of Picardy and William of Normandy (13th century); or the De Animalibus,
attributed to Albertus Magnus; Libre de les besties of Raymond Lull; and
Fournival’s Bestiaire d’Amour (14th century). The primitives’ view of animals,
as analysed by Schneider (50), is mirrored in all these works, namely that while
man is an equivocal, ‘masked’ or complex being, the animal is univocal, for its
positive or negative qualities remain ever constant, thus making it possible to
classify each animal, once and for all, as belonging to a specific mode of cosmic
phenomena. More generally, the different stages of animal evolution, as manifested by the varying degrees of biological complexity, ranging from the insect and
the reptile to the mammal, reflect the hierarchy of the instincts. In Assyrian and
Persian bas-reliefs, the victory of a higher over a lower animal always stands for
the victory of the higher life over the lower instincts. A similar case is in the
characteristic struggle of the eagle with the snake as found in pre-Columbian
America. The victory of the lion over the bull usually signifies the victory of Day
over Night and, by analogy, Light triumphing over Darkness and Good over Evil.
The symbolic classification of animals is often related to that of the four Elements. Animals such as the duck, the frog and the fish, however much they may
differ one from the other, are all connected with the idea of water and hence with
the concept of the ‘primal waters’; consequently, they can stand as symbols of
the origin of things and of the powers of rebirth (37, 9). On the other hand, some animals, such as dragons and snakes, are sometimes assigned to water, sometimes
to earth and sometimes even to fire (17). However, the most generally accepted
classification—which is also the most fundamentally correct—associates aquatic
and amphibious animals with water; reptiles with earth; birds with air; and mammals (because they are warm-blooded) with fire. For the purposes of symbolic
art, animals are subdivided into two categories: natural (often in antithetical
pairs: toad/frog, owl/eagle, etc.) and fabulous. Within the cosmic order, the latter
occupy an intermediate position between the world of fully differentiated beings
and the world of formless matter (50). They may have been suggested by the
discovery of skeletons of antediluvian animals, and also by certain beings which,
though natural, are ambiguous in appearance (carnivorous plants, sea urchins,
flying fish, bats), and thus stand for flux and transformism, and also for purposeful evolution towards new forms. In any event, fabulous animals are powerful
instruments of psychological projection. The most important fabulous animals
are: chimaera, sphinx, lamia, minotaur, siren, triton, hydra, unicorn, griffin, harpy,
winged horse, hippogryph, dragon, etc. In some of these the transmutation is a
simple one, and clearly positive in character—such as Pegasus’ wings (the spiritualization of a lower force)—but more often the symbol is a consequence of a
more complex and ambiguous process of the imagination. The result is a range of
highly ambivalent symbols, whose significance is heightened by the ingrained
belief in the great powers exercised by such beings as well as in the magic importance of abnormality and deformity. In addition, there are animals which, while
hardly or not at all fabulous in appearance, are credited with non-existential or
supernatural qualities as the result of a symbolic projection (for example, the
pelican, phoenix, salamander). There is a fragment by Callimachus on the Age of
Saturn, in which animals have the power of speech (this being a symbol of the
Golden Age which preceded the emergence of the intellect—Man—when the
blind forces of Nature, not yet subject to the logos, were endowed with all sorts
of extraordinary and exalted qualities). Hebrew and Islamic traditions also include
references to ‘speaking animals’ (35). Another interesting classification is that of
‘lunar animals’, embracing all those animals whose life-span includes some kind
of cyclic alternation, with periodic appearances and disappearances (18). The
symbolism of such animals includes, in addition to the animal’s specific symbolic
significance, a whole range of lunar meanings. Schneider also mentions a very
curious primitive belief: namely, that the voice of those animals which can be said
to serve as symbols of heaven is high-pitched if the animal is large (the elephant,
for example), but low-pitched if the animal is small (as the bee); while the converse is true of earth-symbol animals. Some animals, in particular the eagle and the lion, seem to embody certain qualities, such as beauty and the fighting spirit,
to such an extent that they have come to be universally accepted as the allegorical
representations of these qualities. The emblematic animals of Roman signa were:
eagle, wolf, bull, horse and wild boar. In symbolism, whenever animals (or any
other symbolic elements) are brought together in a system, the order of arrangement is always highly significant, implying either hierarchical precedence or relative position in space. In alchemy, the descending order of precedence is symbolized by different animals, thus: the phoenix (the culmination of the alchemical
opus), the unicorn, the lion (the necessary qualities), the dragon (prime matter)
(32). Symbolic groups of animals are usually based on analogical and numerical
patterns: the tetramorphs of Western tradition, as found in the Bible, are a fundamental example; another example would be the Chinese series of the four benevolent animals: the unicorn, phoenix, turtle and dragon. The following animals occur
particularly in Romanesque art: the peacock, ox, eagle, hare, lion, cock, crane,
locust and partridge (50). Their symbolic meaning is mainly derived from the
Scriptures or from patristic tradition, though some meanings, arising from analogy, such as that between cruelty and the leopard, are immediately obvious (20).
The importance in Christianity of the symbols of the dove, the lamb and the fish
is well known. The significance of the attitudes in which symbolic animals are
depicted is usually self-evident: the counterbalancing of two identical—or two
different— animals, so common in heraldry, stands for balance (i.e. justice and
order, as symbolized for instance by the two snakes of the caduceus); the animals
are usually shown supporting a shield or surmounting the crest of a helmet. Jung
supports this interpretation with his observation that the counterbalancing of the
lion and the unicorn in Britain’s coat of arms stands for the inner stress of
balanced opposites finding their equilibrium in the centre (32). In alchemy, the
counterbalancing of the male and the female of the same species (lion/lioness, dog/
bitch) signifies the essential contrast between sulphur and mercury, the fixed and
the volatile elements. This is also the case when a winged animal is opposed to a
wingless one. The ancient interest in animals as vehicles of cosmic meanings, over
and above the mere fact of their physical existence, persisted from the earliest
beginnings of the Neolithic Age up to as late as 1767, with the publication of such
works as Jubile van den Heyligen Macarius. This treatise describes processions
in which each symbolic chariot has a characteristic animal (the peacock, phoenix,
pelican, unicorn, lion, eagle, stag, ostrich, dragon, crocodile, wild boar, goat, swan,
winged horse, rhinoceros, tiger and elephant). These same animals, together with
many others (such as the duck, donkey, ox, owl, horse, camel, ram, pig, deer stork, cat, griffin, ibis, leopard, wolf, fly, bear, bird, dove, panther, fish,-snake
and fox) are those mainly used also as watermarks in papermaking. The use of
watermarks, undoubtedly mystical and symbolic in origin, spread throughout the
Western world from the end of the 13th century onwards. All the above particular
symbolic uses rest on a general symbolism of animals, in which they are related to
three main ideas: the animal as a mount (i.e. as a means of transport); as an object
of sacrifice; and as an inferior form of life (4). The appearance of animals in
dreams or visions, as in Fuseli’s famous painting, expresses an energy still undifferentiated and not yet rationalized, nor yet mastered by the will (in the sense of
that which controls the instincts) (31). According to Jung, the animal stands for
the non-human psyche, for the world of subhuman instincts, and for the unconscious areas of the psyche. The more primitive the animal, the deeper the stratum
of which it is an expression. As in all symbolism, the greater the number of objects
depicted, the baser and the more primitive is the meaning (56). Identifying oneself
with animals represents integration of the unconscious and sometimes—like immersion in the primal waters—rejuvenation through bathing in the sources of life
itself (32). It is obvious that, for pre-Christian man (as well as in amoral cults),
the animal signifies exaltation rather than opposition. This is clearly seen in the
Roman signa, showing eagles and wolves symbolically placed on cubes (the
earth) and spheres (heaven, the universe) in order to express the triumphant
power of the force of an instinct. With regard to mythic animals, a more extensive
treatment of this subject is to be found in the Manual de zoología fantástica of
Borges y Guerrero (Mexico and Buenos Aires, 1957), in which such creatures are
characterized as basically symbolic and, in most cases, expressive of ‘cosmic
terror’.
To see animals in your dream, represent your own physical characteristic, primitive desires, and sexual nature, depending on the qualities of the particular animal. Animals symbolize the untamed and uncivilized aspects of yourself. Thus, to dream that you are fighting with an animal signifies a hidden part of yourself that you are trying to reject and push back into your subconscious. Refer to the specific animal in your dream.
To dream that animals can talk, represent superior knowledge. Its message is often some form of wisdom. Alternatively, a talking animal denotes your potential to be all that you can be.
To dream that you are saving the life of an animal, suggests that you are successfully acknowledging certain emotions and characteristics represented by the animal. The dream may also stem from feelings of inadequacy or being overwhelmed. If you are setting an animal free, then it indicates an expression and release of your own primal desires.
To see lab animals in your dream, suggest that an aspect of yourself is being repressed. You feel that you are not able to fully express your desires and emotions. Alternatively, it suggests that you need to experiment with your fears, choices, and beliefs. Try not to limit yourself.
To dream of an end to something, represents an achievement or goal that has been reached. It may also mean that the bad times are coming to an end. Or perhaps your time is running out and you need to come to a decision about some issue. The end of something also signals the beginning of something new.