To dream that you are tending to your crop, represents growth, self-love, and self-appreciation. In the end, your hard work will pay off.

Dreaming that you are tending to your crop, represents growth, self-love, and self-appreciation. In the end, your hard work is paying off.

To dream of the month of June, signifies gains and progress in your endeavors.

To dream of June, foretells unusual gains in all undertakings.

For a woman to think that vegetation is decaying, or that a drouth is devastating the land, she will have sorrow and loss which will be lasting in its effects.

To dream of June, foretells unusual gains in all undertakings.

For a woman to think that vegetation is decaying, or that a drouth is devastating the land, she will have sorrow and loss which will be lasting in its effects.

Dreaming of the month of June means unusual gains in all your endeavors.

The planets constitute a particular order within the cosmos. It is the
business of the science of astronomy to study them from a naturalistic and
mathematical point of view, upon the basis of the system which Copernicus
established with his De Revolutionibus Orbium Coelestium of 1543, according to
which the sun is the centre around which are set the orbits of the planets: Mercury, the nearest, followed by Venus, Earth, Mars, the Asteroids, Jupiter, Saturn,
Uranus, Neptune (and Pluto). But astrology and traditional symbolism owe their
inspiration not to the Copernican system but to that which had been accepted by
the Ancients. Since the validity of the symbolism here depends exclusively upon
a process of catasterism (that is, the projection of a given mental order into the
celestial order, or the interpretation of a ‘series’ capable of explaining phenomena
in the psychological and spiritual world) it is unnecessary for us to examine the
complex question of how far the Ptolemaic system (in part confirmed by the
Theory of Relativity) can be reconciled with the Copernican. At the same time,
the fact of there being seven planets responds to the idea of the seven planetary
heavens, which in turn tallies with that of the seven Directions or areas in space
(which in turn, when transposed into terms of time, becomes the origin of the
seven days of the week). The relationship of the planets to the seven points in
space is as follows: Sun—the zenith, Moon—the nadir, Mercury—the centre,
Venus—the West, Mars—the South, Jupiter—the East, and Saturn—the North
(54). The order in which astrology places the planets—counting the Sun and the
Moon also as planets—is as follows, taking the Earth as the centre and then
proceeding from the nearest to the farthest: Moon, Mercury, Venus, the Sun,
Mars, Jupiter, Saturn (Uranus and Neptune, although these two are not generally
counted). The sex of these entities is clearly established so far as Venus, Mars,
Jupiter and Saturn are concerned. Mercury appears as both masculine and androgynous. The Sun and the Moon have interchanged their sex through the ages,
according to the culture of the period. The mystic basis of the planetary myth is
to be sought in the generalization of Varro to the effect that the planets are
celestial bodies and, at the same time, generators of life (7). Each of these generating powers has a characteristic sphere of action, which is its ‘heaven’, and the
influence of this ‘heaven’ spreads out through the interpenetrating zones of space.
Planetary symbolism reaches its highest degree of complexity in its relationship
to the Zodiac; whereas the Zodiac symbolizes the grades and phases of a given
cycle of creation, the planetary ‘series’ expresses rather the pattern of the moral
world. The theory of ‘correspondences’, applied to the planets, educes a complex system wherein each planet is seen as a particular ‘mode’ endowed with a
specific characteristic, and related to one particular Sense, or a metal, a perfume,
or a plant, for example. It is more important, however, to grasp the connexion of
each planet with a given virtue or tendency: thus, the Sun is related to the will and
to activity, the Moon to imagination and the world of forms, Mars to action and
destruction, Mercury to intuition and movement, Jupiter to good judgement and
direction, Venus to love and relationships, Saturn to endurance and reserve. However, the fundamental tendencies of these qualities are sometimes negative and
sometimes positive. Ely Star suggests the following arrangement, in accordance
with the principles of evolution and spiritualization: Sun—potential good, Moon—
potential evil, Mercury—duality and, consequently, free will, Venus—objective
good, Mars—objective evil, Jupiter—subjective good, Saturn—subjective evil.
The planets are thus divided into two zones, one luminous and the other dark,
both of them necessary to the cycle of existence; these zones correspond to the
clear and dark sections respectively of the Chinese symbol of universal flux—the
Yang-Yin (54). Mertens-Stienon has studied the planetary powers in their theogonic
aspect, proceeding from the outside inward, so that the most distant becomes the
oldest and the most ‘primitive’ of the gods: Uranus engenders Saturn (celestial
space creates time), and the reign of Saturn is succeeded by the constructive order
of Jupiter; next comes the offspring of Jupiter—Mars (the active principle),
Venus (the passive) and Mercury (the neutral) (40). From the symbolic point of
view, this evolutive series draws the inquirer inwards, concentrating itself within
the human spirit, since the spirit is the microcosm which reflects the macrocosmic
universe. The importance of the planetary archetypes is apparent in the persistent influence of Graeco-Roman mythology, for it was the classic myths that
most clearly and forcibly expressed their inner meaning; as Jean Seznec (53) has
shown, these myths continued in popularity throughout the Christian culture of
the Middle Ages and the Renaissance unopposed by the Church, since it perceived their symbolic and psychological truth. Waldemar Fenn maintains that
there are certain prehistoric engravings which contain groups of four and of three
component elements and that these drawings correspond to planetary configurations. The popular art of the Nordic races, of course, keeps to this division of the spheres—essential from the psychological viewpoint—into two groups: an inner
group of three factors and an outer one of four. Given the equation of the planets
with the seven Directions of Space (as we have previously outlined), then the
inner group (disposed along the vertical axis) would comprise the series of SunMercury-Moon, while the outer, equivalent to the cardinal points, relates to
Venus-Mars-Jupiter-Saturn. This suggests that, as components of the human
spirit, the three central ingredients have more importance and greater influence
than the outer four, since the latter concern the square and the symbolism of
situation and limitation (as with the tetramorphs), whereas the former constitute
the very psychic dynamism of the ternary order, comprehending the active, the
passive and the neuter.

Dreaming about planets could represent desire to explore either our internal world or the world of our egos (the external or physical world). Planets could also represent deeper things such as the way that we relate to ourselves. They can say something about the relationship that exists between our soul and ego. An orbiting planet could represent your ego. It is travelling around the sun (i.e. soul) and the entire thing could be a huge circle that is you.

At times it is synonymous with the circumference, just as the circumference is often equated with circular movement. But although its general meaning
embraces both aspects, there are some further details which it is important to
emphasize. The circle or disk is, very frequently, an emblem of the sun (and
indisputably so when it is surrounded by rays). It also bears a certain relationship
to the number ten (symbolizing the return to unity from multiplicity) (49), when
it comes to stand for heaven and perfection (4) and sometimes eternity as well
(20). There are profound psychological implications in this particular concept of
perfection. As Jung observes, the square, representing the lowest of the composite and factorial numbers, symbolizes the pluralist state of man who has not
achieved inner unity (perfection) whilst the circle would correspond to this ultimate state of Oneness. The octagon is the intermediate state between the square
and the circle. Representations of the relationship between the circle and the square are very common in the universal and spiritual world of morphology,
notably in the mandalas of India and Tibet and in Chinese emblems. Indeed,
according to Chochod, in China, activity, or the masculine principle (Yang), is
represented by a white circle (depicting heaven), whereas passivity, the feminine
principle (Yin) is denoted by a black square (portraying earth). The white circle
stands for energy and celestial influences and the black square for telluric forces.
The interaction implicit in dualism is represented by the famous symbol of the Yang-Yin, a circle divided into two equal sections by a sigmoid line across the
diameter, the white section (Yang) having a black spot within it, and the black
(Yin) a white spot. These two spots signify that there is always something of the
feminine in the masculine and something of the masculine in the feminine. The
sigmoid line is a symbol of the movement of communication and serves the
purpose of implying—like the swastika—the idea of rotation, so imparting a
dynamic and complementary character to this bipartite symbol. The law of polarity has been, the subject of much thought among Chinese philosophers, who
have deduced from this bipolar symbol a series of principles of unquestionable
value, which we here transcribe: (a) the quantity of energy distributed throughout
the universe is invariable; (b) it consists of the sum of two equal amounts of
energy, one positive and active in kind and the other negative and passive; (c) the
nature of cosmic phenomena is characterized by the varying proportions of the
two modes of energy involved in their creation. In the twelve months of the year,
for example, there is a given quantity of energy drawn from six parts of Yang and
six of Yin, in varying proportions (13). We must also point to the relationship
between the circle and the sphere, which is a symbol of the All.

To see a circle in your dream, symbolizes perfection, completeness, immortality and/or wholeness. On a less positive note, it may also mean that you are going around in circles in some situation. Or the circle can indicate monotony and endless repetition.

To see circles within circles in your dream, indicate that you are well protected or that you are being overly guarded. You may need to let down your defenses. Alternatively, the dream may highlight the notion that you are going around in a vicious circle. You need to somehow find a way to break this circle.

To see an imperfect or incomplete circle in your dream, suggests that you will face many obstacles and setbacks toward achieving your goals. You need to work on your inner self and develop more knowledge. Eventually, you will overcome these obstacles and find that your struggles are well worth it.

To see a circle with a cross, symbolizes earth. It may also serve as guidance toward the center and self-orientation.

To dream of a circle, denotes that your affairs will deceive you in their proportions of gain. For a young woman to dream of a circle, warns her of indiscreet involvement to the exclusion of marriage.

Seeing a circle in your dream, foretells that you will have fabulous luck in securing your fortune and happiness. The circle symbolizes perfection, completeness and wholeness. On a less positive note, it may also mean that you are going around in circles in a particular situation.. Seeing an imperfect circle in your dream means that you will face many obstacles and setbacks in achieving your goals. In the end, you will overcome these obstacles and you will find that your struggle was well worth it. Seeing a circle with a cross, symbolizes earth. It may also serve as guidance toward the center and self-orientation.

The circle symbolises infinity, the circle of life and the eternal unknown. You, the dreamer, may have come to a greater degree of spiritual awareness, so the dream could be spiritual in nature. It is one of the most important dream symbols that represent the psychic centre of personality. It is symbolic of wholeness, completeness and unity of the self. However, as always, examine all of the details in the dream, as well as its tone and mood, and rule out the possibility of "going in circles" as the primary message in the dream.