To dream of trees in new foliage, foretells a happy consummation of hopes and desires. Dead trees signal sorrow and loss.

To climb a tree is a sign of swift elevation and preferment.

To cut one down, or pull it up by the roots, denotes that you will waste your energies and wealth foolishly.

To see green tress newly felled, portends unhappiness coming unexpectedly upon scenes of enjoyment, or prosperity.

To see lush green trees in your dream, symbolize new hopes, growth, desires, knowledge, and life. It also implies strength, protection and stability. You are concentrating on your own self-development and individuation.

To dream that you are climbing a tree, signifies achievement of your career goals and attainment of higher positions in life. The speed at which you climb the tree will parallel the speed of your achievement of these goals.

To dream that you chop or cut down a tree, indicates that you are wasting your energy, time, and money on foolish pursuits. Alternatively, the dream may be a comment on your sexual fear or guilt.

To see a falling tree in your dream, means that you are feeling off balance and out of sync. Perhaps, you are off track and headed in the wrong direction.

To see a withered or dead tree in your dream, indicates that your hopes and desires have been dashed. You are experiencing some instability and setback in your life. Alternatively, the dead tree represents infertility or a lack of virility. Perhaps it signal an end to a familial line (as in a family tree).

To see bare trees in your dream, indicate used up energy. You have put your all into some relationship or project and now you are exhausted. Perhaps you are even feeling depressed. Alternatively, the dream signifies the cycle of life or the passage of time.

To see crows perched on the dead tree, symbolizes the end of some cycle or behavior. It is representative of death.

Seeing lush green trees in your dream, symbolizes new hopes, growth and desires. It also implies strength and stability. You are concentrating on your own self-development and individuation. Dreaming that you are climbing a tree means that you will achieve your career goals and reach those high places in society. The degree of difficulty to which you climb the tree will measure the speed of your achievement of these goals Dreaming that you cut down a tree means that you are wasting your energy, time, and money on foolish pursuits. Seeing a falling tree in your dream indicates that you are off balance and out of sync. You are off track and headed in the wrong direction.

It is quite common to laugh in dreams, and from time to time to find yourself still laughing when you wake up. Often, the more you think about it after waking the more you wonder what was so funny. It may seem that there wasn't anything worth laughing for at all to your waking mind or, if you're lucky, it may still be funny and you may find yourself sniggering at the dream all day, or even longer.

You may be able to make more sense of your dream if you try and isolate the images or symbols that made you laugh. Sometimes laughter can simply be a way to amuse you, for light relief, and other times laughter and joking can be used to emphasize a more serious issue. As the old adage goes, many a true word is spoken in jest. So it could be that your dream is trying to get a serious point across through the medium of comedy.

Negative laughter, directed at you for instance, can have connections with embarrassment, emotions and vulnerability. This could reflect particular areas of your life where you feel susceptible to ridicule, or even paranoia regarding how others perceive you. There is also the possibility that you are laughing negatively at yourself because of your own pretensions.

To notice the earth in your dream, indicates that you need to be "grounded" and realistic. Perhaps your sense of stability and security is lacking. Consider the consistency of the earth for additional significance on how you are feeling. If the earth opens or separates, then it represents a project or relationship that you are afraid of falling into.

To see the planet Earth in your dream, signifies wholeness and global consciousness. You are interconnected with the world.

Seeing the earth in your dream means wholeness and global consciousness. It may also symbolize the sense of being "grounded" and your need to be realistic.

In theogony, the Sun represents the moment (surpassing all others in the
succession of celestial dynasties) when the heroic principle shines at its brightest.
Thus, after Uranus, Saturn and Jupiter, comes Helios Apollo. On occasion, the
Sun appears as the direct son and heir of the god of heaven, and Krappe notes that
he inherits one of the most notable and moral of the attributes of this deity: he
sees all and, in consequence, knows all. In India, as Sûrya, it is the eye of Varuna;
in Persia, it is the eye of Ahuramazda; in Greece, as Helios, the eye of Zeus (or of
Uranus); in Egypt it is the eye of Ra, and in Islam, of Allah (35). With his
‘youthful’ and filial characteristic, the Sun is associated with the hero, as opposed
to the father, who connotes the heavens, although the two (sun and sky) are
sometimes equated. Hence, the weapon of heaven is the net (the pattern of the
stars) or the power of binding; while the hero is armed with the sword (symbolically associated with fire). And it is for this reason that heroes are promoted to
solar eminence and even identified with the Sun itself. In a given period of history
and at a certain cultural level, the solar cult is the predominant if not the only one.
Frazer, however, as Eliade has noted, brought out the divergencies of the solar
elements in the sacred rites of Africa, of Australia and Oceania as a whole, and of
North and South America. The cult of the Sun reached an advanced stage of
development only in the New World, and—most advanced of all—in Mexico and
Peru. Eliade concludes that, since these were the only countries in pre-Columbian
America to evolve a viable political system, it may be concluded that there is a
parallel between predominantly solar cults and ‘historical’ forms of human existence. We must not overlook the fact that Rome, the most powerful political force
of Antiquity, and the originator of the historical sense, upheld solar hierophany,
which, during the Empire, dominated all other cults in the form of Mithraic ritual
(17). An heroic and courageous force, creative and guiding—this is the core of
solar symbolism; it may actually come to constitute a religion complete in itself,
as is shown by the ‘heresy’ of Ikhnaton in the 18th dynasty of Egypt; here the
hymns to the sun are, setting aside their profound lyrical interest, expressions of
theories about the beneficent activity of the king of astral bodies. The sun on the
horizon had long served the Egyptians of the Ancient Empire as a means of
defining ‘brightness’ or ‘splendour’. They were also forcibly struck by the analogy between the daily disappearance of the Sun and the winter solstice (19). At same time, there was, for the primitive, astrobiological mind, an essential connexion
between the Sun and Moon, analogous to that between heaven and earth. It is well
known that, for the vast majority of peoples, the sky is symbolic of the active
principle (related to the masculine sex and to the spirit), while the earth symbolizes the passive principle (cognate with the feminine sex and with matter); these
equations, nevertheless, are occasionally transposed. And the same thing happens with the Sun and Moon: solar ‘passion’, so to speak, with its heroic and
fierce character, clearly had to be assimilated to the masculine principle, and the
pale and delicate nature of lunar light, with its connexion with the waters of the ocean (and the rhythm of woman), obviously had to be classified as feminine.
These equations are certainly not constant; but the exceptions do not invalidate
the essential truth of this symbolism. Even physically speaking, the Moon merely
fulfils the passive rôle of reflecting the light which the Sun actively diffuses.
Many primitive tribes hold that the eyes of heaven are the Sun and the Moon
located on either side of the ‘world-axis’, and there are prehistoric drawings and
engravings which may be interpreted after this fashion. Eliade notes that, for the
Pigmies and Bushmen, the sun is the eye of the supreme god. The Samoyeds see
the Sun and the Moon as the eyes of heaven, the Sun being the good eye, and the
Moon the evil eye (one can see here an unequivocal instance of the symbolism of
dualism expanded by the assimilation of that of moral polarity). The idea of the
invincible character of the sun is reinforced by the belief that whereas the Moon
must suffer fragmentation (since it wanes) before it can reach its monthly stage of
three-day disappearance, the Sun does not need to die in order to descend into
hell; it can reach the ocean or the lake of the Lower Waters and cross it without
being dissolved. Hence, the death of the Sun necessarily implies the idea of
resurrection and actually comes to be regarded as a death which is not a true death.
For this reason, too, ancestor-worship is associated with the cult of the sun, in
order to offer the symbolic promise of protection and salvation. Megalithic monuments are based upon the amalgamation of these two cults (17). Thus, the broadest and most authentic interpretation sees the sun as the cosmic reductio of the
masculine force, and the Moon of the feminine (49). This implies that the active
faculties (of reflexion, good judgement or will power) are solar, while the passive
qualities (imagination, sentiment and perception) are feminine, with intuition
possibly androgynous (26). The ‘correspondences’ of the Sun are chiefly gold,
among the metals, and, of the colours, yellow.
Alchemists regarded it as ‘gold prepared for the work’ or ‘philosophical
sulphur’, as opposed to the Moon and mercury (the metal), which is lunar (57).
Another alchemic concept, that of the Sol in homine (or the invisible essence of
the celestial Sun which nourishes the inborn fire of Man) (57), is an early pointer
to the way the astral body has latterly been interpreted by psychoanalysts,
narrowing its meaning down to that of heat or energy, equivalent to the fire of life
and the libido. Hence Jung’s point that the Sun is, in truth, a symbol of the source
of life and of the ultimate wholeness of man (32). But here there is probably some
inexactitude, for totality is in fact uniquely symbolized by the ‘conjunction’ of
the Sun and the Moon, as king and queen, brother and sister (32). In some
folklore-traditions, the urge to allude in some way to the supreme good, which, by definition, is incapable of definition, is met by the saying ‘to join the Sun and
the Moon’.
Now, having established the principal terms of solar symbolism—as an heroic image (Sol invictus, Sol salutis, Sol iustitiae) (14), as the divine eye, the active
principle and the source of life and energy—let us come back to the dualism of the
Sun as regards its hidden passage—its ‘Night Sea-Crossing’—symbolic of immanence (like the colour black) and also of sin, occultation and expiation. In the
Rigveda—Eliade reminds us—the Sun is ambivalent: on the one hand it is ‘resplendent’ and on the other it is ‘black’ or invisible, in which case it is associated
with chthonian and funereal animals such as the horse and the serpent (17).
Alchemists took up this image of the Sol niger to symbolize ‘prime matter’, or
the unconscious in its base, ‘unworked’ state. In other words, the Sun is then at
the nadir, in the depths out of which it must, slowly and painfully, ascend
towards its zenith. This inevitable ascent does not relate to its daily journey,
although this is used as an image, and hence it is symbolized by the transmutation
of prime matter into gold, passing through the white and red stages, like the Sun
itself in its orbit. Of undoubted interest, as an indication of the intensity of man’s
attitude towards the Sun, is the reference by Tacitus and Strabo to the ‘sound’
made by the Sun as it rises in the East and drowns in the oceans of the West. The
sudden disappearance of the Sun below the horizon is related to the sudden death
of heroes such as Samson, Hercules and Siegfried (35).

To dream of seeing a clear, shining sunrise, foretells joyous events and prosperity, which give delightful promises.

To see the sun at noontide, denotes the maturity of ambitions and signals unbounded satisfaction.

To see the sunset, is prognostic of joys and wealth passing their zenith, and warns you to care for your interests with renewed vigilance.

A sun shining through clouds, denotes that troubles and difficulties are losing hold on you, and prosperity is nearing you.

If the sun appears weird, or in an eclipse, there will be stormy and dangerous times, but these will eventually pass, leaving your business and domestic affairs in better forms than before.

To see the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy and divine power. Generally, the sun is a good omen, especially if the sun is shining in your dream. The sun may also be a metaphor for your "son".

To dream that the sun has a creepy, harsh glare, represents a significant disruption or serious problem in your life. The sun is considered a life-giver and thus, any abnormalities and peculiarities to the sun's appearance represents some sort of pain or chaos occurring in your waking life.

Seeing the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy. It is a good omen to have the sun shining in your dream.

The sun sustains all life on Earth. When you see it in your dreams, it suggests that you are being nurtured and sustained by your environment and your life choices. It could also represent a spiritual force or the light of God. Sunrise may indicate new beginnings and a new wave of energy while sunsets suggest a period of closure and completion. Sunlight in your dreams is never a negative symbol. Light always symbolises or indicates consciousness and may signify masculine energy. Its presence, even in the most disturbing dreams, has reassuring qualities. Old dream interpretation books say that sun shining on you is an omen of good fortune and good will.

Planet: Sun.
Season: Summer.
Positive associations with this tarot card:
happiness, greatness, enlightenment, vitality, good health, love, fulfillment.
Negative associations with this tarot card:
misjudgement, delays, potential failure, inflated ego.
Simply one of the best, if not the best, cards in the Tarot. The Sun is a most welcome card and a signal of very happy, joyous times.
This card can represent holidays, good news around children or perhaps news or the conception or birth of a much wanted baby.
The Sun heralds a time of fun with friends and family and agreeable companionships and relationships.
Ultimately The Sun dispels negativity and promises of a happy ending.
Negatively The Sun perhaps suggests delays to your plans or achievements and does warn against arrogance and misjudgement caused by an inflated ego.

Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.

To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.

If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.

To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.

To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.

For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.

Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.

All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.

To see your own eyes in your dream, represent enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts.

To dream that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others.

To dream that you have one eye, indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking.

To dream that you have a third eye, symbolizes inner vision, insight, instinct or some psychic ability you have yet untapped. You are able to see what others cannot. Or you need to start looking within yourself and trust your instincts.

To dream that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy.

To dream that you have crossed eyes, denotes that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.

To dream that your eyes are bleeding, symbolizes the sacrifices your have made and the difficulties you have endured. Alternatively, the dream signifies some very deep pain or internal conflict within your soul. Although you may not feel any physical pain, you are hurting inside. Perhaps you have been hiding the pain for so long that you forgot what pain feels like. There is some unrest or uneasiness within which needs to be addressed and resolved immediately.

Eyes are complex dream symbols and can be interpreted by considering the dreamer's experiences and the details in the dream (as is the case with all dream symbols). Some say that the eyes are the windows for the soul. Eyes symbolize perceptiveness, personal outlook, clairvoyance, curiosity, and knowledge. They also reveal information about personal identity and suggest to the dreamer what they should pay attention to. Closed eyes are said to represent fear and an unwillingness to see clearly. Superstition-based dream interpretations say that if the eyes in your dream are beautiful they represent peace. Crossed eyes may be an unconscious warning about someone’s character, integrity, or misperceptions.

The corporeal image of a given process, or of becoming, or of the
passage of time. In Hindu doctrine, the dance of Shiva in his rôle as Natarâjâ (the
King of the Cosmic Dance, symbolizing the union of space and time within
evolution) clearly has this meaning (6). There is a universal belief that, in so far as
it is a rhythmic art-form, it is a symbol of the act of creation (56). This is why the
dance is one of the most ancient forms of magic. Every dance is a pantomime of
metamorphosis (and so calls for a mask to facilitate and conceal the transformation), which seeks to change the dancer into a god, a demon or some other chosen
form of existence. Its function is, in consequence, cosmogonic. The dance is the
incarnation of eternal energy: this is the meaning of the circle of flames surrounding the ‘dancing Shiva’ (60). Dances performed by people with linked arms
symbolize cosmic matrimony, or the union of heaven and earth—the chain-symbol—and in this way they facilitate the union of man and wife (51).

To dream that you are dancing, signifies freedom from any constraints and restrictions. Your life is in balance and in harmony. Dancing also represents frivolity, happiness, gracefulness, sensuality and sexual desires. You need to incorporate these qualities in your waking life.

To dream that you are dancing with a partner, signifies intimacy and a union of the masculine and feminine aspects of yourself. If you are leading, then it indicates that you are in control of your personal life. It could also mean that you are being overly aggressive and assertive.

To dream that you are attending or going to a dance, indicates a celebration and your attempts to achieve happiness. Consider the phrase the "dance of life" which suggests creation, ecstasy, and going with what life has to offer you.

To see children dancing in your dream, indicates a happy home life.

To see ritualistic dancing in your dream, denotes your need to get in touch with the spirit within.

To dream of seeing a crowd of merry children dancing, signifies to the married, loving, obedient and intelligent children and a cheerful and comfortable home. To young people, it denotes easy tasks and many pleasures.

To see older people dancing, denotes a brighter outlook for business.

To dream of dancing yourself, some unexpected good fortune will come to you.

Dreaming that you are dancing means freedom from constraints and harmony/balance with yourself. You are working in cooperation with yourself. It also represents frivolity, happiness, gracefulness, sensuality and sexual desires. Alternatively, it may signify intimacy and a union of the masculine and feminine aspects of yourself. Dreaming that you are attending or going to a dance indicates a celebration and your attempts to achieve happiness. Consider the phrase the "dance of life" which suggests creation, ecstasy, and going with what life has to offer you. Seeing children dancing in your dream means that you will have a comfortable home, and healthy, well-behaved children in the future. Seeing ritualistic dancing in your dream indicates your need to get in touch with the spirit within..

To see leaves in your dream, signify new found happiness and improvements in various aspects of your life. It is symbolic of fertility, growth and openness. Alternatively, leaves represent a passage of time. Depending on the color and type of leaf, the dream could be highlighting a certain period of time. The leaves may also be a metaphor to "leave" you alone.

To see brown or withered leaves in your dream, signifies fallen hopes, despair, sadness and loss. If you are sweeping or raking leaves, then it represents the end of a project, relationship or situation. It also signifies experience.

To dream of leaves, denotes happiness and wonderful improvement in your business.

Withered leaves, indicate false hopes and gloomy forebodings will harass your spirit into a whirlpool of despondency and loss.

If a young woman dreams of withered leaves, she will be left lonely on the road to conjugality. Death is sometimes implied.

If the leaves are green and fresh, she will come into a legacy and marry a wealthy and prepossessing husband.

Seeing leaves in your dream means new found happiness and an improvement in various aspects of your life. It is symbolic of growth and openness. Seeing brown or withered leaves in your dream means fallen hopes, despair, and loss.