I was walking down a windy road...
My perception was a little distorted... my depth perception a little out of wack. By it was very colourful.
A woman was walking down a path alongside the road.. headed toward me.
As she passed my I noticed she wore some kind of odd wiched hat, and had a mesh covering her face. A swarm of bees or flies circled her head.
She seemed very annoyed. (perhaps by the insects)
I then realised the absurdity of the situation.
Instantly I snapped into a lucid realisation. I'm in a dream!!!
I started controlling my reality... I acted as an artist... I painted rainbows on the sky... I painted blooming flowers and even little bunny rabbits!!! (incredibly corny and fluffy I know, but I have a severe imbalance of nightmares over pleasant dream experiences, so it was nice to create a bit of change :)
I started getting a bit giddy with power and overloaded on joy...
Then suddenly the three "henchmen" appeared dressed in black.
They went to the bottom left corner of my vision, and "peeled" the page backwards on my dream (!!!) suddenly I was in a dark space tied to a chair.
The 3 Henchmen told me that they would leave me tied up until I lost my lucid ability and believed that this reality was the only one......
Then I succumbed.... became weak and believed I was stuck there...
Then I awoke...
To see a road in your dream, refers to your sense of direction and how you are pursuing your goals. If the road is winding, curvy, or bumpy in your dream, then it suggests that you will encounter many obstacles and setbacks toward achieving your goals. You may be met with unexpected difficulties. If the road is dark, then it reflects the controversial or more frightening choices which you have made or are making.
If the road is smooth and bordered by trees or flowers, then it denotes a steady progress and steady climb up the social ladder. If the road is straight and narrow, then it means that your path to success is going as planned.
To see an unknown road in your dream, represents a path that has not been ventured. You are setting a new precedence for something.
To dream that a threatening creature is on a road, parallels a hostile situation/person you are encountering in your waking life. It is an obstacle that you need to overcome, no matter how intimidating the situation or person may appear.
Traveling over a rough, unknown road in a dream, signifies new undertakings, which will bring little else than grief and loss of time.
If the road is bordered with trees and flowers, there will be some pleasant and unexpected fortune for you. If friends accompany you, you will be successful in building an ideal home, with happy children and faithful wife, or husband.
To lose the road, foretells that you will make a mistake in deciding some question of trade, and suffer loss in consequence.
Seeing a road in your dream indicates your sense of direction and pursuit of your goals. Seeing a winding, curvy, or bumpy road in your dream, suggests that you will experience many obstacles and setbacks in achieving your goals. You may be met with unexpected difficulties. If the road is dark, then it reflects the darker or more frightening choices which you have made or are making. Seeing a smooth road bordered by green trees and flowers indicates a steady progress and steady climb up the social ladder. If the road is straight and narrow, then it means that your path to success is going according as planned. Seeing an unknown road in your dream means that you new project will cause more grief than it is worth and a waste of time. Dreaming that a threatening creature is on a road, parallels a hostile situation/person you are encountering in your waking life. It is an obstacle that you need to overcome, no matter how intimidating the situation or person may appear.
It usually symbolises the journey that we take to achieve our goals. The road in the dream represents a road in your life. It could be the road to your heart, spirit, or mind. Consider the kind of road that you are on and try to see how it relates to your daily realities. If the road is straight, well marked and lit, it may be reinforcement to you that you are moving in the right directions. If there are many obstacles and the road is very hard, consider your options.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
To dream of darkness overtaking you on a journey, augurs ill for any work you may attempt, unless the sun breaks through before the journey ends, then faults will be overcome.
To lose your friend, or child, in the darkness, portends many provocations to wrath. Try to remain under control after dreaming of darkness, for trials in business and love will beset you.
A dark place, such as a cave, in a dream can symbolize negative emotions. In your dream, are you able to find your way out of the dark place?
A dream about being in darkness can also mean that you believe you are being "kept in the dark" about something - that someone else is keeping a secret from you.
If you dream that you are afraid of the dark you could be unwilling to deal with obstacles that you expect to face in the future.
To see or read a page in your dream, signifies a summary of your life. It is a reflection of what you have done what where you are headed. Alternatively, it suggests that you are on the rebound from a broken relationship. Be careful not to jump into a hasty relationship with someone ill-suited for you.
To see a blank page in your dream, signifies unproductively. You are not doing anything or going anywhere in your life. You are stagnant state.
To dream that you are a page, refers to your lack of motivation. You are spending too much time on pleasure and fruitless activities.
To see a page, denotes that you will contract a hasty union with one unsuited to you. You will fail to control your romantic impulses.
If a young woman dreams she acts as a page, it denotes that she is likely to participate in some foolish escapade.
Seeing a page in your dream means that you are on the rebound from a broken relationship. As a result, you will enter into a hasty relationship will someone ill-suited for you. Seeing a blank page in your dream, suggests that you are not doing anything with your life. You are stagnant and feel that you are going nowhere. Dreaming that you are a page indicates that you will find yourself in foolish amusements and fruitless pleasure.
To dream that your vision is obstructed, indicates that you are about to make an error in judgment. There is something that you are not seeing clearly.
To see visions in your dream, indicate that your mind is free from any restraint and free to wander without any inhibitions. Such dreams are said to have a different feel. Some of these vision dreams may be described as epic dreams.
Dreaming that your vision is obstructed means that you are having difficulties and errors in judgment. Seeing strange visions in your dream indicates misfortune and illness.