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Entrapment

10/07/11
I have a hard time recalling this one. So some of the details may be missing, and difficult to explain. Near as I can tell the beginning story seems to involve me going to pick up this young kid, somewhere around 12. And it's at a ship harbor, what looks like olden times around the 16th Century or thereabouts. I'm the ranking man in charge as I guess this kid is gonna be working for me and my boss (although I can't remember who we're supposed to work for in this dream anymore?) but the kid seems to a sort of snippy attitude towards me, just a lil' bit though. Almost like "OH, I have to work for THIS guy, really?..." -This kid has on dark clothes with dark stringy hair, just above shoulder length...

A fuzzy interlude involving being in my house (although I'm not sure it's the same house to which I am currently living?) but it feels like I live there for sure. All I recall in this part of the dream is opening the fridge door to find a takeout bag from Wendy's with a burger resting inside. Usually when they go to Penticton without me round here they tend to pick me up a burger on the way back, and I reheat it in the microwave. I've cut that out of my diet for the past several months now but I remember the satisfaction.

Continuing with the food in this dream, from what I gather of my notes the next sequence involves me taking the kid under my wing as a rookie. When I show the kid I have what it takes to be leadership material he begins to warm up to the idea of taking orders from me. That's mostly due to the moment we share here. It's a cold wintery evening night and we're stationed for our mission on the bend of some sort of curved road. Although I've since forgotten what it was we're actually stationed there to DO? -It's a cold wintery night and yet there's no snow. We've apparently brought with us a pizza that we picked up. And it's so warm and delicious as we open it up and start digging in. It's nice to have that hot cheesy pizza on a night where our breath can be seen coming out as we exhale.

We begin making small talk about moments like these. I look at all the lights of all the houses below as I look down the embankment and see all the houses below. The road we're on kinda reminds me of Mulholland Dr. I see all the lights lit up in colors of green and red. Evening though I don't really feel like this moment is Christmas at all. None the less I start conversing with the kid telling him all of the good ol' days and how moments like these, eating pizza on the side of the road, staring at the lights of distant houses, just gives me a very nostalgic feeling. Makes me think of the holidays. I don't envision any music or anything here, it's actually pretty quiet, peaceful.

Meryl Streep is in a position of power. Possibly a senator or a military chief, Secretary of Defense or something (Could have something to do with the CIA?) Streep is confronted by some secret organization g-men. They apparently want Streep to sign off on some sort of secret operation. The details of which only come back to me in fragments. All I can say is these guys are definitely up to no good and are more than likely Illuminati.

Streep is the heroine who decides to stand her ground and basically tells them their plan is ridiculous, there's no way she'd ever sign off on this, and tells them to leave. They are not pleased, and voice it out loud to her, but they leave respectfully...

The situation worsens as they no longer have the option of doing this without getting their hands dirty. There is apparently some high ranking government official that stands in the way of their plans. Despite being one of their own (an American) they decide they need to take him out 'for the greater good' and use Streep to get to him. -But that's not enough for their conspiracy to go off without a hitch. They blackmail both Streep and Clint Eastwood into doing their bidding. Eastwood is an expert marksman and retired CIA agent. Somehow they twist Eastwood's arm in putting him in an impossible position. But he feels sick to his stomach none the less having to carry this out on an American like this. Streep communicates with Eastwood over earpiece communications. She tells Eastwood's character how sorry she is for getting hm involved in this (as it seems obvious their characters go back a ways in the story) and she lets the mystery men there WILL be repercussions as a result of the events here today!! -But being a professional that she is she knows it would cause more damage to fight this situation so she does her job and sees Eastwood through the assassination, relaying him intelligence info from a safe distance away.

Eastwood's heart is racing but he remains relatively calm as he walks up a set of stairs in a building. At the top of the stairs to the right there is another flight of stairs leading up. Eastwood stops at the top of the first flight and to the left there is a window. Eastwood leans up against the wall as he wants to remain out of sight and this is the spot he's expected to shoot from.

Eastwood doesn't want to be seen but he relays the general feeling that this is impossible, he's too exposed. I see him look down through the rifle scope, there is a house down below. He tries to stay back as far as possible encase there are any occupants. He scans the area beyond the house and can see the guy he's supposed to execute get closer to the house. He needs to take him out before then. This politician is quite popular and there's a lot of people crowding round.

Eastwood pans back down and looks at the house, becomes even more nervous as upon closer inspection he discovers and relays back what he sees, when finding that the house is almost made ENTIRELY of glass windows. There's too many reflective surfaces. Too many chances for him to be seen, and the operation to be cancelled.

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