In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

If you visit in your dreams, you will shortly have some pleasant occasion in your life.

If your visit is unpleasant, your enjoyment will be marred by the action of malicious persons.

For a friend to visit you, denotes that news of a favorable nature will soon reach you. If the friend appears sad and travel-worn, there will be a note of displeasure growing out of the visit, or other slight disappointments may follow. If she is dressed in black or white and looks pale or ghastly, serious illness or accidents are predicted.

To visit someone in your dream, suggests that you need to reconnect with this person in your waking life. Perhaps you have been neglecting that relationship.

To dream of the afternoon time, suggest that it is time to put your energies to good use. Draw and learn from your past experiences and lessons. Alternatively, it symbolizes clarity to a situation.

For a woman to dream of an afternoon, denotes she will form friendships which will be lasting and entertaining. A cloudy, rainy afternoon, implies disappointment and displeasure.

Dreaming of an enjoyable, bright and warm afternoon means that you will be soon delighted with the presence of good faithful friends. On the other hand, a cold, dark, humid afternoon will be the bad omen of sadness and disappointment.

To dream that you are taking a nap, suggests that you need to take a little time off to relax and take it easy. Give yourself a break.

Dreaming that you are taking a nap, suggests that you need to take a little time off to relax and take it easy. Give yourself a break.

To see friends in your dream, signify aspects of your personality that you have rejected, but are ready to incorporate and acknowledge. The relationships you have with those around you are important in learning about yourself. Alternatively, dreaming of a friend, indicates positive news.

To see your childhood friend in your dream, signifies regression into your past where you had no responsibilities. Things were much simpler and carefree. You may be wanting to escape the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend suggests that you have been acting in a childish manner. You need to start acting like an adult.

To dream that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.

To dream of friends being well and happy, denotes pleasant tidings of them, or you will soon see them or some of their relatives.

To see your friend troubled and haggard, sickness or distress is upon them.

To see your friends dark-colored, denotes unusual sickness or trouble to you or to them. To see them take the form of animals, signifies that enemies will separate you from your closest relations.

To see your friend who dresses in somber colors in flaming red, foretells that unpleasant things will transpire, causing you anxiety if not loss, and that friends will be implicated.

To dream you see a friend standing like a statue on a hill, denotes you will advance beyond present pursuits, but will retain former impressions of justice and knowledge, seeking these through every change. If the figure below be low, you will ignore your friends of former days in your future advancement. If it is on a plane or level with you, you will fail in your ambition to reach other spheres. If you seem to be going from it, you will force yourself to seek a change in spite of friendly ties or self-admonition.

To dream you see a friend with a white cloth tied over his face, denotes that you will be injured by some person who will endeavor to keep up friendly relations with you.

To dream that you are shaking hands with a person who has wronged you, and he is taking his departure and looks sad, foretells you will have differences with a close friend and alienation will perhaps follow. You are most assuredly nearing loss of some character.

Seeing your friends in your dream means aspects of your personality that you have rejected, but are ready to integrate these rejected part of yourself. The relationships you have with those around you are important in learning about yourself. Additionally, this symbol foretells of happy tidings from them and the arrival of good news. Seeing your childhood friend in your dream means regression into your past where you had no responsibilities and things were much simpler and carefree. You may be wanting to escape the the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend may be suggesting that you have been acting in a childish manner and you need to start acting like an adult. Dreaming that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.

To dream of an end to something, represents an achievement or goal that has been reached. It may also mean that the bad times are coming to an end. Or perhaps your time is running out and you need to come to a decision about some issue. The end of something also signals the beginning of something new.

To see or dream that you are in a greenhouse, represents transformation. You are experiencing some changes in your life brought about mainly as a result of your own doing. It also suggests that you may be too overly controlling. You want things done your way, but in the process you may be isolating yourself.

To see your sister in your dream, symbolizes some aspect of your relationship with her, whether it one of sibling rivalry, nurturance, protectiveness, etc. Your sister may draw attention to your family role. Or the dream may also serve to remind you that someone in your waking life has characteristics similar to your sister. Alternatively, your sister may be a metaphor for a nun. In this case, she may represent some spiritual issues.

If you do not have a sister and dream that you have one, then it signifies feminine qualities that you need to activate or acknowledge within your own self. Pay attention to the actions and behavior of your dream sister.

Seeing your sister in your dream, symbolizes some aspect of your relationship with her, whether it one of sibling rivalry, caring, protectiveness, etc. Your sister may draw attention to your family role and sense of belonging. It may also serve to remind you that someone in your waking life has characteristics similar to your sister. Alternatively, your sister may be a metaphor and actually refer to a nun. In this case, she may represent spiritual issues. If you do not have a sister and dream that you have one, then it means some qualities that you need to activate or acknowledge within your own self. Pay attention to the actions and behavior of your dream sister.

A symbol of individuality—of private thoughts. The windows symbolize the possibility of understanding and of passing through to the external and
the beyond, and are also an illustration of any idea of communication. Hence, a
closed room lacking windows may be symbolic of virginity, according to Frazer,
and also of other kinds of non-communication. Many rites involving the
enclosureimage are performed to mark the reaching of puberty, all over the world.
The legend about Danae, shut up by her father in a bronze tower, pertains to this
particular symbolism. There is a Siberian legend concerning a ‘dark house of iron’
which is also relevant to it (21). We might also mention the ‘vase with a lid’, one
of the eight emblems of good luck in Chinese Buddhism, and a symbol of wholeness, of the idea with no ‘exit’, or, in other words, of supreme intelligence triumphant over birth and death (signified respectively by the doors and windows of
the room) (5). This explains why the hermetically sealed room may possibly be
a variant form of the ‘vase with a lid’.

To dream that you are in a room, represents a particular aspect of yourself or a specific relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. If the room is welcoming or comfortable, then it signifies opulence and satisfaction in life. If you see a dark or confined room, then it denotes that you feel trapped or repressed in a situation.

To dream that you find or discover a new room, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Consider what you find in the discovered room as it may indicate repressed memories, fears, or rejected emotions. Alternatively, such rooms are symbolic of neglected skills or rejected potential.

To dream that you are in an empty white room, indicates a fresh start. It is like a blank canvas where you want to start life anew. Alternatively, the dream means that you are trying to isolate yourself. You do not want any outside influences.

To dream of a yellow room, suggests that you need to use your mind. You are feeling stimulated mentally.

Dreaming that you are in a room, represents a particular aspect of yourself or a particular relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. Dreaming that you find or discover new rooms, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Seeing an appealing or comfortable room in your dream means opulence and satisfaction in life. Seeing a dark, eerie or confining room indicates that that you feel trapped or repressed in a situation.

To see a couple in your dream, symbolize marriage, your parents, or a relationship. Consider what the couple are doing in your dream for additional clues about their significance. It may point to something that is lacking or missing from your life.