third eye noun
A sensory structure capable of light reception, located on the dorsal side of the diencephalon in various reptiles. Also called pineal eye.
"The third eye had to be re-opened if we were to get out of the maze," Mini said, "but since we no longer remembered that we had that ajna faculty, the eye of discernment, we could not go about seeking techniques for re-opening it. SOMETHING OUTSIDE HAD TO ENTER, something which we ourselves would be unable to build."
"So we didn't all fall into the maze," Fat said.
"No," Mini said. "And those that stayed outside, in other star systems, reported back to Albemuth that we had done this thing to ourselves... thus VALIS was constructed to rescue us. This is an irreal world. You realize that, I'm sure, VALIS made you realize that. We are in a living maze and not in a world at all."
There was silence as we considered this.
"And what happens when we get outside the maze?" Kevin said.
"We're freed from space and time," Mini said. "Space and time are the binding, controlling conditions of the maze - its power."
Fat and I glanced at each other. It dovetailed with our own speculations - speculations engineered by VALIS.
"And then we never die?" David asked.
"Correct," Mini said.
The essence of the question involved here is contained in the saying of
Plotinus that the eye would not be able to see the sun if, in a manner, it were not
itself a sun. Given that the sun is the source of light and that light is symbolic of
the intelligence and of the spirit, then the process of seeing represents a spiritual
act and symbolizes understanding. Hence, the ‘divine eye’ of the Egyptians—a
determinative sign in their hieroglyphics called Wadza—denotes ‘He who feeds
the sacred fire or the intelligence of Man’ (28)—Osiris, in fact. Very interesting,
too, is the way the Egyptians defined the eye—or, rather, the circle of the iris
with the pupil as centre—as the ‘sun in the mouth’ (or the creative Word) (8). René Magritte, the surrealist painter, has illustrated this same relationship between the sun and the mouth in one of his most fascinating paintings. The possession of two eyes conveys physical normality and its spiritual equivalent, and it
follows that the third eye is symbolic of the superhuman or the divine. As for the
single eye, its significance is ambivalent: on the one hand it implies the subhuman
because it is less than two (two eyes being equated with the norm); but on the
other hand, given its location in the forehead, above the place designated for the
eyes by nature, it seems to allude to extra-human powers which are in fact—in
mythology—incarnated in the Cyclops. At the same time the eye in the forehead
is linked up with the idea of destruction, for obvious reasons in the case of the
single eye; but the same also applies when there is a third eye in the forehead, as
with Siva (or Shiva). This is explained by reference to one of the facets of the
symbolism of the number three: for if three can be said to correspond to the
active, the passive and the neutral, it can also apply to creation, conservation and
destruction. Heterotopic eyes are the spiritual equivalent of sight, that is, of
clairvoyance. (Heterotopic eyes are those which have been transferred anatomically to various parts of the body, such as the hands, wings, torso, arms, and
different parts of the head, in figures of fantastic beings, angels, deities and so on.)
When the eyes are situated in the hand, for example, by association with the
symbolism of the hand they come to denote clairvoyant action. An excessive
number of eyes has an ambivalent significance which it is important to note. In
the first place, the eyes refer to night with its myriads of stars, in the second
place, paradoxically yet necessarily, the possessor of so many eyes is left in
darkness. Furthermore, by way of corroboration, let us recall that in symbolist
theory multiplicity is always a sign of inferiority. Such ambivalences are common
in the realm of the unconscious and its projected images. Instructive in this
connexion is the example of Argus, who with all his eyes could not escape death.
The Adversary (Satan, in Hebrew) has been represented in a variety of ways,
among others, as a being with many eyes. A Tarot card in the Cabinet des Estampes
in Paris (Kh. 34d), for instance, depicts the devil as Argus with many eyes all over
his body. Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it
were, a certain autonomy of character or which is directly associated with a
definite function, and portraying it as a face. Multiple faces and eyes imply
disintegration or psychic decomposition—a conception which lies at the root of the demoniacal idea of rending apart (59). Finally, to come back to the pure
meaning of the eye in itself, Jung considers it to be the maternal bosom, and the
pupil its ‘child’.
Thus the great solar god becomes a child again, seeking renovation at his mother’s bosom (a symbol, for the Egyptians, of the mouth) (31).
1 The Jungian idea is expressed as a pun. ‘Niña’ means both ‘daughter’ and ‘pupil (of the eye)’. The
phrase ‘Niña de los ojos’ is like the English ‘apple of one’s eye’, which gives something of the feel of
To dream of seeing an eye, warns you that watchful enemies are seeking the slightest chance to work injury to your business. This dream indicates to a lover, that a rival will usurp him if he is not careful.
To dream of brown eyes, denotes deceit and perfidy.
To see blue eyes, denotes weakness in carrying out any intention.
To see gray eyes, denotes a love of flattery for the owner.
To dream of losing an eye, or that the eyes are sore, denotes trouble.
To see a one-eyed man, denotes that you will be threatened with loss and trouble, beside which all others will appear insignificant.
Seeing your own eyes in your dream, represents enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts. Dreaming that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others. Dreaming that you have one eye indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking. Dreaming that you have a third eye, symbolizes inner vision and insight. You need to start looking within yourself. Dreaming that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy. Dreaming that you have crossed eyes indicates that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.
To dream that you are in a maze, denotes that you need to deal with a waking task on a more direct level. You are making the situation harder than it really is. Alternatively, the maze symbolizes life's twists and turns. It represents indecision, confusion, missteps, feeling lost or being misled.
Dreaming that you are in a maze indicates that you need to deal with the task on hand at a more direct level. You are making the situation harder than it really is. Alternatively, the maze may symbolize your life and its twists and turns.
The maze could represent your current mental outlook. A maze is a frightening and confusing place. If in your dream you are trapped in a maze and are having difficulty getting to the end, then you need to stop and consider your current emotional and psychological status. I don't mean to suggest anything is terribly wrong. Simply speaking, are you often confused and unsure of which way to go? If you are facing many hard decisions this dream is a good indicator that you need to step back and look at the entire picture. At times we are all emotionally disorganised and confused, but admitting this dream's message is step in the right direction.
To dream that you are fat, signifies a fortunate change in your life. You are experiencing abundance in some area of your life. Alternatively, the dream means that you are being overindulgent. You need to learn moderation. A more literal interpretation of this dream is your fears of gaining weight. You have an skewed perception of your own image which may stem from low self-esteem.
To dream that others are fat, signifies prosperity. Consider also the phrase "it ain't over till the fat lady sings" and how you need to wait for the final result and not assume the outcome.
To dream that you are getting fat, denotes that you are about to make a fortunate change in your life.
To see others fat, signifies prosperity.
Dreaming that you are fat means a fortunate change in your life or you may be overindulgent. A more literal interpretation of this dream is your fears of gaining weight. You have an skewed perception of your own image which may stem from low self-esteem. Dreaming that others are fat means prosperity.
Symbolically, the world is the realm in which a state of existence is
unfolded (25), comprising many component parts adhering together. Used in the
plural, the term pertains, in a sense, to space-symbolism, but the ‘worlds’ are
really only different modes of the spirit (26). The explanation of the cosmic and
moral significance of the three worlds (the infernal, the terrestrial and the celestial) is to be sought in the symbolism of level. The inferior must not always be
equated with the subterranean, for, in megalithic cultures, the latter was usually
located high up, or in the hollow interior of mountains (conceived as the dwellingplace of the dead). Guénon has pointed out that references to the ‘subterranean
world’ are found in a large number of cultural traditions, in which the ‘cult of the
cavern’ or cave is linked with that of the ‘centre’. One must also bear in mind the
equation of the cavern with the cave of the heart, the latter being considered as the
Centre of being or the Egg of the World (28).
To dream that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation.
To dream that you are saving the world, signifies confidence in your abilities and belief in yourself. You have a positive perspective on life and in where you are headed. Don't let someone or something prevent you from progressing forward or question your abilities.
Dreaming that it is the end of the world, suggests that you are under a tremendous level of stress. You may be feeling vulnerable or helpless in some situation. Dreaming that you are saving the world means confidence in your abilities and belief in yourself. You do not let others question your intelligence or your abilities and generally have a good perspective on life and what your goals are. Don't let someone or something prevent you from progressing forward.
Positive associations with this tarot card:
fulfillment, completion, satisfaction, joy, wholeness, success.
Negative associations with this tarot card:
stagnation, lack of will, impatience, delays.
The World heralds the arrival of your heart's desire, whatever that may be, a time of achievement, recognition, success and triumph.
This card signals a time of enjoyment, of holidays and travel, time with loved ones, a fulfilling relationship is on offer and spoiling yourself with the material things you've been wanting.
The World also marks the end of one cycle and the beginning of another.
Negatively, The World points toward delays and that you may still need to overcome some challenges before you suceed, so don't give up so close to the finish line.
Don't be lacking in vision or feel insecure, success will soon be yours.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.