---MOTHER SHIPTON'S POEM---
Mother Shipton Foretells of a Fiery Dragon in a prophetic poem that was published in 1641
A fiery dragon will cross the sky
Six times before this earth shall die
Mankind will tremble and frightened be
for the sixth heralds in this prophecy.
For seven days and seven nights
Man will watch this awesome sight.
The tides will rise beyond their ken
To bite away the shores and then
The mountains will begin to roar
And earthquakes split the plain to shore.
And flooding waters, rushing in
Will flood the lands with such a din
That mankind cowers in muddy fen
And snarls about his fellow men.
He bares his teeth and fights and kills
And secrets food in secret hills
And ugly in his fear, he lies
To kill marauders, thieves and spies.
Man flees in terror from the floods
And kills, and rapes and lies in blood
And spilling blood by man kinds hands
Will stain and bitter many lands
And when the dragon's tail is gone,
Man forgets, and smiles, and carries on
To apply himself - too late, too late
For mankind has earned deserved fate.
His masked smile - his false grandeur,
Will serve the Gods their anger stir.
And they will send the Dragon back
To light the sky - his tail will crack
Upon the earth and rend the earth
And man shall flee, King, Lord, and serf.
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
A fabulous animal and a universal, symbolic figure found in the
majority of the cultures of the world—primitive and oriental as well as classical.
A morphological study of the legendary dragon would lead to the conclusion that it is a kind of amalgam of elements taken from various animals that are particularly aggressive and dangerous, such as serpents, crocodiles, lions as well as
prehistoric animals (38). Krappe believes that the amazement occasioned by the
discovery of the remains of antediluvian monsters may have been a contributory
factor in the genesis of the mythic dragon. The dragon, in consequence, stands for
‘things animal’ par excellence, and here we have a first glimpse of its symbolic
meaning, related to the Sumerian concept of the animal as the ‘adversary’, a
concept which later came to be attached to the devil. Nevertheless, the dragon—
like all other symbols of the instincts in the non-moral religions of antiquity—
sometimes appears enthroned and all but deified, as, for example, in the standards
and pennons pertaining to the Chinese Manchu dynasty and to the Phoenicians
and Saxons (4). In a great many legends, overlaying its deepest symbolic sense,
the dragon appears with this very meaning of the primordial enemy with whom
combat is the supreme test. Apollo, Cadmus, Perseus and Siegfried all conquer
the dragon. In numerous masterpieces of hagiography, the patron saints of knighthood—St. George and St. Michael the Archangel—are depicted in the very act of
slaying the monster; there is no need to recall others than the St. George of
Carpaccio, or of Raphael, or the St. Michael of Tous by Bermejo. For Dontenville
(16), who tends to favour an historicist and sociological approach to the symbolism of legends, dragons signify plagues which beset the country (or the individual
if the symbol takes on a psychological implication). The worm, the snake and the
crocodile are all closely linked with the concept of the dragon in their own particular way. In France, the dragon is also related to the ogre as well as to Gargantua
and giants in general. In Schneider’s view, the dragon is a symbol of sickness (51).
But before going further into its meaning, let us quote some examples to show
how widespread are the references to this monster. The classics and the Bible
very frequently allude to it, providing us with detailed information about its
appearance, its nature and habits. But their descriptions point to not one but
several kinds of dragon, as Pinedo has noted: ‘Some give it the form of a winged
serpent; it lives in the air and the water, its jaws are immense, it swallows men and
animals having first killed them with its enormous tail. Conversely, others make
it a terrestrial animal, its jaws are quite small, its huge and powerful tail is an
instrument of destruction, and it also flies and feeds upon the blood of the animals
it kills; there are writers who consider it to be amphibious, in which case its head
becomes that of a beautiful woman with long flowing hair and it is even more
terrible than the previous versions.’ In the Bible, there are the following references to the dragon: Daniel xiv, 22, 27; Micah i, 8; Jeremiah xiv, 6; Revelation xii,
3, 7; Isaiah xxxiv, 13, and xliii, 20. There are further mentions by Rabanus Maurus (Opera, III), Pliny (VIII, 12), Galen, Pascal (De Coronis, IX), and among other
characteristics which these writers ascribe to the dragon are the following particularly interesting points: that it is strong and vigilant, it has exceptionally keen
eyesight, and it seems that its name comes from the Greek word derkein (‘seeing’). Hence it was given the function, in clear opposition to its terrible implications, of guarding temples and treasures (like the griffin), as well as being turned
into an allegory of prophecy and wisdom. In the Bible, it is the negative side of
the symbol which receives emphasis; it is interesting to note that the anagram of
Herod in Syrian—ierud and es—means ‘flaming dragon’ (46). Sometimes the
dragon is depicted with a number of heads and its symbolism then becomes
correspondingly unfavourable, given the regressive and involutive sense of all
numerical increase. ‘And behold a great red dragon, having seven heads and ten
horns, and seven crowns upon his heads
(’)
, in the words of Revelation (xii, 3). On
other occasions, the dragon is used in emblems, in which case it is the symbolism
of the form or shape which takes precedence over that of the animal, as for
example, the dragon biting its tail—the Gnostic Ouroboros, a symbol of all cyclic
processes and of time in particular. The dragon figured quite frequently in alchemy; for the alchemists, a number of dragons fighting with each other illustrated the state of putrefactio (separating out the Elements, or psychic disintegration). And the winged dragon represented the volatile element, while the wingless
creature stood for the fixed element (according to Albert Poison). It is perhaps in
China that this monster has been most utilized and has achieved its greatest
degree of transfiguration. Here it becomes an emblem of imperial power. Whereas
the Emperor numbered the five-clawed dragon among his ornaments, the officials
of his court had the right to keep only the four-clawed (5). According to Diel, the
generic dragon of China symbolizes the mastering and sublimation of wickedness
(15), because the implication is that of a ‘dragon conquered’, like that which
obeys St. George once he has overcome it. Frazer tells how the Chinese, when
they wish for rain, make a huge dragon out of wood and paper and carry it in
procession; but if it does not rain, then they destroy the dragon (21). Chuang-tzu
maintains that this arises from the fact that the dragon and the serpent, invested
with the most profound and all-embracing cosmic significance, are symbols for
‘rhythmic life’. The association of dragon/lightning/rain/fecundity is very common in archaic Chinese texts (17), for which reason the fabulous animal becomes
the connecting-link between the Upper Waters and earth. However, it is impossible to generalize about the dragon of Chinese mythology, for there are subterranean, aerial and aquatic dragons. ‘The earth joins up with the dragon’ means that
it is raining. It plays an important part as an intermediary, then, between the two extremes of the cosmic forces associated with the essential characteristics of the
three-level symbolism, that is: the highest level of spirituality; the intermediary
plane of the phenomenal life; and the lower level of inferior and telluric forces. A
related and powerful part of its meaning is that of strength and speed. The oldest
Chinese images of the dragon are very similar to those of the horse (13). In
esoteric Chinese thought, there are dragons which are linked with colour-symbolism: the red dragon is the guardian of higher science, the white dragon is a lunar
dragon. These colours derive from the planets and the signs of the Zodiac. In the
Middle Ages in the Western world, dragons make their appearance with the throat
and legs of an eagle, the body of a huge serpent, the wings of a bat and with a tail
culminating in an arrow twisted back upon itself. This, according to Count Pierre
Vincenti Piobb, signifies the fusion and confusion of the respective potentialities
of the component parts: the eagle standing for its celestial potential, the serpent
for its secret and subterranean characteristic, the wings for intellectual elevation,
and the tail (because the form is that of the zodiacal sign for Leo) for submission
to reason (48). But, broadly speaking, present-day psychology defines the dragonsymbol as ‘something terrible to overcome’, for only he who conquers the dragon
becomes a hero (56). Jung goes as far as to say that the dragon is a mother-image
(that is, a mirror of the maternal principle or of the unconscious) and that it
expresses the individual’s repugnance towards incest and the fear of committing
it (31), although he also suggests that it quite simply represents evil (32). Esoteric
Hebrew tradition insists that the deepest meaning of the mystery of the dragon
must remain inviolate (according to the rabbi Simeon ben Yochai, quoted by
Blavatsky) (9). The universal dragon (Katholikos ophis) of the Gnostics is the
‘way through all things’. It is related to the concept of chaos (‘our Chaos or Spirit
is a fiery dragon which conquers all things’—Philaletha, Introitus) and of dissolution (The dragon is the dissolution of bodies’). (The quotations are taken from the
Pseudo-Democritus.) Regarding symbols of dissolution, Hermetic doctrine uses
the following terms: Poison, viper, universal solvent, philosophical vinegar=the
potential of the undifferentiated (or the Solve), according to Evola. He adds that
dragons and bulls are the animals fought by sun-heroes (such as Mithras, Siegfried,
Hercules, Jason, Horus, or Apollo) and—bearing in mind the equations
woman=dragon, mercury and water; and green=’what is undigested’—that ‘if the
dragon reappears in the centre of the “Citadel of Philosophers” of Khunrath, it is
still a dragon which has to be conquered and slain: it is that which everlastingly
devours its own self, it is Mercury as an image of burning thirst or hunger or the
blind impulse towards gratification’, or, in other words, Nature enthralled and
conquered by Nature, or the mystery of the lunar world of change and becoming as opposed to the world of immutable being governed by Uranus. Böhme, in De
Signatura rerum, defines a will which desires and yet has nothing capable of
satisfying it except its own self, as ‘the ability of hunger to feed itself’ (Plate VI).
To see a dragon in your dream, represents your strong will and fiery personality. You tend to get carried away by your passion, which may lead you into trouble. You need to exercise some self-control.
In the eastern cultures, dragons are seen as spiritual creatures symbolizing good luck and fortune.
To dream that you are a dragon and breathing fire, suggests that you are using your anger to get your own way.
To dream of a dragon, denotes that you allow yourself to be governed by your passions, and that you are likely to place yourself in the power of your enemies through those outbursts of sardonic tendencies. You should be warned by this dream to cultivate self-control.
This large, mystical creature may represent large and mystical forces inside of you. In the Far East it is believed that the dragons are spiritual creatures that navigate through the air and through the sky. In the West, dragons are considered to be dangerous creatures that need to be destroyed. As far as dream symbols go, the dragon may represent the enormous power in your unconscious. It could symbolize repressed unconscious material, including fear. However, the dragon in our dreams is generally a positive symbol. It may represent a period of time when the dreamer will confront his fears and empower himself to effectively cope with negative emotions, extreme materialism, and be able to obtain greater inner and outer freedom.
A Dragon totem is one of the most powerful totems, representing a huge range of qualities, emotions, and traits. When Dragons come to us, it could mean many things.
The most common message a Dragon totem carry to us is a need for strength, courage, and fortitude. Dragons are also messengers of balance, and magic - encouraging us to tap into our psychic nature and see the world through the eyes of mystery and wonder.
More specifically, Dragons are the embodiment of primordial power - the ultimate ruler of all the elements. This is because the Dragon is the master of all the elements: Fire, Water, Earth, and Wind.
As a totem, the Dragon serves as a powerful guardian and guide. Encourage communication with your Dragon, and acknowledge your Dragon's presence as often as possible.
In Chinese culture, the season of the Dragon is mid-spring, its direction is east-southeast, and its fixed element is wood. See Chinese Dragon page for more inforamation on the Dragons within the Asian culture.
There are many ways to strengthen your bond with your Dragon totem. Here are a few suggestions:
Meditation upon your Dragon totem.
Begin collecting Dragon images that resonate with you. Keep these images close, and easily available to you. Look upon these images whenever you wish to communicate with your Dragon totem.
Better yet, begin drawing while communicating with your Dragon. Ask your Dragon to reveal itself to you through your drawing. Check out my friend Barbara's webpage offering free tips on how to draw dragons here!
Begin a Dragon totem journal
Read everything you can on Dragons. This will broaden your horizons, and expand your imagination. A warning though: By all means, never be limited by the scope of what you read. Ultimately, it is you and your Dragon that will create the perfect understanding. There is never a limit in matters of spirit - that includes matters concerning our totems (especially strong totems like the Dragon!).
A Dragon totem can be a powerful ally in our daily effort to live our lives. When we call upon the amazing restorative and potent qualities of the Dragon, we are able to effectively live our lives with the honestly, courage, and strength of a peaceful warrior.
Utilizing the symbolic power of the dragon totem is an internal process cultivated by contemplating the attributes of the dragon we admire and meditating upon these.
We can also honor the dragon totem externally by little actions like including dragon imagery in our lives. It solidifies my connection with the magic the dragon offers.
Whether you are an artist who looks to dragons for inspiration, or a business mogul identifying with a solid symbol of strength or luck - it's clear dragons speak to those special places within us, stoking the fires of our hearts.
The Dragon represents prosperity. This may be of spiritual (intuition) rather than materiaal riches, because the dragon was regarded as the guaridian of treasure that lay hidden deep within the unconscious and was hard to obtain.
(Ancient, most world culture) A legendary reptilian monster similar in form to a crocodile but with wings, huge claws, and fiery breath. In the Mesopotamian creation myth (Enuma Elish), dating from about 2000 BC, a dragon was considered a symbol for destruction and evil. So it was also considered in the writings of the ancient Hebrews. The Bible (Revelation) also so considers it. Dragons became more benign in later mythologies. The Greeks and Romans believed that they had the ability to understand and to teach mortals the secrets of the earth. Because of this duality, destruction and positive influence, it was often adopted as a military emblem; the Roman legions used it thusly as early as the first century AD. The folklore of northern Europe contains a similar interpretation of the dragon. Norsemen carved the prows of their ships with likenesses of the dragon. The ancient Celtic considered the dragon a symbol of sovereignty. The Teutonic invaders of Britain had dragons depicted on their shields. The dragon also figures in the folklore of Japan.
In China it is traditionally considered as a symbol of good fortune, and was the national emblem of the Chinese Empire. Unlike Middle Eastern or Western dragons, the Lungs (Chinese appelation for "dragons") were benevolent and brought rain, guarded sacred dwellings and such tasks.
There were four types:
1.The T'ien Lung, or Celestial Dragon
2.The Fu Tsang Lung or Treasure Dragon
3.The Ti Lung, or Earth Dragon
4.The Shen Lung, or Rain Dragon (also called Kung Kung)
The latter two Lungs are together known as the Wang Lung, and are propitiated as water deities, dwelling in the Seas. (This information is derived from the 17th century Ming classic San-ts`ai t`ui-hui or Threefold Picture Book. This was an illustrated encyclopedia.)
To notice the earth in your dream, indicates that you need to be "grounded" and realistic. Perhaps your sense of stability and security is lacking. Consider the consistency of the earth for additional significance on how you are feeling. If the earth opens or separates, then it represents a project or relationship that you are afraid of falling into.
To see the planet Earth in your dream, signifies wholeness and global consciousness. You are interconnected with the world.
Seeing the earth in your dream means wholeness and global consciousness. It may also symbolize the sense of being "grounded" and your need to be realistic.
To dream of an end to something, represents an achievement or goal that has been reached. It may also mean that the bad times are coming to an end. Or perhaps your time is running out and you need to come to a decision about some issue. The end of something also signals the beginning of something new.
To look up at the clear blue sky in your dream, denotes hope, possibilities, creativity, peace and freedom of expression. As the saying goes "the sky's the limit." If the sky is cloudy and overcast, then it foretells of sadness and trouble.
To see a green colored sky in your dream, symbolizes high hopes. The strange color of the sky helps to instantly draw your attention to it. The color green and the sky itself both represent hope, nature or creativity. So these are the qualities that you need to focus on. It is also indicative of a positive outlook and prosperous future.
To see a red colored sky in your dream, represents looming danger. Alternatively, it suggests that something is coming to an end. If the sky is white, then it symbolizes desires. If you dream of a colorful sky in your dream, then it denotes romance.
To dream that the sky is falling, represents your fear of the unknown. You feel that your hopes and dreams have been shattered. Perhaps you have been too idealistic and the dream is an attempt to bring you back to reality.
To dream that something is falling out of the sky, signifies your pessimistic attitude. You are losing perspective on a situation. If the object is getting closer and casting a shadow on you, then it indicates that you are being ignorant about some situation. You need to get out from under the shadow and gain a different perspective on things.
To dream of the sky, signifies distinguished honors and interesting travel with cultured companions, if the sky is clear. Otherwise, it portends blasted expectations, and trouble with women.
To dream of floating in the sky among weird faces and animals, and wondering all the while if you are really awake, or only dreaming, foretells that all trouble, the most excruciating pain, that reach even the dullest sense will be distilled into one drop called jealousy, and will be inserted into your faithful love, and loyalty will suffer dethronement.
To see the sky turn red, indicates that public disquiet and rioting may be expected.
To look up at the clear blue sky in your dream indicates peace and freedom of expression. If the sky is cloudy and overcast, then it foretells of sadness and trouble.
Mother-symbols are characterized by an interesting ambivalence:
the mother sometimes appears as the image of nature, and vice-versa; but the
Terrible Mother is a figure signifying death (31). For this reason, Hermetic doctrine held that to ‘return to the mother’ was equivalent to dying. For the Egyptians, the vulture was a mother-symbol, probably because it devours corpses
(19); it also stood for the means whereby Hammamit (the universal soul) was
split up into separate parts to form individual souls (19). For the same reason, the
maternal sentiment has been said to be closely bound up with the nostalgic
longing of the spirit for things material (18), or with the subjection of the spirit to
the unformulated but implacable law of destiny. Jung mentions that in Jean
Thenaud’s Traité de la Cabale (of the 16th century) there is a mother-figure
actually represented in the form of a god of destiny (32). He mentions further that
the Terrible Mother is the counterpart of the Pietà, representing not only death
but also the cruel side of nature—its indifference towards human suffering (31).
Jung also notes that the mother is symbolic of the collective unconscious, of the
left and nocturnal side of existence—the source of the Water of Life. It is the
mother, he argues, who is the first to bear that image of the anima which the man
must project upon Woman passing from the mother to the sister and finally to the
beloved (32). A predominantly maternal social pattern—a matriarchal society—
is characterized, according to Bachofen, by special emphasis upon blood relationships, telluric allegiances, and the passive acceptance of natural phenomena.
Patriarchies are distinguished by a respect for man-made laws, the favouring of
works of art and craft, and obedience to the hierarchy (23). Even now that
matriarchal societies, sociologically speaking, no longer exist in the West, psychologically man is nevertheless passing through a phase when he is in all essentials dominated by the feminine principle. To come triumphantly through this
stage and to reinstate the masculine principle as the guiding-rule of life—bringing
to the fore the characteristically patriarchal qualities noted above—would signify
an achievement of the kind that was once symbolized by the transformation of
the ‘lunar work’ into the solar, or by the transmutation of mercury into sulphur.
To quote Evola: ‘Symbols of the earth-mother are: water, the mother of the waters, stone, the cave, the maternal home, night, the house of depth, and the
house of strength or of wisdom.’
To see your mother in your dream, represents the nurturing aspect of your own character. Mothers offer shelter, comfort, life, guidance and protection. Some people may have problems freeing themselves from their mothers and are thus seeking their own individuality and development.
To dream that you are having a conversation with your mother, denotes a matter that has preoccupied your mind and you are not sure how to deal with it in your waking life. It indicates unresolved problems that need to be worked out with your mother.
To hear your mother call you in our dream, suggests that you have been negligent in your duties and responsibilities. You are pursuing down the wrong path.
If you dream that you see your mother and converse with her, it indicates that you
will have prosperity in life. To dream that you have lost your mother indicates her sickness.
To see your mother in dreams as she appears in the home, signifies pleasing results from any enterprise.
To hold her in conversation, you will soon have good news from interests you are anxious over.
For a woman to dream of mother, signifies pleasant duties and connubial bliss.
To see one's mother emaciated or dead, foretells sadness caused by death or dishonor.
To hear your mother call you, denotes that you are derelict in your duties, and that you are pursuing the wrong course in business.
To hear her cry as if in pain, omens her illness, or some affliction is menacing you.
Seeing your mother in your dream, represents the nurturing aspect of your own character. Mothers offer shelter, comfort, life, guidance and protection. Some people may have problems freeing themselves from their mothers and are thus seeking their own individuality and development. Dreaming that you are having a conversation with your mother indicates a matter that has preoccupied your mind and you are not sure how to deal with it in your waking life. It indicates unresolved problems that still need to be worked out with your mother. Hearing your mother call you in our dream means that you have been negligent in your duties and responsibilities. You are pursuing down the wrong path. Hearing your mother cry in your dream indicates some illness or affliction.
The relationship that we have with our mother is the most psychologically significant relationship of all. Rarely all good or all bad, our mothers always invoke powerful emotions. We may dream about our mothers in many different forms. She may be disguised in our dreams, and it is our job to find her in there. If you are dreaming about your mother, you may be addressing some issues or concerns in your dream, or your dream may be based on a valuable memory. The general image of "mother" in a dream may symbolise a variety of feelings and ideas: caring, nurturing, love, acceptance, hard work, sacrifice, martyrdom, etc. The mother in your dream could also represent the "collective unconscious," the source of the "water of life," and the yin. The woman is that force, or current, inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words. Men, on the other hand, represent the active part of us that use the information received to create the physical reality of our lives. When the two are working together well, we have balance and experience awareness leading to peace and productivity.
To see blood in your dream, represents life, love, and passion as well as disappointments. If you see the word "blood" written in your dream, then it may refer to some situation in your life that is permanent and cannot be changed. If something else is written in blood, then it represents the energy you have put into a project. You have invested so much effort into something that you are not willing to give it up.
To dream that you are bleeding or losing blood, signifies that you are suffering from exhaustion or that you are feeling emotionally drained. It may also denote bitter confrontations between you and your friends. Your past actions has come back to haunt you. Women often dream of blood or of someone bleeding, shortly before or during their periods or while they are pregnant.
To dream that others are bleeding, signifies an emotional cry for help.
To dream that you are drinking blood, indicates that you have a fresh burst of vitality and power.
To dream that you are giving or donating blood, suggests that you are feeling physically drained due to stress.
Blood-stained garments, indicate enemies who seek to tear down a successful career that is opening up before you.
The dreamer should beware of strange friendships.
To see blood flowing from a wound, physical ailments and worry.
Bad business caused from disastrous dealings with foreign combines.
To see blood on your hands, immediate bad luck, if not careful of your person and your own affairs.
Dreaming of blood, represents life, love, and passion as well as disappointments. If you see the word "blood" written, then it may refer to some situation in your life that is permanent and cannot be changed. Dreaming that you are bleeding or losing blood means that you are suffering from exhaustion or that you are feeling emotionally drained. It may also denote bitter confrontations between you and your friends. Your past actions has come back to haunt you. Women often dream of blood or of someone bleeding shortly before or during their periods and when they are pregnant. Dreaming that something is written in blood, represents the energy you have put into a project. You have invested so much effort into something that you are not willing to give it up. Dreaming that you are drinking blood indicates that you have a fresh burst of vitality and power.
It is the life-giving, vital part of our physiology and it may symbolize our strengths and weaknesses and our physical and mental health. If you are currently experiencing a very difficult time in your life, you may have dreams with bloody and frightening images. Don't worry; you may be venting your fears! Some believe that when you see blood in your dream, the distressing situation in your life, which is at the root of the dream, has come to an end, and the worst is over. Consider the details and the relationships between all the symbols in your dream before making an interpretation.
To dream of seeing only the tail of a beast, unusual annoyance is indicated where pleasures seemed assured.
To cut off the tail of an animal, denotes that you will suffer misfortune by your own carelessness.
To dream that you have the tail of a beast grown on you, denotes that your evil ways will cause you untold distress, and strange events will cause you perplexity.
To see only the tail of an animal in your dream, signifies annoyances and complications in a situation where pleasure was expected. If the tail is wagging, then it symbolizes excitement, thrills, and joy. If the tail is between the legs, then it represents fear and humiliation. Alternatively, the dream represents balance. Or it may be a pun on "being tailed" as in being followed or chased.
To dream that you have grown a tail, represents an aspect of the past that still lingers with you.
Seeing only the tail of an animal in your dream means annoyances and complications in situations where pleasure was surely to be expected. Dreaming that you have grown a tail of an animal, forewarns that your evil and manipulative ways will catch up with you, giving you much distress and trouble. Dreaming that you cut of the tail of an animal, symbolizes that you will suffer misfortune as a result of you careless ways.
To dream that you are late, signifies your fear of change and your ambivalence about seizing an opportunity. You may feel unready, unworthy, or unsupported in your current circumstances. Additionally, you may be overwhelmed or conflicted with decisions about your future. Time is running out and you no longer have time to accomplish all the things you want. Alternatively, being late in your dream could be telling you that it is better late than never.
Dreaming that you are late indicates your fear of change and your ambivalence about seizing an opportunity. You may feel unready, unworthy, or unsupported in your current circumstances. Additionally, you may be overwhelmed or conflicted with decisions about your future.
If you are arriving late, your unconscious may be telling you to be more perceptive and to use more foresight when making plans. Lateness suggests that the dreamer may be feeling unprepared and distracted in a particular situation in daily life or in regard to long-term goals.
If you dream that a payment is late, you could be feeling unsatisfied with something in your waking life.
To dream that something is or tastes bitter, suggests that a certain aspect or condition in your life is becoming difficult to swallow and tolerate. You may also be experiencing some guilt.
Dreaming that something is or tastes bitter, suggests that a certain aspect or condition in your life is becoming difficult to swallow/tolerate. You may also be experiencing some guilt.