This previous weekend, I had the honor of performing at SOAK 2011, the Portland Regional Burning Man event. It was my first Burning Man experience, and I was BLOWN away! So many amazing experiences & people!
I arrived Friday just before midnight and immediately was offered an extra set that evening. I ran to the car, grabbed my gear, and within 30 minutes of showing up, I was rocking a SPOREGANIC set to a super enthusiastic crowd of beautiful people! A few really good friends even came and spun fire!
Spent the rest of the night exploring and hanging out with friends....Woke up in a giant dome with some special folks to a heavy rain. I instantly jumped up and thought about my laptop, which was sitting in my tent. After running to camp, I found my laptop bag totally soaked! Pulled out the laptop and its sleeve was also SOAKed! Pulled the laptop out, and alas, jah smiled upon me with a dry laptop. I def wont be leaving my gear in a tent anytime soon again!
Saturday was full of fun adventures, exploring more and meeting even more awesome people! Camp Caution had a super delicious RIB BBQ going, along with an brilliant miniature golf course! Ever used the back of an axe to golf with a bowling ball? hehe...
I passed out for a nap around 8ish, and woke up to more pouring rain and a pitch black sky! I was worried that I had slept thru my set, which was at 1:45 am. I ran to the car, grabbed my gear and ran to the main stage. As fate would have it, I showed up 10 minutes before I was scheduled to go on. Rocked a SUPER solid set & even had more fire spinning going on! My good friend Tyler even busted out his amazing fire sword skills wearing nothing but a furry jock strap!
After the set, I hung out with a fun crew and eventually watched the sun rise from a deliciously comfy blow up boat, floating in the pond. Nice little bit of sleep after some meditation and we were off to Portland.
Cannot wait for Burning Man this summer! Have my ticket and am so ready to loose myself in the magical wonderland!
Giant love out to all!
To perform or dream of magic, suggests that you need to look at things from a different view or approach your problems from a new angle in order to successfully move forward. Alternatively, magic symbolizes creativity and wonder. Perhaps someone or something has caused you to be in awe. The dream may also be a metaphor that you or someone is "up to some trick".
To dream of black magic, implies that you have obtained your wishes and wants through underhanded tricks. It also symbolizes deception, evil and treachery.
To dream of accomplishing any design by magic, indicates pleasant surprises.
To see others practising this art, denotes profitable changes to all who have this dream.
To dream of seeing a magician, denotes much interesting travel to those concerned in the advancement of higher education, and profitable returns to the mercenary.
Magic here should not be confounded with sorcery or spiritism. If the reader so interprets, he may expect the opposite to what is here forecast to follow. True magic is the study of the higher truths of Nature.
Dreaming that you are performing magic means many pleasant surprises. It may also represent a creative mind and that events will turn out the way you had hoped for. Seeing others performing magic in your dream indicates profitable endeavors. Dreaming of black magic, represents that you have obtained your wishes and wants through underhanded tricks. It also symbolizes evil and treachery.
1. Practices that aim to use paranormal or spiritual means to influence events for selfish purposes, or for the benefit of all humanity. 2. The art of conjuring. The claimed art of altering things either by supernatural means or through knowledge of occult natural laws unknown to science. It is in contrast to science, in that science does not accept anything not subject to either direct or indirect observation, and subject to logical analysis, whereas practitioners of magic claim it is an inexplicable force beyond logic. Magic has been practised in all cultures, and utilizes ways of understanding, experiencing and influencing the world somewhat akin to those offered by religion, though it is sometimes regarded as more focused on achieving results than religious worship. Magic is often viewed with suspicion by the wider community, and is commonly practised in isolation and secrecy. Modern Western magicians generally state magic's primary purpose to be personal spiritual growth, many seeing magic ritual purely in psychological terms as a powerful means of autosuggestion and of contacting the unconscious mind. Modern perspectives on the theory of magic broadly follow two views, which also correspond closely to ancient views. The first sees magic as a result of a universal sympathy within the universe, where if something is done here a result happens somewhere else. The other view sees magic as a collaboration with spirits who cause the effect.
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.
To see or use a laptop in your dream, represents your need to reach out and communicate with others in any circumstance.
To dream that your laptop is missing or stolen, indicates that you are relying too much on your social network. You need to try and make it on your own abilities and merit.
Seeing or using laptop in your dream, suggests that you need to be able to reach out and communicate with others in any circumstance.
To see something burning in your dream, indicates that you are experiencing some intense emotions and/or passionate sexual feelings. There is some situation or issue that you can no longer avoid and ignore. Alternatively, it may suggest that you need to take time off for yourself and relax. Perhaps you are you feeling "burned out" or "burned up".
To dream that you or someone is being burned alive, suggests that you are being consumed by your own ambition.
Dreaming of something burning indicates that you are experiencing some intense emotions and/or passionate sexual feelings. There is some situation or issue that you can no longer avoid and ignore. Alternatively, it may suggests that you need to take time off for yourself and relax.
If you dream of burning wood you could be feeling creative and mentally agile.
A dream about burning incense can represent a need for emotional warmth.
If you have a dream about a house burning down, you could be hoping to be relieved of a problem.
Superstition-based dream interpretations often say that a dream of something burning is good luck.
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
The Chinese, in their solar rites, utilize a tablet of red jade, which they
call Chang; it symbolizes the Element of fire (39). In Egyptian hieroglyphics, fire
is also related to the solar-symbolism of the flame, and associated in particular
with the concepts of life and health (deriving from the idea of body-heat). It is
also allied with the concept of superiority and control (19), showing that the
symbol had by this time developed into an expression of spiritual energy. The
alchemists retained in particular the Heraclitean notion of fire as ‘the agent of
transmutation’, since all things derive from, and return to, fire. It is the seed which
is reproduced in each successive life (and is thereby linked with the libido and
fecundity) (57). In this sense as a mediator between forms which vanish and
forms in creation, fire is, like water, a symbol of transformation and regeneration.
For most primitives, fire was a demiurge emanating from the sun, whose earthly
representative it was; hence it is related on the one hand with the ray of light and
the lightning (35), and, on the other, with gold. Frazer lists many rites in which
torches, bonfires, burning embers and even ashes are considered capable of stimulating the growth of the cornfields and the well-being of man and of animals.
However, anthropological research has furnished two explanations of the firefestival (as it persists today in the Valencian bonfires on the night of St. John,
fireworks and the illuminated Christmas tree): on the one hand, there is the
opinion of Wilhelm Mannhardt, to the effect that it is imitative magic purporting
to assure the supply of light and heat from the sun, and, on the other, the view of
Eugene Mogk and Edward Westermarck that it has as its aim the purification or
destruction of the forces of evil (21); however, these two hypotheses are not opposing but complementary. The triumphant power and the vitality of the
sun—by analogy, the spirit of the shining Origin—is tantamount to victory over
the power of evil (the forces of darkness); purification is the necessary sacrificial
means of achieving the sun’s triumph. Marius Schneider, however, distinguishes
between two kinds of fire, depending upon their direction (or their function): fire
as in the axis fire-earth (representing eroticism, solar heat and physical energy),
and fire of the axis fire-air (linked with mysticism, purification or sublimation,
and spiritual energy). There is an exact parallel here with the ambivalent symbolism of the sword (denoting both physical destruction and determination of spirit)
(50). Fire, in consequence, is an image of energy which may be found at the level
of animal passion as well as on the plane of spiritual strength (56). The Heraclitean
idea of fire as the agent of destruction and regeneration is reproduced in the Indian
Puranas and in the Apocalypse (27). Gaston Bachelard recalls the alchemists’
concept of fire as ‘an Element which operates in the centre of all things’, as a
unifying and stabilizing factor. Paracelsus demonstrated the parallel between fire
and life, pointing out that both must feed upon other lives in order to keep alive.
To steal fire like Prometheus, or to give oneself up to fire like Empedocles, are
two concepts which point to the basic dualism of the human predicament. The
middle way lies in the comfortable solution of simply making material use of the
benefits of fire. But fire is ultra-life. It embraces both good (vital heat) and bad
(destruction and conflagration). It implies the desire to annihilate time and to
bring all things to their end. Fire is the archetypal image of phenomena in themselves (1). To pass through fire is symbolic of transcending the human condition,
according to Eliade in Myths, Dreams and Mysteries (London, 1960).
Depending on the context of your dream, to see fire in your dream can symbolize destruction, passion, desire, illumination, purification, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering into your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, then it is a metaphor of your own internal fire and inner transformation. The dream may be a metaphor for someone who is "fiery". It represents your drive, motivation, and creative energy. Alternatively, the dream may be warning you of your dangerous or risky activities. You are literally "playing with fire".
To dream that you are being burned by fire, indicates that your temper is getting out of control. Some issue or situation is burning you up inside.
To dream that a house is on fire, indicates that you need to undergo some transformation. If you have recurring dreams of your family house on fire, then it suggests that you are still not ready for the change or that you are fighting against the change. Alternatively, it highlights passion and the love of those around you.
To dream that you put out a fire, signifies that you will overcome your obstacles in your life through much work and effort. If you are setting a fire to something or even to yourself, then it indicates that you are undergoing some great distress. You are at the brink of desperation and want to destroy something or some aspect of yourself.
Fire is favorable to the dreamer if he does not get burned. It brings continued prosperity to seamen and voyagers, as well as to those on land.
To dream of seeing your home burning, denotes a loving companion, obedient children, and careful servants.
For a business man to dream that his store is burning, and he is looking on, foretells a great rush in business and profitable results.
To dream that he is fighting fire and does not get burned, denotes that he will be much worked and worried as to the conduct of his business. To see the ruins of his store after a fire, forebodes ill luck. He will be almost ready to give up the effort of amassing a handsome fortune and a brilliant business record as useless, but some unforeseen good fortune will bear him up again.
If you dream of kindling a fire, you may expect many pleasant surprises.
You will have distant friends to visit.
To see a large conflagration, denotes to sailors a profitable and safe voyage. To men of literary affairs, advancement and honors; to business people, unlimited success.
Health and great happiness, kind relations and warm friends.
Depending on the context of your dream, to see fire in your dream can symbolizes destruction, passion, desire, illumination, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, it is a metaphor of your own internal fire and inner transformation. It also represents your drive and motivation. Dreaming of that you are being burned by fire indicates that your temper is getting out of control. Some issue or situation is burning you up inside. Dreaming that a house is on fire means passion and loving companions. Dreaming that you put out a fire means that you will overcome your obstacles in your life through much work and effort.
This is a very complex symbol that can have both negative and positive connotations. When interpreting this dream, you need to consider all of its details and your emotional responses in the dream. Fire can be a deeply spiritual symbol representing transformation and enlightenment. On the other hand, it could represent danger, anger, passion, pain or fear. A warm fireplace can symbolize happiness and security. Is the fire in your dream destroying something or simply warming you? Are you currently engaging in negative behaviors, or are you knowingly making wrong (or destructive) choices? Are you putting out fires in your dream? Your unconscious mind may be warning you and at the same time encouraging you to alter those things in your life that may be hurtful and dangerous.
To see people you know in your dream, signifies qualities and feelings of them that you desire for yourself. If these people are from your past, then the dream refers to your shadow and other unacknowledged aspects of yourself. It may represent a waking situation that is bringing out similar feelings from your past relationships.
To see people you don't know in your dream, denotes hidden aspects of yourself that you need to confront or acknowledge.
Seeing people you know in your dream means qualities and feelings of those people that you desire for yourself. Seeing people you don't know in your dream indicates hidden aspects of yourself that you need to confront. Seeing people from your past in your dream, refers to your shadow and other unacknowledged aspects of yourself. It can represent a waking situation that is bringing out similar feelings as your past relationships.
To dream that you are putting your car in gear, suggests that you are ready to move forward with a new project in your life. You are headed into a new direction.
Dreaming that you are putting your car in gear, suggests that you are ready to move forward with a new project in your life. You are headed into a new direction.
To dream that you are driving a car, denotes your ambition, your drive and your ability to navigate from one stage of your life to another. Consider how smooth or rough the car ride is. If you are driving the car, then you are taking an active role in the way your life is going. However, if you are the passenger, then you are taking a passive role. If you are in the backseat of the car, then it indicates that you are putting yourself down and are allowing others to take over. This may be a result of low self-esteem or low self-confidence. Overall, this dream symbol is an indication of your dependence and degree of control you have on your life.
To dream that your car won't start, indicates that you are feeling powerless in some situation.
To dream that you forgot or can't find where you parked your car, indicates that you are dissatisfied or unhappy with an aspect of your waking life. You do not know what you really want to do with your life or where you want to go. To dream that you car has been stolen, indicates that you are being stripped of your identity. This may relate to losing your job, a failed relationship, or some situation which has played a significant role in your identity and who you are as a person.
To dream that your car is overheating, suggests that you are expending too much energy. You need to slow down or run the risk of being burnt out. You are taking on more than you can handle. It is time to take a breather.
To see a parked car in your dream, suggests that you need to turn your efforts and energies elsewhere. You may be needlessly spending your energy in a fruitless endeavor. Alternatively, a parked car may symbolize your need to stop and enjoy life.
To dream that you are almost hit by a car, suggests that your lifestyle, beliefs or goals may be in conflict with another's. It may also be symbolic of a jolting experience or injured pride.
To dream that you are unable to roll up the windows of your car, suggests that you are showing some hesitation and reservation about the direction that you are taking in life or the path that you have chosen.
To see a haunted car in your dream, represents unfinished goals. You had started off on a path or journey, but never reached the end. Perhaps life had taken you on a different direction that you had planned or intended.
Dreaming that you are driving a car means your ambition, your drive and your ability to navigate from one stage of your life to another. Consider how smooth or rough the car ride is. Whether you are driving the car or a passenger, is indicative of of your active role or passive role in your life. If you are in the backseat of the car, then it indicates that you are putting yourself down and are allowing others to take over. This may be a result of low self-esteem or low self-confidence. Overall, this dream symbol is an indication of your dependence and degree of control you have on your life. Dreaming that your car is overheating, suggests that you are expending too much energy and need to slow down or run the risk of becoming burnt out. You may be taking on more than you can handle. It is time to take a breather. Seeing a parked car in your dream, suggests that you need to turn your efforts and energies elsewhere. You may be needlessly spending your energy in a fruitless endeavor. Alternatively, a parked car my symbolize your need to stop and enjoy life. Dreaming that you are almost hit by a car, suggests that your lifestyle, beliefs or goals may be in conflict with another's. It may also be symbolic of a jolting experience or injured pride. Dreaming that you are unable to roll up the windows of your car, suggests that you are showing some hesitation and reservation about the direction that you are taking in life or the path that you have chosen.
The car in your dream may symbolise the physical self or ego development and ego function. In that, it represents the way that you travel through your life's journey. Consider all of the details in the dream, including its emotional content (e.g. difficulty of the road, identity of the driver, direction of the incline). Recurring car dreams usually deal with life's major themes that may include issues of control and sensibility. By carefully examining this dream, you may gain insight into important areas of life, including to how well you are navigating from one stage of your life to another, if you are assertive and take charge or are passive. Dreaming about travelling in a car is a very, very common dream theme that provides valuable information in regard to a specific part of or long-standing theme in your life's journey.