We are all beautiful beings.
Leave your footprints,
create your art,
speak your words,
write your soul on paper trees,
sing music into the wind,
cry to the moon,
feel the dirt between your toes,
swim with the fishes,
be kind to your fellow animals,
breathe in and breathe out and swallow the air
with purity and feel how it flows through you,
touch everyone with hugs and love,
love everyone - unconditionally,
listen to music,
cherish your moments,
take care of the Earth because one day you will become apart of it.
It is inevitable.
We are forever and infinite.
We are born from Earths majesty,
we are born from Love, further than human form.
We will die into Earths majesty, we will die into Love, further than human form.
We ebb and flow, ebb and flow,
breathe in and breathe out,
we are birthed and then re-birthed.
Die now, right now!
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream that you are breathing rapidly, indicates that you are experiencing some anxiety, tension, or fear concerning a new situation in your waking life.
To dream that you are breathing underwater, represents a retreat back into the womb. You want to return to a state where you were dependent and free from responsibilities. Perhaps you are feeling helpless, unable to fulfill your own needs and caring for yourself. Alternatively, you may be submerged in your own emotions.
To dream that you cannot breathe, indicates that you are feeling exhausted. People who suffer from asthma often have dreams of not being able to breathe.
Dreaming that you are breathing rapidly indicates that you are experiencing some anxiety, tension, or fear concerning a new situation in your waking life. Dreaming that you are breathing underwater, represents a retreat back into the womb. You want to return to a state where you were dependent and free from responsibilities. Perhaps you are feeling helpless, unable to fulfill your own needs and caring for yourself. Alternatively, you may be submerged in your emotions. Dreaming that you are holding your breath indicates your stubborn state of mind. Your views may be one-sided and the dream is telling you to be open to the opinions of others. Dreaming that you cannot breathe indicates that you are feeling exhausted. Dreaming that you have bad breath, suggests that you are misleading others.
Footprints symbolize the way of gods, saints or demonic spirits,
etc. There are footprints of Buddha and Vishnu all over India. Kühn, in The Rock
Pictures of Europe, says that the footprints of the Virgin Mary may be seen in a
chapel in Würzburg; and the footprints of Christ in a hermitage in Rosenstein,
To see footprints in your dream, symbolize pride and heritage. It may also suggest that you are a follower in someone else's footsteps. You are lacking originality and initiative. Alternatively, footprints indicate something or someone you have missed. Perhaps, you feel that someone is never quite there for you. It could be a sign of distress.
Seeing footprints in your dream, symbolize pride. and heritage. It may also suggest that you are following someone else's footsteps and hint toward your lack of originality and initiative. Alternatively, footprints indicate something or someone you have missed. Perhaps someone is never quite there for you.
Dreaming that you die in your dream, symbolizes inner changes, transformation, self-discovery and positive development that is happening within you or in your life. Although such a dreams may bring about feelings of fear and anxiety, it is no cause for alarm and is often considered a positive symbol. Dreams of experiencing your own death usually means that big changes are ahead for you. You are moving on to new beginnings and leaving the past behind. These changes does not necessarily imply a negative turn of events. Metaphorically, dying can be seen as an end or a termination to your old ways and habits. So, dying does not always mean a physical death, but an ending of something.
To see anything ill formed, denotes disappointment. To have a beautiful form, denotes favorable conditions to health and business.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.