I awoke yesterday
To the sound of a bird flapping its wings
I could not tell whether it was inside or out.
So I waited. I waited on my Soul.
Then I was a gypsy
A metaphysical macroscopic cosmonaut of light
Amongst the thickets, the vales, the small towns along the water.
I was looking for something.
What I was looking for
my mind did not know,
but the Soul,
“The Soul always knows,” I remembered.
So I waited.
I waited and I settled, into roots
Now I was a tree.
A tree digging deep to Grandmother,
Tasting of her fruits,
Being supported, being held, finding love,
with arms stretched up to sky father's blessings.
Heart opened. Breath entered.
Friends came to sit with me, to talk and sing,
It was good.
I gazed upon my constant companion,
The rushing blue,
She called me to her,
So I came.
Now I was the river.
The arrow once again became the spiral,
and I journeyed on into the day,
winding and weaving and finding freedom.
After dusk, I was somewhere else entirely,
I could not see what lay before,
or spoke behind.
Once again I did not know my way.
So I waited.
Darkness fell, and pushed my banks this way and that.
Am I still real?
Am I still with the One?
The companion. Companion of old.
It was chaotic, and I forgot for a while.
But my Soul still knew.
So I listened.
Listened to the light.
And as I rested my back upon my moving bed,
now like a snake
it flowed through me.
Melding with pinprick holes above,
hearing ancient scrolls opening,
the music echoed from before Time.
And now I was the galaxy.
I could see the cycles of the tiny blue planet.
Weaving up and down,
Calendars upon ages,
Light comes then light goes.
Then the gypsy comes back,
This time in full brilliance,
Finding home.
For that is my sacred way.
The way of the arrow and the way of the spiral
Together in the sacred temple,
in every sacred temple.
And Soul is born.
It flaps its wings,
and takes its flight,
from the bedrooms of our hearts.
And the ultimate mystery
is finally answered,
and reborn,
in one fell swoop,
with two words:
to Love.
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To dream that something is sacred, symbolizes the things that you hold close and value. You have invested time and energy into its development and it is paying off.
To dream of seeing your soul leaving your body, signifies you are in danger of sacrificing yourself to useless designs, which will dwarf your sense of honor and cause you to become mercenary and uncharitable.
For an artist to see his soul in another, foretells he will gain distinction if he applies himself to his work and leaves off sentimental ro^les.
To imagine another's soul is in you, denotes you will derive solace and benefit from some stranger who is yet to come into your life.
For a young woman musician to dream that she sees another young woman on the stage clothed in sheer robes, and imagining it is her own soul in the other person, denotes she will be outrivaled in some great undertaking.
To dream that you are discussing the immortality of your soul, denotes you will improve opportunities which will aid you in gaining desired knowledge and pleasure of intercourse with intellectual peo
Dreaming that you have a lack of soul or no soul, suggests that you are feeling spiritually lost. You need to find yourself and what will make you feel whole as a person. Dreaming that your soul is leaving your body, represents your feelings of self-guilt. You may have compromised your own beliefs and values. Perhaps you are feeling numb or out of touch with those around you. You need to change some vital part of your waking life in order to feel fully alive and whole again.
Light, traditionally, is equated with the spirit (9). Ely Star asserts that
the superiority of the spirit is immediately recognizable by its luminous intensity. Light is the manifestation of morality, of the intellect and the seven virtues
(54). Its whiteness alludes to just such a synthesis of the All. Light of any given
colour possesses a symbolism corresponding to that colour, plus the significance
of emanation from the ‘Centre’, for light is also the creative force, cosmic energy irradiation (57). Symbolically, illumination comes from the East. Psychologically
speaking, to become illuminated is to become aware of a source of light, and, in
consequence, of spiritual strength (32).
To see light in your dream, represents illumination, clarity, guidance, plain understanding, and insight. Light is being shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Also consider the color of the light for additional significance.
If the light is particularly bright, then it indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.
To see soft or shadowy lighting in your dreams, indicates feelings and thoughts from the primal aspects and less developed parts of your unconscious.
To dream that you cannot turn on the light, indicates a lack of insight and perspective on a situation.
If you dream of light, success will attend you. To dream of weird light, or if the light goes out, you will be disagreeably surprised by some undertaking resulting in nothing.
To see a dim light, indicates partial success.
To dream of lights is very good. It denotes riches and honour.
Seeing light in your dream indicates a clear mind, plain understanding, and insight. Light has been shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Seeing a bright light in your dream indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.
To dream of seeing a wife or husband, signifies small anxieties and probable sickness.
To dream of social companions, denotes light and frivolous pastimes will engage your attention hindering you from performing your duties.
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To see a gypsy in your dream, signifies your desire to roam freely without responsibility and obligation. Alternatively, this symbol may suggest that you need to look toward the future.
If you dream of visiting a gypsy camp, you will have an offer of importance and will investigate the standing of the parties to your disadvantage.
For a woman to have a gypsy tell her fortune, is an omen of a speedy and unwise marriage. If she is already married, she will be unduly jealous of her husband.
For a man to hold any conversation with a gypsy, he will be likely to lose valuable property.
To dream of trading with a gypsy, you will lose money in speculation. This dream denotes that material pleasures are the biggest items in your life.
Seeing a gypsy in your dream means your desire to roam freely without responsibility and obligation. Alternatively, this symbol may suggest your need to look toward the future.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
In the more general sense, wings symbolize spirituality, imagination,
thought. The Greeks portrayed love and victory as winged figures, and some
deities, such as Athena, Artemis and Aphrodite were at first—though not later—
also depicted with wings. According to Plato, wings are a symbol of intelligence,
which is why some fabulous animals are winged, depicting the sublimation of
those symbolic qualities usually ascribed to each animal. Pelops’ horses, and
Pegasus, as well as Ceres’ snakes, have this attribute. Wings are also found on
certain objects such as heroes’ helmets, the caduceus and the thunderbolt in the
cult of Jupiter (8). It follows that the form and nature of the wings express the
spiritual qualities of the symbol. Thus, the wings of night-animals express a
perverted imagination, and Icarus’ wax wings stand for functional insufficiency
(15). In Christian symbolism it is said that wings are simply the light of the sun
of justice, which always illuminates the mind of the righteous. Since wings also
signify mobility, this meaning combines with that of enlightenment to express the
possibility of ‘progress in enlightenment’ or spiritual evolution (46). In alchemy,
wings are always associated with the higher, active, male principle; animals with out wings are related to the passive female principle (33). It should also be
recalled that, since the foot is regarded as a symbol of the soul (15), the wings on
the heels of some deities, especially Mercury, stand for the power of spiritual
elevation comparable in essence with cosmic evolution. Jules Duhem, in his
thesis on the history of flight, remarks that, in Tibet, ‘Buddhist saints travel
through the air wearing a special kind of shoes known as “light feet” ‘(3).
To dream that you have wings, foretells that you will experience grave fears for the safety of some one gone on a long journey away from you.
To see the wings of fowls or birds, denotes that you will finally overcome adversity and rise to wealthy degrees and honor.
To dream that you have wings, suggest new found freedom. You are on the right track and are soaring to success without limitations. Alternatively, the dream means that you are trying to escape from a difficult situation.
To dream that you have the wings of an angel, indicate your sweet, angelic quality. Or you may be in need of some protection from life's stresses and problems.
To see the wings of birds in your dream, indicates your desire for a freer way of life.
Dreaming that you have wings indicates your sweet, angelic quality. You may be in need of some protection from life's stresses and problems. Or you may be trying to escape from a difficult situation. Seeing the wings of birds indicates that you have overcome your struggle to attain wealth and honor.
Wings are associated with flying, which in turn is associated with freedom and the heavenly domain. Dreaming about wings suggests that you may have a desire to be angelic, have a need for angelic protection, or want to transcend any current difficulties and problems. Consider the mood of your dream and what type of wings you were seeing. Superstition based dream interpretation books say that if you hear gentle flopping of wings you will hear good news. However, loud and powerful flapping of wings is said to be a warning against illegal or immoral activities, specifically those in which money is involved.
Wings are associated with flying, which in turn is associated with freedom and the heavenly domain. Dreaming about wings suggests that you may have a desire to be angelic, have a need for angelic protection, or want to transcend any current difficulties and problems. Consider the mood of your dream and what type of wings you were seeing. Superstition based dream interpretation books say that if you hear gentle flopping of wings you will hear good news. However, loud and powerful flapping of wings is said to be a warning against illegal or immoral activities, specifically those in which money is involved.
This page on the meaning of wings was born out of a class I taught last summer about extracting meaning from dreams.
Some of my students described dreams in which they sprouted their own wings and flew. Others recounted dreams they had of lions with wings. One dreamer even saw a pig with wings (yes, Marcus, pigs really do fly!).
Although the symbolic meaning of wings in dreams is certainly a relevant point to explore, it's not the only bone of contention in our reach for deeper digging.
Consider, mythology gives us oodles of winged beasts in the form of hybrids:
Meaning of Wings on Horses:
Known as pterippi (pteros in Greek means "winged" and hippos means horse). Pegasus is a pterippus, and a magnificent one at that. The symbolic meaning of the horse is pretty intense with themes of power and mobility. The horse alone also carries archetypal themes of unifying grounded stability (four feet on the ground) with higher ideals (from speed and mobility). This theme really comes to life when we add wings to the horse. The pterippus, or winged horse, is a symbol of aspiring to the greatest heights of accomplishment. These beasts embody the concept of harnessing magic in the material plane. That's right, altering the physical matter via nonphysical methods. These kinds of feats are accomplished by swallowing whole the reality of our physical presence and balancing that with our (mostly) nonphysical nature/essence.
That's heavy. To help grasp those implications, Pegasus offers great analogy because of the dichotomy it offers. Grounded by the stability of its body, yet in flight by the ephemeral power of its wings. High and low (mind and body). Pegasus (white in color) stands for clarity of mind, and how clean mental focus combined with stable footing can transform our lives in magical ways. There's scads more about Pegasus to chat about, but this page is on the meaning of wings, not Pegasus. You can learn more about Peggy here on Wiki.
You can also learn more about the enchanting symbolism of the horse here.
Symbolic Meaning of Wings on Lions:
In alchemy, the lion is symbolic of gold - a spiritual quality that is lusciously luminescent and gloriously rich in value. Bling of the heart. Alchemical texts and artwork will depict a lion when a specific magical/spiritual goal is to be achieved.
Conversely, winged eagles in alchemical texts are symbolic of the beginning of a process. Alchemical eagles are symbolic of youth, initiation and the unbridled exuberance felt when launching in a new direction.
So, when we see winged lions (a mix of eagles and lions), it's a message of combination - a juxtaposition between beginnings and endings, fact and potential, the seeker and the accomplished.
Griffins are considered a version of winged lions. They're typically viewed as guardians of sacred places. They're most often seen at the entrances of tombs, protecting the ancient souls of the deceased. I love how this symbolism plays right into the hands of the alchemical lion and eagle. Griffins guarding transitioned souls are at once honoring what has passed and protecting what is yet to be (in the form of evolved spirit - from death to rebirth). Cool, no?
See symbolic meaning of lions here, and more about lions on my blog here.
See symbolic meaning of eagle here.
And, I've written more about Griffins from a Celtic perspective here (last animal sign on page).
Meaning of Wings on Serpents and Dragons:
I'm completely biased about this topic. I love snakes, and most things typically classified as "creepy" or "crawly." So when I encounter party-pooper perspectives of (evil, death, sin, and other nonsense) I throw it right out the window and venture back to a more reasonable perspectives on these magnificent creatures.
For example, I suspect one of the many origins of the winged serpent comes from ancient Egyptian observations of the cobra. The hooded cobra, specifically. When the hood is spread open, it looks a lot like wings. And just like the meaning of wings on the horse and lion, on serpents (cobras) we're also dealing with a theme of duality. The Uraeus (Egyptian cobra associated with the sun god Ra and often seen on headdresses of kings and gods) is symbolic of sovereign rule and the power to take and give life. Life and death is about as polar opposite as it gets.
The winged snake evolved into dragons over time and through nomadic legends into other countries. It shares a lot of the same symbolism of the snake. Power, life, rulership, dominion and a kind of magic that is to be respected (mostly because of its mysterious nature).
Winged serpents and dragons are a paradox. At once a slithery ilk, with bellies pressed lovingly against the soft, yielding Earth - yet with wings, they are creatures of the limitless skies. Like winged horses, this speaks to us of being grounded, while having unhindered imaginations. Feet on the ground, head in the clouds.
See more on symbolism of snakes here.
And, I've written more on symbolism of dragons here and here (dragon totems)
Of course, mythological creatures aren't the only source of wing meanings.
Winged Humans:
Angels, of course. They are divine liaisons. They are messengers with the ability to move freely from the realm of earth-bound matter to the unlimited heavens. They're depicted with human attributes, and so we reason they have human interest at heart. They are gifted with magic and flight, they are creatures of the divine. They live betwixt worlds (indeed, Greeks thought angels were responsible for moving constellations and planets). More duality.
You can learn more about the symbolic meaning of angels here on my blog.
Gargoyles are fabled to be humans who have succumbed to base behaviors (greed, lust and other unsavory aspects of human nature)....like an antithesis to angels, I suppose. But, their wings are symbolic of the ability to overcome these crippling facets of personality. Essentially, gargoyles are the spokespersons (err, or spokes-creatures) for human potential. We've all got wings and inherent ability to glide above and beyond primitive, substandard tendencies. Gargoyles remind us that our conditions cannot determine our divinity.
Symbolic Meaning of Wings in Dreams:
If you're dreaming of wings, it's a clear sign of a desire to rise above a challenge. Dreaming of wings on animals may be a message to overcome base or animalistic qualities. It may also indicate the inner self's desire to escape from undesirable (primitive) living conditions.
Dreaming of wings by themselves may indicate it's time to work on your inner landscape, a prompting to fly into the realms of spirituality. It may also indicate for a spring cleaning of the mind (sweep away rubbish thoughts) and gain clarity in thought about a certain situation that's been troubling.
Dreaming of wings on people (i.e., angels) is a distinct message from the divine. The presence of angels in dreams are a call to pay attention to your environment and glean more information from it. Messages abound, "wake up" and pay attention.
The weapon of Apollo and Diana, signifying the light of supreme
power (4). In both Greece (8) and pre-Columbian America (39), it was used to
designate the sun’s rays. But, because of its shape, it has undeniable phallic
significance, specially when it is shown in emblems balanced against the symbol of the ‘mystic Centre’, feminine in character, such as the heart. The heart pierced
with an arrow is a symbol of ‘Conjunction’.
To see an arrow in your dream, represents the targets that you are reaching for and the goals you are setting for yourself. Alternatively, the arrow also signifies an end to suffering and the beginning of new-found pleasures and festivities. If you are hit by an arrow, then it symbolizes release or exposure of some tension and pressure. Consider the body part that the arrow hits.
To see an old or broken arrow, symbolizes disappointments and severed relationships. Alternatively, it may indicate that you have changed your mind about some decision.
To see a two-headed arrow in your dream, signifies opposing ideas and viewpoints. You need to consider both sides.
In the Freudian school of thought, an arrow symbolizes the penis and its ability to penetrate.
Pleasure follows this dream. Entertainments, festivals and pleasant journeys may be expected. Suffering will cease.
An old or broken arrow, portends disappointments in love or business.
A schematic image of the evolution of the universe. It is also a classical
form symbolizing the orbit of the moon (50), and a symbol for growth, related to
the Golden Number (32), arising (so Housay maintains) out of the concept of the
rotation of the earth. In the Egyptian system of hieroglyphs the spiral—corresponding to the Hebrew vau—denotes cosmic forms in motion, or the relationship between unity and multiplicity. Of especial importance in relation to the
spiral are bonds and serpents. The spiral is essentially macrocosmic (19). The
above ideas have been expressed in mythic form as follows: ‘From out of the
unfathomable deeps there arose a circle shaped in spirals. . . . Coiled up within the
spirals, lies a snake, a symbol of wisdom and eternity’ (9). Now, the spiral can be
found in three main forms: expanding (as in the nebula), contracting (like the
whirlwind or whirlpool) or ossified (like the snail’s shell). In the first case it is an
active sun-symbol, in the second and third cases it is a negative moon-symbol
(17). Nevertheless, most theorists, including Eliade, are agreed that the symbolism of the spiral is fairly complex and of doubtful origin. Its relationship with
lunar animals and with water has been provisionally admitted (18). Going right
back to the most ancient traditions, we find the distinction being made between
the creative spiral (rising in a clockwise direction, and attributed to Pallas Athene)
and the destructive spiral like a whirlwind (which twirls round to the left, and is
an attribute of Poseidon) (51). As we have seen, the spiral (like the snake or
serpent and the Kundalini force of Tantrist doctrine) can also represent the potential centre as in the example of the spider’s web. Be that as it may, the spiral is
certainly one of the essential motifs of the symbolism of ornamental art all over
the world, either in the simple form of a curve curling up from a given point, or in
the shape of scrolls, or sigmas, etc. Parkin observes in his Prehistoric Art that ‘no
ornamental motif seems to have been more attractive than the spiral’. Ortiz (41)
suggests that, from a semantic point of view, the spiral is an emblem of atmo- spheric phenomena and of the hurricane in particular; but the fact is that the
hurricane in its turn is a symbol of secession from the creative (as well as destructive) functions of the universe, that is, of the suspension of the provisional but
pacific order of the universe. He also points to the connexion between breathing
and the creative breath of life. He goes on to suggest that the volute in ancient
cultures was a spiral form symbolizing the breath and the spirit. It is for this
reason that the Egyptian god Thoth is represented with a large spiral on his head.
Finally, by virtue of its significance in connexion with creation, with movement
and progressive development, the spiral is an attribute of power, found in the
sceptre of the Egyptian pharaoh, in the lituus of Roman augurs and in the presentday walking-stick. In addition to the above, it is also possible that the spiral may
symbolize the relationship between the circle and the centre. For the spiral is
associated with the idea of the dance, and especially with primitive dances of
healing and incantation, when the pattern of movement develops as a spiral curve.
Such spiral movements (closely related to the pattern of the mandala and to the
spiral form that appears so frequently in art from the Mesolithic Age onwards—
particularly in France, Ireland and England) may be regarded as figures intended
to induce a state of ecstasy and to enable man to escape from the material world
and to enter the beyond, through the ‘hole’ symbolized by the mystic Centre.
Striking examples of such spirals are those of Gravinias (Morbihan), New Grange
(Leinster), Carnwath (Scotland) and Castle Archdall (Ulster).
Seeing a spiral in your dream indicates that some situation in your waking life is spilling out of control with end. Alternatively, it may mean your creative power and new ideas.
The word ‘temple’ derives from the root tem—’to divide’. Etruscan
soothsayers made a division of the heavens by means of two straight lines intersecting at a point directly above the head, the point of intersection being a projection of the notion of the ‘Centre’, and the lines representing the two ‘directions’
of the plane; the north-south line was called cardo and the east-west decumanus.
Phenomena were interpreted according to their situation within this division of
space. Hence, the earthly temple is seen as an image of the celestial temple and its
basic structure is determined by considerations of order and orientation (7). The
temple affords a particular and additional meaning to the generic symbolism of architectonic structures. Broadly speaking, it is the mystic significance of the
‘Centre’ which prevails; the temple and, in particular, the altar, being identified
with the symbol of the mountain-top as the focal point of the intersection of the
two worlds of heaven and earth. Solomon’s temple, according to Philo and Flavius
Josephus, was a figurative representation of the cosmos, and its interior was
disposed accordingly: the incense table signified thanksgiving; the seven-branched
candelabra stood for the seven planetary heavens; the holy table represented the
terrestrial order. In addition to this, the twelve loaves of bread corresponded to
the twelve months of the year. The Ark of the Covenant symbolizes the intelligibles
(14). Romanesque, Gothic and Renaissance architects, each in their own way,
sought to imitate this superior archetype. For example, between 1596 and 1604,
imaginary reconstructions of the Temple of Solomon appeared in various works
published in Rome and based upon holy writ, and the illustrations they contained
deeply influenced the architects of the period. Another fundamental significance
of the temple derives from its being a synthesis of the various symbols for the
world-axis, such as the hollow mountain, steps and the sacrificial mountain-peak
mentioned above. In certain astrobiological cultures the temple or altar is in fact
built upon an artificial mountain—the teocalli of Mexico is an example. A more
advanced concept can be seen in the architectural portrayal of those essential
elements of the inner pattern of the universe founded upon the numbers three,
seven, ten and twelve in particular. Seven is basic to the representation of the
planets and their derived symbolisms, and hence the Mesopotamian templemountains—or ziggurats—were constructed after the fashion of a seven-terraced
pyramid. Each of the terraces was dedicate to a particular planet. The Babylonian
ziggurat known as Etemenanki (‘the house of the seven directions of heaven and
earth’) was built of crude bricks overlaid with others that had been fired. A tablet
in the Louvre records that in plan it measured 2,200 feet long by 1,200 wide. The
first level was black in colour and dedicated to Saturn, the second orange-coloured
and sacred to Jupiter, the third red and consecrated to Mars, the fourth golden and
sacred to the Sun, the fifth yellow (to Venus), the sixth blue (to Mercury), the
seventh silver (to the Moon) (39). This order is not always observed, for sometimes the Moon is situated in the sixth heaven and the Sun in the seventh (17).
Berthelot, however, suggests that the ziggurat not only embraces the mystic
aspects of the Mountain and the Centre (by virtue of its mass and situation) and
of Steps (because of its shape), but also constitutes an image of paradise, since
vegetation appears to flourish on its terraces (7). The origins of this type of
structure are Sumerian (7), and examples are to be found in Egypt, India, China
and pre-Columbian America. Eliade, in confirming this, adds that the climb to the top of the Mesopotamian or of the Hindu temple-mountain was equivalent to an
ecstatic journey to the ‘Centre’ of the world; once the traveller has reached the
topmost terrace, he breaks free from the laws of level, transcends profane space
and enters a region of purity (18). It is hardly necessary to observe that climbing
mountains implies ultimately the same mystic tendency, as can be seen in the fact
that mountain heights are the chosen abode of the recluse. And the favourable
symbolic significance of the goat derives solely from his predilection for heights.
Another important example of the temple-mountain, a product of Hindu culture,
comes from Indo-China—the temple of Borobudur built in the centre of the
island of Java in the 8th century of our era. Basically it consists of four levels of
square-shaped galleries, with four more circular platforms on top surmounted by
an enclosed belvedere. In form, then, it is similar to the Egyptian ziggurat, or, in
the Khmer language, a Phnom, signifying a temple-mountain comparable with
Meru, the Hindu Olympus. Four flights of steps up the centre of each pyramid
face lead directly from the base to the top. It would appear that the profoundest
meaning attached to this temple is of a supernatural character. Its name—
Borobudur—signifies ‘the seat of secret revelation’. All graduated edifices such
as steps concern the symbolism of discontinuous spiritual evolution, that is, the
separate but progressive stages of evolution (6). At the same time, the groundplan of the Borobudur temple is diagrammatically a true yantra, and its various
square and round-shaped levels constitute a mandala related to the symbolism of
‘squaring the circle’ (6). The symbolic structure of the Greek temple is fundamentally the same as that of the lake-dwelling: that is, it symbolizes the intercommunication between the Three Worlds—the Lower (represented by the water and
the piles on the one hand and earth and the subterranean part on the other), the
Terrestrial (the base and columns) and the Upper (suggested by the pediment).
Christian cathedrals are related less to the macrocosm than to the microcosm, the
human figure being depicted in terms of the apse (representing the head), the
cross and transepts (the arms), the nave and side aisles (the body) and the altar
(the heart). In the Gothic temple, the upward sweep, the vital rôle of the vertical
axis—and indeed the structure as a whole—embrace the idea of the templemountain with its implied synthesis of the symbolism of both macrocosm and
microcosm. According to Schneider, the two towers usually placed at the western
face correspond to the twin-peaked ‘mountain of Mars’ in primitive megalithic
cultures (and linked with the Gemini myth), while the cimborrio over the transept
is expressive of a higher synthesis, an image of heaven. Both the synthesis and the
crux of the matter are established by Gershom G. Scholem, in Les Origines de la
Kabbale (Paris, 1966). He recalls that God lives in his reason or that God is the absolute Reason and logos of the world, and that the temple ‘is the house’ or
abode of God, and thus identifies temple with reason.
To see a temple in your dream, represents inspiration, spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it. Perhaps you need to pamper yourself. Alternatively, the dream suggests that you are looking for a place of refuge and a place to keep things that are dear to you.
Seeing a temple in your dream, represents your spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it.
The act of weaving represents, basically, creation and life, and
particularly the latter in so far as it denotes accumulation and multiplication or
growth. In this sense it was known, and put to magic and religious use, in Egypt
and the pre-Columbian cultures of Peru (40). Beigbeder recalls that weaving was
an attribute of the Parcae, and also of the Virgin in Byzantine iconography. The
weaving symbol is universal, and of prehistoric origin.
To dream that you are weaving, denotes that you will baffle any attempt to defeat you in the struggle for the up-building of an honorable fortune.
To see others weaving shows that you will be surrounded by healthy and energetic conditions.
To dream that you are weaving something, suggests that you are trying to piece together some information. You need to incorporate various components together and look at the picture as a whole. Alternatively, weaving symbolizes your creativity.
Dreaming that you are weaving something, suggests that you are trying to piece together some information. You need to look at the picture as a whole.