Alright so last night I remember only two parts of my dream clearly, although I do recall that there were several parts to it. I've had my tea now, so details are slipping…
I remember being in a grassy space on the side of a hill next to a curving road. The hill was pretty steep, and the road curved into a U shape, with the grassy part nestled within. On the other side of the street was an incline. I don't remember how I got there. But in the grassy place were four white horses and four white bulls. They were much larger than normal size, and I remember their muscular structure being more defined than I have ever seen on those particular animals. They were huddled into segregated groups, eating grass.
I was standing on the pavement of the street watching them. I noticed that in front of me was a young apple tree. On my right were two older apple trees. The apples were not ripe.
I stepped onto the grass, and the animals got agitated. They split from their groups and began to mingle, but in a confrontational way. I began to get nervous because of the size of them. I walked a little bit closer to the young apple tree, and just then a fight broke out between one of the bulls and one of the horses. They came very close to me, and I didn't move. I didn't want them to notice me. But the horse reared, and the bull was pushed back. Its right front leg hit me in the face. I watched it come at me in slow motion, and then my dream changed as the impact smashed my skull.
Next I was on a pig farm. The pigs were not the pink variety, but were brown and tan with whiskers. More like boars, but without the tusks. They were in cages under a metal roof, but the cages were not too small or dirty. They were not crowded, but were only one or two in a roughly 100 sq/ft cage. There were maybe thirty cages. I was watching them, looking for another person to ask where I was. But no one was there. I remembered a necklace that I have made of boar's tusk and abalone shell right before I woke up.
To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.
This is a very good dream to the majority of people.
To see red apples on trees with green foliage is exceedingly propitious to the dreamer.
To eat them is not as good, unless they be faultless. A friend who interprets dreams says: ``Ripe apples on a tree, denotes that the time has arrived for you to realize your hopes; think over what you intend to do, and go fearlessly ahead. Ripe on the top of the tree, warns you not to aim too high. Apples on the ground imply that false friends, and flatterers are working you harm. Decayed apples typify hopeless efforts.''
To see apples growing in a tree in your dream, symbolize knowledge, wisdom and great prosperity. Rewards are on the horizon for you. Consider also the common phrase, "an apple a day keeps the doctor away" which may imply that you need to take better care of your health. Perhaps you need to go to the doctor. Or the dream may also be a metaphor for an apple computer.
To dream that you are eating an apple, denotes harmony, pleasure, and fertility. In a biblical sense, eating an apple symbolizes your sexual appetite, lustful desires, and sexual awareness as associated with the apple in the Garden of Eden.
To see green apples, represents developing love or love that has yet to blossom.
To see rotten or eaten apples in your dream, indicates that whatever you are striving and aiming for may not be fulfilling, and even harmful to you. It may also represent neglect and carelessness.
Being almost spherical in shape, the apple signifies totality. It is
symbolic of earthly desires, or of indulgence in such desires. The warning not to
eat the forbidden apple came, therefore, from the mouth of the supreme being, as
a warning against the exaltation of materialistic desire (15). The intellect, the
thirst for knowledge—as Nietzsche realized—is only an intermediate zone between earthly desire and pure spirituality.
Apples are symbol of fertility, growth, love and prosperity. Eating an apple means you are enjoying life and will be tasting the fruit of success, in your love life or even at your workplace. There is also the biblical reference, Adam eating the apple, which deals with the sexual dimension: forbidden love, repressed desires, sweet temptations.
This simple and basic fruit is a powerful symbol in religious writings, literature and in dreams. It fundamentally represents knowledge and the freedom that is associated with it. With knowledge and freedom we are in a position to make positive or negative choices. The apple should be interpreted with the consideration of all the other details in the dream. Is the apple a symbol of positive movement and spiritual and emotional liberation, or is it a symbol of runaway passions and the resulting negativity? Are you giving into temptation and making hurtful choices or are being wise and enjoying the fullness of life?
A ripe apple in a dream can mean that you are developing a more mature outlook.
Apples are believed to be a symbol of good luck in dreams, unless they are bitter apples, in which case they symbolize bad luck.
Traditionally, if you dream about eating apples, you need to swallow your pride.
To see a road in your dream, refers to your sense of direction and how you are pursuing your goals. If the road is winding, curvy, or bumpy in your dream, then it suggests that you will encounter many obstacles and setbacks toward achieving your goals. You may be met with unexpected difficulties. If the road is dark, then it reflects the controversial or more frightening choices which you have made or are making.
If the road is smooth and bordered by trees or flowers, then it denotes a steady progress and steady climb up the social ladder. If the road is straight and narrow, then it means that your path to success is going as planned.
To see an unknown road in your dream, represents a path that has not been ventured. You are setting a new precedence for something.
To dream that a threatening creature is on a road, parallels a hostile situation/person you are encountering in your waking life. It is an obstacle that you need to overcome, no matter how intimidating the situation or person may appear.
Traveling over a rough, unknown road in a dream, signifies new undertakings, which will bring little else than grief and loss of time.
If the road is bordered with trees and flowers, there will be some pleasant and unexpected fortune for you. If friends accompany you, you will be successful in building an ideal home, with happy children and faithful wife, or husband.
To lose the road, foretells that you will make a mistake in deciding some question of trade, and suffer loss in consequence.
Seeing a road in your dream indicates your sense of direction and pursuit of your goals. Seeing a winding, curvy, or bumpy road in your dream, suggests that you will experience many obstacles and setbacks in achieving your goals. You may be met with unexpected difficulties. If the road is dark, then it reflects the darker or more frightening choices which you have made or are making. Seeing a smooth road bordered by green trees and flowers indicates a steady progress and steady climb up the social ladder. If the road is straight and narrow, then it means that your path to success is going according as planned. Seeing an unknown road in your dream means that you new project will cause more grief than it is worth and a waste of time. Dreaming that a threatening creature is on a road, parallels a hostile situation/person you are encountering in your waking life. It is an obstacle that you need to overcome, no matter how intimidating the situation or person may appear.
It usually symbolises the journey that we take to achieve our goals. The road in the dream represents a road in your life. It could be the road to your heart, spirit, or mind. Consider the kind of road that you are on and try to see how it relates to your daily realities. If the road is straight, well marked and lit, it may be reinforcement to you that you are moving in the right directions. If there are many obstacles and the road is very hard, consider your options.
To dream that you are walking in a street, foretells ill luck and worries. You will almost despair of reaching the goal you have set up in your aspirations.
To be in a familiar street in a distant city, and it appears dark, you will make a journey soon, which will not afford the profit or pleasure contemplated. If the street is brilliantly lighted, you will engage in pleasure, which will quickly pass, leaving no comfort.
To pass down a street and feel alarmed lest a thug attack you, denotes that you are venturing upon dangerous ground in advancing your pleasure or business.
To see a street in your dream, symbolizes your life's path. The condition of the street reflects how much control you have over the direction of your life. Consider also the name on the street as it may offer some significance or advice to the meaning of the dream.
To see or travel on side streets in your dream, refer to a need to explore an alternative way of life.
Seeing a street in your dream, symbolizes your life's path. The condition of the street reflects how much control you have over the direction of your life. Is there a name on the street which can offer some significance or hints to the meaning of the dream. Seeing side streets, refers to a need to explore and return to more traditional ways. It may also suggest and alternative way of life.
To dream that you are climbing a hill, signifies your struggles in achieving a goal. You need to focus your energies on the prize. To dream that you are standing on top of a hill, suggests that you have succeeded in your endeavors. You have the necessary resources to complete the task at hand.
Dreaming that you are climbing a hill means your struggles in achieving a goal. Dreaming that you are standing on top of a hill means that you have succeeded in your endeavors or that you have now have the resources to complete a task at hand.
To dream about the size of something, represents the importance or lack of importance that you attach to certain objects or persons. The larger something is, the more important it is. Conversely, the smaller something is, the more trivial it is. Size also relates the degree of power you are exerting and the power others have on you. Perhaps the dream indicates that you are "sizing" someone up. According to Freudian school of thought, the size of an object, signifies the size of someone's penis, perhaps your own or your lover.
Dreaming about the size of something, represents the importance we attach to objects and person. It also relates to the degree of power you are exerting and the power others have on you. According to Freudian school of thought, the size of an object means the size of someone's penis, perhaps your own or your lover.
Of the utmost importance in symbolism, both in connexion with
their distinguishing features, their movement, shapes and colours, and because of
their relationship with man. The origins of animal symbolism are closely linked
with totemism and animal worship. The symbolism of any given animal varies
according to its position in the symbolic pattern, and to the attitude and context
in which it is depicted. Thus the frequent symbol of the ‘tamed animal’ can
signify the reversal of those symbolic meanings associated with the same animal
when wild. In the struggle between a knight and a wild or fabulous animal—one of
the most frequent themes in symbolism—the knight’s victory can consist either
in the death or in the taming of the animal. In Chrétien de Troyes’ mediaeval
romance, Yvain, the hero is assisted by a lion. In the legend of St. George, the
conquered dragon serves its conqueror. In the West, some of the earliest references to animal symbolism are found in Aristotle and in Pliny, but the most
important source is the treatise Physiologus, written in Alexandria in the 2nd
century A.D. Another important contribution was made one or two centuries
later by Horapollo, with his two treatises on Hieroglyphica, based on Egyptian
symbolism. From these sources flows a stream of mediaeval animal symbolism
which produced such notable bestiaries as that of Philip of Thaun (A.D. 1121),
Peter of Picardy and William of Normandy (13th century); or the De Animalibus,
attributed to Albertus Magnus; Libre de les besties of Raymond Lull; and
Fournival’s Bestiaire d’Amour (14th century). The primitives’ view of animals,
as analysed by Schneider (50), is mirrored in all these works, namely that while
man is an equivocal, ‘masked’ or complex being, the animal is univocal, for its
positive or negative qualities remain ever constant, thus making it possible to
classify each animal, once and for all, as belonging to a specific mode of cosmic
phenomena. More generally, the different stages of animal evolution, as manifested by the varying degrees of biological complexity, ranging from the insect and
the reptile to the mammal, reflect the hierarchy of the instincts. In Assyrian and
Persian bas-reliefs, the victory of a higher over a lower animal always stands for
the victory of the higher life over the lower instincts. A similar case is in the
characteristic struggle of the eagle with the snake as found in pre-Columbian
America. The victory of the lion over the bull usually signifies the victory of Day
over Night and, by analogy, Light triumphing over Darkness and Good over Evil.
The symbolic classification of animals is often related to that of the four Elements. Animals such as the duck, the frog and the fish, however much they may
differ one from the other, are all connected with the idea of water and hence with
the concept of the ‘primal waters’; consequently, they can stand as symbols of
the origin of things and of the powers of rebirth (37, 9). On the other hand, some animals, such as dragons and snakes, are sometimes assigned to water, sometimes
to earth and sometimes even to fire (17). However, the most generally accepted
classification—which is also the most fundamentally correct—associates aquatic
and amphibious animals with water; reptiles with earth; birds with air; and mammals (because they are warm-blooded) with fire. For the purposes of symbolic
art, animals are subdivided into two categories: natural (often in antithetical
pairs: toad/frog, owl/eagle, etc.) and fabulous. Within the cosmic order, the latter
occupy an intermediate position between the world of fully differentiated beings
and the world of formless matter (50). They may have been suggested by the
discovery of skeletons of antediluvian animals, and also by certain beings which,
though natural, are ambiguous in appearance (carnivorous plants, sea urchins,
flying fish, bats), and thus stand for flux and transformism, and also for purposeful evolution towards new forms. In any event, fabulous animals are powerful
instruments of psychological projection. The most important fabulous animals
are: chimaera, sphinx, lamia, minotaur, siren, triton, hydra, unicorn, griffin, harpy,
winged horse, hippogryph, dragon, etc. In some of these the transmutation is a
simple one, and clearly positive in character—such as Pegasus’ wings (the spiritualization of a lower force)—but more often the symbol is a consequence of a
more complex and ambiguous process of the imagination. The result is a range of
highly ambivalent symbols, whose significance is heightened by the ingrained
belief in the great powers exercised by such beings as well as in the magic importance of abnormality and deformity. In addition, there are animals which, while
hardly or not at all fabulous in appearance, are credited with non-existential or
supernatural qualities as the result of a symbolic projection (for example, the
pelican, phoenix, salamander). There is a fragment by Callimachus on the Age of
Saturn, in which animals have the power of speech (this being a symbol of the
Golden Age which preceded the emergence of the intellect—Man—when the
blind forces of Nature, not yet subject to the logos, were endowed with all sorts
of extraordinary and exalted qualities). Hebrew and Islamic traditions also include
references to ‘speaking animals’ (35). Another interesting classification is that of
‘lunar animals’, embracing all those animals whose life-span includes some kind
of cyclic alternation, with periodic appearances and disappearances (18). The
symbolism of such animals includes, in addition to the animal’s specific symbolic
significance, a whole range of lunar meanings. Schneider also mentions a very
curious primitive belief: namely, that the voice of those animals which can be said
to serve as symbols of heaven is high-pitched if the animal is large (the elephant,
for example), but low-pitched if the animal is small (as the bee); while the converse is true of earth-symbol animals. Some animals, in particular the eagle and the lion, seem to embody certain qualities, such as beauty and the fighting spirit,
to such an extent that they have come to be universally accepted as the allegorical
representations of these qualities. The emblematic animals of Roman signa were:
eagle, wolf, bull, horse and wild boar. In symbolism, whenever animals (or any
other symbolic elements) are brought together in a system, the order of arrangement is always highly significant, implying either hierarchical precedence or relative position in space. In alchemy, the descending order of precedence is symbolized by different animals, thus: the phoenix (the culmination of the alchemical
opus), the unicorn, the lion (the necessary qualities), the dragon (prime matter)
(32). Symbolic groups of animals are usually based on analogical and numerical
patterns: the tetramorphs of Western tradition, as found in the Bible, are a fundamental example; another example would be the Chinese series of the four benevolent animals: the unicorn, phoenix, turtle and dragon. The following animals occur
particularly in Romanesque art: the peacock, ox, eagle, hare, lion, cock, crane,
locust and partridge (50). Their symbolic meaning is mainly derived from the
Scriptures or from patristic tradition, though some meanings, arising from analogy, such as that between cruelty and the leopard, are immediately obvious (20).
The importance in Christianity of the symbols of the dove, the lamb and the fish
is well known. The significance of the attitudes in which symbolic animals are
depicted is usually self-evident: the counterbalancing of two identical—or two
different— animals, so common in heraldry, stands for balance (i.e. justice and
order, as symbolized for instance by the two snakes of the caduceus); the animals
are usually shown supporting a shield or surmounting the crest of a helmet. Jung
supports this interpretation with his observation that the counterbalancing of the
lion and the unicorn in Britain’s coat of arms stands for the inner stress of
balanced opposites finding their equilibrium in the centre (32). In alchemy, the
counterbalancing of the male and the female of the same species (lion/lioness, dog/
bitch) signifies the essential contrast between sulphur and mercury, the fixed and
the volatile elements. This is also the case when a winged animal is opposed to a
wingless one. The ancient interest in animals as vehicles of cosmic meanings, over
and above the mere fact of their physical existence, persisted from the earliest
beginnings of the Neolithic Age up to as late as 1767, with the publication of such
works as Jubile van den Heyligen Macarius. This treatise describes processions
in which each symbolic chariot has a characteristic animal (the peacock, phoenix,
pelican, unicorn, lion, eagle, stag, ostrich, dragon, crocodile, wild boar, goat, swan,
winged horse, rhinoceros, tiger and elephant). These same animals, together with
many others (such as the duck, donkey, ox, owl, horse, camel, ram, pig, deer stork, cat, griffin, ibis, leopard, wolf, fly, bear, bird, dove, panther, fish,-snake
and fox) are those mainly used also as watermarks in papermaking. The use of
watermarks, undoubtedly mystical and symbolic in origin, spread throughout the
Western world from the end of the 13th century onwards. All the above particular
symbolic uses rest on a general symbolism of animals, in which they are related to
three main ideas: the animal as a mount (i.e. as a means of transport); as an object
of sacrifice; and as an inferior form of life (4). The appearance of animals in
dreams or visions, as in Fuseli’s famous painting, expresses an energy still undifferentiated and not yet rationalized, nor yet mastered by the will (in the sense of
that which controls the instincts) (31). According to Jung, the animal stands for
the non-human psyche, for the world of subhuman instincts, and for the unconscious areas of the psyche. The more primitive the animal, the deeper the stratum
of which it is an expression. As in all symbolism, the greater the number of objects
depicted, the baser and the more primitive is the meaning (56). Identifying oneself
with animals represents integration of the unconscious and sometimes—like immersion in the primal waters—rejuvenation through bathing in the sources of life
itself (32). It is obvious that, for pre-Christian man (as well as in amoral cults),
the animal signifies exaltation rather than opposition. This is clearly seen in the
Roman signa, showing eagles and wolves symbolically placed on cubes (the
earth) and spheres (heaven, the universe) in order to express the triumphant
power of the force of an instinct. With regard to mythic animals, a more extensive
treatment of this subject is to be found in the Manual de zoología fantástica of
Borges y Guerrero (Mexico and Buenos Aires, 1957), in which such creatures are
characterized as basically symbolic and, in most cases, expressive of ‘cosmic
terror’.
To see animals in your dream, represent your own physical characteristic, primitive desires, and sexual nature, depending on the qualities of the particular animal. Animals symbolize the untamed and uncivilized aspects of yourself. Thus, to dream that you are fighting with an animal signifies a hidden part of yourself that you are trying to reject and push back into your subconscious. Refer to the specific animal in your dream.
To dream that animals can talk, represent superior knowledge. Its message is often some form of wisdom. Alternatively, a talking animal denotes your potential to be all that you can be.
To dream that you are saving the life of an animal, suggests that you are successfully acknowledging certain emotions and characteristics represented by the animal. The dream may also stem from feelings of inadequacy or being overwhelmed. If you are setting an animal free, then it indicates an expression and release of your own primal desires.
To see lab animals in your dream, suggest that an aspect of yourself is being repressed. You feel that you are not able to fully express your desires and emotions. Alternatively, it suggests that you need to experiment with your fears, choices, and beliefs. Try not to limit yourself.
To see a group in your dream, refers to the merging of various aspects of your character and personality.
To see green grass in your dream, suggests that there is a part of yourself that you can always rely on. The dream is also symbolic of natural protection. Also consider the phrase "the grass is always greener on the other side." Do you always compare yourself with others and look at what other people have?
To dream that you are planting grass, indicates that your hard work and efforts will pay off in the end.
This is a very propitious dream indeed. It gives promise of a happy and well advanced life to the tradesman, rapid accumulation of wealth, fame to literary and artistic people, and a safe voyage through the turbulent sea of love is promised to all lovers.
To see a rugged mountain beyond the green expanse of grass, is momentous of remote trouble.
If in passing through green grass, you pass withered places, it denotes your sickness or embarrassments in business.
To be a perfect dream, the grass must be clear of obstruction or blemishes.
If you dream of withered grass, the reverse is predicted.
Seeing green grass in your dream, suggests that there is a part of yourself that you can always rely on. The dream is also symbolic of natural protection. Dreaming that you are planting grass indicates that your hard work and efforts will pay off in the end.
To dream that you are watching something, indicates your passiveness. You lack initiative to take a position or to take action. It may reflect upon your real life and how you are watching life pass you by, instead of participating it. You need to take more initiative. Alternatively, the dream symbolizes your neutrality in some situation. You do not want to take a side. The dream may also be a metaphor warning you to "watch it!"
To dream that you are being watched, suggests that you are feeling confined in your work environment or personal relationship. You are lacking privacy and feel you are being scrutinized or criticized.
Dreaming that you are watching something, represents you lack of initiative to take any action. It may also symbolize your neutrality in some situation.