I remember being in the backyard of a middle class suburban home. There was a pool, and a gate that went out to the street. There were three bikes chained to the gate. I heard a neighbor in his backyard playing guitar and singing rather well. I stopped to listen for a while. Then I looked at my left arm and saw there a giant tattoo from shoulder to wrist of some kind of CHinese writing. I thought, how unlikely a tattoo for me to have.
Then I was outside and a tall blonde woman with two men walked by me. She recognized me. Apparently we used to work together or something. I got that impression. She didn't want to greet me for some reason, but did and gave me a hug. I was uncomfortable. She introduced me to the two men, and the younger one hugged me. He was very mushy, kind of fat and soft, and his hug lasted for way too long. I was getting even more uncomfortable. She handed me an invitation to a party for our former workplace. It looked like we worked at some kind of business for pets. I thanked her and moved on.
Then I was with a man who told me we had to leave right that second. He handed me an orb of light, and he had one in his right hand as well. The orbs blasted off and we literally shot into space. Then we came back into earth's atmosphere a little more slowly. We were looking for a place to land and he chose the upper east coast of the US. We landed in a lake next to a giant mansion. There were trees all around, and a boat dock containing two very large yachts. As we landed in the water, we laughed and cheered.
I got out of the water, and noticed that I had a really dark nasty fungal sort of infection all over my right leg. It was making my skin a really odd texture, and some pieces were coming growing in really weird figures. I got a bit terrified and said to my friend that I needed to see a doctor. He said the woman we were visiting was one. She just happened to be walking down the boat dock that very minute.
I ran to her and showed her the fungus. She checked it out. She mentioned the strange texture. Then she began to check the water and the boats. There was a black mold on some parts of the underside. She said it was the same. She tapped away on some handheld device for a minute, and then confirmed that I only had pleurisy and I would be completely cured. I was relieved. But Pleurisy is a lung infliction, not a fungal infection.
To dream that you are in a strange place, represents change in your life. Consider how you feel about the surrounding. If you are afraid or lost, then it indicates that you are not ready for the change. You are not ready to leave the past behind. If you are excited or happy in this unknown place, then it suggests that you are ready for change.
To see fungus in your dream, represents negative emotions that are expanding and growing in your unconscious. You need to find a productive way to express them before it grows out of control.
Seeing fungus in your dream, represents negative emotions that are expanding and growing in your unconscious. You need to find a productive way to express them before it grows out of control.
In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’
This indicates birth (of some person).
To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.
If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.
If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.
If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.
To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.
To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.
To sport with water, denotes a sudden awakening to love and passion.
To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.
The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:
``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.
To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.
To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.
To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.
To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.
Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.
The symbolism of texture has received scant attention nor has it
even been recognized as a problem. But certain trends of contemporary art indicate that the material quality of a work of art, or the relationship between the
apparent surface—space—and the surface proper—the inter-relationship of points in space—is once again being accorded that recognition it formerly enjoyed in
ornamental and even in figurative art. We may see in texture two essential component elements: one that produces a pattern of lateral concurrences and one which,
so to speak, thrusts upwards. The first—the lateral—factor gives rise to features
which are sometimes pre-formal—nascent, symbolic forms only to be glimpsed
after careful study, related to the paradoxical ‘informal forms’ (symbolic blots,
klexographies, paper-transfers, and so on), to the so-called ‘buried symbolism’ of
some works of art—which has been seen as a kind of infra-configuration produced by the play of light and shade, by the brush-strokes or by the background
patterns—and associated also with the symbolism of composition in so far as
this creates an effect of perspective. But texture proper is determined by the
quality and thickness of the impasto, of the material, and by the structure of this
material as it is understood in mineralogy, producing textures which are caked or
fibrillar or pearlitic or porous or cellular, and so on. Broadly speaking, textures
may be divided into the hard and smooth and the soft and porous. Since the
impression of smoothness (or continuity) is increased in proportion to the distance from which it is viewed, all smooth textures may be regarded as symbolic of
remoteness and, by analogy, of cold colours. Conversely, porous textures symbolize nearness and warm colours, expressing a greater degree of inner dynamism
in the material and in the corresponding tactile sensation. More detailed conclusions than the above could be educed only after a closer study of the problem of
To dream about your backyard, represents your childhood memories or your unconscious. Alternatively, dreaming of your backyard, refers to the secrets you are keeping. There are some aspects of your life which you want to keep hidden and out of the view of others. The dream also represents some aspect of your life that you have taken for granted. Consider also the phrase "not in my backyard." In other words, everything is okay as long as it does not happen to you or occur in your own home. The condition of the yard is also symbolic of how well you maintain and balance aspects of your life.
Dreaming of the backyard refers to the secrets your are keeping. There are some aspects of your life which remain hidden from view. Alternatively, it represents poverty.
To see or pass through a gate in your dream, suggests that you are walking through a new phase of life. It also represents new opportunities and possibilities, especially if the gate is opened or swinging.
To see a closed gate in your dream, signifies your inability to overcome current difficulties. If you are unable to open the gate, then it indicates that your hard work will be seen as unsatisfactory. It may also mean that you are not ready or not prepared to move on to the next step.
To dream of seeing or passing through a gate, foretells that alarming tidings will reach you soon of the absent. Business affairs will not be encouraging.
To see a closed gate, inability to overcome present difficulties is predicted. To lock one, denotes successful enterprises and well chosen friends. A broken one, signifies failure and discordant surroundings. To be troubled to get through one, or open it, denotes your most engrossing labors will fail to be remunerative or satisfactory. To swing on one, foretells you will engage in idle and dissolute pleasures.
Seeing or passing through a gate in your dream, suggests that you are walking through a new phase of life. It also represents new opportunities and possibilities. Seeing a closed gate in your dream means your inability to overcome current difficulties. If you are unable to open the gate, then it indicates that your hard work will be seen as unsatisfactory. It may also mean that you are not ready or not prepared to move on to the next step.
The deepest and most ancient meaning of the myth of the giant alludes
to the supposed existence of an immense, primordial being, by whose sacrifice
creation was brought forth. This cosmogonic myth was very common among
primitive and ancient peoples, and it shows how rites involving the sacrifice of
humans are an attempt to revive the initial sacrifice and to resuscitate the cosmic
forces or to reawaken, at least, their favourable proclivities (17). Now, the giant
is, in himself, neither good nor bad, but merely a quantitative amplification of the
ordinary; hence, as the case may be, there are some legendary giants who are
protectors and others who are aggressive. This sense of the giant as ‘that which
surpasses’ human stature (here symbolic of power and strength), is also indicative of the broad significance of the giant. He may be an image of the ‘Terrible
Father’, arising from childhood memories—children see their parents as giants—
or an image of the unconscious, the ‘dark side’ of the personality menacing the
Jungian Selbst (21), etc. It is interesting to note that in folklore the giant is tutelar
in character: he is usually the defender of the common people against the overlord, upholding their liberties and rights. Without generalizing, one implication of
the giant may be said to be the personification of collective Man—as implied in
the maxim ‘united we stand’—or of the life of a community (16). But the general
myth of the giant is far from being confined to this specialized meaning. In nearly
all symbolic traditions, he tends to appear as an outcropping of the marvellous
and the terrible, even though he always has a certain quality of the inferior or the
subordinate about him. The Bible refers to Goliath and to Og, king of Bashan at
the time of the exodus (46). Samson has certain characteristics of the giant. In the
West, Bodo, Rübezahl, Geryon, Gargantua and Hercules are the most significant
in gigantomachy; in Greek tradition, there are the Titans and the Cyclops. Christian tradition has often seen Satan as a giant (50). The tragic hero is intimately
linked with the giant, although, at times, in inverse relation as his adversary (60).
Frazer describes the numerous cases in which giant figures in wood or wickerwork were set fire to during midsummer festivals, comparable with the Valencian
fallas (or bonfires). The ancients would fill these figures with animals and even
live men, who were burnt with the effigy. They were considered as representatives of the spirit of vegetation, or of the god sacrificed to the world—which
brings us back once again to our cosmogonic interpretation. The giant may be a
symbol of ‘everlasting rebellion’, of the forces of dissatisfaction which grow
within Man and determine his history and his destiny; it may, that is to say, be a
symbol of the Universal Man (Adam Kadmon, 21). Now, according to Jungian 119 GOG AND MAGOG
psychology, the giant’s essence—or his appearance, rather—seems to correspond to the father-symbol, representing the spirit that withstands the instincts,
or as the guardian of the treasure (that is, the mother—the unconscious), in which
case it is identical with the dragon-symbol. Reviewing all this, Jung quotes the
example of Humbaba, the guardian of the garden of Ishtar in the Gilgamesh epic
To see a giant in your dream, indicates a great struggle between you and your opponents. You are trying to overcome an overwhelming obstacle. Alternatively, a giant symbolizes an issue, a person or a feeling that is dominating you. You are having an inferiority complex.
To dream that you turn into a giant, indicates feelings of inferiority.
To dream of a giant appearing suddenly before you, denotes that there will be a great struggle between you and your opponents. If the giant succeeds in stopping your journey, you will be overcome by your enemy. If he runs from you, prosperity and good health will be yours.
Great difficulty to be encountered. But meet it with boldness. Then it will vanish.
This indicates that you will have an enemy of the most dreadful character.
Seeing a giant in your dream means of a great struggle between you and your opponents. This may prove to be a major and overwhelming obstacle for you to overcome. Alternatively, a giant may be symbolic of an issue or feeling that is dominating you. Dreaming that you turn into a giant indicates feelings of inferiority.
To see your body appearing tattooed, foretells that some difficulty will cause you to make a long and tedious absence from your home.
To see tattooes on others, foretells that strange loves will make you an object of jealousy.
To dream you are a tattooist, is a sign that you will estrange yourself from friends because of your fancy for some strange experience.
To dream that you have tattoos, represent your sense of individuality and the desire to stand out in a crowd. You want to be unique and different from everybody else, particularly if you do not have any tattoos in real life. Consider also what the tattoo is and what significance it has in your life. It may represent something that has left a lasting impression on you. Alternatively, to dream that you have a tattoo, suggests that a waking situation or decision is having a much longer lasting effect that you had expected.
To dream that you are a tattoo artist, suggests that your exotic tastes and strange experiences may turn off those around you. If you are a tattooist in real life, then the dream is just a reflection of who you are.
Dreaming that you have tattoos means that some urgent and difficult business will call you away from your home for an extended period of time. It may also signal a new stage in your life. Seeing tattoos on others in your dream indicates that you will be the object of jealousy. Dreaming that you are getting a tattoo with a friend, represents your deep bond and long-lasting, solid friendship. Dreaming that you are a tattoo artist means that your strange life style will alienate your friends and family.
Tattoos may represent those things in our lives that seem only skin deep, but may be interesting and fun. They could represent our thinking, our playful ways, and our seemingly unimportant habits. As time progresses, we may realise that our passing fads have become permanent. Thus, a tattoo may be symbolic of something that we inflict on ourselves, is permanent if not deep, and generally carries with it some negativity.
In anthropology, woman corresponds to the passive principle of
nature. She has three basic aspects: first, as a siren, lamia or monstrous being who
enchants, diverts and entices men away from the path of evolution; second, as the
mother, or Magna mater (the motherland, the city or mother-nature) related in
turn to the formless aspect of the waters and of the unconscious; and third, as the
unknown damsel, the beloved or the anima in Jungian psychology. In his Symbols
of Transformation, Jung maintains that the ancients saw Woman as either Eve,
Helen, Sophia or Mary (corresponding to the impulsive, the emotional, the intellectual, and the moral) (33). One of the purest and all-embracing archetypes of
Woman as anima is Beatrice in Dante’s Commedia (32). All allegories based upon
the personification of Woman invariably retain all the implications of the three
basic aspects mentioned above. Of great interest are those symbols in which the
Woman appears in association with the figure of an animal—for example, the
swan-woman in Celtic and Germanic mythology, related to the woman with the
hoof of a goat in Hispanic folklore. In both cases the woman disappears once her
maternal mission has been completed and, similarly, the virgin qua virgin ‘dies’ in order to give way to the matron (31). In iconography it is common to find parts
of the female figure combined with that of a lion. The Egyptian goddess Sekhmet,
characterized by her destructiveness, had the body of a woman and the head (and
therefore the mind) of a lion. Conversely, a figure with a lion’s body and a
woman’s head appears in the Hieroglyphica of Valeriano as an emblem of the
hetaira (39). The inclusion of feminine, morphological elements in the composition of traditional symbols such as the sphinx always alludes to a background of
nature overlaid with the projection of a concept or of an entire complex of cosmic
intuitions. In consequence, the Woman is an archetypal image of great complexity
in which the decisive factor may be the superimposed symbolic aspects—for
example, the superior aspects of Woman as Sophia or Mary determine her function as a personification of science or of supreme virtue; and when presented as
an image of the anima, she is superior to the man because she is a reflection of the
loftiest and purest qualities of the man. In her baser forms as Eve or as Helen—
the instinctive and emotional aspects—Woman is on a lower level than the man.
It is here, perhaps, that she appears at her most characteristic—a temptress, the
Ewig Weibliche, who drags everything down with her, and a symbol comparable
with the volatile principle in alchemy, signifying all that is transitory, inconsistent, unfaithful and dissembling. See also The Loved One and Sophia.
To see a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or your mother. Alternatively, a woman indicates temptation and guilt. If you know the woman, then it may reflect concerns and feelings you have about her.
To see an old woman in your dream, indicates your concerns about aging and growing old. Alternatively, the old woman may be an archetypal figure to symbolize feminine power.
To see a group of women talking in your dream, refers to some gossip.
To see a pregnant women in your dream, symbolizes abundant wealth.
Seeing a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or may also represent your mother. Alternatively, it may indicate temptation and guilt. If you know the woman, then it may symbolize the concerns and feelings you have about her. Seeing an old woman in your dream indicates aging and growing old. Seeing a group of women talking in your dream, refers to some gossip. Seeing a pregnant women in your dream, symbolizes abundant wealth.
A woman or women generally represent intuition, creativity, nurturing, and love. At times they can also represent the negative attributes that are given to women and include physical and emotional weakness, gossip, martyrdom, passivity, moodiness, temptation, and guilt. The content of the dream is to be considered, as well as the emotional tone. If the dream is sexual in nature, look up sex. If the woman in your dream was a stranger and you are a man, she could be symbolic of your feminine side or your attitude about women. If you are a woman, this stranger may be symbolic of different parts of your character or personality. The woman is that force or current inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words.
To see men in your dream, represent an authoritative figure or a father figure. If you are a woman and dream that you are in a room full of men, then it highlights the masculine aspect of yourself. The dream forces you to acknowledge your authoritative and aggressive side. Consider also how the men are dressed as this will provide a clue as to what area in your life you need to assert more power.
A hug is a very pleasant dream symbol. It suggests love and tenderness. It is also symbolic of comfort and protection. Look at all of the details in your dream and look for the positive meaning. The only time that this dream symbol has negative connotations is if you were to hug or be hugged by a very negative person or something that you consider "evil." Otherwise, it is a sweet and comforting dream symbol.