I was in a place with two older indian women and two young indian men. They were maybe Mixtec. There were several teenage Mexicans around, male and female. My boyfriend was with us. There were a lot of really strange trees with large colorful flowers and fruits hanging from them. I was enjoying pulling them off and tasting them. They were way bigger than any normal type of fruit I've ever seen, and tropical looking.
I pulled one that had opened up and looked like a large hand. It kind of tasted like a mix of honeydew melon and kiwi. A woman came up to me and she had a laptop. She was really agitated and told me she had been looking up the fruits, and that the one I was currently trying was actually something the tree made when it wasn't healthy. Kind of like a fungus. She was disgusted that I was eating it. I asked her if it was poison. She said no. I asked her if it was a problem of the tree that was grave, or just like a plague. She said it wasn't. I kept eating it and walked away from her because she was a drag, and I was enjoying myself.
Then I noticed one of the Mexican teenagers had fallen ill, and was oozing something that looked like preschool paste from his pores. He was freaking out telling me that he ate one of the fruits, and then this started. I threw my piece or fruit over my left shoulder and kneeled next to the Mixtec women who were collecting mushrooms and various berries to make into a paste that they were rubbing on his skin to heal him.
My boyfriend just started throwing mushrooms into a bowl I was holding, and I asked if they were the right ones. He didn't know. One of the Mixtec ladies motioned for me get busy. They were obviously psychedelic mushrooms. Then I woke up.
Equivalent to the egg, in traditional symbolism, for in the centre of the
fruit is the seed which represents the Origin (29). It is a symbol of earthly desires.
To see fruit in your dream, signifies growth, abundance and financial gain. They also symbolize lust and sexuality. In particular, green fruit in your dream, denotes your hastiness and disappointed efforts. You need to work harder and longer in order to achieve your goals. If the fruit is ripe, then it represents fertility and conception. You desire a child or you are ready to have a child.
To see or eat rotting/bitter fruit, represents your missed opportunities for growth and pleasure. Alternatively, it indicates a situation or relationship that ended prematurely. You are expressing some regret.
To dream that you buy or sell fruit, indicates that your efforts are being wasted in a fruitless endeavor.
To dream of seeing fruit ripening among its foliage, usually foretells to the dreamer a prosperous future. Green fruit signifies disappointed efforts or hasty action.
For a young woman to dream of eating green fruit, indicates her degradation and loss of inheritance. Eating fruit is unfavorable usually.
To buy or sell fruit, denotes much business, but not very remunerative.
To see or eat ripe fruit, signifies uncertain fortune and pleasure.
Seeing fruit in your dream means a period of growth, abundance and financial gain. Fruits generally represents lust and sexuality. In particular green fruit in your dream indicates your hastiness and disappointed efforts. You need to work harder and longer in order to achieve your goals. Seeing or eating rotting/bitter fruit, suggests your missed opportunities for growth and pleasure. Dreaming that you buy or sell fruit means much business but little profit in them.
Fruit represents abundance and prosperity. As a result of the seeds that they carry, they may also represent new beginnings. In biblical stories, mythology and literature in general, fruits have enjoyed much symbolic meaning. They may represent sexual desires and the search for wealth and immortality. In order to understand the meaning of the fruit in your dreams, consider your current strivings and psychological space. Also, consider whether the fruit was ripe, rotting or bitter. All of the details will help you to understand whether you have a lustful heart, are at a new frontier, or have missed opportunities for growth and pleasure.
To dream that you are in a strange place, represents change in your life. Consider how you feel about the surrounding. If you are afraid or lost, then it indicates that you are not ready for the change. You are not ready to leave the past behind. If you are excited or happy in this unknown place, then it suggests that you are ready for change.
To see mushrooms in your dreams, denotes unhealthy desires, and unwise haste in amassing wealth, as it may vanish in law suits and vain pleasures.
To eat them, signifies humiliation and disgraceful love.
For a young woman to dream of them, foretells her defiance of propriety in her pursuit of foolish pleasures.
To see your boyfriend in your dream, represents your waking relationship with him and how you feel about him.
To dream that your boyfriend is dead, indicates that something in your own Self that is no longer functional and is "dead". You are not being allowed to fully express yourself. It is also symbolic of your own relationship with that person. Perhaps you need to let go of this relationship.
If your boyfriend is away and your dreams of him involve a lot of touching, then it signifies how much you are missing his presence and having him nearby. The dream is telling you not to take the day to day things for granted. Learn to cherish the smaller things in life.
To dream that your boyfriend tells you that he is gay or that he doesn't love your anymore, represents your own insecurities with the relationship. It may also mean that the relationship is moving to a new level to which you are expressing some anxiety and fears about the changing situation. You may feel left out it in his life or that you are unable to share in all his experiences. It boils down to trust and communication.
Dreaming of your boyfriend, represents your waking relationship with him and how you feel about him. Dreaming that your boyfriend is dead, indicates that something in your own Self that is no longer functional and is "dead". You are not being allowed to fully express yourself. It is also symbolic of your own relationship with that person. Perhaps you need to let go of this relationship. If your boyfriend is away and your dreams of him involve a lot of touching, signify how much you miss his presence and have him being nearby. The dream is telling you not to take the day to day things for granted. Learn to cherish the smaller things in life. Dreaming that your boyfriend tells you that he is gay or that he doesn't love your anymore, represents your own insecurities with the relationship. It may also mean that the relationship is moving to a new level to which you are expressing some anxiety and fears about the changing situation. You may feel left out it in his life or that you are unable to share in all his experiences. It boils down to trust and communication.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
To dream that you are eating alone, signifies loss, loneliness, and depression. You may feel rejected, excluded, and cut off from social/family ties. Eating may be a replacement for companionship and provide a form of comfort. Alternatively, eating alone reflects independent needs. Also consider the pun, "what's eating you up?" in reference to anxiety that you may be feeling.
To dream that you are eating with others, signifies harmony, intimacy, merriness, prosperous undertakings, personal gain, and/or joyous spirits.
To dream that you are overeating or not eating enough, signifies a lack of spirituality and fulfillment in your waking life. Food can represent love, friendship, ambition, sex or pleasure in your life. Thus, food is a metaphor to fulfill and gratify your hunger for love and desires. If you are refusing to eat, then it indicates that you want to be more independent and not rely on others so much. If you dream that you are a picky eater, than it indicates that you are holding back something. If you are currently dieting in your waking life, then the dream may serve to compensate for the sustenance that you are lacking.
To dream that someone clears away the food before you finish eating, foretells that you will have problems and issues from those beneath you or dependent upon you.
To dream of eating alone, signifies loss and melancholy spirits. To eat with others, denotes personal gain, cheerful environments and prosperous undertakings.
If your daughter carries away the platter of meat before you are done eating, it foretells that you will have trouble and vexation from those beneath you or dependent upon you. The same would apply to a waiter or waitress.
To interpret this dream adequately you need to consider all of its details including what type of food you were eating, if you were eating alone, with strangers, or with familiar people. Eating usually symbolizes comfort, pleasure, and love. We use, and misuse food on a daily basis; we nourish our bodies and stuff our feelings with food. Eating is a part of life and for some of us it is a problem. If you are on a perpetual diet and are depriving yourself of food, then this dream may be compensatory in nature. If you are feeling lonely or lack warmth, you may have dreams of eating. Eating in a dream suggests a need for physical, psychological or spiritual nourishment.
To dream of women, foreshadows intrigue.
To argue with one, foretells that you will be outwitted and foiled.
To see a dark-haired woman with blue eyes and a pug nose, definitely determines your withdrawal from a race in which you stood a showing for victory. If she has brown eyes and a Roman nose, you will be cajoled into a dangerous speculation. If she has auburn hair with this combination, it adds to your perplexity and anxiety. If she is a blonde, you will find that all your engagements will be pleasant and favorable to your inclinations.
To see an Indian in your dream, represents the primitive and instinctual aspect of yourself. You need to be in more control of your waking-life situations and surroundings. You also need to be more self-reliant and exercise your personal power. Alternatively, this dream symbolizes honesty, dedication, and wisdom.
Seeing an Indian in your dream, represents the primitive and instinctual aspect of yourself. You need to be in more control of your waking-life situations and surroundings. You also need to be more self-reliant and exercise your personal power. Alternatively, this dream symbolizes honesty, dedication, and wisdom.
According to Bachelard, the notion of matter is very closely related to
that of paste. Water is here a predominant constituent, imparting cohesion. Hence
it has been said that ‘matter is the unconscious of form’. Mud is the ‘dust’ of
water, just as ash is the ‘dust’ of fire. Bachelard goes on to suggest that mud, dust
and smoke afford images which, in a changed and shadowy form, imply the
matter from which they arise—they are the residue of the four Elements (2).
They correspond to a quasi-aquatic state, and hence come into the symbolisms of
dissolution and regeneration: ash and dust are expressive of an ending, but all ends