I was on a research vessel with maybe three other people. I feel like two men and a woman. I don't know if I was a man or a woman. I don't know if we were even human, but we had humanoid figures. We were supposed to be going into the core of the sun to take some kind of samples for something. I don't think it was mentioned what or why.
All I remember was that we were all wearing these suits, like still suits from Dune. My face was uncovered. Over the suits and my bare skin was a film of iridescent blue plasma about an inch thick. This film was supposed to protect us from the radiation and heat. Apparently heat couldn't pass through it. It wasn't a force field, but it kinda worked like that.
The ship wasn't large. It was about 3000 sq/ft. It was shaped like a saucer. It was metallic on the outside, with a strange kind of metal, or maybe even mercury. It seemed like it wasn't quite solid. It also had a film of the iridescent blue stuff about six feet thick. The inside of the ship was more organic, like dark metal and leather-like fabrics.
We were already very near to the sun. I could see flares and gas bursts all around us. Everything outside was orange and yellow. It was very hot, but not enough to burn my skin at all. I remember the others speaking to me, but it was a language I have never heard before, and I didn't really understand them. I was really just lucid for a moment, and was looking around like, "Where the hell am I? Why is it so hot? What is this blue slimy stuff all over me?" Then I understood what was going on more or less, and of course I woke up before I could gather any more information.
In theogony, the Sun represents the moment (surpassing all others in the
succession of celestial dynasties) when the heroic principle shines at its brightest.
Thus, after Uranus, Saturn and Jupiter, comes Helios Apollo. On occasion, the
Sun appears as the direct son and heir of the god of heaven, and Krappe notes that
he inherits one of the most notable and moral of the attributes of this deity: he
sees all and, in consequence, knows all. In India, as Sûrya, it is the eye of Varuna;
in Persia, it is the eye of Ahuramazda; in Greece, as Helios, the eye of Zeus (or of
Uranus); in Egypt it is the eye of Ra, and in Islam, of Allah (35). With his
‘youthful’ and filial characteristic, the Sun is associated with the hero, as opposed
to the father, who connotes the heavens, although the two (sun and sky) are
sometimes equated. Hence, the weapon of heaven is the net (the pattern of the
stars) or the power of binding; while the hero is armed with the sword (symbolically associated with fire). And it is for this reason that heroes are promoted to
solar eminence and even identified with the Sun itself. In a given period of history
and at a certain cultural level, the solar cult is the predominant if not the only one.
Frazer, however, as Eliade has noted, brought out the divergencies of the solar
elements in the sacred rites of Africa, of Australia and Oceania as a whole, and of
North and South America. The cult of the Sun reached an advanced stage of
development only in the New World, and—most advanced of all—in Mexico and
Peru. Eliade concludes that, since these were the only countries in pre-Columbian
America to evolve a viable political system, it may be concluded that there is a
parallel between predominantly solar cults and ‘historical’ forms of human existence. We must not overlook the fact that Rome, the most powerful political force
of Antiquity, and the originator of the historical sense, upheld solar hierophany,
which, during the Empire, dominated all other cults in the form of Mithraic ritual
(17). An heroic and courageous force, creative and guiding—this is the core of
solar symbolism; it may actually come to constitute a religion complete in itself,
as is shown by the ‘heresy’ of Ikhnaton in the 18th dynasty of Egypt; here the
hymns to the sun are, setting aside their profound lyrical interest, expressions of
theories about the beneficent activity of the king of astral bodies. The sun on the
horizon had long served the Egyptians of the Ancient Empire as a means of
defining ‘brightness’ or ‘splendour’. They were also forcibly struck by the analogy between the daily disappearance of the Sun and the winter solstice (19). At same time, there was, for the primitive, astrobiological mind, an essential connexion
between the Sun and Moon, analogous to that between heaven and earth. It is well
known that, for the vast majority of peoples, the sky is symbolic of the active
principle (related to the masculine sex and to the spirit), while the earth symbolizes the passive principle (cognate with the feminine sex and with matter); these
equations, nevertheless, are occasionally transposed. And the same thing happens with the Sun and Moon: solar ‘passion’, so to speak, with its heroic and
fierce character, clearly had to be assimilated to the masculine principle, and the
pale and delicate nature of lunar light, with its connexion with the waters of the ocean (and the rhythm of woman), obviously had to be classified as feminine.
These equations are certainly not constant; but the exceptions do not invalidate
the essential truth of this symbolism. Even physically speaking, the Moon merely
fulfils the passive rôle of reflecting the light which the Sun actively diffuses.
Many primitive tribes hold that the eyes of heaven are the Sun and the Moon
located on either side of the ‘world-axis’, and there are prehistoric drawings and
engravings which may be interpreted after this fashion. Eliade notes that, for the
Pigmies and Bushmen, the sun is the eye of the supreme god. The Samoyeds see
the Sun and the Moon as the eyes of heaven, the Sun being the good eye, and the
Moon the evil eye (one can see here an unequivocal instance of the symbolism of
dualism expanded by the assimilation of that of moral polarity). The idea of the
invincible character of the sun is reinforced by the belief that whereas the Moon
must suffer fragmentation (since it wanes) before it can reach its monthly stage of
three-day disappearance, the Sun does not need to die in order to descend into
hell; it can reach the ocean or the lake of the Lower Waters and cross it without
being dissolved. Hence, the death of the Sun necessarily implies the idea of
resurrection and actually comes to be regarded as a death which is not a true death.
For this reason, too, ancestor-worship is associated with the cult of the sun, in
order to offer the symbolic promise of protection and salvation. Megalithic monuments are based upon the amalgamation of these two cults (17). Thus, the broadest and most authentic interpretation sees the sun as the cosmic reductio of the
masculine force, and the Moon of the feminine (49). This implies that the active
faculties (of reflexion, good judgement or will power) are solar, while the passive
qualities (imagination, sentiment and perception) are feminine, with intuition
possibly androgynous (26). The ‘correspondences’ of the Sun are chiefly gold,
among the metals, and, of the colours, yellow.
Alchemists regarded it as ‘gold prepared for the work’ or ‘philosophical
sulphur’, as opposed to the Moon and mercury (the metal), which is lunar (57).
Another alchemic concept, that of the Sol in homine (or the invisible essence of
the celestial Sun which nourishes the inborn fire of Man) (57), is an early pointer
to the way the astral body has latterly been interpreted by psychoanalysts,
narrowing its meaning down to that of heat or energy, equivalent to the fire of life
and the libido. Hence Jung’s point that the Sun is, in truth, a symbol of the source
of life and of the ultimate wholeness of man (32). But here there is probably some
inexactitude, for totality is in fact uniquely symbolized by the ‘conjunction’ of
the Sun and the Moon, as king and queen, brother and sister (32). In some
folklore-traditions, the urge to allude in some way to the supreme good, which, by definition, is incapable of definition, is met by the saying ‘to join the Sun and
Now, having established the principal terms of solar symbolism—as an heroic image (Sol invictus, Sol salutis, Sol iustitiae) (14), as the divine eye, the active
principle and the source of life and energy—let us come back to the dualism of the
Sun as regards its hidden passage—its ‘Night Sea-Crossing’—symbolic of immanence (like the colour black) and also of sin, occultation and expiation. In the
Rigveda—Eliade reminds us—the Sun is ambivalent: on the one hand it is ‘resplendent’ and on the other it is ‘black’ or invisible, in which case it is associated
with chthonian and funereal animals such as the horse and the serpent (17).
Alchemists took up this image of the Sol niger to symbolize ‘prime matter’, or
the unconscious in its base, ‘unworked’ state. In other words, the Sun is then at
the nadir, in the depths out of which it must, slowly and painfully, ascend
towards its zenith. This inevitable ascent does not relate to its daily journey,
although this is used as an image, and hence it is symbolized by the transmutation
of prime matter into gold, passing through the white and red stages, like the Sun
itself in its orbit. Of undoubted interest, as an indication of the intensity of man’s
attitude towards the Sun, is the reference by Tacitus and Strabo to the ‘sound’
made by the Sun as it rises in the East and drowns in the oceans of the West. The
sudden disappearance of the Sun below the horizon is related to the sudden death
of heroes such as Samson, Hercules and Siegfried (35).
To dream of seeing a clear, shining sunrise, foretells joyous events and prosperity, which give delightful promises.
To see the sun at noontide, denotes the maturity of ambitions and signals unbounded satisfaction.
To see the sunset, is prognostic of joys and wealth passing their zenith, and warns you to care for your interests with renewed vigilance.
A sun shining through clouds, denotes that troubles and difficulties are losing hold on you, and prosperity is nearing you.
If the sun appears weird, or in an eclipse, there will be stormy and dangerous times, but these will eventually pass, leaving your business and domestic affairs in better forms than before.
To see the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy and divine power. Generally, the sun is a good omen, especially if the sun is shining in your dream. The sun may also be a metaphor for your "son".
To dream that the sun has a creepy, harsh glare, represents a significant disruption or serious problem in your life. The sun is considered a life-giver and thus, any abnormalities and peculiarities to the sun's appearance represents some sort of pain or chaos occurring in your waking life.
Seeing the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy. It is a good omen to have the sun shining in your dream.
The sun sustains all life on Earth. When you see it in your dreams, it suggests that you are being nurtured and sustained by your environment and your life choices. It could also represent a spiritual force or the light of God. Sunrise may indicate new beginnings and a new wave of energy while sunsets suggest a period of closure and completion. Sunlight in your dreams is never a negative symbol. Light always symbolises or indicates consciousness and may signify masculine energy. Its presence, even in the most disturbing dreams, has reassuring qualities. Old dream interpretation books say that sun shining on you is an omen of good fortune and good will.
Positive associations with this tarot card:
happiness, greatness, enlightenment, vitality, good health, love, fulfillment.
Negative associations with this tarot card:
misjudgement, delays, potential failure, inflated ego.
Simply one of the best, if not the best, cards in the Tarot. The Sun is a most welcome card and a signal of very happy, joyous times.
This card can represent holidays, good news around children or perhaps news or the conception or birth of a much wanted baby.
The Sun heralds a time of fun with friends and family and agreeable companionships and relationships.
Ultimately The Sun dispels negativity and promises of a happy ending.
Negatively The Sun perhaps suggests delays to your plans or achievements and does warn against arrogance and misjudgement caused by an inflated ego.
To dream that you are watching a film, signifies that you are analyzing yourself and your own thoughts from an objective view. Alternatively, it represents old memories and the past. Perhaps there is something that you can learn from in the past.
To dream that you are developing or exposing film, refers to a "developing" relationship or situation. Alternatively, it signifies the completion of a project or task. You are ready to enjoy and reap the benefits of your work. Consider the image that is being developed. If the image on the film does not come out, then it means that you are not ready for the outcome of a situation.
Dreaming that you are watching a film means that you are analyzing yourself and your own thoughts without being emotionally attached.
From the spiritual point of view, the journey is never merely a
passage through space, but rather an expression of the urgent desire for discovery
and change that underlies the actual movement and experience of travelling. Hence, to study, to inquire, to seek or to live with intensity through new and profound
experiences are all modes of travelling or, to put it another way, spiritual and
symbolic equivalents of the journey. Heroes are always travellers, in that they are
restless. Travelling, Jung observes, is an image of aspiration, of an unsatisfied
longing that never finds its goal, seek where it may (31). He goes on to point out
that this goal is in fact the lost Mother; but this is a moot point, for we might
equally well say that, on the contrary, its journey is a flight from the Mother.
Flying, swimming and running are other activities which may be equated with
travelling; and so also are dreaming, day-dreaming and imagining. Crossing a ford
marks the decisive stage in the passage from one state to another (56). There is a
connexion between the symbolism of the journey, in its cosmic sense, and the
symbolism of the essential landscape of megalithic cults (or that seen by the
shamans in their visions). Travelling may also be related to the complete cycle of
the year or to the attempt to escape from it, depending upon certain secondary
characteristics of the journey. But the true Journey is neither acquiescence nor
escape—it is evolution. For this reason Guénon has suggested that ordeals of
initiation frequently take the form of ‘symbolic journeys’ representing a quest
that starts in the darkness of the profane world (or of the unconscious—the
mother) and gropes towards the light. Such ordeals or trials—like the stages in a
journey—are rites of purification (29). The archetype of the journey is the pilgrimage to the ‘Centre’ or the holy land—or the way out of the maze. The Night
Sea-Crossing, equivalent to the Journey into Hell, illustrates certain basic aspects
of journey-symbolism which still call for elucidation. Primarily, to travel is to
seek. The Turkish Kalenderi sect require their initiates to travel ceaselessly, since,
as we have suggested, travelling is often invested with a higher, sublimatory
To dream that you are going on a journey, signifies profits, self-discovery or progress. The scenery you see in your journey and the method of travel is telling of your feelings and circumstances you may be currently experiencing.
To dream that your friends go on a journey, signifies a welcoming and harmonious change.
To dream of the band Journey, represents advice that some of their songs may offer in some waking situation. "Don't stop believing", "Open Arms", etc.
To dream that you go on a journey, signifies profit or a disappointment, as the travels are pleasing and successful or as accidents and disagreeable events take active part in your journeying.
To see your friends start cheerfully on a journey, signifies delightful change and more harmonious companions than you have heretofore known. If you see them depart looking sad, it may be many moons before you see them again. Power and loss are implied.
To make a long-distance journey in a much shorter time than you expected, denotes you will accomplish some work in a surprisingly short time, which will be satisfactory in the way of reimbursement.
This indicates that there will be a great change in conditions and circumstances.
Good journey indicates good conditions and bad journey with troubles indicates a bad life.
Dreaming that you are going on a journey means profits, self-discovery or progress. The scenery you see in your journey is telling of your feelings and circumstances you may be currently experiencing. Dreaming that your friends go on a journey means delightful and welcomed change and harmony.
A dream about a journey represents your path in life or a part of your life's journey. It may reflect some of your fear and anticipation.
The meaning of a dream about a journey will depend upon where you are going and the form of transportation that you use.
Superstion-based dream interpretations say that if you go on a voyage by sea, you will have an unexpected visitor, and that if you take a trip to the shore, you will receive money.
To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.
Skin is associated with the ideas of birth and rebirth. In the Egyptian
system of hieroglyphs there is a determinative sign comprising three skins knotted together, signifying ‘to be born’; it comes into the composition of words such
as ‘to engender’, ‘to bring up’, ‘child’, ‘to form’. The amulet which the Egyptians used to present to the newly-born comprised, like the hieroglyph, three animal
pelts which were attached to a solar globe. The number of the skins here refers to
the essentially threefold nature of the human being—the body, the soul and the
spirit—while the globe denotes his incorporation into the All. The symbolism of
skin is borne out by the rite known as ‘the passage through the skin’ which
pharaohs and priests used to carry out in order to rejuvenate themselves; this rite
was later replaced by a simulacrum, and then latterly it became just a panther’s
tail which kings wore knotted round their waist. This notion that an individual
may assume the characteristics of an animal, with its totemic implications, also
comes into skin-symbolism (19). There is a basic analogy here with the sacrificial
rite once practised by the priests of pre-Columbian Mexico in which human
victims were clad in skins; similarly with the wearing of skins by the bearers of
the signum in Roman legions.
To dream of your skin, represents protection or shield of your inner self. It serves as a physical boundary and how close you let others get to you. Alternatively, your skin indicates that you are being too superficial or shallow.
To dream that your skin is covered with rashes or other skin deformities, signifies your fear of facing a harsh reality. You are afraid of making a wrong impression. The dream may also be a pun that you are making a rash decision. If you dream that your skin has been burned, then it implies that you are unwilling let down your guard. Your line of defense has been compromised. This dream may also be a metaphor that you are "getting burned" or humiliated by someone or some situation.
To dream that your skin is orange, signifies self-love. You are content with who you are.
To dream that your skin is different color, suggests that you are not being true to yourself. Look up the specific color for additional meaning. If your skin is darker than your true skin, then it may mean that you are trying to hide or blend into the background. If it is lighter than your true skin, then it symbolizes fear. Alternatively, it may be a sign of sickness. Perhaps a call to the doctor is in order.
Dreaming of your skin, represents protection or shield of your inner self. It serves as a physical boundary and how close you let others get to you. Alternatively, it may indicate that you are being to superficial or shallow. Dreaming that your skin is covered with rashes or other skin deformity means your fear in facing a harsh reality. This may also be a pun to indicate that you are making a rash decision.
In anthropology, woman corresponds to the passive principle of
nature. She has three basic aspects: first, as a siren, lamia or monstrous being who
enchants, diverts and entices men away from the path of evolution; second, as the
mother, or Magna mater (the motherland, the city or mother-nature) related in
turn to the formless aspect of the waters and of the unconscious; and third, as the
unknown damsel, the beloved or the anima in Jungian psychology. In his Symbols
of Transformation, Jung maintains that the ancients saw Woman as either Eve,
Helen, Sophia or Mary (corresponding to the impulsive, the emotional, the intellectual, and the moral) (33). One of the purest and all-embracing archetypes of
Woman as anima is Beatrice in Dante’s Commedia (32). All allegories based upon
the personification of Woman invariably retain all the implications of the three
basic aspects mentioned above. Of great interest are those symbols in which the
Woman appears in association with the figure of an animal—for example, the
swan-woman in Celtic and Germanic mythology, related to the woman with the
hoof of a goat in Hispanic folklore. In both cases the woman disappears once her
maternal mission has been completed and, similarly, the virgin qua virgin ‘dies’ in order to give way to the matron (31). In iconography it is common to find parts
of the female figure combined with that of a lion. The Egyptian goddess Sekhmet,
characterized by her destructiveness, had the body of a woman and the head (and
therefore the mind) of a lion. Conversely, a figure with a lion’s body and a
woman’s head appears in the Hieroglyphica of Valeriano as an emblem of the
hetaira (39). The inclusion of feminine, morphological elements in the composition of traditional symbols such as the sphinx always alludes to a background of
nature overlaid with the projection of a concept or of an entire complex of cosmic
intuitions. In consequence, the Woman is an archetypal image of great complexity
in which the decisive factor may be the superimposed symbolic aspects—for
example, the superior aspects of Woman as Sophia or Mary determine her function as a personification of science or of supreme virtue; and when presented as
an image of the anima, she is superior to the man because she is a reflection of the
loftiest and purest qualities of the man. In her baser forms as Eve or as Helen—
the instinctive and emotional aspects—Woman is on a lower level than the man.
It is here, perhaps, that she appears at her most characteristic—a temptress, the
Ewig Weibliche, who drags everything down with her, and a symbol comparable
with the volatile principle in alchemy, signifying all that is transitory, inconsistent, unfaithful and dissembling. See also The Loved One and Sophia.
To see a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or your mother. Alternatively, a woman indicates temptation and guilt. If you know the woman, then it may reflect concerns and feelings you have about her.
To see an old woman in your dream, indicates your concerns about aging and growing old. Alternatively, the old woman may be an archetypal figure to symbolize feminine power.
To see a group of women talking in your dream, refers to some gossip.
To see a pregnant women in your dream, symbolizes abundant wealth.
Seeing a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or may also represent your mother. Alternatively, it may indicate temptation and guilt. If you know the woman, then it may symbolize the concerns and feelings you have about her. Seeing an old woman in your dream indicates aging and growing old. Seeing a group of women talking in your dream, refers to some gossip. Seeing a pregnant women in your dream, symbolizes abundant wealth.
A woman or women generally represent intuition, creativity, nurturing, and love. At times they can also represent the negative attributes that are given to women and include physical and emotional weakness, gossip, martyrdom, passivity, moodiness, temptation, and guilt. The content of the dream is to be considered, as well as the emotional tone. If the dream is sexual in nature, look up sex. If the woman in your dream was a stranger and you are a man, she could be symbolic of your feminine side or your attitude about women. If you are a woman, this stranger may be symbolic of different parts of your character or personality. The woman is that force or current inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words.
For Jung, heat is an image of the libido (31). Any representation—or
even the mere mention—of heat always bears a symbolic relation to maturation,
whether biological or spiritual (32). In emblems of the sun, it is portrayed as
wavy lines alternating with the straight lines representing light. We should also
bear in mind all the correspondences which exist between heat and tones, sounds,
colours, the seasons, etc.
To feel heat in your dream, indicates a feeling of shame or embarrassment. Alternatively, it represents purity, creative energy or intense passion.
To dream that you are oppressed by heat, denotes failure to carry out designs on account of some friend betraying you. Heat is not a very favorable dream.
To feel heat in your dream indicates a feeling of shame or embarrassment. Alternatively, it represents purity and creative energy.
On coins, a ship ploughing through the seas is emblematic of joy and
happiness (8). But the most profound significance of navigation is that implied
by Pompey the Great in his remark: ‘Living is not necessary, but navigation is.’
By this he meant that existence is split up into two fundamental structures:
living, which he understood as living for or in oneself, and sailing or navigating, by
which he understood living in order to transcend—or what Nietzsche from his
pessimistic angle called ‘living in order to disappear’. The Odyssey is, basically,
nothing but a navigation-myth in the sense of victory over the two essential perils
of all sailing: destruction (or the triumph of the ocean—corresponding to the
unconscious) and withdrawal (regression or stagnation). Yet Homer reserves the
end of the periplus of Odysseus for a triumphant but affectionate ‘return’ to his
wife, his hearth and home. This is a mystic idea analogous to the mystery of the
‘fall’ of the soul into the material plane of existence (by the process of involution)
and to the necessity of its returning to the starting-point (evolution)—a mystery
which has been expounded by Platonic idealism and by Plotinus in particular.
This law of the returning soul corresponds to the belief in the concept of a
‘closed’ universe (like that of the Eternal Return) or the conception of all phenomena as a cyclic organization. Navigation, as envisaged in any philosophy of
the absolute, would deny even the hero his triumphant return to the homeland
and would make of him a perpetual explorer of oceans, under endless skies. But to come back to the symbolism of the ship, every vessel corresponds to a constellation (48). The ship-symbol has been related to the holy island, in so far as both
are differentiated from the amorphous and hostile sea. If the waters of the oceans
are symbolic of the unconscious, they also can allude to the dull roar of the
outside world. The notion that it is essential first to learn to sail the sea of the
passions in order to reach the Mountain of Salvation is the same as the idea
mentioned earlier in connexion with the perils of exploring the oceans. For this
reason Guénon suggests that ‘the attainment of the Great Peace is depicted in the
form of sailing the seas’; hence, in Christian symbolism, the ship represents the
Church (28). Some of the less clearly defined aspects of the symbolism of the
ship—comparable here with the small boat and the carriage—are related to symbols of the human body and of all physical bodies or vehicles; in addition to this,
there is a cosmic implication deriving from the age-old comparison between the
sun and the moon on the one hand, and, on the other, two ships floating upon the
celestial ocean. The solar ship frequently appears on Egyptian monuments. In
Assyrian art, too, ships shaped like cups are clearly solar in character; this cupshape narrows down still further the scope of the meaning (35). Another meaning,
sometimes quite independent of the foregoing, derives not so much from the idea
of the ship as such but rather from the notion of sailing; this is the symbolism of
the Ship-of-Death. Hence, many primitive peoples place ships on the end of a
pole or on the roof of a house. On occasion, it is the roof itself (of the temple or
house) which is made to resemble a ship. Always the implication is the desire to
transcend existence—to travel through space to the other worlds. All these forms,
then, represent the axis valley-mountain, or the symbolism of verticality and the
idea of height. An obvious association here is with all the symbols for the worldaxis. The mast in the centre of the vessel gives expression to the idea of the
Cosmic Tree incorporated within the symbolism of the Ship-of-Death or ‘Ship of
If you have a ship of your own sailing on the sea, it indicates advancement in riches. A
ship that is tossed in the ocean and about to sink indicates disaster in life.
To see a ship in your dream, denotes that you are exploring aspects of your emotions and unconscious. The state and condition of the ship is indicative of your emotional state. If you dream of a cruise ship, then it suggests pleasant moods. If you dream of a warship, then it means that you are experiencing feelings of aggression.
To dream that you are sailing the high seas in a ship, denotes that you are still standing tall despite the emotional turmoil occurring in your life.
To dream that a ship has crashed or sunk, suggests that you are feeling emotionally out of control. You are expressing some fear or uncertainly within your emotional state. You are afraid of losing something close to you because of certain difficulties.
To dream that you abandon ship, indicates that you need to move on and let go. Your emotion may be holding you back. Alternatively, consider the phrase "jumping ship", to indicate changing of sides.
To dream of ships, foretells honor and unexpected elevation to ranks above your mode of life.
To hear of a shipwreck is ominous of a disastrous turn in affairs.
Your female friends will betray you.
To lose your life in one, denotes that you will have an exceeding close call on your life or honor.
To see a ship on her way through a tempestuous storm, foretells that you will be unfortunate in business transactions, and you will be perplexed to find means of hiding some intrigue from the public, as your partner in the affair will threaten you with betrayal.
To see others shipwrecked, you will seek in vain to shelter some friend from disgrace and insolvency.
Seeing a ship in your dream indicates that you are exploring aspects of your emotions and unconscious mind. The state and condition of the ship is indicative of your emotional state. If it is a cruise ship, then it suggests pleasant moods. If it is a warship, then you are experiencing feelings of aggression. Dreaming that you are sailing the high seas in a ship indicates that you are standing tall in times emotional turmoil. Dreaming that a ship crashed or is sinking, suggests that some aspect of your life is out of control You are expressing some fear or uncertainly within your emotional state. You are afraid of losing something close to you because of certain difficulties.
Bodies of water represent your unconscious, your emotions, and your accumulated soul experiences. The ship in your dream could represent you and the ways in which you navigate through these parts of yourself. When interpreting this dream, consider the kind of journey and the type of ship. Some dream interpretation books say that if the journey is calm you should go forward with your plans. However, if it is a very stormy journey, get ready for an emotional upset or challenge.
To see metal in your dream, signifies strength and character. It may also symbolize the inhumane side of society. Consider the exact type and shape of metal and what you are doing with it. In particular, if the metal is solid, then it represents your libido and sexual desire.
Seeing metal in your dream means strength and character. It may also symbolize the inhumane side of society.
To dream that you are hot, signifies passion and heated emotions. It may reflect a situation that is potentially dangerous or a relationship where you are getting burned. Alternatively, the dream may represent a person who is great looking or perhaps you are lusting after someone. On the other hand, you may be feeling beautiful.
Dreaming that you are hot means passion and emotion. You are lusting after someone. It may also reflect a situation that is potentially dangerous. The dream may also represent a person who is great looking. Perhaps you are feeling beautiful.