I dreamt that me, my sister, and Mom had been sleeping under a bridge for several nights, along with my brother Jacob. One night I went back to the spot under the bridge beside the abandoned building and a male figure had followed, at this time I was alone and the man grabbed me, and smirked at me as though he was going to have his way with me, he said something like "You know what comes next, you're mine" so I tried to kick him or punch him, runaway or anything, but I felt paralyzed or stunned - suddenly people were walking by so the man took off. A night later I was back at the near the same spot but inside the abandoned building and this time there were two men there and suddenly they both bit my neck at once - they were vampires and I too was now going to be a vampire, but at this point I realized I was responsible for protecting some children (all who I recognized from MAS) So I blocked off the entrances and kept the kids away from the vampires. Even though I too was a vampire, I felt it was my responsibility to use my powers for the good.
Night is related to the passive principle, the feminine and the unconscious. Hesiod gave it the name of ‘mother of the gods’, for the Greeks believed
that night and darkness preceded the creation of all things (8). Hence, night—like
water—is expressive of fertility, potentiality and germination (17); for it is an
anticipatory state in that, though not yet day, it is the promise of daylight. Within
the tradition of symbology it has the same significance as death and the colour
black.
To have a dream that takes place at night, represents some major setbacks and obstacles in achieving your goals. You are being faced with an issue that is not so clear cut. Perhaps, you should put the issues aside so you can clear your head and come back to it later. Alternatively, night may be synonymous with death, rebirth, reflection, and new beginnings.
If you are surrounded by night in your dreams, you may expect unusual oppression and hardships in business. If the night seems to be vanishing, conditions which hitherto seemed unfavorable will now grow bright, and affairs will assume prosperous phases.
Dreaming of night means some major setbacks and obstacles in achieving your goals. You may find that some issues you are facing are not all that clear and you need to put them to rest for awhile before a decision is made.
According to Guénon, the Roman pontifex was literally a ‘builder of
bridges’, that is, of that which bridges two separate worlds. St. Bernard has said
that the Roman Pontiff, as the etymology of his name suggests, is a kind of bridge
between God and Man (Tractatus de Moribus et Officio Episcoporum, III, 9). For
this reason, the rainbow is a natural symbol of the pontificate. For the Israelites,
it was the sign of the Covenant between the Creator and his people, and, in China,
the sign denoting the union of heaven and earth. For the Greeks, it was Iris, a
messenger of the gods. And there are a great many cultures where the bridge
symbolizes the link between what can be perceived and what is beyond perception (28). Even when it lacks this mystic sense, the bridge is always symbolic of
a transition from one state to another—of change or the desire for change.
To dream that you are crossing a bridge, signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. If the bridge is over water, then it suggests that your transition will be an emotional one. If you fall off the bridge and into the water, then the dream indicates that you are letting your emotions hold you back and prevent you from moving forward. Alternatively, the bridge may indicate that you are trying to "bridge" or connect two things together.
To dream of a run-down bridge, indicates that you should not contemplate any major changes in your life at this time.
To see a bridge collapse in your dream, implies that you have let an important opportunity pass you by.
To see a long bridge dilapidated, and mysteriously winding into darkness, profound melancholy over the loss of dearest possessions and dismal situations will fall upon you. To the young and those in love, disappointment in the heart's fondest hopes, as the loved one will fall below your ideal.
To cross a bridge safely, a final surmounting of difficulties, though the means seem hardly safe to use. Any obstacle or delay denotes disaster.
To see a bridge give way before you, beware of treachery and false admirers. Affluence comes with clear waters. Sorrowful returns of best efforts are experienced after looking upon or coming in contact with muddy or turbid water in dreams.
Dreaming that you are crossing a bridge means an important decision or a critical junction in your life. This decision will prove to be a positive change with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. Dreaming of a run-down bridge indicates that you should not contemplate any major changes in your life at this time. Dreaming of a bridge collapse indicates that you have let a great opportunity pass you by.
The first consideration should be given to how much you travel. The bridge can be interpreted literally if it is a part of your daily life
On a more theoretical level, bridges can symbolise transitions (e.g. transition from one stage to another, from one level of consciousness to another). Since most bridges are over water (i.e. emotions, unconscious), this dream could also be symbolic of your rising above your emotional difficulties or unconscious drives.
The material out of which the bridge is made can give an idea of the strength of your convictions. A wooden bridge can mean that you need more willpower, while a a bridge of concrete, stone or steel can mean that you have a very strong will.
To see a building in your dream, represents the self and the body. How high you are in the building indicates a rising level of understanding, awareness or success. If you are in the lower levels of the building, then it refers to more primal attitudes and/or sexuality.
To see a building in ruins or damaged, indicates that your approach toward a situation or relationship is all wrong. You need to change. Your own self-image may have suffered and taken some blow.
To dream that a building collapses, indicates that you are losing sight of your ambitions and goals. Your pursuit for material gains is failing.
To dream that you or someone fall off a building, suggests that you are descending into the realm of unconscious. You are learning about and acknowledging aspects of your unconscious. Alternatively, it symbolizes your fear of not being able to complete or succeeding in a task.
To dream that you are scaling or climbing a building, indicates that you are getting carried away by your ambitions.
Dreaming of a building, represents the self and the body. How high you are in the building indicates a rising level of understanding or awareness. If you are in the lower levels of the building, then it refers to more primal attitudes and/or sexuality. Dreaming of a building in ruins or damaged indicates that your approach toward a situation or relationship is all wrong. You need to change. Your own self-image may have suffered and taken some blow. Dreaming that you or someone fall off a building, suggests that you are descending into the realm of unconscious. You are learning about and acknowledging aspects of your unconscious. Alternatively, it symbolizes your fear of not being able to complete or succeeding in a task. See also Falling in our Common Dream Themes section.
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
To see a vampire in your dream, symbolizes seduction and sensuality, as well as fear and death. The vampire represents contrasting images of civilized nobility and aggression/ferocity. It may depict someone in your waking life whose charm may ultimately prove harmful. Deep down inside, you know that this person is bad for you, yet you are still drawn to him or her. Vampires also sometimes relate to decisions about sex and losing your virginity. Alternatively, to see a vampire suggests that you are feeling physically or emotionally drained. The vampire may also be symbolic of someone who is addicted to drugs or someone in an obsessive relationship.
To dream that you are a vampire, signifies that you are sucking in the life energy of others for your own selfish benefit.
Seeing a vampire in your dream, symbolizes seduction and sensuality, as well as fear and death. The vampire represents contrasting images of civilized nobility and aggression/ferocity. It may depict someone in your waking life whose charm may ultimately prove harmful. Deep down inside you know that this person is bad for you, yet you are still drawn to it. Alternatively, to see a vampire suggests that you are feeling physically or emotionally drained. The vampire may also be symbolic for someone who is addicted to drugs or someone in an obsessive relationship. Dreaming that you are a vampire means that you are sucking in the life energy of others for your own selfish benefit.
Vampires, for most people, represent powerful and evil creatures. Dreaming about vampires suggests that the dreamer may be feeling overwhelmed in some areas of his or her life and is struggling with negative thoughts, feelings, and actions. You may be currently concerned about ethical or moral issues and are experiencing anxiety as a result. The vampire represents personal attributes or negative habits that drain energy and resources or cause emotional exhaustion. If a vampire is attacking you, you may perceive yourself as a powerless victim. Interpreting this dream's message may help you to identify the source of your negative feelings and helplessness.
Mythical creature who rises up out of it's grave at night to feed on the blood of others. Mythological or folkloric beings who subsist by feeding on the life essence (generally in the form of blood) of living creatures, regardless of whether they are undead or a living person. Although vampiric entities have been recorded in many cultures and in spite of speculation by literary historian Brian Frost that the "belief in vampires and bloodsucking demons is as old as man himself", and may go back to "prehistoric times", the term vampire was not popularized until the early 18th century, after an influx of vampire superstition into Western Europe from areas where vampire legends were frequent, such as the Balkans and Eastern Europe, although local variants were also known by different names, such as vrykolakas in Greece and strigoi in Romania. This increased level of vampire superstition in Europe led to mass hysteria and in some cases resulted in corpses actually being staked and people being accused of vampirism.
While even folkloric vampires of the Balkans and Eastern Europe had a wide range of appearance ranging from nearly human to bloated rotting corpses, it was the success of John Polidori's1819 novella The Vampyre that established the archetype of charismatic and sophisticated vampire; it is arguably the most influential vampire work of the early 19th century, inspiring such works as Varney the Vampire and eventually Dracula.
However, it is Bram Stoker's 1897 novel Dracula that is remembered as the quintessential vampire novel and which provided the basis of modern vampire fiction. Dracula drew on earlier mythologies of werewolves and similar legendary demons and "was to voice the anxieties of an age", and the "fears of late Victorian patriarchy". The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, video games, and television shows. The vampire is such a dominant figure in the horror genre that literary historian Susan Sellers places the current vampire myth in the "comparative safety of nightmare fantasy".
The Oxford English Dictionary dates the first appearance of the word vampire in English from 1734, in a travelogue titled Travels of Three English Gentlemen published in the Harleian Miscellany in 1745. Vampires had already been discussed in German literature. After Austria gained control of northern Serbia and Oltenia with the Treaty of Passarowitz in 1718, officials noted the local practice of exhuming bodies and "killing vampires". These reports, prepared between 1725 and 1732, received widespread publicity.
The English term was derived (possibly via French vampyre) from the German Vampir, in turn derived in the early 18th century from the Serbian вампир/vampir. when Arnold Paole, a purported vampire in Serbia was described during the time Serbia was incorporated into the Austrian Empire.
The Serbian form has parallels in virtually all Slavic languages: Bulgarian вампир (vampir), Croatian upir /upirina, Czech and Slovak upír, Polish wąpierz, and (perhaps East Slavic-influenced) upiór, Finnish vampyyri, Ukrainian упир (upyr), Russian упырь (upyr'), Belarusian упыр (upyr), from Old East Slavic упирь (upir'). (Note that many of these languages have also borrowed forms such as "vampir/wampir" subsequently from the West; these are distinct from the original local words for the creature.) The exact etymology is unclear. Among the proposed proto-Slavic forms are *ǫpyrь and *ǫpirь. Another, less widespread theory, is that the Slavic languages have borrowed the word from a Turkic term for "witch" (e.g., Tatar ubyr).
The first recorded use of the Old Russian form Упирь (Upir') is commonly believed to be in a document dated 6555 (1047 AD).[23] It is a colophon in a manuscript of the Book of Psalms written by a priest who transcribed the book from Glagolitic into Cyrillic for the Novgorodian Prince Volodymyr Yaroslavovych. The priest writes that his name is "Upir' Likhyi " (Оупирь Лихыи), which means something like "Wicked Vampire" or "Foul Vampire". This apparently strange name has been cited as an example both of surviving paganism and of the use of nicknames as personal names.
Another early use of the Old Russian word is in the anti-pagan treatise "Word of Saint Grigoriy", dated variously to the 11th–13th centuries, where pagan worship of upyri is reported.
Many elaborate rituals were used to identify a vampire. One method of finding a vampire's grave involved leading a virgin boy through a graveyard or church grounds on a virgin stallion—the horse would supposedly balk at the grave in question. Generally a black horse was required, though in Albania it should be white. Holes appearing in the earth over a grave were taken as a sign of vampirism.
Corpses thought to be vampires were generally described as having a healthier appearance than expected, plump and showing little or no signs of decomposition. In some cases, when suspected graves were opened, villagers even described the corpse as having fresh blood from a victim all over its face. Evidence that a vampire was active in a given locality included death of cattle, sheep, relatives or neighbours. Folkloric vampires could also make their presence felt by engaging in minor poltergeist-like activity, such as hurling stones on roofs or moving household objects, and pressing on people in their sleep.
An image from Max Ernst's Une Semaine de BontéApotropaics, items able to ward off revenants, are common in vampire folklore. Garlic is a common example, a branch of wild rose and hawthorn plant are said to harm vampires, and in Europe, sprinkling mustard seeds on the roof of a house was said to keep them away. Other apotropaics include sacred items, for example a crucifix, rosary, or holy water. Vampires are said to be unable to walk on consecrated ground, such as those of churches or temples, or cross running water. Although not traditionally regarded as an apotropaic, mirrors have been used to ward off vampires when placed facing outwards on a door (in some cultures, vampires do not have a reflection and sometimes do not cast a shadow, perhaps as a manifestation of the vampire's lack of a soul). This attribute, although not universal (the Greek vrykolakas/tympanios was capable of both reflection and shadow), was used by Bram Stoker in Dracula and has remained popular with subsequent authors and filmmakers. Some traditions also hold that a vampire cannot enter a house unless invited by the owner, although after the first invitation they can come and go as they please. Though folkloric vampires were believed to be more active at night, they were not generally considered vulnerable to sunlight.
Methods of destroying suspected vampires varied, with staking the most commonly cited method, particularly in southern Slavic cultures. Ash was the preferred wood in Russia and the Baltic states, or hawthorn in Serbia, with a record of oak in Silesia. Potential vampires were most often staked through the heart, though the mouth was targeted in Russia and northern Germany and the stomach in north-eastern Serbia. Piercing the skin of the chest was a way of "deflating" the bloated vampire; this is similar to the act of burying sharp objects, such as sickles, in with the corpse, so that they may penetrate the skin if the body bloats sufficiently while transforming into a revenant. Decapitation was the preferred method in German and western Slavic areas, with the head buried between the feet, behind the buttocks or away from the body. This act was seen as a way of hastening the departure of the soul, which in some cultures, was said to linger in the corpse. The vampire's head, body, or clothes could also be spiked and pinned to the earth to prevent rising. Gypsies drove steel or iron needles into a corpse's heart and placed bits of steel in the mouth, over the eyes, ears and between the fingers at the time of burial. They also placed hawthorn in the corpse's sock or drove a hawthorn stake through the legs. In a 16th-century burial near Venice, a brick forced into the mouth of a female corpse has been interpreted as a vampire-slaying ritual by the archaeologists who discovered it in 2006. Further measures included pouring boiling water over the grave or complete incineration of the body. In the Balkans a vampire could also be killed by being shot or drowned, by repeating the funeral service, by sprinkling holy water on the body, or by exorcism. In Romania garlic could be placed in the mouth, and as recently as the 19th century, the precaution of shooting a bullet through the coffin was taken. For resistant cases, the body was dismembered and the pieces burned, mixed with water, and administered to family members as a cure. In Saxon regions of Germany, a lemon was placed in the mouth of suspected vampires
To dream that you are a runaway, indicates that you are struggling with issues of belonging and acceptance. Alternatively, the dream means that you are refusing to confront some issue or situation.
Dreaming that you are a runaway indicates that you are dealing with issues of belonging and acceptance.
The point signifies unity, the Origin and the Centre. It also represents
the principles of manifestation and emanation, and hence in some mandalas the
centre is not actually shown but must be imagined by the initiate. There are two
kinds of point to be considered: that which has no magnitude and is symbolic of
creative virtue, and that which—as suggested by Raymond Lull in his Nova
Geometria—has the smallest conceivable or practicable magnitude and is a symbol of the principle of manifestation. Moses of Leon defined the nature of the
original Point as follows: ‘This degree is the sum total of all subsequent mirrors,
that is, of all external aspects related to this one degree. They proceed therefrom
because of the mystery of the point, which is in itself an occult degree emanating
from the mystery of the pure and awe-inspiring ether. The first degree of all is
absolutely occult, that is, not manifest, and cannot be attained’ (25). This explains why the Centre—identical with the mystic point of Moses of Leon—is
usually represented as a hole.
To see something pointed in your dream, represents action, urgency and completion. The dream suggests that you have arrived to a decision or common understanding. Alternatively, the dream may also be a metaphor that there is a point to your dream. Or you need to get your point across.
To see children in your dream, signify an aspect of yourself and your childlike qualities. You may be retreating back to a childlike state and longing for the past. You are trying to still satisfy repressed desires and unfulfilled hopes. Perhaps there is something that you need to see grow and nurture. Take some time off and cater to the inner child within. Alternatively, the dream may be highlighting your innocence, purity, simplicity, and carefree attitude. If you are fighting with children, then it implies that you are repressing your inner child. The children could represent someone in your waking life (coworker, mate, sibling, etc.) who is acting like a child. If you see children fighting in your dream, then it means that your sense of morality and character are in conflict.
To forget about your child or children, suggests that you are feeling overwhelmed by your waking responsibilities. The dream is telling you that you are overly fixating on minor details and overlooking the important things on your life. You need to re-prioritize your time and focus on what matters. To dream that your own grown children are still very young, indicates that you still see them as young and dependent. You want to feel needed and significant.
To dream that you are watching children but they do not know you are there, is a metaphor for some hidden knowledge or some latent talent which you have failed to recognize.
To save a child in your dream, signifies your attempts to save a part of yourself from being destroyed. If you dream that you are separated from your children, then it symbolizes failure in some personal endeavor or a setback in some ideal you had.
``Dream of children sweet and fair,
To you will come suave debonair,
Fortune robed in shining dress,
Bearing wealth and happiness.''
To dream of seeing many beautiful children is portentous of great prosperity and blessings.
For a mother to dream of seeing her child sick from slight cause, she may see it enjoying robust health, but trifles of another nature may harass her.
To see children working or studying, denotes peaceful times and general prosperity.
To dream of seeing your child desperately ill or dead, you have much to fear, for its welfare is sadly threatened.
To dream of your dead child, denotes worry and disappointment in the near future.
To dream of seeing disappointed children, denotes trouble from enemies, and anxious forebodings from underhanded work of seemingly friendly people.
To romp and play with children, denotes that all your speculating and love enterprises will prevail.
Seeing children in your dream means your own childlike qualities or a retreat back to a childlike state. It is an extension of your inner child during a time of innocence, purity, simplicity, and a carefree attitude. You may be longing for the past and the chance to satisfy repressed desires and unfulfilled hopes. Take some time off and cater to the inner child within. Perhaps there is something that you need to see grow and nurtured. Dreaming that your own grown children are still very young indicates that you still see them as young and dependent. You want to feel needed and significant. Dreaming that you are watching children but they do not know you are there, is a metaphor for some hidden knowledge or some latent talent which you have failed to recognize. To save a child means your attempts to save a part of yourself from being destroyed.
To see your neck in your dream, signifies the relationship between the mind/mental and the body/physical. It represents willpower, self-restriction and your need to control your feelings and keep them in check. Consider the familiar phrase, "don't stick your neck out" which serves as a warning against a situation.
To dream that your neck is injured or sore, indicates a separation between your heart and mind. There is a literal disconnect between how you feel and what you think. You are feeling conflicted. Alternatively, the dream represents something or someone, who is literally a pain in the neck.
If you dream that your neck is thick or swollen, then it represents your quick temperedness.
To dream that you see your own neck, foretells that vexatious family relations will interfere with your business.
To admire the neck of another, signifies your worldly mindedness will cause broken domestic ties.
For a woman to dream that her neck is thick, foretells that she will become querulous and something of a shrew if she fails to control her temper.
Necklace.
For a woman to dream of receiving a necklace, omens for her a loving husband and a beautiful home.
To lose a necklace, she will early feel the heavy hand of bereavement.
Seeing your neck in your dream means the relationship between the mind/mental and the body/physical. It represents willpower, self-restriction and your need to control your feelings and keep them in check. Consider the familiar phrase, "don't stick your neck out" which serves as a warning against a situation. Dreaming that your neck is injured indicates a separation between your heart and mind. Dreaming of a thick neck means that you are becoming very quarrelsome and quick-tempered.