According to Evola, matter is equivalent to the moon, and form to the
sun.

To dream that someone is absent, especially if you expect to find them, suggests that you are looking for something that is already lost to you. Alternatively, you may be looking to fill a void in your life. Something is missing from your life.

To grieve over the absence of any one in your dreams, denotes that repentance for some hasty action will be the means of securing you life-long friendships.

If you rejoice over the absence of friends, it denotes that you will soon be well rid of an enemy.

In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

Colors in dreams represent energy, emotions, and vibes. First consider what that single color in your dream means to you and your own personal associations and relationship with that color. In general, pale pastel colors indicate weakness or subtlety. Dark colors represent passion and intensity. Bright colors mean awareness.

To dream in color and then dream in black and white, suggests that you are starting to look at a situation from a more objective perspective instead of from an emotional standpoint. You are subconsciously reacting to events in the dream.

Colors in dreams represent energy, emotions, and vibes. First consider what that single color in your dream means to you and your own personal associations and relationship with that color. Dreaming in color and then dream in black and white, suggests that you are starting to look at a situation from a more objective perspective instead of from an emotional standpoint. You are subconsciously reacting to events in the dream.

Most people dream in colors, but at times some stand out more than others. Colors are symbolic and their symbolism is part of culture. We communicate with color and relate ideas with them. For example, a bride wears white and black is worn at funerals. Colors also represent energy. The meaning that you give to the colors in your dreams depends on the meaning that you give to those colors in daily life. If you "see red" when you are angry, then red symbolizes anger and not passion for you.

To dream that something is bright, represents divinity, a higher consciousness, and spirituality. You need to show your honor toward an important an person or situation. The dream may also be a metaphor for intellect and someone who is smart. If your dream is particularly bright and vivid, then it could indicate a prophetic or epic dream.

If the brightness is blinding, then it suggests that you are not paying attention to some new insights.

Dreaming that something is bright, represents divinity, a higher consciousness, and spirituality. You need to honor an admirable person or situation. The dream may also be a metaphor for intellect and someone who is smart. If the brightness is blinding, then it suggests that you are not paying attention to some new insights.

Equated with matter, with the maternal and germinant, but it preexists the differentiation of matter (9). The dualism of light/darkness does not
arise as a symbolic formula of morality until primordial darkness has been split
up into light and dark. Hence, the pure concept of darkness is not, in symbolic
tradition, identified with gloom—on the contrary, it corresponds to primigenial
chaos. It is also related to mystic nothingness, and, in consequence, Hermetic language is an obscurum per obscurius, a path leading back to the profound
mystery of the Origin. According to Guénon, light is the basic principle behind
differentiation and hierarchical order. The gloom which preceded the Fiat Lux
always, in traditional symbolism, represents the state of undeveloped potentialities which give rise to chaos (29). Hence, the darkness introduced into the world,
after the advent of light, is regressive; hence, too, the fact that it is traditionally
associated with the principle of evil and with the base, unsublimated forces.

To dream that darkness comes upon you, signifies failure in some work that you are attempting. Darkness is synonymous with ignorance, the unconscious, evil, death, and fear of the unknown. If the sun breaks through the darkness, then you will overcome your failures. If you feel safe in the dark, then it suggests that you like not knowing about certain things. As some might say, ignorance is bliss.

To dream that you cannot find someone in the darkness, signifies that you need to keep your temper in check. You have the tendency to let your emotions get out of control and lose your temper.

To dream that you are lost in the darkness, denotes feelings of desperation, depression, or insecurity.

To dream that you are groping around in the darkness, indicates that you have insufficient information to make a clear decision. Do your research and do not rush into making choices.

Dreaming that darkness comes upon you means failure in work you may attempt. Darkness is synonymous with ignorance, the unconscious, evil, death, and fear of the unknown. If the sun breaks through the darkness, then you will overcome your failures. If you feel safe in the dark, then it suggests that you like not knowing about certain things. As some might say, ignorance is bliss. Dreaming that you cannot find someone in the darkness means that you need to keep your temper in check. You have the tendency to let your emotions get out of control and lose your temper. Dreaming that you are lost in the darkness indicates feelings of desperation, depression, or insecurity. Dreaming that you are groping around in the darkness indicates that you have insufficient information to make a clear decision. Do your research and do not rush into making choices.