The symbolic significance of the sea corresponds to that of the ‘Lower
Ocean’—the waters in flux, the transitional and mediating agent between the nonformal (air and gases) and the formal (earth and solids) and, by analogy, between
life and death. The waters of the oceans are thus seen not only as the source of life
but also as its goal. ‘To return to the sea’ is ‘to return to the mother’, that is, to die.

To see the sea in your dream, represents your unconscious and the transition between your unconscious and conscious. As with all water symbols, it also represents your emotions. The dream may also be a pun on your understanding and perception of a situation. "I see" or perhaps there is something you need to "see" more clearly. Alternatively, the dream indicates a need to reassure yourself or to offer reassurance to someone. It brings about hope, a new perspective and a positive outlook on life no matter how difficult your current problems may be.

To dream that you are lost at sea, suggests that you are drifting around in life without any direction. You are feeling overwhelmed by emotions.

To dream of hearing the lonely sighing of the sea, foretells that you will be fated to spend a weary and unfruitful life devoid of love and comradeship.

Dreams of the sea, prognosticate unfulfilled anticipations, while pleasures of a material form are enjoyed, there is an inward craving for pleasure that flesh cannot requite.

For a young woman to dream that she glides swiftly over the sea with her lover, there will come to her sweet fruition of maidenly hopes, and joy will stand guard at the door of the consummation of changeless vows.

Seeing the sea in your dream, represents your unconscious and your transition between your unconscious and conscious. It also often represents your emotions. The dream may also be a pun on your understanding and perception of a situation. "I see" or perhaps there is something you need to "see" more clearly. Alternatively, the dream may indicate a need to reassure yourself or offer reassurance to someone.

To dream that something is bright, represents divinity, a higher consciousness, and spirituality. You need to show your honor toward an important an person or situation. The dream may also be a metaphor for intellect and someone who is smart. If your dream is particularly bright and vivid, then it could indicate a prophetic or epic dream.

If the brightness is blinding, then it suggests that you are not paying attention to some new insights.

Dreaming that something is bright, represents divinity, a higher consciousness, and spirituality. You need to honor an admirable person or situation. The dream may also be a metaphor for intellect and someone who is smart. If the brightness is blinding, then it suggests that you are not paying attention to some new insights.

To see paint in your dream, symbolizes expression of your inner emotions. Consider the color of the paint and how the color makes your feel. It is this feeling that you need to express more in your waking life.
To mix paint in your dream, suggests that you are incorporating a little variety in your life.

To see newly painted houses in dreams, foretells that you will succeed with some devised plan.

To have paint on your clothing, you will be made unhappy by the thoughtless criticisms of others.

To dream that you use the brush yourself, denotes that you will be well pleased with your present occupation.

To dream of seeing beautiful paintings, denotes that friends will assume false positions towards you, and you will find that pleasure is illusive.

For a young woman to dream of painting a picture, she will be deceived in her lover, as he will transfer his love to another.

To hear something or someone loud in your dream, indicates that there is something in your waking life that is in need of your attention. Alternatively, the loudness in your dream may be a way for you to divert attention from something else. You are hiding from something.

To dream that you are invisible, signifies feelings of not being noticed or recognized for what is important to you. You feel you are being overlooked. Alternatively, the dream indicates that you are trying to withdraw from the realities of life.

Dreaming that you are invisible means feelings of not being noticed or recognized for what is important to you. Alternatively, you may be trying to withdraw from the realities of life.

Birds are very frequently used to symbolize human souls, some of
the earliest examples being found in the art of ancient Egypt. Sometimes, they
are depicted with human heads, as in Hellenic iconography. In the Mirach it is
written that, when Mohammed went to heaven, he found, standing in the middle
of a great square, the Tree of Life whose fruit restores youth to all those who
eat of it. This Tree of Life is surrounded by groves and avenues of leafy trees on
whose boughs perch many birds, brilliantly coloured and singing melodiously:
these are the souls of the faithful. The souls of evildoers, on the other hand, are
incarnated in birds of prey (46). Generally speaking, birds, like angels, are
symbols of thought, of imagination and of the swiftness of spiritual processes
and relationships. They pertain to the Element of air and, as noted in connexion
with the eagle, they denote ‘height’ and—consequently—’loftiness’ of spirit.
This general symbolism has sometimes been narrowed down excessively to the
particular, as often happens in traditional symbolism. Thus, Odo of Tusculum,
in his sermon XCII, describes different kinds of spirituality in men in terms of
the characteristics of different kinds of birds. Some birds, he says, are guileless,
such as the dove; others, cunning like the partridge; some come to the hand, like
the hawk, others flee from it, like the hen; some enjoy the company of men, like
the swallow; others prefer solitude and the desert, like the turtle-dove. . . . Lowflying birds symbolize an earth-bound attitude; high-flying birds, spiritual longing
(46).

It is a favorable dream to see birds of beautiful plumage. A wealthy and happy partner is near if a woman has dreams of this nature.

Moulting and songless birds, denotes merciless and inhuman treatment of the outcast and fallen by people of wealth.

To see a wounded bird, is fateful of deep sorrow caused by erring offspring.

To see flying birds, is a sign of prosperity to the dreamer. All disagreeable environments will vanish before the wave of prospective good.

To catch birds, is not at all bad. To hear them speak, is owning one's inability to perform tasks that demand great clearness of perception.

To kill than with a gun, is disaster from dearth of harvest.

To see birds flying are very unlucky; it denotes sorrowful setback in circumstances.
Poor persons may become better especially if they hear birds sing.

To feel a breeze in your dream, represents the movement of ideas and minor changes.

To feel a breeze, represents the movement of ideas and minor changes.

Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.

To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.

To see a couple in love or expressing love to each other, indicates success ahead for you.

To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.

To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.

To dream of loving any object, denotes satisfaction with your present environments.

To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.

For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.

To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.

The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.

Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.

To see people you know in your dream, signifies qualities and feelings of them that you desire for yourself. If these people are from your past, then the dream refers to your shadow and other unacknowledged aspects of yourself. It may represent a waking situation that is bringing out similar feelings from your past relationships.

To see people you don't know in your dream, denotes hidden aspects of yourself that you need to confront or acknowledge.

Seeing people you know in your dream means qualities and feelings of those people that you desire for yourself. Seeing people you don't know in your dream indicates hidden aspects of yourself that you need to confront. Seeing people from your past in your dream, refers to your shadow and other unacknowledged aspects of yourself. It can represent a waking situation that is bringing out similar feelings as your past relationships.

The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.

The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.

To dream of a top, denotes that you will be involved in frivolous difficulties.

To see one spinning, foretells that you will waste your means in childish pleasures.

To see a top, foretells indiscriminate friendships will involve you in difficulty.