Hiking with others through a dense forest of lush greens, ferns, mosses and old growth trees. Rising steadily up the slope, switch backing up the trail as it plateaus to an expansive calm forest lake. The lake is crystal blue, but opaque with tufts of trees and foliage rising out of the water and extending to the canopy, creating a peaceful filtered light.
There is the presence of spirits behind bushes and creatures beneath the waters. The possibility of these entities are not terrifying, but rather, intriguing. I am curious to know what lies behind each physical manifestation and see its true energy.
Gaining altitude, we rise to the level of the lake. The myriad plain of water seems to begin right at the edge of the forest floor, which now sits at about eye level.
We are instantly gliding through the calm waters in a canoe-like boat, being paddled by some sort non-human gnomish entity, leading us curiously into the horizon of the water's edge...
In the Egyptian system of hieroglyphs, the schematic figure of a lake
expresses the occult and the mysterious, probably by allusion to the underground
lake which the sun has to pass over during its ‘night-crossing’ (but also simply by
associating it with the symbolism of level, given that water always alludes to the
‘connexion between the superficial and the profound’; a lake becomes, then, a
fluid mass of transparency). In the temple of the god Amon, at Karnak, there was
an artificial lake symbolizing hyle—or the ‘lower waters’ of protomatter. And, at
certain times during the year, a procession of priests would cross the lake in
boats, in this way re-enacting the ‘night-crossing’ of the sun mentioned above
(19). The symbolism here is the same, broadly speaking, as that of the watery
deeps. The Irish and Breton belief that the Land of the Dead is at the bottom of
the ocean or of lakes may be derived from watching the sun setting over the water;
and the death of human beings, and therefore by analogy the setting of the sun,
was interpreted as passing over into the nether world. But, as we have suggested,
the structure of lake-symbolism may have arisen directly out of the symbolism of
level; for this latter symbolism, so deeply rooted in the psyche of man, equates all
that is on a low level spatially with what is low in a spiritual, negative, destructive, and hence fatal, sense. The fact that water-symbolism is closely connected
with the symbolism of the abyss serves to corroborate the fatal implications of
the lake-symbol, for the part played by the liquid Element is to provide the
transition between life and death, between the solid and the gaseous, the formal
and the informal. At the same time, the lake—or, rather, its surface alone—holds
the significance of a mirror, presenting an image of self-contemplation, consciousness and revelation.
To see a lake in your dream, signifies your emotional state of mind. You feel restricted and that you can't express your emotions freely. Alternatively, the lake may provide you with solace, security, and peace of mind. If the lake is clear and calm, then it symbolizes your inner peace. If the lake is disturbed, then you may be going through some emotional turmoil.
For a young woman to dream that she is alone on a turbulent and muddy lake, foretells many vicissitudes are approaching her, and she will regret former extravagances, and disregard of virtuous teaching.
If the water gets into the boat, but by intense struggling she reaches the boat-house safely, it denotes she will be under wrong persuasion, but will eventually overcome it, and rise to honor and distinction.
It may predict the illness of some one near her.
If she sees a young couple in the same position as herself, who succeed in rescuing themselves, she will find that some friend has committed indiscretions, but will succeed in reinstating himself in her favor.
To dream of sailing on a clear and smooth lake, with happy and congenial companions, you will have much happiness, and wealth will meet your demands.
A muddy lake, surrounded with bleak rocks and bare trees, denotes unhappy terminations to business and affection.
A muddy lake, surrounded by green trees, portends that the moral in your nature will fortify itself against passionate desires, and overcoming the same will direct your energy into a safe and remunerative channel. If the lake be clear and surrounded by barrenness, a profitable existence will be marred by immoral and passionate dissipation.
To see yourself reflected in a clear lake, denotes coming joys and many ardent friends.
To see foliaged trees reflected in the lake, you will enjoy to a satiety
Love's draught of passion and happiness.
To see slimy and uncanny inhabitants of the lake rise up and menace you, denotes failure and ill health from squandering time, energy and health on illicit pleasures. You will drain the utmost drop of happiness, and drink deeply of Remorse's bitter concoction.
Seeing a lake in your dream means your emotional state of mind. If the lake is clear and calm, then it symbolize your inner peace. If the lake is disturbed, then you may be going through some emotional turmoil.
All bodies of water generally represent our emotions and our unconscious. Old dream interpretation books say that lakes are associated with romantic feelings. If the lake is calm, your love life is probably in such good shape that you feel safe. Stormy water means to strap your self in and get ready for a bumpy ride. If you see a monster in the water, your unconscious may be suggesting that you have competition (or some unseen issue or problem).
Within the general symbolism of landscape, forests occupy a notable
place, and are often found in myths, legends and folktales. Forest-symbolism is
complex, but it is connected at all levels with the symbolism of the female principle or of the Great Mother. The forest is the place where vegetable life thrives
and luxuriates, free from any control or cultivation. And since its foliage obscures
the light of the sun, it is therefore regarded as opposed to the sun’s power and as
a symbol of the earth. In Druid mythology, the forest was given to the sun in
marriage (49). Since the female principle is identified with the unconscious in
Man, it follows that the forest is also a symbol of the unconscious. It is for this
reason that Jung maintains that the sylvan terrors that figure so prominently in
children’s tales symbolize the perilous aspects of the unconscious, that is, its
tendency to devour or obscure the reason (31). Zimmer stresses that, in contrast
with the city, the house and cultivated land, which are all safe areas, the forest
harbours all kinds of dangers and demons, enemies and diseases (60). This is why forests were among the first places in nature to be dedicated to the cult of the
gods, and why propitiatory offerings were suspended from trees (the tree being,
in this case, the equivalent of a sacrificial stake) (8).
To dream that you are in or walking through the forest, signifies a transitional phase. Follow your instincts. Alternatively, it indicates that you want to escape to a simpler way of life. You are feeling weighed down by the demands of your life.
To dream that you are lost in a forest, indicates that you are searching through your unconscious for a better understanding of yourself.
To dream of a forest fire, indicates that transformation and regeneration is only possible through some hardships. Alternatively, it suggests that your anger is out of control; it is affecting those around you.
To dream that you find yourself in a dense forest, denotes loss in trade, unhappy home influences and quarrels among families. If you are cold and feel hungry, you will be forced to make a long journey to settle some unpleasant affair.
To see a forest of stately trees in foliage, denotes prosperity and pleasures. To literary people, this dream foretells fame and much appreciation from the public. A young lady relates the following dream and its fulfilment: ``I was in a strange forest of what appeared to be cocoanut trees, with red and yellow berries growing on them. The ground was covered with blasted leaves, and I could hear them crackle under my feet as I wandered about lost. The next afternoon I received a telegram announcing the death of a dear cousin.''
Dreaming that you are in or walking through the forest means a transitional phase. You may be following your instincts. Dreaming that you are lost in a forest means that you are searching through your unconscious for a better understanding of yourself.
To dream that something is rising into the air, refers to unexpected wealth and pleasures. The dream may be a metaphor that you are rising above a situation.
To dream that you are rising to a high position, means that success will come as a result of your determination.
To dream of rising to high positions, denotes that study and advancement will bring you desired wealth.
If you find yourself rising high into the air, you will come into unexpected riches and pleasures, but you are warned to be careful of your engagements, or you may incur displeasing prominence.
Dreaming that you are rising high into the air means that you will find unexpected wealth and pleasures. Dreaming that you are rising to a high position means that determination and knowledge will bring you desired wealth.
To dream that you are calm, denotes a fulfilling life. You find contentment and satisfaction in what you have.
To dream that someone is trying to calm you down, suggests that you will experience many setbacks, especially if you continue to let your emotions run out of control.
To see calm seas, denotes successful ending of doubtful undertaking.
To feel calm and happy, is a sign of a long and well-spent life and a vigorous old age.
Dreaming that you are calm means a fulfilling life. You will find contentment and satisfaction in what you have. Dreaming that someone is trying to calm your down means that you will experience many setbacks if you continue to let your emotions run out of control.
In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’
This indicates birth (of some person).
To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.
If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.
If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.
If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.
To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.
To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.
To sport with water, denotes a sudden awakening to love and passion.
To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.
The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:
``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.
To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.
To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.
To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.
To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.
Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.
This is a term which refers to that aspect of the symbolism of space
which is concerned with the simple moral pattern deriving from the notions of
height and—ultimately—of centre. Hindu doctrine describes the three fundamental states of the human spirit as sattva, which is ‘loftiness’ of spirit; rajas—
manifestation, struggle and dynamism; and tamas, or obscurity and brute instinct; and these three states are located on three vertical levels. Strictly speaking,
there are five zones or levels: the absolute low level and the absolute high level,
plus the central area divided into three zones merging into each other and at the same time bringing the outer extremes into progressive relationship. When the
baser levels concern not the intellectual but the moral—which is in essence infinitely more complex and mysterious—then the precise significance of the symbolism is not nearly so hard-and-fast. There is always the possibility of symbolic
Inversion, in which case the two opposing directions have something in common
in that both partake of the idea of depth. Hence the saying: ‘Deep calls to deep.’
The temptations endured by the chosen few find their counterpart in the abysses
of salvation which may be opened up for the reprobate. Dostoievski has spoken
eloquently about this. Finally, here is a quotation from L’Art chinois by M.
Paléologue, written in 1888: ‘Under the Chinese Chou dynasty (11th century
B.C.), the dead of the lower classes were buried in the plains; princes, on hills of
moderate height; and emperors in tombs built on a mountain-top. The head of the
corpse would be turned to face North.’ In virtually every work of art whose
composition is of an ideological rather than a naturalistic character, the verticalline locates the Three Worlds of the infernal, terrestrial (with its own, internal
orders—the marine, the animal and the human) and celestial. Thus, in the
Mesopotamian stele (or Kudurru), the illustrations are arranged on several levels,
divided off by lines to suggest their relative values: the most primitive beings are
placed at the lowest level (since they are closest to the ‘primordial monster’)
while astral bodies and symbols of the godhead are situated on the highest plane.
The same principles are true of Romanesque art.