It began by waiting in an extremely long line of very excited and colorfully dressed people. Anticipation was in the air....We were all going to a very secret and amazing musical event. I did not know the details but was also excited even though the wait time was really long. When we finally entered the theater I took a seated lotus position on floor and saw that everyone else was also seated with eyes glued to the stage. The lights dimmed and an amazing mystical music began. Eastern rhythms and electronic mayhem and the entire seated audience danced without standing up. After the end of one song the band thanked everyone and left. This was followed by the unfurling of banners and loud announcements that this event was sponsored by Taco Bell. The crowd was flooded with uniformed Taco Bell employees handing out ground beef tacos and burritos to all. I tried to explain that I didn't want any Taco Bell and that I was a vegetarian but I seemed to be the only one refusing as everyone in the hall crammed their mouths full of fast food tacos...A strange turn of events, I thought.
To see or eat a taco in your dream, signifies warmth and comfort. Consider the type of taco shell, as this is analogous to your demeanor and attitude in your waking life. If it is a hard shell taco, then it represents your brash and "hard" exterior. If it is a soft shell taco, then it signifies your adaptability and yielding persona.
Its sound is a symbol of creative power (4). Since it is in a hanging
position, it partakes of the mystic significance of all objects which are suspended
between heaven and earth. It is related, by its shape, to the vault and, consequently, to the heavens.
Hearing a bell represents a warning or a call to order. It may also be a signal from your unconscious to prepare you for whatever is happening next. If the bell rings and never stops, then it suggests that you are experiencing extreme anxiety.
All secrets symbolize the power of the supernatural, and this explains
their disquieting effect upon most human beings. Jung is emphatic about this,
pointing out that, for the same reason, it is very helpful for the individual so
affected to unburden himself of his secrets (31). On the other hand, the ability to
master this state of tension within oneself confers an awareness of unfailing
superiority—a sensation which is common in individuals who live outside the
law and in spies and privy counsellors to kings and magnates. This same notion
supplies part of the basic attraction of esoteric thought and of all forms of
Hermetic science in literature and art.
To dream that you or someone has a secret, represents hidden power. It suggests that something is emerging from your unconscious.
Dreaming that you or someone has a secret, represents hidden power. It suggests that something needs to emerge from your unconscious.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.
To see or eat beef in your dream, signifies your animal instinct and animalistic energy. The dream may also be a pun on your "beef" or grudge with someone. Are you trying to pick a fight?
If raw and bloody, cancers and tumors of a malignant nature will attack the subject. Be on your guard as to bruises and hurts of any kind.
To see, or eat cooked beef, anguish surpassing human aid is before you. Loss of life by horrible means will occur. Beef properly served under pleasing surroundings denotes harmonious states in love and business, if otherwise, evil is foreboded, though it may be of a trifling nature.
To dream that you are on the ground, represents your foundation and support system. It is also the boundary between your conscious and unconscious. You may be getting closer in confronting and acknowledging your unconscious thoughts. The dream may be a pun on being well-grounded and down to earth or that you have been grounded. Perhaps you are feeling restricted in some aspects of your life.
Dreaming that you are on the ground, represents your foundation and support system. It is also the boundary between your conscious and unconscious. You may be getting closer in confronting and acknowledging your unconscious thoughts. The dream may be a pun on being well-grounded and down to earth. It may also be a pun on being grounded. Perhaps you are feeling restricted in some aspects of your life.