As I am sleeping my lower back is connected to Helen's. I feel that I we are in the same dream space. Her presence is strong. I am walking through an unknown space of darkness and uncertainty. I am informed to walk with my mouth open and tongue out. By doing this, walls of fear are broken down and I feel empowered and alive. I go by Osean. I am transporting an arch made from interwoven willow branches to the deep playa. I also have a vision of painting this arch.
An arch in a dream, denotes your rise to distinction and the gaining of wealth by persistent effort. To pass under one, foretells that many will seek you who formerly ignored your position.
For a young woman to see a fallen arch, denotes the destruction of her hopes, and she will be miserable in her new situation.
To see an arch in your dream, represents your support system.
To dream that you are passing under an arch, signifies new opportunities. You are headed toward a different direction or phase in your life.
Walking under an arch in a dream means that you will be discovering new dimensions and taking new directions in life. Keep your eyes open, it might be time for you to take undvantage of some importatn opportunities.
To dream of willows, foretells that you will soon make a sad journey, but you will be consoled in your grief by faithful friends.
To see a willow tree in your dream, symbolizes mourning and sadness. It also denotes a loss of someone or something. Alternatively, the willow represents survival or rebirth.
Seeing a willow tree in your dream, symbolizes mourning and sadness.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
To dream that you feel fear, indicates that your achievements will not be as successful as you had anticipated. You are experiencing anxieties in various aspects of your life. The key to overcoming your fear is to discuss them and deal with them openly.
To dream that you worse fears are coming true, signifies your resistance to change. You are afraid to confront the unknown aspects of yourself.
Dreaming that you feel fear means that you achievements will not be as successful as you had anticipated. You are having anxieties in certain circumstances of your life.
If you are experiencing great fear in your dreams, you are having nightmares. These types of dreams are positive because your unconscious mind is trying to tell you something. If you have repressed issues, they may be coming to the surface. Think about the fear in your dreams and try to be honest with yourself. Having fearful dreams seems to be relatively common. Most dreams are unpleasant and that is the nature of our private unconscious. Issues and concerns, repressed emotions, and daily stress all contribute to an uneasy sleep and to fear filled dreams.
To dream that you find a wall obstructing your progress, you will surely succumb to ill-favored influences and lose important victories in your affairs.
To jump over it, you will overcome obstacles and win your desires. To force a breach in a wall, you will succeed in the attainment of your wishes by sheer tenacity of purpose.
To demolish one, you will overthrow your enemies. To build one, foretells that you will carefully lay plans and will solidify your fortune to the exclusion of failure, or designing enemies.
For a young woman to walk on top of a wall, shows that her future happiness will soon be made secure. For her to hide behind a wall, denotes that she will form connections that she will be ashamed to acknowledge. If she walks beside a base wall. she will soon have run the gamut of her attractions, and will likely be deserted at a precarious time.
To see a wall in your dream, signifies limitations. obstacles and boundaries. There is a barrier obstructing your progress. Alternatively, the wall indicates that you are too accustomed to your old habits and way of thinking. You feel stuck.
To dream that you jump over a wall, suggests that you are able to confront tough obstacles and get around barriers with success and ease.
To dream that you demolish or break down a wall, indicates that you are breaking through obstacles and overcoming your limitations. It also means that you desire some freedom and independence. If you see a wall crumble, then it suggests that you have risen above your problems and overcame your barriers.
To dream that you are building a wall, refers to a bad relationship or childhood trauma. You are trying to keep others out for fear of getting hurt again. Alternatively, the dream suggests that you have accepted your limitations.
To dream that you are hiding behind a wall, suggests that you ashamed in acknowledging your connections.
To dream that you are being thrown or shot through a wall, means that you need to literally breakdown those walls that you have put up around you. You need to venture out and explore.
To dream that a house has no walls, represents a lack of privacy. You feel that everyone is looking over your shoulder or up in your business.
Seeing a wall in your dream means limitations. obstacles and boundaries. There is a barrier obstructing your progress. You may have been accustomed to your old habits and way of thinking. Dreaming that you jump over a wall, suggests that you will overcome tough obstacles and succeed. Dreaming that you demolish or break down a wall indicates that you are breaking through obstacles and overcoming your limitations. If you see a wall crumble, then it suggests that you have easily risen above your problems and overcame your barriers. Dreaming that you are building a wall, represents a bad relationship or some childhood trauma. It also suggest that you have accepted your limitations. Dreaming that you are hiding behind a wall, suggests that you ashamed in acknowledging your connections. Dreaming that you are being thrown or shot through a wall, literally means that you need to breakdown those walls that you have put up around you. You need to venture out and explore.
To dream of seeing your own tongue, denotes that you will be looked upon with disfavor by your acquaintances.
To see the tongue of another, foretells that scandal will villify you.
To dream that your tongue is affected in any way, denotes that your carelessness in talking will get you into trouble.
To see your own tongue in your dream, represents the things you say and express. You may have either said too much or you may need to express yourself more. If you dream that your tongue is unusually long, then it suggests that you are not being truthful and are lying to yourself about something. If your tongue is sore or looks unusual, then it indicates that you are talking negatively about somebody. The dream may also be a metaphor that you are tongue-tied. You are nervous about verbalizing or communicating some feeling or thought.
To dream that your tongue is hairy or that there is hair on your tongue, indicates that you are regretting what you said. Something you said could be leaving a strange taste in your mouth.
To dream that you rip someone else's tongue out, indicates that you are extremely upset with something that this person has said, but you are not able to appropriately express your anger. Because you tend to keep your emotions inside, it is finding expression in your dreams in a violent way.
To dream that someone is sticking out their tongue at you, refers to some sexual connotation. The tongue is sometimes connected with sexuality and maybe seen as a phallic symbol. Alternatively, the dream symbolizes some sort of insult.
Seeing your own tongue in your dream means the things you say and express. You may have said too much or you may need to express yourself/ Seeing someone else's tongue in your dream means scandal that you will find to escape from.
To see branches in your dream, symbolize good luck, growth, and new life. Alternatively, branches represent the relationships and communication between you and your family or relatives.
To see broken branches in your dream, represents a personal or work-related problem.
To dream that a branch snaps, indicates that you are under tremendous stress. Alternatively, the dream means that you are feeling emotionally insecure.
Dreaming of branches, is a symbol of good luck, growth, and new life. Alternatively, branches represent the relationships and communication between you and your family/relatives. Dreaming of broken branches indicates some personal or work-related problem.