Watching two people playing a card game, we are given bowls of fruit i am unsure which bowl is for me. One fruit in particular looks heart shaped, it is the one i take. The rest roll out of the bowl ending up in a single file line. Next thing i know i am leading two groups of women, we are going to a tree to collect fruit, half of these woman are pregnant. The red fruit has a specific name (parafruit?) i recall us referring to it by the name of the black bird that eats the fruit. Within the tree are several of these crow like birds, an older woman gives instruction of which fruit is ripe and which may have bugs, some of the girls are shaking the branches to collect the fruit that is out of reach. I am pretty high up in the tree, i am unsure if i was plucking any fruit but i know i was not shaking the branches.
------------------------------
I am welcome to any interpretations of this dream.
In the vertical scheme of the human body, the focal points are three in
number: the brain, the heart and the sexual organs. But the central point is the
heart, and in consequence it comes to partake of the meanings of the other two.
The heart was the only part of the viscera left by the Egyptians in the mummy,
since it was regarded as the centre indispensable to the body in eternity; for all
centres are symbols of eternity, since time is the motion of the periphery of the
wheel of phenomena rotating around the Aristotelian ‘unmoved mover’. In traditional ways of thought, the heart was taken as the true seat of intelligence, the
brain being merely instrumental (25); hence, in ancient attempts to explain the
profound and continuing analogies between concepts, the moon was said to
correspond to the brain and the sun to the heart. All representations of the
‘Centre’ have been related in some way to the heart, either through correspondences or through substitution, as in the case of the goblet, the coffer and the
cavern. For the alchemists, the heart was the image of the sun within man, just as
gold was the image of the sun on earth (32). The importance of love in the mystic
doctrine of unity explains how it is that love-symbolism came to be closely linked
with heart-symbolism, for to love is only to experience a force which urges the
lover towards a given centre. In emblems, then, the heart signifies love as the
centre of illumination and happiness, and this is why it is surmounted by flames,
or a cross, or a fleur-de-lis, or a crown (4).
To see your heart in your dream, signifies truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.
To see a winged heart in your dream, represents the power of love and its ability to penetrate through to anyone.
To dream that your heart is bleeding or aching, represents desperation, despair, extreme sadness and sympathy. You are lacking support or love in some a situation in your life.
To dream that you have a heart transplant or heart surgery, indicates a huge change in your personal relationship. Perhaps you are involved in a rebound relationship.
To dream of your heart paining and suffocating you, there will be trouble in your business. Some mistake of your own will bring loss if not corrected.
Seeing your heart, foretells sickness and failure of energy.
To see the heart of an animal, you will overcome enemies and merit the respect of all.
To eat the heart of a chicken, denotes strange desires will cause you to carry out very difficult projects for your advancement.
Seeing your heart in your dream means truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.
Equivalent to the egg, in traditional symbolism, for in the centre of the
fruit is the seed which represents the Origin (29). It is a symbol of earthly desires.
To see fruit in your dream, signifies growth, abundance and financial gain. They also symbolize lust and sexuality. In particular, green fruit in your dream, denotes your hastiness and disappointed efforts. You need to work harder and longer in order to achieve your goals. If the fruit is ripe, then it represents fertility and conception. You desire a child or you are ready to have a child.
To see or eat rotting/bitter fruit, represents your missed opportunities for growth and pleasure. Alternatively, it indicates a situation or relationship that ended prematurely. You are expressing some regret.
To dream that you buy or sell fruit, indicates that your efforts are being wasted in a fruitless endeavor.
To dream of seeing fruit ripening among its foliage, usually foretells to the dreamer a prosperous future. Green fruit signifies disappointed efforts or hasty action.
For a young woman to dream of eating green fruit, indicates her degradation and loss of inheritance. Eating fruit is unfavorable usually.
To buy or sell fruit, denotes much business, but not very remunerative.
To see or eat ripe fruit, signifies uncertain fortune and pleasure.
Seeing fruit in your dream means a period of growth, abundance and financial gain. Fruits generally represents lust and sexuality. In particular green fruit in your dream indicates your hastiness and disappointed efforts. You need to work harder and longer in order to achieve your goals. Seeing or eating rotting/bitter fruit, suggests your missed opportunities for growth and pleasure. Dreaming that you buy or sell fruit means much business but little profit in them.
Fruit represents abundance and prosperity. As a result of the seeds that they carry, they may also represent new beginnings. In biblical stories, mythology and literature in general, fruits have enjoyed much symbolic meaning. They may represent sexual desires and the search for wealth and immortality. In order to understand the meaning of the fruit in your dreams, consider your current strivings and psychological space. Also, consider whether the fruit was ripe, rotting or bitter. All of the details will help you to understand whether you have a lustful heart, are at a new frontier, or have missed opportunities for growth and pleasure.
This is a very good dream to the majority of people.
To see red apples on trees with green foliage is exceedingly propitious to the dreamer.
To eat them is not as good, unless they be faultless. A friend who interprets dreams says: ``Ripe apples on a tree, denotes that the time has arrived for you to realize your hopes; think over what you intend to do, and go fearlessly ahead. Ripe on the top of the tree, warns you not to aim too high. Apples on the ground imply that false friends, and flatterers are working you harm. Decayed apples typify hopeless efforts.''
To see apples growing in a tree in your dream, symbolize knowledge, wisdom and great prosperity. Rewards are on the horizon for you. Consider also the common phrase, "an apple a day keeps the doctor away" which may imply that you need to take better care of your health. Perhaps you need to go to the doctor. Or the dream may also be a metaphor for an apple computer.
To dream that you are eating an apple, denotes harmony, pleasure, and fertility. In a biblical sense, eating an apple symbolizes your sexual appetite, lustful desires, and sexual awareness as associated with the apple in the Garden of Eden.
To see green apples, represents developing love or love that has yet to blossom.
To see rotten or eaten apples in your dream, indicates that whatever you are striving and aiming for may not be fulfilling, and even harmful to you. It may also represent neglect and carelessness.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
To see a bowl in your dream, symbolizes the womb and sense of security. Consider the condition of the bowl and how it is treated or handled in the dream. This may offer clues as to how you feel you are being treated in a particular relationship.
Dreaming of a bowl symbolizes the womb and sense of security. Consider the condition of the bowl and how it is treated or handled in the dream. This may offer clues as to how you feel you are being treated in a particular relationship.
To see branches in your dream, symbolize good luck, growth, and new life. Alternatively, branches represent the relationships and communication between you and your family or relatives.
To see broken branches in your dream, represents a personal or work-related problem.
To dream that a branch snaps, indicates that you are under tremendous stress. Alternatively, the dream means that you are feeling emotionally insecure.
Dreaming of branches, is a symbol of good luck, growth, and new life. Alternatively, branches represent the relationships and communication between you and your family/relatives. Dreaming of broken branches indicates some personal or work-related problem.
To dream that you are shaking, suggests that you are getting rid of your old habits and former ways of thinking. You need to get rid of the old in order to welcome in the new and better. Shake things up a bit. Alternatively, shaking is symbolic of fear.
Dreaming that you are shaking, suggests that you are getting rid of your old habits and former ways of thinking. You need to get rid of the old in order to welcome in the new and better. Shake things up a bit. Alternatively, shaking is symbolic of fear.
In anthropology, woman corresponds to the passive principle of
nature. She has three basic aspects: first, as a siren, lamia or monstrous being who
enchants, diverts and entices men away from the path of evolution; second, as the
mother, or Magna mater (the motherland, the city or mother-nature) related in
turn to the formless aspect of the waters and of the unconscious; and third, as the
unknown damsel, the beloved or the anima in Jungian psychology. In his Symbols
of Transformation, Jung maintains that the ancients saw Woman as either Eve,
Helen, Sophia or Mary (corresponding to the impulsive, the emotional, the intellectual, and the moral) (33). One of the purest and all-embracing archetypes of
Woman as anima is Beatrice in Dante’s Commedia (32). All allegories based upon
the personification of Woman invariably retain all the implications of the three
basic aspects mentioned above. Of great interest are those symbols in which the
Woman appears in association with the figure of an animal—for example, the
swan-woman in Celtic and Germanic mythology, related to the woman with the
hoof of a goat in Hispanic folklore. In both cases the woman disappears once her
maternal mission has been completed and, similarly, the virgin qua virgin ‘dies’ in order to give way to the matron (31). In iconography it is common to find parts
of the female figure combined with that of a lion. The Egyptian goddess Sekhmet,
characterized by her destructiveness, had the body of a woman and the head (and
therefore the mind) of a lion. Conversely, a figure with a lion’s body and a
woman’s head appears in the Hieroglyphica of Valeriano as an emblem of the
hetaira (39). The inclusion of feminine, morphological elements in the composition of traditional symbols such as the sphinx always alludes to a background of
nature overlaid with the projection of a concept or of an entire complex of cosmic
intuitions. In consequence, the Woman is an archetypal image of great complexity
in which the decisive factor may be the superimposed symbolic aspects—for
example, the superior aspects of Woman as Sophia or Mary determine her function as a personification of science or of supreme virtue; and when presented as
an image of the anima, she is superior to the man because she is a reflection of the
loftiest and purest qualities of the man. In her baser forms as Eve or as Helen—
the instinctive and emotional aspects—Woman is on a lower level than the man.
It is here, perhaps, that she appears at her most characteristic—a temptress, the
Ewig Weibliche, who drags everything down with her, and a symbol comparable
with the volatile principle in alchemy, signifying all that is transitory, inconsistent, unfaithful and dissembling. See also The Loved One and Sophia.
To see a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or your mother. Alternatively, a woman indicates temptation and guilt. If you know the woman, then it may reflect concerns and feelings you have about her.
To see an old woman in your dream, indicates your concerns about aging and growing old. Alternatively, the old woman may be an archetypal figure to symbolize feminine power.
To see a group of women talking in your dream, refers to some gossip.
To see a pregnant women in your dream, symbolizes abundant wealth.
Seeing a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or may also represent your mother. Alternatively, it may indicate temptation and guilt. If you know the woman, then it may symbolize the concerns and feelings you have about her. Seeing an old woman in your dream indicates aging and growing old. Seeing a group of women talking in your dream, refers to some gossip. Seeing a pregnant women in your dream, symbolizes abundant wealth.
A woman or women generally represent intuition, creativity, nurturing, and love. At times they can also represent the negative attributes that are given to women and include physical and emotional weakness, gossip, martyrdom, passivity, moodiness, temptation, and guilt. The content of the dream is to be considered, as well as the emotional tone. If the dream is sexual in nature, look up sex. If the woman in your dream was a stranger and you are a man, she could be symbolic of your feminine side or your attitude about women. If you are a woman, this stranger may be symbolic of different parts of your character or personality. The woman is that force or current inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words.
To dream about half of something, indicates that something in your waking life is incomplete or unresolved. It may also indicate that you are only partially acknowledging your feelings. You or someone else is limiting or restricting you. Alternatively, the dream suggests that you need to be open to compromise and meet halfway.
Dreaming about half of something indicates that something in your waking life is incomplete or unresolved. It may also indicate that you are only partially acknowledging your feelings. You or someone else is limiting or restricting you. Alternatively, the dream may suggest that you need to be open to compromise and meet halfway.
Birds are very frequently used to symbolize human souls, some of
the earliest examples being found in the art of ancient Egypt. Sometimes, they
are depicted with human heads, as in Hellenic iconography. In the Mirach it is
written that, when Mohammed went to heaven, he found, standing in the middle
of a great square, the Tree of Life whose fruit restores youth to all those who
eat of it. This Tree of Life is surrounded by groves and avenues of leafy trees on
whose boughs perch many birds, brilliantly coloured and singing melodiously:
these are the souls of the faithful. The souls of evildoers, on the other hand, are
incarnated in birds of prey (46). Generally speaking, birds, like angels, are
symbols of thought, of imagination and of the swiftness of spiritual processes
and relationships. They pertain to the Element of air and, as noted in connexion
with the eagle, they denote ‘height’ and—consequently—’loftiness’ of spirit.
This general symbolism has sometimes been narrowed down excessively to the
particular, as often happens in traditional symbolism. Thus, Odo of Tusculum,
in his sermon XCII, describes different kinds of spirituality in men in terms of
the characteristics of different kinds of birds. Some birds, he says, are guileless,
such as the dove; others, cunning like the partridge; some come to the hand, like
the hawk, others flee from it, like the hen; some enjoy the company of men, like
the swallow; others prefer solitude and the desert, like the turtle-dove. . . . Lowflying birds symbolize an earth-bound attitude; high-flying birds, spiritual longing
(46).
It is a favorable dream to see birds of beautiful plumage. A wealthy and happy partner is near if a woman has dreams of this nature.
Moulting and songless birds, denotes merciless and inhuman treatment of the outcast and fallen by people of wealth.
To see a wounded bird, is fateful of deep sorrow caused by erring offspring.
To see flying birds, is a sign of prosperity to the dreamer. All disagreeable environments will vanish before the wave of prospective good.
To catch birds, is not at all bad. To hear them speak, is owning one's inability to perform tasks that demand great clearness of perception.
To kill than with a gun, is disaster from dearth of harvest.
To see birds flying are very unlucky; it denotes sorrowful setback in circumstances.
Poor persons may become better especially if they hear birds sing.
Because of its black colour, the crow is associated with the idea of
beginning (as expressed in such symbols as the maternal night, primigenial darkness, the fertilizing earth). Because it is also associated with the atmosphere, it is
a symbol for creative, demiurgic power and for spiritual strength. Because of its
flight, it is considered a messenger. And, in sum, the crow has been invested by
many primitive peoples with far-reaching cosmic significance. Indeed, for the
Red Indians of North America it is the great civilizer and the creator of the visible
world. It has a similar meaning for the Celts and the Germanic tribes, as well as in
Siberia (35). In the classical cultures it no longer possesses such wide implications, but it does still retain certain mystic powers and in particular the ability to
foresee the future; hence its caw played a special part in rites of divination (8). In
Christian symbolism it is an allegory of solitude. Amongst the alchemists it
recovers some of the original characteristics ascribed to it by the primitives,
standing in particular for nigredo, or the initial state which is both the inherent
characteristic of prime matter and the condition produced by separating out the
Elements (putrefactio) (32). An interesting development of crow-symbolism is
the representation of it with three legs drawn within a solar disk. In this form it is the first of the Chinese imperial emblems, and represents Yang or the active life of
the Emperor. The three legs correspond to the sun-symbolism of the tripod: first
light or rising sun, zenith or midday sun, and sunset or setting sun. In Beaumont’s
view, the crow in itself signifies the isolation of him who lives on a superior plane
(5), this being the symbolism in general of all solitary birds.
To see a crow in your dream, represents death and the darker aspects of your character. The dream could also be pointing out your annoying habits. Alternatively, the crow may be conveying a message from your unconscious.
To dream of seeing a crow, betokens misfortune and grief. To hear crows cawing, you will be influenced by others to make a bad disposal of property. To a young man, it is indicative of his succumbing to the wiles of designing women.
This indicates a sorrowful funeral ceremony.
Seeing a crow in your dream, represents your annoying habits and the darker part of your character. The crow may serve as messengers from your unconscious.
In Native American Myth the Crow represents the secrets of the sacred law i.e. the laws of truth (intuition) and must not be confused with the commandments of humans or any religious systems. The crow combines past, present, and future, because it lives in a void without any perception of time. Since it also combines light and shadow, it perceives its outer and inner truths simultaneously. The crow guards the sacred laws that came directly from god and proclaimed once that everything that exists is born by woman. People who have the power of the crow must stand by their own realizations and constantly strive to live the truth that they discovered. The Crow signals that you have transcended mortal law, and to permit your own higher self to become your leader.
This animal indicates the need to find balance and to stay in the present and will bring to you the ability to release past beliefs.
Crow is a harbinger of change; spiritual, mental and emotional. Life, death, rebirth, transition magic, watchfulness, look for opportunities coming up, aids in ability to move spiritually and physically. They teach the power and balance of light/dark and spiritual/physical. He teaches to create and manifest things in our lives, all of life is waiting. Crow announces a newness on the horizon. Are you aware of the nuances in life? Are you listening to signs around you? Crow can give strength and show you how to maneuver in intuitions and insights.
Every winged being is symbolic of spiritualization. The bird, according to Jung, is a beneficent animal representing spirits or angels, supernatural
aid (31), thoughts and flights of fancy (32). Hindu tradition has it that birds
represent the higher states of being. To quote a passage from the Upanishads:
Two birds, inseparable companions, inhabit the same tree; the first eats of the
fruit of the tree, the second regards it but does not eat. The first bird is Jivâtmâ,
and the second is Atmâ or pure knowledge, free and unconditioned; and when
they are joined inseparably, then the one is indistinguishable from the other except in an illusory sense’ (26). This interpretation of the bird as symbolic of
the soul is very commonly found in folklore all over the world. There is a Hindu
tale retold by Frazer in which an ogre explains to his daughter where he keeps
his soul: ‘Sixteen miles away from this place’, he says, ‘is a tree. Round the tree
are tigers, and bears, and scorpions, and snakes; on the top of the tree is a very
great fat snake; on his head is a little cage; in the cage is a bird; and my soul is in
that bird’ (21). This was given precise expression in ancient Egyptian symbolism by supplying the bird with a human head; in their system of hieroglyphs it
was a sign corresponding to the determinative Ba (the soul), or the idea that the
soul flies away from the body after death (19). This androcephalous bird appears also in Greek and Romanesque art, and always in this same sense (50).
But the idea of the soul as a bird—the reverse of the symbolic notion—does not
of itself imply that the soul is good. Hence the passage in Revelation (xvii, 2)
describing Babylon as ‘the hold of every foul spirit, and a cage of every unclean
and hateful bird’. According to Loeffler, the bird, like the fish, was originally a
phallic symbol, endowed however with the power of heightening—suggesting
sublimation and spiritualization. In fairy stories there are many birds which
talk and sing, symbolizing amorous yearning (and cognate with arrows and
breezes). The bird may also stand for the metamorphosis of a lover. Loeffler
adds that birds are universally recognized as intelligent collaborators with man
in myths and folktales, and that they are derived from the great bird-demiurges
of the primitives—bearers of celestial messages and creators of the nether
world; this explains the further significance of birds as messengers (38). The
particular colour of a bird is a factor which determines its secondary symbolisms. The blue bird is regarded by Bachelard (3) as ‘the outcome of aerial
motion’, that is, as a pure association of ideas; but in our view, although this
may well have been its origin, its ultimate aim is something quite different—to
provide a symbol of the impossible (like the blue rose). In alchemy, birds stand
for forces in process of activation; here the precise sense is determined by the
location of the bird: soaring skywards it expresses volatilization or sublimation, and swooping earthwards it expresses precipitation and condensation;
these two symbolic movements joined to form a single figure are expressive of
distillation. Winged beings contrasted with others that are wingless constitute a
symbol of air, of the volatile principle as opposed to the fixed. Nevertheless, as
Diel has pointed out, birds, and particularly flocks of birds—for multiplicity is
ever a sign of the negative—may take on evil implications; for example, swarms
of insects symbolize forces in process of dissolution—forces which are teeming, restless, indeterminate, shattered. Thus, birds, in the Hercules legend, rising up from the lake Stymphalus (which stands for the stagnation of the soul
and the paralysis of the spirit) denote manifold wicked desires (15). The ‘giant
bird’ is always symbolic of a creative deity. The Hindus of Vedic times used to
depict the sun in the form of a huge bird—an eagle or a swan. Germanic tradition
affords further examples of a solar bird (35). It is also symbolic of storms; in
Scandinavian mythology there are references to a gigantic bird called Hraesvelg
(or Hraesveglur), which is supposed to create the wind by beating its wings
(35). In North America, the supreme Being is often equated with the mythic
personification of lightning and thunder as a great bird (17). The bird has a
formidable antagonist in the snake or serpent. According to Zimmer, it is only
in the West that this carries a moral implication; in India, the natural elements
only are contrasted—the solar force as opposed to the fluid energy of the
terrestrial oceans. The name of this solar bird is Garuda, the ‘slayer of the nâgas
or serpents’ (60). Kühn, in The Rock Pictures of Europe, considers a Lascaux
cave picture of a wounded bison, a man stricken to death and a bird on a pole,
and suggests that, by the late Palaeolithic, the bird may have come to symbolize
the soul or a trance-like state.
To see birds in your dream, symbolize your goals, aspirations and hopes. To dream of chirping and/or flying birds, represent joy, harmony, ecstasy, balance, and love. It denotes a sunny outlook in life. You are experiencing spiritual freedom and psychological liberation. It is almost as if a weight has been lifted off your shoulders.
To dream of dead or dying birds, indicates disappointments. You will find yourself worrying over problems that are nagging on your mind.
To see bird eggs in your dream, symbolize money.
To see birds hatching in your dream, symbolize delayed success.
To see a bird nest in your dream, symbolizes independence, refuge and security. You need something to fall back on. Alternatively, it may signify a prosperous endeavor, new opportunities, and fortune.
Dreaming of a chirping and/or flying birds, represents joy, harmony, ecstasy, balance, and love. It indicates a sunny outlook in life. You will experience spiritual freedom and psychological liberation. It is almost as if a weight has been lifted off your shoulders. Dreaming of dead or dying birds, foretells a period of coming disappointments. You will find yourself worrying over problems that are constantly on your mind. Dreaming of bird eggs, symbolizes money. Dreaming of birds hatching, symbolizes delayed success. Dreaming of a bird nest, symbolizes independence, refuge and security. You need something to fall back on. Alternatively, it may signify a prosperous endeavor, new opportunities, and fortune.