I was part of a space fleet in an apocalyptic setting. I had just found Franz was with another woman through a note that he had with him, I requested he tell me who she is, he wouldn't. I dropped out of my space ship into the murky ponds that earth had become, I started to switch back in forth between being a woman and being a swamp tiger. My fleet had told me this would happen, once you are exhiled from space you turn into this tiger. I almost preffered it. I actually did prefer it.
There were snakes, fairies, fireflies, dragonflies, and other swamp tigers.
I swam until I reached a dock to a broken down castle, there she was, the girl who my ex boyfriend had been seeing. she was normal, just a normal girl, nothing special. I grabbed her and told her to tell me her name, I was yelling at her "TELL ME TELL ME, WHAT IS YOUR NAME" she said she would never tell me and she would rather die or something corny like that. Finally I said something that convinced her, rather it was bartering my own life or threats, maybe it was begging and crying something low.. Then she told me. her name was Emily. I started tearing her apart face first in a fit of rage, underneath she was me.
Two interpretations of the tiger have been offered which are easily
reconciled: ‘It is associated with Dionysos, and is a symbol of wrath and cruelty’
(8); ‘In China, it is symbolic of darkness and of the new moon’ (17). For darkness
is always identical with the darkness of the soul, and corresponds to that state
which the Hindus term tamas and which falls within the general symbolism of level, and also denotes the unbridled expression of the base powers of the instincts. Now, in China the tiger seems to play a rôle comparable with that of the
lion in African and Western cultures: both animals—like the dragon—take on two
different characters—as the wild beast and as the tamed animal. This is what lies
behind the tiger as an allegorical expression of strength and valour in the service of
righteousness. Five mythic tigers together constitute a symbol which is invested
with the same meaning as the tetramorphs in Christian tradition, in so far as they
are the defenders of the spatial order against the forces of chaos. The Red Tiger
reigns in the south, his season being summer and his Element fire; the Black Tiger
reigns in the north—winter is his season, and his Element water; the Blue Tiger
reigns in the East, in the spring and amidst vegetation; the White Tiger predominates in the west, in autumn and among the metals; and, finally, the Yellow Tiger
(solar in colour) inhabits the earth and reigns supreme over all the other tigers.
This Yellow Tiger is located in the ‘Centre’, as the Emperor was situated in the
heart of China and as China lies at the centre of the world (13). This quaternary
division plus the centre as the fifth Element is, as Jung has shown, of archetypal
significance in the symbolism of situation. When the tiger appears in association
with other animals, his symbolic significance varies according to the relative
status of the animals within the hierarchy: for instance, the tiger struggling with a
reptile stands for the superior principle, but the converse applies if it is locked in
combat with a lion or a winged being.
To dream of a tiger advancing towards you, you will be tormented and persecuted by enemies. If it attacks you, failure will bury you in gloom. If you succeed in warding it off, or killing it, you will be extremely successful in all your undertakings.
To see one running away from you, is a sign that you will overcome opposition, and rise to high positions.
To see them in cages, foretells that you will foil your adversaries.
To see rugs of tiger skins, denotes that you are in the way to enjoy luxurious ease and pleasure.
To see a tiger in your dream, represents power and your ability to exert it in various situations. The dream may also indicate that you need to take more of a leadership role. Alternatively, the tiger represents female sexuality, aggression, and seduction.
To dream that you are attacked by a tiger, symbolizes repressed feelings or emotions that you are frighten you of.
To see a caged tiger in your dream, suggests that your repressed feelings are on the verge of surfacing.
To see rugs made of tiger skins, symbolize a life of luxury and ease.
Seeing a tiger in your dream, symbolizes repressed feelings or emotions that frighten you. Alternatively, the tiger represents female sexuality, aggression, and seduction. If the tiger is in a cage, then it suggests that those repressed feelings/emotions are on the verge of surfacing. Dreaming that you are attacked by a tiger means overwhelming gloom and disappointing failures. You may find yourself distressed and tormented by rivals. Dreaming that you ward off or kill a tiger means that you will be exceedingly successful in all your endeavors. It is an indication of your good health, vitality, and vigor. Seeing rugs made of tiger skins, symbolizes a life of luxury and ease.
This large and very beautiful cat can symbolise femininity, power, anger, unforgiving vengeance, great force, and cunning. Tigers cannot be ignored, and usually they get exactly what they go after. Consider all of these characteristics and try to see if they apply to your or anyone else's current mood or character.
Chinese Tiger Meanings and Symbolic Thoughts about the Tiger
In China, the tiger is considered the king of all beasts (not the lion) and represents powerful energy. Further, the tiger is associated with Tsai Shen Yeh, the Chinese God of Wealth, and this god is usually seen sitting on a tiger in Asian art.
Asian lore considers the tiger the protector of the dead, and will often be seen in graves as a mark of protection, assuring peace for those who have passed.
Chinese animal symbolism of the tiger deals with (but is not limited to):
Tigers are considered a yang energy, and are also a solar animal which associates them with symbolisms of the sun, summer and fire.
In ancient Chinese myth there are five tigers that hold the balance of cosmic forces in place and prevent chaos from collapsing into the universe.
These five tigers are:
White Tiger: ruler of the Fall season and governor of the Metal elementals
Black Tiger: ruler of the Winter season and governor of the Water elementals
Blue Tiger: ruler of the Spring season and governor of the Earth elementals
Red Tiger: ruler of the Summer season and governor of the Fire elementals
Yellow Tiger: the supreme ruler of all these tigers and symbolic of the Sun
So the next time you wish to honor a loved one who has passed this physical realm considered the tiger as a symbol of reverence.
Or, if you are intending more wealth in your life, call upon tiger energy to help you facilitate this (hint: visualize the copper color of the tiger associated with the gleam of coins. Visual associations like these are very effective with attracting our desires.)
Lastly, as you align yourself with the seasons and cycles of Mother Nature, consider including the five Chinese tigers in your practices.
Chinese symbol meaning of Tiger is as diverse as the noble creature itself. Take the time to learn more about this amazing animal, it will be worth your investment!
The tiger represents passion and sensuality. The sense of touch is heightened with the tiger as a power animal. The tiger also brings forth silent, solitary, power.
Power, devotion, tactful, skillful, expect new adventures, examine what is happening to you in life. Are you expressing your passion appropriately? A new sense of new direction is opening up so expect new adventures on your journey with Tiger. You are awakening to a new passion and power within, self confidence, discernment along with increased healing abilities. Tiger can teach the gentle art of going with the flow with patience and diligence.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
In anthropology, woman corresponds to the passive principle of
nature. She has three basic aspects: first, as a siren, lamia or monstrous being who
enchants, diverts and entices men away from the path of evolution; second, as the
mother, or Magna mater (the motherland, the city or mother-nature) related in
turn to the formless aspect of the waters and of the unconscious; and third, as the
unknown damsel, the beloved or the anima in Jungian psychology. In his Symbols
of Transformation, Jung maintains that the ancients saw Woman as either Eve,
Helen, Sophia or Mary (corresponding to the impulsive, the emotional, the intellectual, and the moral) (33). One of the purest and all-embracing archetypes of
Woman as anima is Beatrice in Dante’s Commedia (32). All allegories based upon
the personification of Woman invariably retain all the implications of the three
basic aspects mentioned above. Of great interest are those symbols in which the
Woman appears in association with the figure of an animal—for example, the
swan-woman in Celtic and Germanic mythology, related to the woman with the
hoof of a goat in Hispanic folklore. In both cases the woman disappears once her
maternal mission has been completed and, similarly, the virgin qua virgin ‘dies’ in order to give way to the matron (31). In iconography it is common to find parts
of the female figure combined with that of a lion. The Egyptian goddess Sekhmet,
characterized by her destructiveness, had the body of a woman and the head (and
therefore the mind) of a lion. Conversely, a figure with a lion’s body and a
woman’s head appears in the Hieroglyphica of Valeriano as an emblem of the
hetaira (39). The inclusion of feminine, morphological elements in the composition of traditional symbols such as the sphinx always alludes to a background of
nature overlaid with the projection of a concept or of an entire complex of cosmic
intuitions. In consequence, the Woman is an archetypal image of great complexity
in which the decisive factor may be the superimposed symbolic aspects—for
example, the superior aspects of Woman as Sophia or Mary determine her function as a personification of science or of supreme virtue; and when presented as
an image of the anima, she is superior to the man because she is a reflection of the
loftiest and purest qualities of the man. In her baser forms as Eve or as Helen—
the instinctive and emotional aspects—Woman is on a lower level than the man.
It is here, perhaps, that she appears at her most characteristic—a temptress, the
Ewig Weibliche, who drags everything down with her, and a symbol comparable
with the volatile principle in alchemy, signifying all that is transitory, inconsistent, unfaithful and dissembling. See also The Loved One and Sophia.
To see a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or your mother. Alternatively, a woman indicates temptation and guilt. If you know the woman, then it may reflect concerns and feelings you have about her.
To see an old woman in your dream, indicates your concerns about aging and growing old. Alternatively, the old woman may be an archetypal figure to symbolize feminine power.
To see a group of women talking in your dream, refers to some gossip.
To see a pregnant women in your dream, symbolizes abundant wealth.
Seeing a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or may also represent your mother. Alternatively, it may indicate temptation and guilt. If you know the woman, then it may symbolize the concerns and feelings you have about her. Seeing an old woman in your dream indicates aging and growing old. Seeing a group of women talking in your dream, refers to some gossip. Seeing a pregnant women in your dream, symbolizes abundant wealth.
A woman or women generally represent intuition, creativity, nurturing, and love. At times they can also represent the negative attributes that are given to women and include physical and emotional weakness, gossip, martyrdom, passivity, moodiness, temptation, and guilt. The content of the dream is to be considered, as well as the emotional tone. If the dream is sexual in nature, look up sex. If the woman in your dream was a stranger and you are a man, she could be symbolic of your feminine side or your attitude about women. If you are a woman, this stranger may be symbolic of different parts of your character or personality. The woman is that force or current inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words.
To see a large, rapidly moving fleet in your dream, signifies a hasty change in the business market.
To see a large fleet moving rapidly in your dreams, denotes a hasty change in the business world. Where dulness oppressed, brisk workings of commercial wheels will go forward and some rumors of foreign wars will be heard.
Seeing a large, rapidly moving fleet in your dream means a hasty change in the business market.
To walk through swampy places in dreams, foretells that you will be the object of adverse circumstances. Your inheritance will be uncertain, and you will undergo keen disappointments in your love matters.
To go through a swamp where you see clear water and green growths, you will take hold on prosperity and singular pleasures, the obtaining of which will be attended with danger and intriguing.
To see a swamp in your dream, symbolizes the repressed and dark aspects of yourself. You may be feeling insecure. The dream may also be a pun on feeling swamped from work, a relationship, or other emotional burden.
To dream that you are walking through a swampy area, foretells that you will find yourself in an adverse situation. You may experience setbacks and disappointments in love. Alternatively, walking through a swamp in your dream, denotes the attainment of prosperity and pleasure through dangerous and underhanded means.
Seeing a swamp in your dream, symbolizes aspects of yourself that are repressed and dark. You may be feeling insecure. The dream may also be a pun on feeling swamped from work, a relationship, or other emotional burden. Dreaming that you are walking through a swampy area, foretells that you will be find yourself in an adverse situation. Disappointments in love may also be implied from this symbol. You will suffer much displeasure from unwise conduct of those around you. On a less negative note, walking through a swamp indicates that you will experience prosperity and pleasure, but through dangerous and intriguing means.
In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’
This indicates birth (of some person).
To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.
If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.
If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.
If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.
To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.
To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.
To sport with water, denotes a sudden awakening to love and passion.
To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.
The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:
``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.
To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.
To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.
To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.
To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.
Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.
Seeing a girl in your dream, represents your playful, innocent, and childlike nature. Perhaps you have been behaving prematurely. Dreaming about a girl that you just met, represents your anxieties and thoughts of whether you had made a good impression on her and what she thought of you. If she told you that she disliked you in the dream, then it may be an excuse for you to dismiss her and not pursue a relationship that is beyond friendship. For a man to dream that he is a girl means that he aspires to be an actor and play female parts.
Dreaming that you die in your dream, symbolizes inner changes, transformation, self-discovery and positive development that is happening within you or in your life. Although such a dreams may bring about feelings of fear and anxiety, it is no cause for alarm and is often considered a positive symbol. Dreams of experiencing your own death usually means that big changes are ahead for you. You are moving on to new beginnings and leaving the past behind. These changes does not necessarily imply a negative turn of events. Metaphorically, dying can be seen as an end or a termination to your old ways and habits. So, dying does not always mean a physical death, but an ending of something.
To dream that you forget your name or someone else's name, suggests that you are feeling overwhelmed and burdened. It may also indicate that you have forgotten your true self or your family roots.
To hear your name being called, indicates that you are in touch and in tune with your spirituality. You need to be more aware of your own uniqueness and your individuality.
To see a familiar name written in your dream, symbolizes the way you feel about that person. Your intuition about them may turn out to be true.
To dream that you changed your name or are referred to by a different name, suggests that you are undergoing some major transformation or metamorphosis in your waking life. You are experiencing a reawakening.
Dreaming that you forget your name or someone else's name, suggests that you be feeling overwhelmed and burdened. It may also indicate that you have forgotten your true self or your family roots. Hearing your name being called indicates that you are in touch and in tune with your spirituality. It also makes you aware of your own uniqueness and highlights your individuality. Seeing a familiar name written in your dream, symbolizes the way you feel about that person. Your intuition about them may turn out to be true.