I am looking through a drawer containing several packages of unopened panty hose. Most of them say 'dark' on the package but I finally find a pair that says 'fair'. I get the sense that I am at my grandma's house. I open the stockings and realize they have a floral pattern in them. I decide to wear them anyway and remember that patterned hose are trendy at the moment. After I put them on I put on knee high socks over them. The knee highs have space print on them in purple, black and pinks. They are actually really cool. Wake.
To dream of stockings, denotes that you will derive pleasure from dissolute companionship.
For a young woman to see her stockings ragged, or worn, foretells that she will be guilty of unwise, if not immoral conduct. To dream that she puts on fancy stockings, she will be fond of the attention of men, and she should be careful to whom she shows preference. If white ones appear to be on her feet, she is threatened with woeful disappointment or illness.
To wear stockings in your dream, represent your sense of understanding. You are well-grounded and supported by those around you. If the stockings are torn or have a run, then it signifies lacking self esteem and reduced self confidence. The dream may also be a pun on the word "stalking". Are you devoting too much attention to someone or something?
To see someone put on stockings, relates to some sexual situation.
To see a Christmas stocking in your dream, symbolizes expectations and a need for recognition and acknowledgement. On the other hand, the dream means that you need to be more giving.
To wear stocking in your dream, represents your sense of understanding. You are well-grounded and have the support of those around you. Seeing some put on stockings, relates to some sexual situation. Seeing a Christmas stocking, symbolizes a need for recognition and acknowledgement. On the other hand you need to be more giving.
To see a hose in your dream, represents renewal, rejuvenation and cleansing. You need to heal those emotional wounds so that you can continue to grow as a person. Alternatively, a hose may be a metaphor for sex and sexual gratification. Or it may be a pun that you are "getting hosed" or blindsided in some situation.
Seeing a hose in your dream, represents renewal, rejuvenation and cleansing. You need to heal those emotional wounds so that you can continue to grow as a person. Alternatively, it may be a metaphor for sex and sexual gratification.
To dream of your knees, symbolize a level of support you may be receiving. You are feeling very emotional. Feelings of inadequacy and issues of power/control also come into play. Perhaps, you are taking on more than you can handle.
To dream that your knees are too large, denotes sudden ill luck for you.
If they are stiff and pain you, swift and fearful calamity awaits you.
For a woman to dream that she has well-formed and smooth knees, predicts she will have many admirers, but none to woo her in wedlock.
If they are soiled, sickness from dissipation is portended. If they are unshapely, unhappy changes in her fortune will displace ardent hopes.
To dream of knees is an unfortunate omen.
Dreaming of your knees, symbolizes a level of support your may be receiving. It also indicates that you are feeling very emotional. Feelings of inadequacy and issues of power/control also come into play. You may have more than you can handle.
To see a pattern in your dream, suggests that your life has become monotonous and repetitious. You need to break free from the routine.
To see or work with a dress pattern in your dream, indicates that you are trying to emulate somebody. The dream may be a metaphor that you are trying to "pattern" yourself after someone you look up to. Or perhaps you are lacking your own identity.
To dream that you are printing something, indicates that you are about to reveal something that you had previously kept to yourself.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
Dreaming that you are only wearing socks indicates your warmth and your flexibility of understanding. You tend to yield to other's wishes. Seeing a single sock in your dream, may be a pun for hitting someone or being hit. Alternatively, you may have been hit with some surprising information or news.
To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.