Dreaming of a bathtub, suggests a need for self-renewal and escape from everyday problems. You need to rid yourself of the burdens that you have been carrying. Alternatively, it indicates your mood for love and pursuit of pleasure and relaxation. Dreaming that you or someone has drowned in a bathtub indicates that you are not as ready as you had thought you were in facing your fears and emotions. You are feeling overwhelmed in confronting your repressed emotions. You need to take things more slowly, instead of trying to dive right in.

In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’

This indicates birth (of some person).

To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.

If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.

If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.

If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.

To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.

To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.

To sport with water, denotes a sudden awakening to love and passion.

To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.

The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:

``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.

To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.

To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.

To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.

To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.

To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.

To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.

Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.

To dream that you are filling something, indicates that you are replenishing your energies. It is symbolic of renewal and revitalization.

The deepest and most ancient meaning of the myth of the giant alludes
to the supposed existence of an immense, primordial being, by whose sacrifice
creation was brought forth. This cosmogonic myth was very common among
primitive and ancient peoples, and it shows how rites involving the sacrifice of
humans are an attempt to revive the initial sacrifice and to resuscitate the cosmic
forces or to reawaken, at least, their favourable proclivities (17). Now, the giant
is, in himself, neither good nor bad, but merely a quantitative amplification of the
ordinary; hence, as the case may be, there are some legendary giants who are
protectors and others who are aggressive. This sense of the giant as ‘that which
surpasses’ human stature (here symbolic of power and strength), is also indicative of the broad significance of the giant. He may be an image of the ‘Terrible
Father’, arising from childhood memories—children see their parents as giants—
or an image of the unconscious, the ‘dark side’ of the personality menacing the
Jungian Selbst (21), etc. It is interesting to note that in folklore the giant is tutelar
in character: he is usually the defender of the common people against the overlord, upholding their liberties and rights. Without generalizing, one implication of
the giant may be said to be the personification of collective Man—as implied in
the maxim ‘united we stand’—or of the life of a community (16). But the general
myth of the giant is far from being confined to this specialized meaning. In nearly
all symbolic traditions, he tends to appear as an outcropping of the marvellous
and the terrible, even though he always has a certain quality of the inferior or the
subordinate about him. The Bible refers to Goliath and to Og, king of Bashan at
the time of the exodus (46). Samson has certain characteristics of the giant. In the
West, Bodo, Rübezahl, Geryon, Gargantua and Hercules are the most significant
in gigantomachy; in Greek tradition, there are the Titans and the Cyclops. Christian tradition has often seen Satan as a giant (50). The tragic hero is intimately
linked with the giant, although, at times, in inverse relation as his adversary (60).
Frazer describes the numerous cases in which giant figures in wood or wickerwork were set fire to during midsummer festivals, comparable with the Valencian
fallas (or bonfires). The ancients would fill these figures with animals and even
live men, who were burnt with the effigy. They were considered as representatives of the spirit of vegetation, or of the god sacrificed to the world—which
brings us back once again to our cosmogonic interpretation. The giant may be a
symbol of ‘everlasting rebellion’, of the forces of dissatisfaction which grow
within Man and determine his history and his destiny; it may, that is to say, be a
symbol of the Universal Man (Adam Kadmon, 21). Now, according to Jungian 119 GOG AND MAGOG
psychology, the giant’s essence—or his appearance, rather—seems to correspond to the father-symbol, representing the spirit that withstands the instincts,
or as the guardian of the treasure (that is, the mother—the unconscious), in which
case it is identical with the dragon-symbol. Reviewing all this, Jung quotes the
example of Humbaba, the guardian of the garden of Ishtar in the Gilgamesh epic
(31).

To see a giant in your dream, indicates a great struggle between you and your opponents. You are trying to overcome an overwhelming obstacle. Alternatively, a giant symbolizes an issue, a person or a feeling that is dominating you. You are having an inferiority complex.

To dream that you turn into a giant, indicates feelings of inferiority.

To dream of a giant appearing suddenly before you, denotes that there will be a great struggle between you and your opponents. If the giant succeeds in stopping your journey, you will be overcome by your enemy. If he runs from you, prosperity and good health will be yours.

Great difficulty to be encountered. But meet it with boldness. Then it will vanish.
This indicates that you will have an enemy of the most dreadful character.

Seeing a giant in your dream means of a great struggle between you and your opponents. This may prove to be a major and overwhelming obstacle for you to overcome. Alternatively, a giant may be symbolic of an issue or feeling that is dominating you. Dreaming that you turn into a giant indicates feelings of inferiority.

To dream that you are hot, signifies passion and heated emotions. It may reflect a situation that is potentially dangerous or a relationship where you are getting burned. Alternatively, the dream may represent a person who is great looking or perhaps you are lusting after someone. On the other hand, you may be feeling beautiful.

Dreaming that you are hot means passion and emotion. You are lusting after someone. It may also reflect a situation that is potentially dangerous. The dream may also represent a person who is great looking. Perhaps you are feeling beautiful.

To see the press in your dream, suggests that there is a messages that you need to convey and get across to others. You need to pay more attention to the outside world and not be so self-absorbed. Alternatively, the dream may be a pun on some "pressing" issue that needs your immediate attention.

To dream that the press is chasing you, indicates your lack of privacy. You may feel that someone or some situation is invading into your space.

Seeing the press in your dream, suggests that there is a messages that you need to convey and get across to others. You need to pay more attention to the outside world and not be so self-absorbed. Dreaming that the press is chasing you indicates your lack of privacy. You may feel that someone or some situation is invading into your space.

To see a drain in your dream, signifies your need to release and channel your emotions. You should not keep your feelings inside. Consider the condition and appearance of the drain for clues on how you are feeling. Alternatively, it may represent some wasted effort or loss. The dream may also be a pun on something or someone that is "draining" you of your energy or resources.

To dream that you are unclogging the drain, indicates that you need to remove some obstacle or blockage that is hindering your progress.

Seeing a drain in your dream means your need to release and channel your emotions. You should not kept you feeling inside. Alternatively, it may represent a wasted effort or loss. Consider the dream to also be a pun on something that may be draining you of your energy.

Its significance is diverse, depending upon which of its different characteristics is taken as fundamental. In the Egyptian system of hieroglyphs, the
wall is a determinative sign conveying the idea of ‘rising above the common level’
(19); clearly the predominant sense here is that of its height. A wall enclosing a
space is the ‘wall of lamentations’, symbolic of the sensation of the world as a
‘cavern’—of the doctrine of immanentism or the metaphysical notion of the
impossibility of reaching the outside. It expresses the ideas of impotence, delay,
resistance, or a limiting situation. Now, the wall seen from within as an enclosure
has a secondary implication of protection which, according to its function and the
attitude of the individual, may even be taken as its principal meaning. Psychoanalysts frequently regard it in this light and hence have classified it as a mothersymbol, comparable with the town and the house or home (56). Bayley sums up the two essential features of the wall as follows: Like the house, it is a mystic
symbol representing the feminine element of mankind. This enables us to understand the (otherwise absurd) assertion of the Shulamite in the Song of Songs: ‘I
am a wall’. At the same time, this image has another term of comparison, that of
matter as opposed to spirit (4). It should be noted that the symbolism in the latter
case remains unchanged, since matter corresponds to the passive or feminine
principle, and spirit to the active or masculine.