Mystics have always traditionally considered the feminine aspect of
the universe as a chest, a house or a wall, as well as an enclosed garden. Another
symbolic association is that which equates the house (and the above, related
forms) with the repository of all wisdom, that is, tradition itself (4). In architectural symbolism, on the other hand, the house carries not only an overall symbolism but also particular associations attached to each of its component parts.
Nevertheless, the house as a home arouses strong, spontaneous associations with
the human body and human thought (or life, in other words), as has been confirmed empirically by psychoanalysts. Ania Teillard explains this by pointing
out that, in dreams, we employ the image of the house as a representation of the
different layers of the psyche. The outside of the house signifies the outward
appearance of Man: his personality or his mask. The various floors are related to
the vertical and spatial symbols. The roof and upper floor correspond to the head
and the mind, as well as to the conscious exercise of self-control. Similarly, the
basement corresponds to the unconscious and the instincts (just as sewers do, in
symbols pertaining to the city). The kitchen, since this is where foodstuff is
transformed, sometimes signifies the place or the moment of psychic transmutation in the alchemical sense. The intercommunicating rooms speak for themselves. The stairs are the link between the various planes of the psyche, but their
particular significance depends upon whether they are seen as ascending or descending. Finally, there is, as we have said, the association of the house with the
human body, especially regarding its openings, as was well understood by
Artemidorus Daldianus (56).

To see a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. To dream that a house has no walls, represents a lack of privacy. You feel that everyone is looking over your shoulder or up in your business.

To dream that you are cleaning your house, signifies your need to clear out your thoughts and get rid of old ways. You are seeking self-improvement.

If you live with others in your waking life, but dream that you are living alone, suggests that you need to take new steps toward independence. You need to accept responsibilities and be more self-reliant.

To see an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. To dream that your house is damaged, indicates your waking concerns about the condition of your house.

To see a new house in your dream, indicates that you are entering into a new phase or new area in your life. You are becoming more emotionally mature. If you are locked out of the house, then it represents rejection and insecurity. You feel you are being left behind.

To dream that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied.

To dream of a haunted house, signifies unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings.

To dream that a house has disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.

To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.

To dream of building a house, you will make wise changes in your present affairs.

To dream that you own an elegant house, denotes that you will soon leave your home for a better, and fortune will be kind to you.

Old and dilapidated houses, denote failure in business or any effort, and declining health.

Seeing a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. Dreaming that you are cleaning your house means your need to clear out your thoughts and getting rid of old ways. You are seeking self-improvement. Seeing an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. Dreaming that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied. Dreaming of a haunted house means unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings. Dreaming that a house disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.

It is common to dream about houses. They usually symbolise our emotional and psychological selves. All of your experiences, stages of development, and parts of your conscious and unconscious life may be represented by that house. The house may be representing issues concerning a particular dilemma in your life, or it may be more general and comprehensive. Either way, if you pay attention to the details in this dream, you may learn a thing or two about yourself.

In the Egyptian tongue, the term designating the hand was related to
that for the pillar (or a support, or strength) and for the palm (4). In esoteric
doctrine, the position of the hand in relation to the body, and the arrangement of
the fingers, convey certain precise symbolic notions (48). According to the Egyptian system of hieroglyphs, the hand signifies manifestation, action, donating and
husbandry. An eye in association with a hand—as for example in some oriental
mythic beings—symbolize ‘clairvoyant action’ (19). Schneider concedes a major
rôle to the hand ‘because it is the corporeal manifestation of the inner state of the
human being’ and because ‘it expresses an attitude of mind in terms other than the
acoustic’—or, in other words, a gesture. It follows, then, that the raised hand is
the symbol of the voice and of song; the hand placed on the breast indicates the
attitude of the sage; placed on the neck it denotes sacrifice; two hands joined
signifies mystic marriage—the Jungian individuation; the hand covering the eyes
represents clairvoyance at the moment of death (50). Of great importance is the
fact that the hand has five fingers, firstly, because of its broad analogy with the
human figure (composed of four extremities plus the head), and, secondly, by
reason of the symbolism of the number five (denoting love, health and humanity)
(40). In Egyptian hieroglyphics, the open hand signifies any specificially human
task as well as magnetic force (19)—an idea also characteristic of pre-Columbian
America. And a very similar belief lies behind the widespread use of the hand as
an amulet in Islamic cultures. According to Berber thought, the hand signifies
protection, authority, power and strength; the manus had the same meaning for
the Romans, symbolizing in particular the authority of the pater familias and of
the emperor, and is sometimes to be seen surmounting the signum of the legions
in place of the imperial eagle. In the Islamic amulets mentioned above, the figure
of the hand undergoes various modifications or appears in association with other
symbols, as, for instance, the star, the dove, the bird, the fan, the zigzag and the
circle, forming emblems comparable with those of the Christian West (12). The
familiar emblem of the ‘linked hands’ is expressive of a virile fraternity, or solidarity in the face of danger (49). In Jung’s opinion, the hand is endowed with a generative significance (31). The difference between the right hand and the left is
usually ignored, but when the distinction is made it appears merely to serve the
purpose of enriching the basic significance with the additional implications of
space-symbolism, the right side corresponding to the rational, the conscious, the
logical and the virile; the left side representing the converse (33). There are alchemic images which represent a King clasping in his own left hand the left hand
of the Queen. Jung suggests that this may refer to the unconscious character of
their union but that it may also be indicative either of affection or of suspicion
(33).

To dream of your hands, represent your relationships with those around you and how you connect with the world. Hands serve as a form of communication and can represent authority, hate, protection, justice, etc depending on the gesture. Perhaps you need to lend a helping hand to someone. In particular, the left hand symbolizes your graciousness and your feminine, receptive qualities, while the right hand symbolizes the masculine and active attributes. The right hand may also be a pun for some decision or something being "right". If you dream that your hands are detached or see disembodied hands, then it indicates that you are not getting your point of view across. You are not being understood. The dream may also symbolize feelings of loneliness.

To dream that you are holding hands with someone, represents love, affection and your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart.

To dream that you hands are injured, denote an attack on your ego.

To dream that your hands are clasped or closed, signify unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help.

To dream that you have unusually large hands, denote success in achieving your goals.

To dream that your hands are hairy or rough, imply your lack of gentleness in dealing with others. You may be too brash and abrasive.

To see blood on your hands, signifies that you are experiencing some sort of guilt.

To dream that you are washing your hands, represent a worrisome issue that you need to work through. Alternatively, it suggests that you are in denial or no longer taking responsibility of some matter. You are letting go and getting things out of your system.

To dream that your hands are itchy, indicate issues with money. If the left hand is itchy, then it signifies money being received. If the right hand or both hands are itchy, then it signifies money being given or lost.

If you see beautiful hands in your dream, you will enjoy great distinction, and rise rapidly in your calling; but ugly and malformed hands point to disappointments and poverty. To see blood on them, denotes estrangement and unjust censure from members of your family.

If you have an injured hand, some person will succeed to what you are striving most to obtain.

To see a detached hand, indicates a solitary life, that is, people will fail to understand your views and feelings. To burn your hands, you will overreach the bounds of reason in your struggles for wealth and fame, and lose thereby.

To see your hands covered with hair, denotes that you will not become a solid and leading factor in your circle.

To see your hands enlarged, denotes a quick advancement in your affairs.
To see them smaller, the reverse is predicted.
To see your hands soiled, denotes that you will be envious and unjust to others.

To wash your hands, you will participate in some joyous festivity.

For a woman to admire her own hands, is proof that she will win and hold the sincere regard of the man she prizes above all others.

To admire the hands of others, she will be subjected to the whims of a jealous man. To have a man hold her hands, she will be enticed into illicit engagements. If she lets others kiss her hands, she will have gossips busy with her reputation. To handle fire without burning her hands, she will rise to high rank and commanding positions.

To dream that your hands are tied, denotes that you will be involved in difficulties. In loosening them, you will force others to submit to your dictations.

Dreaming of your hands, represents your relationship to those around you and how you connect with the world. Hands serve as a form of communication. Perhaps you need to lend out a helping hand to someone. In particular, the left hand symbolizes your graciousness and feminine, receptive qualities. And the right hand symbolizes masculine, active attributes. It may also be a pun for some decision or something being "right". Dreaming that you are holding hands with someone, represents your connection with that person. Your dream may also reflect anxieties about losing touch with him/her or that you are drifting apart. Dreaming that you hands are injured indicates an attack on your ego. Dreaming that your hands are clasped or closed means unity, completeness, acceptance or agreement. On a more negative note, it may suggest that you are close-minded, ungiving or unwilling to help. Dreaming that you have unusually large hands indicates much success in achieving your goals. Dreaming that your hands are hairy or rough, implies your lack of gentleness in dealing with others. You may be too brash and abrasive. Seeing blood on your hands means that you are experiencing some sort of guilt. Dreaming that you are washing your hands, represents a worrisome issue that you need to work through. Alternatively, it suggests that you are no longer taking responsibilities in some matter. You are letting go and getting things out of your system.

The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).

To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.

To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.

To dream of hearing harmonious music, omens pleasure and prosperity.

Discordant music foretells troubles with unruly children, and unhappiness in the household.

To see or dream that you are on a couch, represents rest, relaxation, laziness or boredom. It may also mean you need to clear you mind and thoughts. Consider also who is on the couch with you as the dream may also have sexual connotations.

To dream of reclining on a couch, indicates that false hopes will be entertained. You should be alert to every change of your affairs, for only in this way will your hopes be realized.

Seeing a couch in your dream means need for rest and mental cleansing.

Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.

To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.

If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.

To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.

To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.

For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.

Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.

All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.

To dream of pups, denotes that you will entertain the innocent and hapless, and thereby enjoy pleasure. The dream also shows that friendships will grow stronger, and fortune will increase if the pups are healthful and well formed, and vice versa if they are lean and filthy.

A feminine symbol (32) which, notwithstanding, contains all the implications of the symbolic hole, since it is the door which gives access to the hole; its
significance is therefore the antithesis of the wall. There is the same relationship
between the temple-door and the altar as between the circumference and the
centre: even though in each case the two component elements are the farthest
apart, they are nonetheless, in a way, the closest since the one determines and
reflects the other. This is well illustrated in the architectural ornamentation of
cathedrals, where the façade is nearly always treated as if it were an altar-piece.

To dream that you are entering through a door, signifies new opportunities that are presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside, signifies your need to be more accessible to others, whereas a door that opens into the inside, denotes your desire for inner exploration and self-discovery.

To see an opened door in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind the door, suggests that you are moving toward greater enlightenment/spirituality.

To dream that the door is closed or locked, signifies opportunities that are denied and not available to you or that you have missed out on. Something or someone is blocking your progress. It also symbolizes the ending of a phase or project. In particular, if you are outside the locked door, then it suggests that you have anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned.

To dream that you are locking the door, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. If someone slams the door in your face, then it indicates that you are feeling shut out or some activity or that you are being ignored.

To see revolving doors in your dream, suggests that you are literally moving in circles and going nowhere. You may feel that your opportunities and choices lead to a dead end.

To dream of entering a door, denotes slander, and enemies from whom you are trying in vain to escape. This is the same of any door, except the door of your childhood home. If it is this door you dream of entering, your days will be filled with plenty and congeniality.

To dream of entering a door at night through the rain, denotes, to women, unpardonable escapades; to a man, it is significant of a drawing on his resources by unwarranted vice, and also foretells assignations.

To see others go through a doorway, denotes unsuccessful attempts to get your affairs into a paying condition. It also means changes to farmers and the political world. To an author, it foretells that the reading public will reprove his way of stating facts by refusing to read his later works.

To dream that you attempt to close a door, and it falls from its hinges, injuring some one, denotes that malignant evil threatens your friend through your unintentionally wrong advice. If you see another attempt to lock a door, and it falls from its hinges, you will have knowledge of some friend's misfortune and be powerless to aid him.

Dreaming that you are entering through a door means new opportunities that will be presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside means your need to be more accessible to others, whereas a door that opens into the inside indicates your desire for inner exploration and self-discovery. Seeing opened doors in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind it suggests that you are moving toward greater enlightenment/spirituality. Dreaming that the doors are locked means opportunities that are denied and not available to you or that you have missed out on. In particular, if you are outside the locked door, then it suggests that you are having some anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned. Dreaming that you are locking doors, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. Seeing revolving doors in your dream, suggests that you are literally moving in circles and going no where. You may feel that your opportunities and choices lead to a dead end.

Doors are passageways and in our dreams that is their symbolism. Going through a door may represent going from one state of consciousness to another, or from one inner plane to another. Locked or closed doors may represent an obstacle or opportunities that are not currently available to you. Many doors may represent your current choices.