I remember the feeling I had inside when I finally saw you..
When I looked into your eyes and I saw you,
It was like 'oh my god,'
something clicked inside me.
in my head, and in my body
and in my spirit...^.^
Everything just synced up
at that moment
and you become a part of me.
becoming giant one energy,
big and snugly like a bear, hah!
I love you everyday
and, I loved you before I loved you.
Without even knowing you existed in this reality...
As the days go by, I only feel more in love with you.
our love force is infinite and everlasting
love is always,
your truest thoughts,
and your nearest feeling of hearts longing
you are my angel and I love you more than I think is possible
you are torture cause you are so good
and I am a sap for romance in this case
I have fallen completely, totally, so totally over myself in love with us,
in love with you,
and I will be here or there to care for you,
and always supporting you,
I have only respect for who you are,
you are a fucking goddess
my vision is imaging
the blissful release
in your space and
in your arms
to be together
is where its at ;-)
so good $$$$$
we are yummy
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream that you are in the future, signifies your hopes or your fears of how things will turn out. You are feeling apprehensive about the future.
To dream of the future, is a prognostic of careful reckoning and avoiding of detrimental extravagance.
Dreaming that you are in the future means your hopes or your fears of how things will turn out depending on the scenario.
To dream that you are dreaming, signifies your emotional state. You are excessively worried and fearful about a situation or circumstance that you are going through.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.