At first, i felt nothing. As i wandered back over to the Psy Stage, i saw my friend looking for me. We went inside the tent and had a good dance around for at least 40 minutes. I was busy prancing around when suddenly i noticed my friend had gone. I looked around for her but couldn't see her anywhere. I decided to go and wait outside for her, but as i left the tent, the fresh, evening air hit me and a rush of happiness melted into my body. I felt so amazing. I was filled with so much love. I really needed to tell someone how i felt, so i ended up ringing my friend back home to share my joy! After a good while blabbering on the phone, my lost friend suddenly ran over to me and asked where i'd been. We went and had another dance but soon she said she was feeling rather sleepy and wanted to go back to our tent. Unfortunately, i couldn't manage to follow her. As i made steps towards the gate, the ground began to feel like Marshmallows! I couldn't stop bouncing and floating around! I was now on my own, in a muddy field in Somerset, surrounded by lots of hippies and various sets of music pumping in my ears. One sound caught my attention though and it was coming from the Gaia Chill Stage. As i floated over, i suddenly got sucked in to the music. Entheogenic was playing live and i've never heard anything quite so beautiful. WHAT WAS THIS PARADISE?! I stood in front of the stage for quite some time, soaking up the rays of music. Feeling every beat sink deep into my veins. It was the most wonderful feeling i've ever encountered. I closed my eyes and let the music guide me. I felt at peace. After a while, i pottered outside to see what was going on. The word LOVE was made out of giant pieces of wood dotted across the field. I perched on the letter 'L' and gazed up at the night sky. The moon looked so magnificent. As i was staring vigorously at it's beauty, i noticed something out of the corner of my eye. I glanced to the side and was suddenly in awe when i saw the clouds around it moving in a kaleidoscopic fashion. What was going on?! Why doesn't the sky always look this insane? Still sat on the 'L' being mesmerised by the skye patterns, i was suddenly snapped out of focus when someone walked past me and mumbled something in my ear. I turned around to face him and he pointed back at the Gaia Chill Stage. So, off i floated back inside. This time was much more different. I felt like i was in a strange circus. There were withered faeries floating past me and people dressed as strange white rabbits swaying in front of the stage. People huddle up in couples on the floor half asleep and strange, trippy music coming from the walls. Where was i? Walking out of the tent i got a whiff of Chai tea, it actually put a smile on my face even though i had no money to buy one. Everything felt so nice. Seen as the sun had began to rise now, i decided to stumble back to the tent. However, on my way back, i bumped into a friend i had made earlier in the night. He called me over to the place where he was sat (around a camp fire with a small group of hippies). I pulled up a seat next to him and huddled around the fire with everyone else. Everything looked quite spacey. After a few minutes of being there, one lady offered me a brew. At the time i thought it was the best thing ever. Just what i needed to perk me up. I could feel all the good energy coming from the people around the fire. A real sense of unity. Now the sun was up, we all decided to try and get some shut eye in preparation for the following night.
I can truly say it was a 'surreal' experience and i loved every second of it.
Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.
To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.
To see a couple in love or expressing love to each other, indicates success ahead for you.
To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.
To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
To dream of loving any object, denotes satisfaction with your present environments.
To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.
For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.
To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.
The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.
Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.
The symbolism of the moon is wide in scope and very complex. The
power of this satellite was noted by Cicero, when he observed that ‘Every month
the moon completes the same trajectory executed by the sun in a year. . . . It
contributes in large measure to the maturation of shrubs and the growth of animals.’ This helps to explain the important rôle of the lunar goddesses such as
Ishtar, Hathor, Anaitis, Artemis. Man, from the earliest times, has been aware of
the relationship between the moon and the tides, and of the more mysterious
connexion between the lunar cycle and the physiological cycle of woman. Krappe
believes—with Darwin—that this follows from the fact that animal life originated in the watery deeps and that this origin imparted a rhythm to life which has
lasted for millions of years. As he observes, the moon thus becomes the ‘Master
of women’. Another essential fact in the ‘psychology of the moon’ is the apparent changes in its surface that accompany its periodic phases. He postulates that
these phases—especially in their negative sense of partial and gradual disappearance—may have been the source of inspiration for the Dismemberment myth
(Zagreus, Pentheus, Orpheus, Actaeon, and Osiris for example). The same might be said of the myths and legends of the ‘spinners’ (35). When patriarchy superseded matriarchy, a feminine character came to be attributed to the moon and a
masculine to the sun. The hieros gamos, generally understood as the marriage of
heaven and earth, may also be taken as the union of the sun and the moon. It is
generally conceded nowadays that the lunar rhythms were utilized before the
solar rhythms as measures of time, and there is also a possible equation with the
resurrection—spring follows upon winter, flowers appear after the frost, the sun
rises again after the gloom of night, and the crescent moon grows out of the ‘new
moon’. Eliade points to the connexion between these cosmic events and the myth
of the periodic creation and recreation of the universe (17). The regulating function of the moon can also be seen in the distribution of the waters and the rains,
and hence it made an early appearance as the mediator between earth and heaven.
The moon not only measures and determines terrestrial phases but also unifies
them through its activity: it unifies, that is, the waters and rain, the fecundity of
women and of animals, and the fertility of vegetation. But above all it is the being
which does not keep its identity but suffers ‘painful’ modifications to its shape
as a clear and entirely visible circle. These phases are analogous to the seasons of
the year and to the ages in the span of man’s life, and are the reasons for the
affinity of the moon with the biological order of things, since it is also subject to
the laws of change, growth (from youth to maturity) and decline (from maturity
to old age). This accounts for the mythic belief that the moon’s invisible phase
corresponds to death in man, and, in consequence, the idea that the dead go to the
moon (and return from it—according to those traditions which accept reincarnation). ‘Death’, observes Eliade, ‘is not therefore an extinction, but a temporal
modification of the plan of life. For three nights the moon disappears from
heaven, but on the fourth day it is reborn. . . . The idea of the journey to the moon
after death is one which has been preserved in the more advanced cultures (in
Greece, India and Iran). Pythagorean thought imparted a fresh impulse to astral
theology: the “Islands of the Blessed” and all mythic geography came to be
projected on to celestial planes—the sun, the moon, the Milky Way. It is not
difficult to find, in these later formulas, the traditional themes of the moon as the
Land of the Dead or as the regenerating receptacle of souls. (But) . . . lunar space
was no more than one stage in the ascension; there were others: the sun, the
Milky Way, the “supreme circle”. This is the reason why the moon presides over
the formation of organisms, and also over their decomposition (as the colour
green). Its destiny consists of reabsorbing forms and of recreating them. Only
that which is beyond the moon, or above it, can transcend becoming. Hence, for Plutarch, the souls of the just are purified in the moon, whilst their bodies return
to earth and their spirit to the sun.’ The lunar condition, then, is equivalent to the
human condition. Our Lady is depicted above the moon, thereby denoting that
eternity is above the mutable and transitory (17). René Guénon has confirmed
that, in ‘the sphere of the moon’, forms are dissolved, so that the superior states
are severed from the inferior; hence the dual rôle of the moon as Diana and
Hecate—the celestial and the infernal. Diana or Jana is the feminine form of Janus
(26, 17). Within the cosmic order, the moon is regarded as a duplication of the
sun, but in diminished form, for, if the latter brings life to the entire planetary
system, the moon influences only our own planet. Because of its passive character—in that it receives its light from the sun—it is equated with the symbolism of
the number two and with the passive or feminine principle. It is also related to the
Egg of the World, the matrix and the casket (9). The metal corresponding to the
moon is silver (57). It is regarded as the guide to the occult side of nature, as
opposed to the sun which is responsible for the life of the manifest world and for
fiery activity. In alchemy, the moon represents the volatile (or mutable) and
feminine principle, and also multiplicity because of the fragmentary nature of its
phases. These two ideas have sometimes been confused, giving rise to literal
interpretations which fall into the trap of superstition. The Greenlanders, for
example, believe that all celestial bodies were at one time human beings, but the
moon in particular they accuse of inciting their women to orgies and for this
reason they are not permitted to contemplate it for long (8). In pre-Islamic
Arabia, as in other Semitic cultures, the cult of the moon prevailed over sunworship. Mohammed forbade the use of any metal in amulets except silver (39).
Another significant aspect of the moon concerns its close association with the
night (maternal, enveloping, unconscious and ambivalent because it is both protective and dangerous) and the pale quality of its light only half-illuminating
objects. Because of this, the moon is associated with the imagination and the
fancy as the intermediary realm between the self-denial of the spiritual life and
the blazing sun of intuition. Schneider has drawn attention to a highly interesting
morphological point with his observation that the progressive change in the
shape of the moon—from disk-shape to a thin thread of light—seems to have
given birth to a mystic theory of forms which has influenced, for example, the
manner of constructing musical instruments (51). At the same time, Stuchen,
Hommel and Dornseif have demonstrated the influence of the lunar shapes upon
the characters of the Hebrew and Arabic alphabets, in addition to their profound
effect upon the morphology of instruments. Eliade quotes Hentze’s comment to the effect that all dualisms find in the moon’s phases, if not their historical cause,
at least a mythic and a symbolic model. ‘The nether world—the world of darkness—is represented by a dying moon (horns=quarter moon; the sign of a double
volute=two quarter moons facing in opposite directions; two quarters superimposed back to back = lunar change representing a decrepit, bony old man). The
upper world—the world of life and of the nascent sun—is symbolized by a tiger
(the monster of darkness and of the new moon) with the human being, represented by a child, emerging from its jaws’ (17). Animals regarded as lunar are
those which alternate between appearance and disappearance, like the amphibians; examples are the snail which leaves its shell and returns to it; or the bear
which vanishes in winter and reappears in spring, and so on. Lunar objects may
be taken as those of a passive or reflecting character, like the mirror; or those
which can alter their surface-area, like the fan. An interesting point to note is that
both objects are feminine in character.
To see the moon in your dream, represents some hidden, mysterious aspect of yourself. It is often associated with the feminine mystique and intuition. Alternatively, the moon signifies your changing moods.
To see the eclipse of the moon in your dream, signifies that your feminine side is being overshadowed. Or it may mean that some hidden aspect of yourself is coming to the surface.
To see the crescent moon in your dream, indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path. A full moon signifies completion and wholeness, while a new moon symbolizes new beginnings.
To dream of seeing the moon with the aspect of the heavens remaining normal, prognosticates success in love and business affairs.
A weird and uncanny moon, denotes unpropitious lovemaking, domestic infelicities and disappointing enterprises of a business character.
The moon in eclipse, denotes that contagion will ravage your community.
To see the new moon, denotes an increase in wealth and congenial partners in marriage.
For a young woman to dream that she appeals to the moon to know her fate, denotes that she will soon be rewarded with marriage to the one of her choice. If she sees two moons, she will lose her lover by being mercenary. If she sees the moon grow dim, she will let the supreme happiness of her life slip for want of womanly tact.
To see a blood red moon, indicates war and strife, and she will see her lover march away in defence of his country.
Seeing the moon in your your dream, represents something hidden, mystery and the feminine aspect of your self. In particular, a full moon means completion, whereas a new moon symbolizes new beginnings. Dreaming that the moon in odd in any way means infidelity of your lover and disappointments in business. Seeing the eclipse of the moon in your dream means that your feminine side is being overshadowed. It also foretells of illness of someone near you. Seeing the crescent moon in your dream indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path.
The Moon is an interesting symbol that signifies feminine energy; it is associated with the irrational and the intuitive. The Moon affects the ocean tides, and it has been linked to madness. As a dream symbol is can represent all of these things and more. As always, pay attention to the details in the dream before making conclusions. The moon could represent romance and our earthly impulses and passions. It could reveal things about the nature of soul and the unconscious. The Moon can also reflect inner peace and feelings of serenity and security.
Often associated with the destination or repository for souls after death. The gods adn goddesses of the underworld, the realm of the dead, are often lunar deities. The association of the moon with death and rebirth is due to it's waxing and waning: every 28 days, teh moon "dies" and is "re-born". The ancient Greeks believed the moon to be a midway point for souls traveling from Earth to Heaven or visa versa. The souls of the newly dead first went to the moon where their astral bodies were cleansed before continuing on to Heaven. According to the Upanishads, the sacred Hindu texts, the souls of unenlightened people go to the moon after death where they await reincarnation. Enlightened souls who have been liberated from reincarnation go to the Sun.
Astrological Sign: Pisces.
Positive associations with this tarot card:
imagination, unexpected possibilities, illumination.
Negative associations with this tarot card:
fear, confusion, highly charged emotions, bewilderment, lies, deceit.
When The Moon appears you can be sure it will be a time of highly charged emotions and confusion .
Despite any fear you may have, the wan light of The Moon will illuminate the way, and even if the path you are on is tough, all will turn out right in the end.
Upright and in a favourable position in a reading this card is a good omen if you are involved in a clandestine affair, otherwise it may signify that your secret may be exposed.
The Moon can lead to artistic expression through art, writing or music, which may lead to unexpected opportunities.
Negatively this card stands for lack of progress because of deep rooted fears and anxieties. It tells of failure of nerve, it also warns of lies and deceit - perhaps this is the cause of your worries.
To see a kaleidoscope in your dream, symbolizes the different fragments and facets that make up character. Various aspects of your life are coming together. Alternatively a kaleidoscope foretells of difficulties in achieving your goals and choosing your path in life.
Kaleidoscopes working before you in a dream, portend swift changes with little of favorable promise in them.
Seeing a kaleidoscope in your dream means diversity and fragments or various aspects that is coming together. It also foretells that you will have difficulties in choosing a career path.
To dream that you are energetic, symbolizes growth, activity, expansion and insight. You need to channel your energy in a positive way.
The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).
To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.
To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.
To dream of hearing harmonious music, omens pleasure and prosperity.
Discordant music foretells troubles with unruly children, and unhappiness in the household.
In the Egyptian system of hieroglyphs this is a determinative sign
relating to that division of the soul which is known as ‘body of glory’ and which
surrounds the spirit like a tent (19). Deriving from this hieroglyph is the broad
symbolic meaning of the tent as something which ‘envelops’. In our view, this
symbolism is closely connected with the symbolisms of weaving and of clothes.
For the Greeks, the physical world—and space itself—were ‘the vestments of
the gods’, or, in other words, comparable with the tent as something which
envelops and hides them from sight. To tear aside the temple-veil, or to rend one’s
garments, represents a desperate attempt to achieve, by force of analogy, the
tearing aside of the veil that enshrouds the mystery of the other world. Berthelot
suggests two other symbolic meanings of the tent: one related to its function as a
nomadic dwelling, and the other arising from the mystic significance of the desert
To dream of being in a tent, foretells a change in your affairs.
To see a number of tents, denotes journeys with unpleasant companions.
If the tents are torn or otherwise dilapidated, there will be trouble for you.
To dream that you are in a tent, indicates that you need a temporary change to your daily routine. You need to take time off and get away from the daily grind. Alternatively, the dream may mean instability and insecurity in your current situation. You do not want to settle down. Dreaming that you are in a tent, may be a pun on your "in-tent" or intentions.
Dreaming that you are in a tent means of a refreshing, but temporary change in your daily routine. It may also mean instability and insecurity in your current situation. Seeing a torn tent in your dream indicates trouble for you. Seeing a bunch of tents in your dream means that you will go on a journey with unpleasant companions.
Dreaming that you are on a stage, represents your behavior, manipulation of and relationships with others. It is telling of your interactions with society. There is a saying that goes, "All the world is your stage" and thus may refer to your desire to be the center of attention. Consider how your stage performance parallels a waking situation. Dreaming that you are on a side stage, reflects your introverted personality. This dream may indicate your need to be more confident and self-assured.
To see friends in your dream, signify aspects of your personality that you have rejected, but are ready to incorporate and acknowledge. The relationships you have with those around you are important in learning about yourself. Alternatively, dreaming of a friend, indicates positive news.
To see your childhood friend in your dream, signifies regression into your past where you had no responsibilities. Things were much simpler and carefree. You may be wanting to escape the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend suggests that you have been acting in a childish manner. You need to start acting like an adult.
To dream that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
To dream of friends being well and happy, denotes pleasant tidings of them, or you will soon see them or some of their relatives.
To see your friend troubled and haggard, sickness or distress is upon them.
To see your friends dark-colored, denotes unusual sickness or trouble to you or to them. To see them take the form of animals, signifies that enemies will separate you from your closest relations.
To see your friend who dresses in somber colors in flaming red, foretells that unpleasant things will transpire, causing you anxiety if not loss, and that friends will be implicated.
To dream you see a friend standing like a statue on a hill, denotes you will advance beyond present pursuits, but will retain former impressions of justice and knowledge, seeking these through every change. If the figure below be low, you will ignore your friends of former days in your future advancement. If it is on a plane or level with you, you will fail in your ambition to reach other spheres. If you seem to be going from it, you will force yourself to seek a change in spite of friendly ties or self-admonition.
To dream you see a friend with a white cloth tied over his face, denotes that you will be injured by some person who will endeavor to keep up friendly relations with you.
To dream that you are shaking hands with a person who has wronged you, and he is taking his departure and looks sad, foretells you will have differences with a close friend and alienation will perhaps follow. You are most assuredly nearing loss of some character.
Seeing your friends in your dream means aspects of your personality that you have rejected, but are ready to integrate these rejected part of yourself. The relationships you have with those around you are important in learning about yourself. Additionally, this symbol foretells of happy tidings from them and the arrival of good news. Seeing your childhood friend in your dream means regression into your past where you had no responsibilities and things were much simpler and carefree. You may be wanting to escape the the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend may be suggesting that you have been acting in a childish manner and you need to start acting like an adult. Dreaming that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
Night is related to the passive principle, the feminine and the unconscious. Hesiod gave it the name of ‘mother of the gods’, for the Greeks believed
that night and darkness preceded the creation of all things (8). Hence, night—like
water—is expressive of fertility, potentiality and germination (17); for it is an
anticipatory state in that, though not yet day, it is the promise of daylight. Within
the tradition of symbology it has the same significance as death and the colour
To have a dream that takes place at night, represents some major setbacks and obstacles in achieving your goals. You are being faced with an issue that is not so clear cut. Perhaps, you should put the issues aside so you can clear your head and come back to it later. Alternatively, night may be synonymous with death, rebirth, reflection, and new beginnings.
If you are surrounded by night in your dreams, you may expect unusual oppression and hardships in business. If the night seems to be vanishing, conditions which hitherto seemed unfavorable will now grow bright, and affairs will assume prosperous phases.
Dreaming of night means some major setbacks and obstacles in achieving your goals. You may find that some issues you are facing are not all that clear and you need to put them to rest for awhile before a decision is made.
To dream that you are in a strange place, represents change in your life. Consider how you feel about the surrounding. If you are afraid or lost, then it indicates that you are not ready for the change. You are not ready to leave the past behind. If you are excited or happy in this unknown place, then it suggests that you are ready for change.
To see people you know in your dream, signifies qualities and feelings of them that you desire for yourself. If these people are from your past, then the dream refers to your shadow and other unacknowledged aspects of yourself. It may represent a waking situation that is bringing out similar feelings from your past relationships.
To see people you don't know in your dream, denotes hidden aspects of yourself that you need to confront or acknowledge.
Seeing people you know in your dream means qualities and feelings of those people that you desire for yourself. Seeing people you don't know in your dream indicates hidden aspects of yourself that you need to confront. Seeing people from your past in your dream, refers to your shadow and other unacknowledged aspects of yourself. It can represent a waking situation that is bringing out similar feelings as your past relationships.
The Chinese, in their solar rites, utilize a tablet of red jade, which they
call Chang; it symbolizes the Element of fire (39). In Egyptian hieroglyphics, fire
is also related to the solar-symbolism of the flame, and associated in particular
with the concepts of life and health (deriving from the idea of body-heat). It is
also allied with the concept of superiority and control (19), showing that the
symbol had by this time developed into an expression of spiritual energy. The
alchemists retained in particular the Heraclitean notion of fire as ‘the agent of
transmutation’, since all things derive from, and return to, fire. It is the seed which
is reproduced in each successive life (and is thereby linked with the libido and
fecundity) (57). In this sense as a mediator between forms which vanish and
forms in creation, fire is, like water, a symbol of transformation and regeneration.
For most primitives, fire was a demiurge emanating from the sun, whose earthly
representative it was; hence it is related on the one hand with the ray of light and
the lightning (35), and, on the other, with gold. Frazer lists many rites in which
torches, bonfires, burning embers and even ashes are considered capable of stimulating the growth of the cornfields and the well-being of man and of animals.
However, anthropological research has furnished two explanations of the firefestival (as it persists today in the Valencian bonfires on the night of St. John,
fireworks and the illuminated Christmas tree): on the one hand, there is the
opinion of Wilhelm Mannhardt, to the effect that it is imitative magic purporting
to assure the supply of light and heat from the sun, and, on the other, the view of
Eugene Mogk and Edward Westermarck that it has as its aim the purification or
destruction of the forces of evil (21); however, these two hypotheses are not opposing but complementary. The triumphant power and the vitality of the
sun—by analogy, the spirit of the shining Origin—is tantamount to victory over
the power of evil (the forces of darkness); purification is the necessary sacrificial
means of achieving the sun’s triumph. Marius Schneider, however, distinguishes
between two kinds of fire, depending upon their direction (or their function): fire
as in the axis fire-earth (representing eroticism, solar heat and physical energy),
and fire of the axis fire-air (linked with mysticism, purification or sublimation,
and spiritual energy). There is an exact parallel here with the ambivalent symbolism of the sword (denoting both physical destruction and determination of spirit)
(50). Fire, in consequence, is an image of energy which may be found at the level
of animal passion as well as on the plane of spiritual strength (56). The Heraclitean
idea of fire as the agent of destruction and regeneration is reproduced in the Indian
Puranas and in the Apocalypse (27). Gaston Bachelard recalls the alchemists’
concept of fire as ‘an Element which operates in the centre of all things’, as a
unifying and stabilizing factor. Paracelsus demonstrated the parallel between fire
and life, pointing out that both must feed upon other lives in order to keep alive.
To steal fire like Prometheus, or to give oneself up to fire like Empedocles, are
two concepts which point to the basic dualism of the human predicament. The
middle way lies in the comfortable solution of simply making material use of the
benefits of fire. But fire is ultra-life. It embraces both good (vital heat) and bad
(destruction and conflagration). It implies the desire to annihilate time and to
bring all things to their end. Fire is the archetypal image of phenomena in themselves (1). To pass through fire is symbolic of transcending the human condition,
according to Eliade in Myths, Dreams and Mysteries (London, 1960).
Depending on the context of your dream, to see fire in your dream can symbolize destruction, passion, desire, illumination, purification, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering into your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, then it is a metaphor of your own internal fire and inner transformation. The dream may be a metaphor for someone who is "fiery". It represents your drive, motivation, and creative energy. Alternatively, the dream may be warning you of your dangerous or risky activities. You are literally "playing with fire".
To dream that you are being burned by fire, indicates that your temper is getting out of control. Some issue or situation is burning you up inside.
To dream that a house is on fire, indicates that you need to undergo some transformation. If you have recurring dreams of your family house on fire, then it suggests that you are still not ready for the change or that you are fighting against the change. Alternatively, it highlights passion and the love of those around you.
To dream that you put out a fire, signifies that you will overcome your obstacles in your life through much work and effort. If you are setting a fire to something or even to yourself, then it indicates that you are undergoing some great distress. You are at the brink of desperation and want to destroy something or some aspect of yourself.
Fire is favorable to the dreamer if he does not get burned. It brings continued prosperity to seamen and voyagers, as well as to those on land.
To dream of seeing your home burning, denotes a loving companion, obedient children, and careful servants.
For a business man to dream that his store is burning, and he is looking on, foretells a great rush in business and profitable results.
To dream that he is fighting fire and does not get burned, denotes that he will be much worked and worried as to the conduct of his business. To see the ruins of his store after a fire, forebodes ill luck. He will be almost ready to give up the effort of amassing a handsome fortune and a brilliant business record as useless, but some unforeseen good fortune will bear him up again.
If you dream of kindling a fire, you may expect many pleasant surprises.
You will have distant friends to visit.
To see a large conflagration, denotes to sailors a profitable and safe voyage. To men of literary affairs, advancement and honors; to business people, unlimited success.
Health and great happiness, kind relations and warm friends.
Depending on the context of your dream, to see fire in your dream can symbolizes destruction, passion, desire, illumination, transformation, enlightenment, or anger. It may suggest that something old is passing and something new is entering your life. Your thoughts and views are changing. In particular, if the fire is under control or contained in one area, it is a metaphor of your own internal fire and inner transformation. It also represents your drive and motivation. Dreaming of that you are being burned by fire indicates that your temper is getting out of control. Some issue or situation is burning you up inside. Dreaming that a house is on fire means passion and loving companions. Dreaming that you put out a fire means that you will overcome your obstacles in your life through much work and effort.
This is a very complex symbol that can have both negative and positive connotations. When interpreting this dream, you need to consider all of its details and your emotional responses in the dream. Fire can be a deeply spiritual symbol representing transformation and enlightenment. On the other hand, it could represent danger, anger, passion, pain or fear. A warm fireplace can symbolize happiness and security. Is the fire in your dream destroying something or simply warming you? Are you currently engaging in negative behaviors, or are you knowingly making wrong (or destructive) choices? Are you putting out fires in your dream? Your unconscious mind may be warning you and at the same time encouraging you to alter those things in your life that may be hurtful and dangerous.