11/24/11 - I'm lying down by a creek in the woods with M and Jared. I think I'm trying to roll a cigarette. The light is incredibly beautiful streaming through the golden leaves. Everything is calm. Then all of a sudden I see a big snake in a tree across the creek, and then I see that it has two heads! I recall a dream (within the dream) that I had recently of this same thing, and I get really freaked out. It moves to quickly and begins to come closer. I run to a nearby tree and begin to climb up to escape, but it gets there too quickly. I'm not sure if it attacks or what happens.
Seeing a snake or be bitten by one in your dream means hidden fears and worries that are threatening you. Your dream may be alerting you to something in your waking life that you are not aware of or that has not yet surfaced. The snake may also be seen as phallic and thus symbolize dangerous and forbidden sexuality. The snake may also refer to a person around you who is callous, ruthless, and can't be trusted. As a positive symbol, snakes represent transformation, knowledge and wisdom. It is indicative of self-renewal and positive changes.
In some cultures snakes are highly regarded and symbolise the ability to transcend into higher levels of consciousness or into areas of knowledge that exist outside perceived time and space. In the pre-Christian days, snakes were considered symbols of fertility, healing, and nurturing (the healing serpent representing a god). Post Eden, snakes are often considered symbols of temptation and evil, anger, and envy. Snakes emerging out of the ground may represent your unconscious or repressed materials coming to your conscious mind. Most snake dreams seem to be disturbing and they leave the dreamer feeling anxious and afraid. There are no simple interpretations to the snake dreams. Sometimes snakes may be phallic symbols and other times they represent negativity in our lives that hampers our progress and constantly threatens us. In the long run the snake may be a positive symbol; it may represent difficulties that lead us to the centre of personality and result in feelings of completeness.
Snake symbolic meaning, overwhelmingly and in various cultures, deals with primordial life force and usually turns our attention to gender supremacy (both male and female).
Consequently, snakes span the symbolic bridge between lunar and solar associations as well as aspects between water and fire.
Coiled within this polarity, we clearly see symbolism of duality and the search for balance. Other snake symbolic meaning includes:
Cycles
Rebirth
Patience
Fertility
Eternity
Balance
Cunning
Intuition
Awareness
Healing
Intellect
Protection
Solemnity
Rejuvenation
Transformation
Occult (hidden) Knowledge
Male/Female, Yin-Yang, Duality
As a Native American Indian symbol (depending on the nation/tribe) the snake can be a masculine symbol, associated with the phallus of lightning which is considered a medicine staff of tremendous assertive power. Other tribes lean in the direction of feminine attribution for the snake and pair it with mothering (creation), and lunar (moon) symbolism.
Whether raising itself in masculine authority, or encircling the Earth in a motherly fashion – the snake symbol of the Native American’s was highly regarded; utilized in ritual to invoke an element of pointed focus and weighty influence.
The ancient Celts were extremely nature-wise too, and approached snake symbolism from the behavior and life cycle of this magnificent creature. From the Celtic perspective, the snake was a symbol of secret knowledge, cunning and transformation.
Further, the snake Celtic symbol comes from observations of the European viper (also known as the adder) which is the only (along with the common grass snake) species able to tolerate the colder climate of the ancient Celts.
In the keen Celtic mind, snake symbolic meaning of transformation came from the shedding of its skin. Physical evidence of leaving its form behind (casting off the old self), and emerging a sleeker, newer version made the snake a powerful symbol of rebirth and renewal.
As far as the occult (hidden) symbolic meaning in Celtic and other cultures, this can be connected to the sleuth-like ways of the snake.
Disappearing in colder months and summoned by the sun marks the snake’s connection to the shadow worlds with its successful ability to live within the dark realms for extended periods of time. Alternatively, the snake softly moves into the embrace of the sun, and so it encapsulates the ancient magician's creed of moving in perfect rhythm of natural forces.
In Eastern Indian myth the Sanskrit word for snake is naga and these are associated with the element of water. Picking up water’s symbolism of emotion, love and motion, nagas in this light are considered a feminine aspect and embody nurturing, benevolent, wise qualities.
To wit, the practice of nagayuna in Eastern Indian alchemy seeks to achieve loving harmony between the physical and ethereal. Simply put, all of us striving to better ourselves by calmly easing into places of personal balance within the cosmic balance of the whole are practicing this ancient technique.
Snake tattoo symbolism varies according to the bearer of the mark. For example, I have a back piece depicting two serpents (nagas) wrapped around the seven prime chakras down the length of my spine. This (to me) incorporates the kundalini power available to all humans.
Additionally, this entwined snake imagery hearkens to the caduceus, in which the staves of Asclepius are made of two polar (and copulating) serpents which symbolizes balance, equanimity, union and regeneration.
Double snakes are common in almost all cultural symbolic languages. Ultimately the double snake is an icon representing:
Connection between primal forces
Integration of opposites
Advanced communication
Joining together on a divine level
Making whole what was once fragmented and doing so in a magical, organic way.
Snake Double HelixCarrying this dual snake imagery a step further, we could look to the language of science. Observe the formation of DNA and how it forms a perfect, serpentine double helix (shown left). This prompts us to consider how the energetic mind is connected to the grander whole, and how it so effortlessly makes graceful connections between the basic building blocks of data with the manifestations of the natural world.
There is no doubt, the snake is a unifying force embodying infinite messages to those who are energetically available to perceive them. Alchemists understood this, and thus incorporated the philosophy of snakes in their grimoires, practices, and even their daily life.
Indeed, alchemy literature is rife with the image of the uroboros which is symbolic of conceptualizing totality – embracing the whole of consciousness and devouring it with unquenchable passion.
As an animal totem, the snake surfaces into our awareness with all the power of the symbolic attributes listed on this page (and more). Those who are drawn to the snake (and vice versa) are gifted at perceiving life through an uncommon lens. Other characteristics of those who are connected to snake energy include:
A natural ability to balance energies (you’re likely a gifted healer)
Diplomatic and eloquent in areas of speech and writing
Dynamically intuitive (often knowing other’s thoughts and emotional states without trying)
Impulsive, but not without careful consideration – this may sound paradoxical, but those with the snake totem know what I mean here.
I invite you to step into the calming energy of the snake, and see what this noble creature offers you in the form of messages, growth, and enlightenment.
Further, it should be understood this page is but a miniscule sampling of the diverse snake symbolic meaning s available to us. Therefore, I encourage you to slither into your own personal ruminations, research and meditation of the snake.
You will find your investment to be infinitely rewarding.
By shedding its skin, the snake symbolizes change in the cycle of birth, life, death, and rebirth. It counts among its strengths the power of creation, of se xuality, of the soul, as well as of transformation and immortality. Snake-people are higher cast, because as part of their experiences they have had to come into contact with poison (physical or mental) and have been able to transform the poison in their bodies into something harmless. The snake belongs to the element of fire, which causes desire and passion in the physical realm and, in the spiritual realm, creates a connection with the Great Spirit and leads to all-encompassing wisdom. Whenever the snake appears in your dreams, it is a sign of change as you come ever closer to perfection.
This animal gives you the ability to let go of things that are worn out and no longer useful - just like the snake sheds it skin when it is no longer needed.
Rebirth, wisdom, fluidity, wholeness, transmutations, sexuality, look for transitions, changes and new opportunities. Creative forces are awakening with heightened intuition. Snake can teach about shedding what is not needed; perceptions, attitudes, ideals. Snake shows how to access vitality, ambitions and dreams along with intellect and personal power. What things are surfacing that you need to strike out and take advantage of? Perhaps a time to rest and reflect? Listen to your intuition and visions at this time. Contemplate the colors, striking ability and activity of the snake type to further understand what snake is saying.
To see a creek in your dream, represents personal energy flow and steady emotional release. Alternatively, the dream may indicate that you are in trouble or danger. Consider the saying to be "up a creek without a paddle."
To see a dried up creek, indicates that you are being cut off from your spiritual being and being out of touch with yourself. You may also feel physically or emotionally drained.
To dream of a creek, denotes new experiences and short journeys.
If it is overflowing, you will have sharp trouble, but of brief period.
If it is dry, disappointment will be felt by you, and you will see another obtain the things you intrigued to secure.
Seeing a creek in your dream, represents your own personal energy flow and steady emotional release. Seeing a dried up creek indicates that you are being cut off from your spiritual being and being out of touch with yourself. You may also feel physically or emotionally drained.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
Dreaming that you are dreaming means your emotional state. You are excessively worried and fearful about a situation or circumstance that you are going through.