In Egyptian hieroglyphs, the symbol for water is a wavy line with
small sharp crests, representing the water’s surface. The same sign, when tripled,
symbolizes a volume of water, that is, the primaeval ocean and prime matter.
According to hermetic tradition, the god Nu was the substance from which the
gods of the first ennead emerged (19). The Chinese consider water as the specific
abode of the dragon, because all life comes from the waters (13). In the Vedas,
water is referred to as mâtritamâh (the most maternal) because, in the beginning,
everything was like a sea without light. In India, this element is generally regarded
as the preserver of life, circulating throughout the whole of nature, in the form of
rain, sap, milk and blood. Limitless and immortal, the waters are the beginning and
the end of all things on earth (60). Although water is, in appearance, formless,
ancient cultures made a distinction between ‘upper waters’ and ‘lower waters’.
The former correspond to the potential or what is still possible, the latter to what
is actual or already created (26). In a general sense, the concept of ‘water’ stands,
of course, for all liquid matter. Moreover, the primaeval waters, the image of
prime matter, also contained all solid bodies before they acquired form and rigidity. For this reason, the alchemists gave the name of ‘water’ to quicksilver in its
first stage of transmutation and, by analogy, also to the ‘fluid body’ of Man (57).
This ‘fluid body’ is interpreted by modern psychology as a symbol of the unconscious, that is, of the non-formal, dynamic, motivating, female side of the personality. The projection of the mother-imago into the waters endows them with
various numinous properties characteristic of the mother (31). A secondary meaning of this symbolism is found in the identification of water with intuitive wisdom. In the cosmogony of the Mesopotamian peoples, the abyss of water was
regarded as a symbol of the unfathomable, impersonal Wisdom. An ancient Irish
god was called Domnu, which means ‘marine depth’. In prehistoric times the
word for abyss seems to have been used exclusively to denote that which was
unfathomable and mysterious (4). The waters, in short, symbolize the universal
congress of potentialities, the fons et origo, which precedes all form and all
creation. Immersion in water signifies a return to the preformal state, with a sense
of death and annihilation on the one hand, but of rebirth and regeneration on the
other, since immersion intensifies the life-force. The symbolism of baptism,
which is closely linked to that of water, has been expounded by St. John
Chrysostom (Homil. in Joh., XXV, 2): ‘It represents death and interment, life and
resurrection. . . . When we plunge our head beneath water, as in a sepulchre, the
old man becomes completely immersed and buried. When we leave the water, the
new man suddenly appears’ (18). The ambiguity of this quotation is only on the
surface: in this particular aspect of the general symbolism of water, death affects
only Man-in-nature while the rebirth is that of spiritual man. On the cosmic level,
the equivalent of immersion is the flood, which causes all forms to dissolve and
return to a fluid state, thus liberating the elements which will later be recombined
in new cosmic patterns. The qualities of transparency and depth, often associated with water, go far towards explaining the veneration of the ancients for this
element which, like earth, was a female principle. The Babylonians called it ‘the
home of wisdom’. Oannes, the mythical being who brings culture to mankind, is
portrayed as half man and half fish (17). Moreover, in dreams, birth is usually
expressed through water-imagery (v. Freud, Introduction to Psycho-Analysis).
The expressions ‘risen from the waves’ and ‘saved from the waters’ symbolize
fertility, and are metaphorical images of childbirth. On the other hand, water is, of
all the elements, the most clearly transitional, between fire and air (the ethereal
elements) and earth (the solid element). By analogy, water stands as a mediator
between life and death, with a two-way positive and negative flow of creation and
destruction. The Charon and Ophelia myths symbolize the last voyage. Death
was the first mariner. ‘Transparent depth’, apart from other meanings, stands in
particular for the communicating link between the surface and the abyss. It can
therefore be said that water conjoins these two images (2). Gaston Bachelard
points to many different characteristics of water, and derives from them many
secondary symbolic meanings which enrich the fundamental meaning we have described. These secondary meanings are not so much a set of strict symbols, as
a kind of language expressing the transmutations of this ever-flowing element.
Bachelard enumerates clear water, spring water, running water, stagnant water,
dead water, fresh and salt water, reflecting water, purifying water, deep water,
stormy water. Whether we take water as a symbol of the collective or of the
personal unconscious, or else as an element of mediation and dissolution, it is
obvious that this symbolism is an expression of the vital potential of the psyche,
of the struggles of the psychic depths to find a way of formulating a clear message
comprehensible to the consciousness. On the other hand, secondary symbolisms
are derived from associated objects such as water-containers, and also from the
ways in which water is used: ablutions, baths, holy water, etc. There is also a
very important spatial symbolism connected with the ‘level’ of the waters, denoting a correlation between actual physical level and absolute moral level. It is
for this reason that the Buddha, in his Assapuram sermon, was able to regard the
mountain-lake—whose transparent waters reveal, at the bottom, sand, shells,
snails and fishes—as the path of redemption. This lake obviously corresponds to
a fundamental aspect of the ‘Upper Waters’. Clouds are another aspect of the
‘Upper Waters’. In Le Transformationi of Ludovico Dolce, we find a mystic
figure looking into the unruffled surface of a pond, in contrast with the accursed
hunter, always in restless pursuit of his prey, implying the symbolic contrast
between contemplative activity—the sattva state of Yoga—and blind outward
activity—the rajas state. Finally, the upper and lower waters communicate reciprocally through the process of rain (involution) and evaporation (evolution).
Here, fire intervenes to modify water: the sun (spirit) causes sea water to evaporate (i.e. it sublimates life). Water is condensed in clouds and returns to earth in
the form of life-giving rain, which is invested with twofold virtues: it is water, and
it comes from heaven (15). Lao-Tse paid considerable attention to this cyclic
process of meteorology, which is at one and the same time physical and spiritual,
observing that: ‘Water never rests, neither by day nor by night. When flowing
above, it causes rain and dew. When flowing below, it forms streams and rivers.
Water is outstanding in doing good. If a dam is raised against it, it stops. If way is
made for it, it flows along that path. Hence it is said that it does not struggle. And
yet it has no equal in destroying that which is strong and hard’ (13). When water
stands revealed in its destructive aspects, in the course of cataclysmic events, its
symbolism does not change, but is merely subordinated to the dominant symbolism of the storm. Similarly, in those contexts where the flowing nature of water is
emphasized, as in the contention of Heraclitus that ‘You cannot step twice into
the same river; for fresh waters are ever flowing in upon you.’ Here the reference is not to water-symbolism as such, but to the idea of the irreversible flow along a
given path. To quote Evola, in La tradizione ermetica: ‘Without divine water,
nothing exists, according to Zosimus. On the other hand, among the symbols of
the female principle are included those which figure as origins of the waters
(mother, life), such as: Mother Earth, Mother of the Waters, Stone, Cave, House
of the Mother, Night, House of Depth, House of Force, House of Wisdom,
Forest, etc. One should not be misled by the word “divine”. Water symbolizes
terrestrial and natural life, never metaphysical life.’

This indicates birth (of some person).

To dream of clear water, foretells that you will joyfully realize prosperity and pleasure.

If the water is muddy, you will be in danger and gloom will occupy Pleasure's seat.

If you see it rise up in your house, denotes that you will struggle to resist evil, but unless you see it subside, you will succumb to dangerous influences.

If you find yourself baling it out, but with feet growing wet, foreshadows trouble, sickness, and misery will work you a hard task, but you will forestall them by your watchfulness. The same may be applied to muddy water rising in vessels.

To fall into muddy water, is a sign that you will make many bitter mistakes, and will suffer poignant grief therefrom.

To drink muddy water, portends sickness, but drinking it clear and refreshing brings favorable consummation of fair hopes.

To sport with water, denotes a sudden awakening to love and passion.

To have it sprayed on your head, denotes that your passionate awakening to love will meet reciprocal consummation.

The following dream and its allegorical occurrence in actual life is related by a young woman student of dreams:

``Without knowing how, I was (in my dream) on a boat, I waded through clear blue water to a wharfboat, which I found to be snow white, but rough and splintry. The next evening I had a delightful male caller, but he remained beyond the time prescribed by mothers and I was severely censured for it.'' The blue water and fairy white boat were the disappointing prospects in the symbol.

To see water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. To dream that water is boiling, suggests that you are expressing some emotional turmoil. Feelings from your unconscious are surfacing and ready to be acknowledged. You need to let out some steam.

To see calm, clear water in your dream, means that you are in tune with your spirituality. It denotes serenity, peace of mind, and rejuvenation.

To see muddy or dirty water in your dream, indicates that you are wallowing in your negative emotions. You may need to take some time to cleanse your mind and find internal peace. Alternatively, the dream suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions.

To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.

To hear running water in your dream, denotes meditation and reflection. You are reflecting on your thoughts and emotions.

To dream that you are walking on water, indicates that you have total control over your emotions. It also suggests that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, the dream is symbolic of faith in yourself.

Seeing water in your dream, symbolizes your unconscious and your emotional state of mind. Water is the living essence of the psyche and the flow of life energy. It is also symbolic of spirituality, knowledge, healing and refreshment. Seeing calm, clear water in your dream means that you are in tune with your spirituality. It indicates serenity, peace of mind, and rejuvenation. Seeing muddy or dirty water in your dream indicates that you are wallowing in your negative emotions. You may need to devote some time to clarify your mind and find internal peace. Alternatively, it suggests that your thinking/judgment is unclear and clouded. If you are immersed in muddy water, then it indicates that you are in over your head in a situation and are overwhelmed by your emotions. Dreaming that water is rising up in your house means your struggles and overwhelming emotions. Hearing running water in your dream indicates meditation, reflection and pondering of your thoughts and emotions. Dreaming that you are walking on water, suggests that you have supreme and ultimate control over your emotions. It may also suggest that you need to "stay on top" of your emotions and not let them explode out of hand. Alternatively, it is symbolic of faith in yourself.

Astrological Sign: Taurus.
Positive associations with this tarot card:
advice, wise counsel, spiritual consolation, knowledge, identification, faith, conformity, tradition.
Negative associations with this tarot card:
misinformation, lack of faith, deviousness, bad advice, confusion, disorderly conduct.
The Hierophant is a symbol of moral law, a wise and capable advisor, a practical instructor and spiritual guide.
He also represents the more conventional, tried and tested traditional values, therefore advising on more conventional thinking rather than novel approaches.
The Hierophant may actually represent a teacher, priest or advisor but is more likely to symbolise moral lessons to be learned from events.
This card can be an indicator of marriage or a desire for marriage, as well as point to legal resonsibilities and official documents.
Negatively The Hierophant can symbolize feeling stifled by others wanting you to conform to their expectations rather than being yourself, and not wanting to take more traditional options. however there is an upside to this negative aspect of the card that can mean making your own rules.
Another negative aspect of this card is that he can represent confusion, a crisis of faith or self belief that results in disorderly conduct.

To dream that you are at a park, represents a temporary escape from reality. It indicates renewal, meditation, and spirituality. You may be undergoing a readjustment period after experiencing some serious personal conflict or an end to a passionate affair.

To dream that you are lost in a park, indicates your struggles with your career, relationship, or other problem. You may feel alienated by society.

To dream that you are parking your car, represents your desire to settle down. Alternatively, it means that you feel accomplished in your goals and satisfied with your life. If you have difficulty parking the car, then it means that you are in some sort of a rut. You are feeling restless. Perhaps you wished you had taken a different path in your life.

To dream that you parked your car in a non-parking zone, suggests that you are poking your head in places where you do not belong. If you forgot where you parked, then it indicates that you have lost your direction in life. You are going off track.

To dream of walking through a well-kept park, denotes enjoyable leisure.
If you walk with your lover, you will be comfortably and happily married.
Ill-kept parks, devoid of green grasses and foliage, is ominous
of unexpected reverses.

Dreaming that you are at a park, represents a temporary escape from reality. It indicates renewal, meditation, and spirituality. It is also an indication of a readjustment period after a serious personal conflict or an ending of a passionate affair. Dreaming that you are lost in a park indicates your struggles with your career, relationship, or other problem. You may feel alienated by society. Dreaming that you parked your car in a non-parking zone,

To dream of talking, denotes that you will soon hear of the sickness of relatives, and there will be worries in your affairs.

To hear others talking loudly, foretells that you will be accused of interfering in the affairs of others. To think they are talking about you, denotes that you are menaced with illness and disfavor.

To dream that you are talking does not have any significance unless it is unusual or bizarre. What are you saying specifically. Consider also if what you say evoke strong feelings or behavioral reactions. The dream may simply be highlighting your need improve your communication skills or learn to express yourself more clearly.

Dreaming that you are talking does not have any significance unless it is unusual or bizarre. Consider also if what you say evoke strong feelings or behavioral reactions. Hearing others talking loudly in your dream means that you will be accused of not minding your own business and butting into everybody else's affairs.

Dreaming that someone or something is smaller than usual, represents feelings of insignificance, helplessness and unworthiness. Alternatively, you may be literally trying to "knock" this person down to size. Perhaps it suggests that you or someone in your life has an inflated ego and need to be taught a lesson. Dreaming that you are small and everyone is normal sized, suggests that you are suffering from low self-esteem and/or a sense of helplessness. Perhaps you are being overlooked.

To dream of swimming, is an augury of success if you find no discomfort in the act. If you feel yourself going down, much dissatisfaction will present itself to you.

For a young woman to dream that she is swimming with a girl friend who is an artist in swimming, foretells that she will be loved for her charming disposition, and her little love affairs will be condoned by her friends.

To swim under water, foretells struggles and anxieties.

To dream that you are swimming, suggests that you are exploring aspects of your unconscious mind and emotions. The dream may be a sign that you are seeking some sort of emotional support. It is a common dream image for people going through therapy.

To dream that you are swimming underwater, suggests that you are completely submerged in your own feelings. You are forcing yourself to deal with your unconscious emotions.

Dreaming that you are swimming, suggests that you are exploring aspects of your unconscious mind and emotions. The dream may be a sign that you are seeking some sort of emotional support. It is a common dream image for people going through therapy. Dreaming that you are swimming underwater, suggests that you are completely submerged in your own feelings. You are forcing yourself to deal with your emotional difficulties.

If you are swimming in your dream you are most likely swimming through the ocean of your unconscious and through the sea of your emotions. The ease with which you are doing this activity will give you clues as to how well you are navigating through those very complex parts of yourself. Are you out of your depth or winning a race?

A symbol of individuality—of private thoughts. The windows symbolize the possibility of understanding and of passing through to the external and
the beyond, and are also an illustration of any idea of communication. Hence, a
closed room lacking windows may be symbolic of virginity, according to Frazer,
and also of other kinds of non-communication. Many rites involving the
enclosureimage are performed to mark the reaching of puberty, all over the world.
The legend about Danae, shut up by her father in a bronze tower, pertains to this
particular symbolism. There is a Siberian legend concerning a ‘dark house of iron’
which is also relevant to it (21). We might also mention the ‘vase with a lid’, one
of the eight emblems of good luck in Chinese Buddhism, and a symbol of wholeness, of the idea with no ‘exit’, or, in other words, of supreme intelligence triumphant over birth and death (signified respectively by the doors and windows of
the room) (5). This explains why the hermetically sealed room may possibly be
a variant form of the ‘vase with a lid’.

To dream that you are in a room, represents a particular aspect of yourself or a specific relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. If the room is welcoming or comfortable, then it signifies opulence and satisfaction in life. If you see a dark or confined room, then it denotes that you feel trapped or repressed in a situation.

To dream that you find or discover a new room, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Consider what you find in the discovered room as it may indicate repressed memories, fears, or rejected emotions. Alternatively, such rooms are symbolic of neglected skills or rejected potential.

To dream that you are in an empty white room, indicates a fresh start. It is like a blank canvas where you want to start life anew. Alternatively, the dream means that you are trying to isolate yourself. You do not want any outside influences.

To dream of a yellow room, suggests that you need to use your mind. You are feeling stimulated mentally.

Dreaming that you are in a room, represents a particular aspect of yourself or a particular relationship. Dreams about various rooms often relate to hidden areas of the conscious mind and different aspects of your personality. Dreaming that you find or discover new rooms, suggests that you are developing new strengths and taking on new roles. You may be growing emotionally. Seeing an appealing or comfortable room in your dream means opulence and satisfaction in life. Seeing a dark, eerie or confining room indicates that that you feel trapped or repressed in a situation.

The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.

The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.

Dreaming that you are standing, suggests that you are asserting yourself and making your thoughts/feelings known. It also indicates that you are proud of yourself.