To see your own family in your dream, represents security, warmth and love. It could also symbolize bitterness, jealousy, or rivalry, depending on your relationship with your family. Alternatively, it could mean that you are overly dependent on your family, especially if the family members are in your recurring dreams .Consider also the significance of a particular family member or the relationship you have with them.

To dream of one's family as harmonious and happy, is significant of health and easy circumstances; but if there is sickness or contentions, it forebodes gloom and disappointment.

Seeing your own family in high spirits in your dream, symbolizes harmony and happiness. Seeing them gloomy, foretells of disappointment and sadness.

The first people in your life with whom you have any social interaction are the members of your family. Therefore, a dream about a family member can represent any waking life social situation. For example, if you are arguing with your mother or father in a dream, you may be having a problem with another authority figure, such as an employer, in your waking life. If you dream that an older sibling is teaching you how to do something, you may be hoping that you will receive assistance with something from someone else in your waking life.

A family can also represent security and community.

The meaning of a dream about family will largely depend upon your personal experiences with your own family members.

To dream of seeing your soul leaving your body, signifies you are in danger of sacrificing yourself to useless designs, which will dwarf your sense of honor and cause you to become mercenary and uncharitable.

For an artist to see his soul in another, foretells he will gain distinction if he applies himself to his work and leaves off sentimental ro^les.

To imagine another's soul is in you, denotes you will derive solace and benefit from some stranger who is yet to come into your life.

For a young woman musician to dream that she sees another young woman on the stage clothed in sheer robes, and imagining it is her own soul in the other person, denotes she will be outrivaled in some great undertaking.

To dream that you are discussing the immortality of your soul, denotes you will improve opportunities which will aid you in gaining desired knowledge and pleasure of intercourse with intellectual peo

Dreaming that you have a lack of soul or no soul, suggests that you are feeling spiritually lost. You need to find yourself and what will make you feel whole as a person. Dreaming that your soul is leaving your body, represents your feelings of self-guilt. You may have compromised your own beliefs and values. Perhaps you are feeling numb or out of touch with those around you. You need to change some vital part of your waking life in order to feel fully alive and whole again.

The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).

To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.

To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.

To dream of hearing harmonious music, omens pleasure and prosperity.

Discordant music foretells troubles with unruly children, and unhappiness in the household.

To hear something or someone loud in your dream, indicates that there is something in your waking life that is in need of your attention. Alternatively, the loudness in your dream may be a way for you to divert attention from something else. You are hiding from something.

Colors in dreams represent energy, emotions, and vibes. First consider what that single color in your dream means to you and your own personal associations and relationship with that color. In general, pale pastel colors indicate weakness or subtlety. Dark colors represent passion and intensity. Bright colors mean awareness.

To dream in color and then dream in black and white, suggests that you are starting to look at a situation from a more objective perspective instead of from an emotional standpoint. You are subconsciously reacting to events in the dream.

Colors in dreams represent energy, emotions, and vibes. First consider what that single color in your dream means to you and your own personal associations and relationship with that color. Dreaming in color and then dream in black and white, suggests that you are starting to look at a situation from a more objective perspective instead of from an emotional standpoint. You are subconsciously reacting to events in the dream.

Most people dream in colors, but at times some stand out more than others. Colors are symbolic and their symbolism is part of culture. We communicate with color and relate ideas with them. For example, a bride wears white and black is worn at funerals. Colors also represent energy. The meaning that you give to the colors in your dreams depends on the meaning that you give to those colors in daily life. If you "see red" when you are angry, then red symbolizes anger and not passion for you.