This seemed to be a game but I could not tell... My brother and I were playing this game. The whole setup was this: when I would talk to my brother/take focus off the game for a second... The game would become like a 3d floating hologram in front of us and how to get back into the game, you had to focus on your character and then you were in 1st person game play. It was interesting.
There were strange creatures in it like from the 'spore' game and there were also apes as well. I kept calling the spore creatures, dinosaurs. The environment was floating trees constructed by crystal looking DNA and the skies were pink and orange.
In the game play, I was near the base of a tree with an ape and a dinosaur/spore creature. The ape tried holding the spore creature's mouth open but nothing would happen. I grabbed one of these strange spore creatures running by and opened its mouth. This odd worm-like creature that made funny noises grew out. The longer I would hold the mouth open another would grow. By the 3rd one, it shot up out of the mouth and transformed into hexagonal silk netting. The netting kept flinging up on the tree. Then the apes would climb up it. The apes were so happy and the spore creatures.
My uncle Doug stopped to ask me, what is the game about? I told him it had something to do with the tree of life and human DNA. My brother stops playing and says No! "It's to just get the monkeys to the tops of the trees."
To dream that you are hunting, shooting at, or killing game, refers to the game of life. It also represents your ability to keep your animalistic nature in check and in control.
To dream of game, either shooting or killing or by other means, denotes fortunate undertakings; but selfish motions; if you fail to take game on a hunt, it denotes bad management and loss.
Dreaming that you are hunting, shooting at, or killing game, refers to the game of life. It also represents your ability to keep your animalistic nature in check and in control.
To dream that you are playing games means relaxation or competition. It may also represent the rules you play by.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
To dream about DNA, suggests that you need to focus your energy. Carefully plot out your goals so you can move ahead in life. Learn from the negativity that you have experienced. DNA symbolizes life, humanity and science. The dream may also represent the initials "D" and "A". Consider who or what in your life has these initials.
Dreaming about DNA, suggests that you need to focus and carefully plot out everything in order to move ahead in life. Learn from the negativity that you have experienced. The dream may also represent the initials "D" and "A". Consider who or what in your life has these initials.
In the symbolism pertaining to the body, the most elementary association is the one between the organ or member and its function. It is, then, selfevident that, in Egyptian hieroglyphs, the mouth should stand for the power of
speech and hence for the creative word. In this sense it stands for the pristine
emanation of creative power. Very closely connected with this hieroglyph is
another showing a mouth with a solar disk inside. This disk, primarily standing
for the sun, is connected, but not identical, with the eye. (In hieroglyphs which
are coloured, the eye is wholly blue, while the sign under discussion consists of a
blue mouth with a little red circle inside) (19). Guénon supports this interpretation of the sign (29), pointing to the example of the Mândûkya Upanishad where,
apropos the state of deep sleep, the mouth is said to represent integral consciousness (26). In the Old Testament, the concepts of mouth and fire are frequently
associated; epithets such as ‘devouring’ or ‘consuming’, frequently applied to the
latter, are descriptive of the functions of the former. Hence the fire-breathing
animals of legend. Jung explains these associations by synaesthesia and suggests
that they are connected with Apollo, the sun-god who is depicted with a lyre as
his characteristic attribute. The common link between the symbolisms of sounding, speaking, shining and burning finds a physiological parallel in the phenomenon known as ‘coloured hearing’ whereby some individuals experience sounds
as colours. Furthermore, it is hardly a coincidence that the two main characteristics that set Man apart from all other beings are the power of speech and the use
of fire. Both are, in fact, the product of mana (psychic energy) (31). In consequence, mouth-symbolism, like fire-symbolism, has two aspects: creative (as in
speech) and destructive (devouring). And, of course, the mouth is the point of
convergence between the external and the inner worlds. This explains the frequent
symbol of the ‘monster’s mouth’, with sets of upper and lower teeth that are
expressive of the ‘interlocking’ of the two worlds: heaven and earth or, more
often, hell and earth (50). There are, in mediaeval iconography, abundant examples of the mouths of dragons or large fishes affording access to the inner world
or to the underworld.
To see a mouth in your dream, signifies your need to express yourself or talk about an issue that's bothering you. Alternatively, the dream suggests that you have said too much and you need to keep your mouth shut.
Seeing a mouth in your dream means your need to express yourself or talk about an issue that's bothering you. On the other hand, perhaps you have said too much and you need to keep your mouth shut.
To see a faceless creature in your dream, indicates a situation you are refusing to see or confront, but are aware of it in some passive way. This dream also suggests that something in your life is bringing up feelings of fear and insecurities.
To see your brother in your dream, symbolizes some aspect of your relationship with him. It can also serve to remind you that someone in your waking life has certain characteristics or behaviors similar to your brother.
If you do not have a brother and dream that you have one, then he may symbolize characteristics that you need to acknowledge within yourself. The brother in your dream can also be synonymous with a close friend or buddy. Brother also has religious implications and thus represents spiritual issues. Consider also the familiar phrase "big brother is watching you" which indicate that your dream has to deal with issues of authority and oppression.
To dream that you are mad or angry at your brother, signifies repressed anger that you are feeling but afraid to express in your waking life.
Dreaming of your brother, may symbolize some aspect of your relationship with him. It can also serve to remind you that someone in your waking life has certain characteristics/behavior similar to your brother's. If you do not have a brother and dream that you have one, then he may symbolize characteristics that you need to acknowledge within yourself. The brother can also be synonymous with a close friend or buddy. Brother also has religious implications and thus represents spiritual issues. Consider also the familiar phrase "big brother is watching you" which indicate that your dream has to deal with issues of authority and oppression. Dreaming that you are mad or angry at your brother means repressed anger that you are feeling but afraid to express in your waking life.
Seeing faceless creatures in your dream indicates a situation you are refusing to see or confront, but are aware of it in some passive way. This dream also suggests that something in your life is bringing up feelings of fear and insecurities.
All things that flow and grow were regarded in early religions as a symbol
of life: fire represented the vital craving for nourishment, water was chosen for its
fertilizing powers, plants because of their verdure in spring-time. Now, all—or
very nearly all—symbols of life are also symbolic of death. Media vita in morte
sumus, observed the mediaeval monk, to which modern science has replied La vie
c’est la mort (Claude Bernard). Thus, fire is the destroyer, while water in its
various forms signifies dissolution, as suggested in the Psalms. In legend and
folklore, the Origin of life—or the source of the renewal of the life forces—takes
the form of caves and caverns where wondrous torrents and springs well up (38).
This dream brings humiliation and disease to some dear friend.
To see a small ape cling to a tree, warns the dreamer to beware; a false person is close to you and will cause unpleasantness in your circle. Deceit goes with this dream.
To see an ape in your dream, indicates deception, mischievous, and falsehood. Alternatively, it may refer that you or someone have gone "ape". You need to calm down. The ape may also symbolize your wild inner nature, particularly your sexual nature.
To dream that you are playing, refers to your tendency to go against the norm and break the rules of convention. You are displaying unrestricted creativity. Alternatively, playing implies that you are all work and no play. You need to relax and let loose. On the other hand, the dream may also be saying that you are not taking things seriously enough. You need to face reality.
To dream that you are in a play, represents the roles you play in your life and the various acts and personas you put on. If you are watching the play, then it suggests that you need to draw from the inspiration of others.
For a young woman to dream that she attends a play, foretells that she will be courted by a genial friend, and will marry to further her prospects and pleasure seeking. If there is trouble in getting to and from the play, or discordant and hideous scenes, she will be confronted with many displeasing surprises.
Dreaming that you are playing, suggests your tendency to go against the norm and break the rules of convention. You have unrestricted creativity. Alternatively, it may be an indication that you are all work and no play. Dreaming that you are watching a play, represents the parts you play in your life and the various acts and personas you put on.
To dream that you are in a strange place, represents change in your life. Consider how you feel about the surrounding. If you are afraid or lost, then it indicates that you are not ready for the change. You are not ready to leave the past behind. If you are excited or happy in this unknown place, then it suggests that you are ready for change.