There is a plane leaving to a remote party. Carey is getting his luggage in order, and I realize that either I don't have my ticket, my name isn't on the right list... something is preventing me from going. Disappointed, I deal with the feelings of being left behind. Somehow I make it over there, not knowing hoe I managed to do it. This party is in a huge warehouse, run by men with scary super powers, like the big bald character in Avatar:The Last Airbender series (combustion man). with the tattoo on his third eye, who can blow things up... I realize we are all in danger, and these crazy men want to kill us all. Packing up, Carey asks me to wrap some prints while he does something else. The lead owner approached Carey and I, accompanied by a huge man with a tattoo on his back, with which he can blow things up with. He asked how we liked his space. Thinking I should respond sweetly, Carey replies, "We won't be coming back." The man said, "Good.", as if Carey had given the correct answer. As I am on my way out, another man hiding close to a post is trying to get me to hold still so he can take my photo. He had a camera, but I realize it is just a scheme to get me to stop moving, for he can only harm me if I am still. I keep moving, dancing and flying around him, talking to him. HE tries a few times to still me, but I continue to gently float around playfully. At one point, his demeanor softens and he becomes transfixed and hypnotized by my dancing..
Man comes to see himself as a symbol in so far as he is conscious of his
being. Hallstatt art, in Austria, shows fine examples of animal-heads with human
figures appearing above them. In India, in New Guinea, in the West as well, the
bull’s or ox’s head with a human form drawn between the horns is a very common
motif. Since the bull is a symbol for the father-heaven, man comes to be seen as
both his and the earth’s son (22), also, as a third possibility, the son of the sun and
the moon (49). The implications of Origen’s remark: ‘Understand that you are
another world in miniature and that in you are the sun, the moon and also the
stars’, are to be found in all symbolic traditions. In Moslem esoteric thought, man
is the symbol of universal existence (29), an idea which has found its way into
contemporary philosophy in the definition of man as ‘the messenger of being’;
however, in symbolic theory, man is not defined by function alone (that of
appropriating the consciousness of the cosmos), but rather by analogy, whereby
he is seen as an image of the universe. This analogical relationship is sometimes
expressed explicitly, as in some of the more ancient sections of the Upanishads—
the Brihadaranyaka and the Chandogya for instance—where the analogy between the human organism and the macrocosmos is drawn step by step by means
of correspondences with the organs of the body and the senses (7). So, for
example, the components of the nervous system are derived from fiery substance, and blood from watery substance (26). These oriental concepts first
appear in the West during the Romanesque period: Honorius of Autun, in his Elucidarium (12th century) states that the flesh (and the bones) of man are
derived from the earth, blood from water, his breath from air, and body-heat from
fire. Each part of the body relates to a corresponding part of the universe: the
head corresponds to the heavens, the breath to air, the belly to the sea, the lower
extremities to earth. The five senses were given analogies in accordance with a
system which came to Europe, perhaps, from the Hebrews and the Greeks (14).
Thus, Hildegard of Bingen, living in the same period, states that man is disposed
according to the number five: he is of five equal parts in height and five in girth; he
has five senses, and five members, echoed in the hand as five fingers. Hence the
pentagram is a sign of the microcosmos. Agrippa of Nettesheim represented this graphically, after Valeriano, who drew the analogy between the five-pointed star
and the five wounds of Christ. There is a relationship, too, between the organic
laws of Man and the Cistercian temple (14). Fabre d’Olivet, following the Cabala,
maintains that another number closely associated with the human being is nine—
the triple ternary. He divides human potentialities into three planes: those of the
body, of the soul or life and of the spirit. Each of these planes is characterized by
three modes: the active, the passive and the neutral (43). In the Far East, also,
speculation about the symbolism of man began very early. The same kind of
triple ternary organization is to be seen in the ancient teachings of the Taoists
(13). It is also interesting to note that there is a relationship between the human
being and the essential or archetypal animals (the turtle, the phoenix, the dragon
and the unicorn) who appear to bear the same relation to man—who is central—
as the tetramorphs do to the Pantokrator. Now, between man as a concrete
individual and the universe there is a medial term—a mesocosmos. And this
mesocosmos is the ‘Universal Man’, the King (Wang) in Far Eastern tradition,
and the Adam Kadmon of the Cabala. He symbolizes the whole pattern of the
world of manifestation, that is, the complete range of possibilities open to mankind. In a way, the concept corresponds to Jung’s ‘collective unconscious’. According to Guénon, Leibniz—perhaps influenced by Raymond Lull—conceded
that every ‘individual substance’ must contain within itself an integral reproduction of the universe, even if only as an image, just as the seed contains the totality
of the being into which it will develop (25). In Indian symbolism, Vaishvânara, or
the ‘Universal Man’, is divided into seven principal sections: (1) The superior,
luminous spheres as a whole, or the supreme states of being; (2) the sun and the
moon—or rather, the principles to which they pertain—as expressed in the right
and the left eye respectively; (3) the fire-principle—the mouth; (4) the directions
of space—the ears; (5) the atmosphere—the lungs; (6) the intermediary zone
between earth and heaven—the stomach; (7) the earth—the natural functions or
the lower part of the body. The heart is not mentioned, because, being the ‘centre’
or dwelling-place of Brahma, it is regarded as being beyond the ‘wheel’ of things
(26). Now, this concept of the ‘Universal Man’ implies hermaphroditism, though
never specifically. For the concrete, existential human being, in so far as he is
either a man or a woman, represents the dissected ‘human’ whole, not only in the
physical sense but also spiritually. Thus, to quote the Upanishads: ‘He was, in
truth, as big as a man and a woman embracing. He divided this atman into two
parts; from them sprang husband and wife.’ In Western iconography one sometimes finds images which would seem to be echoes of this concept (32). A human
couple, by their very nature, must always symbolize the urge to unite what is in
fact discrete. Figures which are shown embracing one another, or joining hands, or growing out of roots which bind them together, and so on, symbolize ‘conjunction’, that is, coincidentia oppositorum. There is a Hindu image representing the
‘joining of the unjoinable’ (analogous to the marriage of fire and water) by the
interlinking of Man and Woman, which may be taken to symbolize the joining of
all opposites: good and bad, high and low, cold and hot, wet and dry, and so on
(32). In alchemy, Man and Woman symbolize sulphur and mercury (the metal).
In psychology, level-symbolism is often brought to bear upon the members of the
body, so that the right side corresponds to the conscious level and the left to the
unconscious. The shapes of the parts of the body, depending upon whether they
are positive or negative—whether they are protuberances or cavities—should be
seen not only as sex-symbols but also in the light of the symbolism of levels. The
head is almost universally regarded as a symbol of virility (56). The attitudes
which the body may take up are of great symbolic importance, because they are
both the instrument and the expression of the human tendency towards ascendence
and evolution. A position with the arms wide open pertains to the symbolism of
the cross. And a posture in the form of the letter ‘X’ refers to the union of the two
worlds, a symbol which is related to the hour-glass, the ‘X’ and all other symbols
of intersection (50). Another important posture is that of Buddha in the traditional iconography of the Orient, a posture characteristic also of some Celtic gods
such as the so-called ‘Bouray god’ or the famous Roquepertuse figure. This
squatting position expresses the renunciation of the ‘baser part’ and of ambulatory movement and symbolizes identification with the mystic centre.
To see a man in your dream, denotes the aspect of yourself that is assertive, rational, aggressive, and/or competitive. Perhaps you need to incorporate these aspects into your own character. If the man is known to you, then the dream may reflect you feelings and concerns you have about him.
If you are a woman and dream that you are in the arms of a man, then it suggests that you are accepting and welcoming your stronger assertive personality. It may also highlight your desires to be in a relationship and your image of the ideal man.
To see an old man in your dream, represents wisdom or forgiveness. The old man may be a archetypal figure who is offering guidance to some daily problem.
To dream of a man, if handsome, well formed and supple, denotes that you will enjoy life vastly and come into rich possessions. If he is misshapen and sour-visaged, you will meet disappointments and many perplexities will involve you.
For a woman to dream of a handsome man, she is likely to have distinction offered her. If he is ugly, she will experience trouble through some one whom she considers a friend.
Seeing a man in your dream indicates the masculine aspect of yourself - the side that is assertive, rational, aggressive, and/or competitive. If the man is known to you, then the dream may reflect you feelings and concerns you have about him. If you are a woman and dream that you are in the arms of a man, suggests that you are accepting and welcoming your stronger assertive personality . It may also highlight your desires to be in a relationship and your image of the ideal man. Seeing an old man in your dream, represents wisdom or forgiveness.
All different kinds of people clutter our dream landscape. The men in your dream may include family members or total strangers. You may dream about your father, son, husband, or friend and should interpret the dream according to its details. A man, particularly the father figure, may represent collective consciousness and the traditional human spirit. He is the Yang and his energy, when mobilised, creates the earthly realities. Depending on the details of the dream, the masculine figure could be interpreted as the Creator or Destroyer. At times, women dream about men that are strangers to them. These men may represent the women's unconscious psychic energy. At times, a strange and ominous man in men's dreams could represent their "shadow" or their negativity and darker sides of personality.
To see your body appearing tattooed, foretells that some difficulty will cause you to make a long and tedious absence from your home.
To see tattooes on others, foretells that strange loves will make you an object of jealousy.
To dream you are a tattooist, is a sign that you will estrange yourself from friends because of your fancy for some strange experience.
To dream that you have tattoos, represent your sense of individuality and the desire to stand out in a crowd. You want to be unique and different from everybody else, particularly if you do not have any tattoos in real life. Consider also what the tattoo is and what significance it has in your life. It may represent something that has left a lasting impression on you. Alternatively, to dream that you have a tattoo, suggests that a waking situation or decision is having a much longer lasting effect that you had expected.
To dream that you are a tattoo artist, suggests that your exotic tastes and strange experiences may turn off those around you. If you are a tattooist in real life, then the dream is just a reflection of who you are.
Dreaming that you have tattoos means that some urgent and difficult business will call you away from your home for an extended period of time. It may also signal a new stage in your life. Seeing tattoos on others in your dream indicates that you will be the object of jealousy. Dreaming that you are getting a tattoo with a friend, represents your deep bond and long-lasting, solid friendship. Dreaming that you are a tattoo artist means that your strange life style will alienate your friends and family.
Tattoos may represent those things in our lives that seem only skin deep, but may be interesting and fun. They could represent our thinking, our playful ways, and our seemingly unimportant habits. As time progresses, we may realise that our passing fads have become permanent. Thus, a tattoo may be symbolic of something that we inflict on ourselves, is permanent if not deep, and generally carries with it some negativity.
To see men in your dream, represent an authoritative figure or a father figure. If you are a woman and dream that you are in a room full of men, then it highlights the masculine aspect of yourself. The dream forces you to acknowledge your authoritative and aggressive side. Consider also how the men are dressed as this will provide a clue as to what area in your life you need to assert more power.
To dream that you are moving away, signifies your desire or need for change. It may also mean an end to a situation or relationship; you are moving on. Alternatively, it indicates your determination and issues regarding dependence/independence.
Dreaming that you are moving away means your desire or need for change. It may also mean an end to a situation or relationship and your are moving on. Alternatively, it indicates your determination and issues regarding dependence/independence.
This may be a happy dream that suggests that on some level you feel joy, happiness, and a sense of victory. If you are not in a good mood, and don't feel very joyful, this dream may be compensatory in nature. It may be trying to balance negativity and stress that you feel in daily life. Superstition-based dream interpretation says that dreaming of dancing predicts happy times ahead. Depending on the content of this dream, it may have some sexual connotations.
To dream of talking, denotes that you will soon hear of the sickness of relatives, and there will be worries in your affairs.
To hear others talking loudly, foretells that you will be accused of interfering in the affairs of others. To think they are talking about you, denotes that you are menaced with illness and disfavor.
To dream that you are talking does not have any significance unless it is unusual or bizarre. What are you saying specifically. Consider also if what you say evoke strong feelings or behavioral reactions. The dream may simply be highlighting your need improve your communication skills or learn to express yourself more clearly.
Dreaming that you are talking does not have any significance unless it is unusual or bizarre. Consider also if what you say evoke strong feelings or behavioral reactions. Hearing others talking loudly in your dream means that you will be accused of not minding your own business and butting into everybody else's affairs.