The essence of the question involved here is contained in the saying of
Plotinus that the eye would not be able to see the sun if, in a manner, it were not
itself a sun. Given that the sun is the source of light and that light is symbolic of
the intelligence and of the spirit, then the process of seeing represents a spiritual
act and symbolizes understanding. Hence, the ‘divine eye’ of the Egyptians—a
determinative sign in their hieroglyphics called Wadza—denotes ‘He who feeds
the sacred fire or the intelligence of Man’ (28)—Osiris, in fact. Very interesting,
too, is the way the Egyptians defined the eye—or, rather, the circle of the iris
with the pupil as centre—as the ‘sun in the mouth’ (or the creative Word) (8). René Magritte, the surrealist painter, has illustrated this same relationship between the sun and the mouth in one of his most fascinating paintings. The possession of two eyes conveys physical normality and its spiritual equivalent, and it
follows that the third eye is symbolic of the superhuman or the divine. As for the
single eye, its significance is ambivalent: on the one hand it implies the subhuman
because it is less than two (two eyes being equated with the norm); but on the
other hand, given its location in the forehead, above the place designated for the
eyes by nature, it seems to allude to extra-human powers which are in fact—in
mythology—incarnated in the Cyclops. At the same time the eye in the forehead
is linked up with the idea of destruction, for obvious reasons in the case of the
single eye; but the same also applies when there is a third eye in the forehead, as
with Siva (or Shiva). This is explained by reference to one of the facets of the
symbolism of the number three: for if three can be said to correspond to the
active, the passive and the neutral, it can also apply to creation, conservation and
destruction. Heterotopic eyes are the spiritual equivalent of sight, that is, of
clairvoyance. (Heterotopic eyes are those which have been transferred anatomically to various parts of the body, such as the hands, wings, torso, arms, and
different parts of the head, in figures of fantastic beings, angels, deities and so on.)
When the eyes are situated in the hand, for example, by association with the
symbolism of the hand they come to denote clairvoyant action. An excessive
number of eyes has an ambivalent significance which it is important to note. In
the first place, the eyes refer to night with its myriads of stars, in the second
place, paradoxically yet necessarily, the possessor of so many eyes is left in
darkness. Furthermore, by way of corroboration, let us recall that in symbolist
theory multiplicity is always a sign of inferiority. Such ambivalences are common
in the realm of the unconscious and its projected images. Instructive in this
connexion is the example of Argus, who with all his eyes could not escape death.
The Adversary (Satan, in Hebrew) has been represented in a variety of ways,
among others, as a being with many eyes. A Tarot card in the Cabinet des Estampes
in Paris (Kh. 34d), for instance, depicts the devil as Argus with many eyes all over
his body. Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it
were, a certain autonomy of character or which is directly associated with a
definite function, and portraying it as a face. Multiple faces and eyes imply
disintegration or psychic decomposition—a conception which lies at the root of the demoniacal idea of rending apart (59). Finally, to come back to the pure
meaning of the eye in itself, Jung considers it to be the maternal bosom, and the
pupil its ‘child’.
(1)
Thus the great solar god becomes a child again, seeking renovation at his mother’s bosom (a symbol, for the Egyptians, of the mouth) (31).
1 The Jungian idea is expressed as a pun. ‘Niña’ means both ‘daughter’ and ‘pupil (of the eye)’. The
phrase ‘Niña de los ojos’ is like the English ‘apple of one’s eye’, which gives something of the feel of
the pun.—Translator

To dream of seeing an eye, warns you that watchful enemies are seeking the slightest chance to work injury to your business. This dream indicates to a lover, that a rival will usurp him if he is not careful.

To dream of brown eyes, denotes deceit and perfidy.
To see blue eyes, denotes weakness in carrying out any intention.
To see gray eyes, denotes a love of flattery for the owner.
To dream of losing an eye, or that the eyes are sore, denotes trouble.

To see a one-eyed man, denotes that you will be threatened with loss and trouble, beside which all others will appear insignificant.

Seeing your own eyes in your dream, represents enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts. Dreaming that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others. Dreaming that you have one eye indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking. Dreaming that you have a third eye, symbolizes inner vision and insight. You need to start looking within yourself. Dreaming that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy. Dreaming that you have crossed eyes indicates that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.

To dream that you are shot, represents a form of self-punishment that you may be unconsciously imposing on yourself. You may have done something that you are ashamed of or are not proud of. If you are shot and come back as a different person, then it indicates that you need to start fresh. You want to wipe the past away and literally become a new person.

To dream that you are shot, and are feeling the sensations of dying, denotes that you are to meet unexpected abuse from the ill feelings of friends, but if you escape death by waking, you will be fully reconciled with them later on.

To dream that a preacher shoots you, signifies that you will be annoyed by some friend advancing views condemnatory to those entertained by yourself.

Dreaming that you are shot, represents a form of self-punishment that you may be unconsciously imposing on yourself. You may have done something that you are ashamed of or are not proud of.

To dream of the direction left, symbolizes the unconscious and your repressed thoughts/emotions. It is an indication of passivity.

To dream that you are left behind, represents feelings of rejection or not fitting into a group. It may also highlight fears of not being able to keep up. You are questioning your abilities. The dream may be telling you that you are not utilizing your full potential. If you left something or someone behind, then it indicates that you are ready to let go of the past or move forward.

Dreaming of the direction left, symbolizes the unconscious and your repressed thoughts/emotions. It is an indication of passivity.

In the Zohar, the ‘magic head’ stands for astral light (9); in mediaeval art
it is a symbol for the mind (46) and for the spiritual life, which explains the
frequency with which it appeared in decorative art. On the other hand, Plato in
Timaeus asserts that ‘the human head is the image of the world’. In corroboration
of this, Leblant points out that the skull, the semi-spherical crown of the human
body, signifies the heavens. Clearly, the head-symbol here coalesces with that of
the sphere as a symbol of Oneness. It had the same significance in Egyptian
hieroglyphics (19). The eagle’s head has been used as a solar symbol and an
emblem of the centre-point of emanation—that is, of the cosmic flame and the
spiritual fire of the universe (4). Two, three or four heads shown in juxtaposition
symbolize a corresponding intensification of a given aspect of head-symbolism.
Thus, the Gemini, a symbol of the duality of Nature, or of the integrating (but not
unifying) link between the two principles of creation, are represented by beings
with two heads or two faces, like the Roman Janus for example. Hecate is depicted with three heads—she is called triform for this reason—a symbolism
which may be related to the ‘three levels’ of heaven, earth and hell, as well as to
Diel’s three ‘urges of life’ (15). The juxtaposition of four heads or faces, as in the
image of Brahma the Supreme Lord, stems from the same symbolism as that of
the tetramorph (60). A factor of major importance bearing upon the symbolism of
the head is mentioned by Herbert Kühn, in his L’Ascension de l’humanité (Paris,
1958). He makes the point that the decapitation of corpses in prehistoric times
marked Man’s discovery of the independence of the spiritual principle, residing
in the head, as opposed to the vital principle represented by the body as a whole.
Kühn adds that Neolithic thought was very close to the mediaeval in its conviction that an eternal and invisible essence underlies all appearances (Plate XV).

To see a head in your dream, signifies wisdom, intellect, understanding and rationality. It may also represent your accomplishments, self-image, and perception of the world. The dream may also be metaphor to indicate that you are "ahead" in some situation or that you need to get ahead.

To dream that someone is trying to rip your head off, suggests that you are not seeing a situation or problem clearly. Perhaps you are refusing to see the truth. You have to confront the situation or the person despite the pain and discomfort you might feel in doing so.

To dream that you have two heads, indicate that you need to learn to ask for help and accept assistance. Consider the metaphor "two heads are better than one". Do not try to do everything yourself.

To see a person's head in your dream, and it is well-shaped and prominent, you will meet persons of power and vast influence who will lend you aid in enterprises of importance.

If you dream of your own head, you are threatened with nervous or brain trouble.

To see a head severed from its trunk, and bloody, you will meet sickening disappointments, and the overthrow of your dearest hopes and anticipations.

To see yourself with two or more heads, foretells phenomenal and rapid rise in life, but the probabilities are that the rise will not be stable.

To dream that your head aches, denotes that you will be oppressed with worry.

To dream of a swollen head, you will have more good than bad in your life.

To dream of a child's head, there will be much pleasure ill store for you and signal financial success.

To dream of the head of a beast, denotes that the nature of your desires will run on a low plane, and only material pleasures will concern you.

To wash your head, you will be sought after by prominent people for your judgment and good counsel.

Seeing a head in your dream means wisdom, intellect, understanding and rationality. It may also represent your accomplishments, self-image, and perception of the world. Dreaming that someone is trying to rip your head off, suggests that you are not see a situation or problem clearly. Perhaps you are refusing to see the truth. You have to confront the situation or the person despite the pain and discomfort you might feel in doing so.

A head symbolizes intelligence, logic, wisdom and making decisions. A dream of a head may mean that you are changing your mind about something or are unable to make up your mind. A dream of a headless body may be a warning that you aren't thinking clearly - you're "losing your head."

To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.

To dream of darkness overtaking you on a journey, augurs ill for any work you may attempt, unless the sun breaks through before the journey ends, then faults will be overcome.

To lose your friend, or child, in the darkness, portends many provocations to wrath. Try to remain under control after dreaming of darkness, for trials in business and love will beset you.

A dark place, such as a cave, in a dream can symbolize negative emotions. In your dream, are you able to find your way out of the dark place?

A dream about being in darkness can also mean that you believe you are being "kept in the dark" about something - that someone else is keeping a secret from you.

If you dream that you are afraid of the dark you could be unwilling to deal with obstacles that you expect to face in the future.

The word ‘temple’ derives from the root tem—’to divide’. Etruscan
soothsayers made a division of the heavens by means of two straight lines intersecting at a point directly above the head, the point of intersection being a projection of the notion of the ‘Centre’, and the lines representing the two ‘directions’
of the plane; the north-south line was called cardo and the east-west decumanus.
Phenomena were interpreted according to their situation within this division of
space. Hence, the earthly temple is seen as an image of the celestial temple and its
basic structure is determined by considerations of order and orientation (7). The
temple affords a particular and additional meaning to the generic symbolism of architectonic structures. Broadly speaking, it is the mystic significance of the
‘Centre’ which prevails; the temple and, in particular, the altar, being identified
with the symbol of the mountain-top as the focal point of the intersection of the
two worlds of heaven and earth. Solomon’s temple, according to Philo and Flavius
Josephus, was a figurative representation of the cosmos, and its interior was
disposed accordingly: the incense table signified thanksgiving; the seven-branched
candelabra stood for the seven planetary heavens; the holy table represented the
terrestrial order. In addition to this, the twelve loaves of bread corresponded to
the twelve months of the year. The Ark of the Covenant symbolizes the intelligibles
(14). Romanesque, Gothic and Renaissance architects, each in their own way,
sought to imitate this superior archetype. For example, between 1596 and 1604,
imaginary reconstructions of the Temple of Solomon appeared in various works
published in Rome and based upon holy writ, and the illustrations they contained
deeply influenced the architects of the period. Another fundamental significance
of the temple derives from its being a synthesis of the various symbols for the
world-axis, such as the hollow mountain, steps and the sacrificial mountain-peak
mentioned above. In certain astrobiological cultures the temple or altar is in fact
built upon an artificial mountain—the teocalli of Mexico is an example. A more
advanced concept can be seen in the architectural portrayal of those essential
elements of the inner pattern of the universe founded upon the numbers three,
seven, ten and twelve in particular. Seven is basic to the representation of the
planets and their derived symbolisms, and hence the Mesopotamian templemountains—or ziggurats—were constructed after the fashion of a seven-terraced
pyramid. Each of the terraces was dedicate to a particular planet. The Babylonian
ziggurat known as Etemenanki (‘the house of the seven directions of heaven and
earth’) was built of crude bricks overlaid with others that had been fired. A tablet
in the Louvre records that in plan it measured 2,200 feet long by 1,200 wide. The
first level was black in colour and dedicated to Saturn, the second orange-coloured
and sacred to Jupiter, the third red and consecrated to Mars, the fourth golden and
sacred to the Sun, the fifth yellow (to Venus), the sixth blue (to Mercury), the
seventh silver (to the Moon) (39). This order is not always observed, for sometimes the Moon is situated in the sixth heaven and the Sun in the seventh (17).
Berthelot, however, suggests that the ziggurat not only embraces the mystic
aspects of the Mountain and the Centre (by virtue of its mass and situation) and
of Steps (because of its shape), but also constitutes an image of paradise, since
vegetation appears to flourish on its terraces (7). The origins of this type of
structure are Sumerian (7), and examples are to be found in Egypt, India, China
and pre-Columbian America. Eliade, in confirming this, adds that the climb to the top of the Mesopotamian or of the Hindu temple-mountain was equivalent to an
ecstatic journey to the ‘Centre’ of the world; once the traveller has reached the
topmost terrace, he breaks free from the laws of level, transcends profane space
and enters a region of purity (18). It is hardly necessary to observe that climbing
mountains implies ultimately the same mystic tendency, as can be seen in the fact
that mountain heights are the chosen abode of the recluse. And the favourable
symbolic significance of the goat derives solely from his predilection for heights.
Another important example of the temple-mountain, a product of Hindu culture,
comes from Indo-China—the temple of Borobudur built in the centre of the
island of Java in the 8th century of our era. Basically it consists of four levels of
square-shaped galleries, with four more circular platforms on top surmounted by
an enclosed belvedere. In form, then, it is similar to the Egyptian ziggurat, or, in
the Khmer language, a Phnom, signifying a temple-mountain comparable with
Meru, the Hindu Olympus. Four flights of steps up the centre of each pyramid
face lead directly from the base to the top. It would appear that the profoundest
meaning attached to this temple is of a supernatural character. Its name—
Borobudur—signifies ‘the seat of secret revelation’. All graduated edifices such
as steps concern the symbolism of discontinuous spiritual evolution, that is, the
separate but progressive stages of evolution (6). At the same time, the groundplan of the Borobudur temple is diagrammatically a true yantra, and its various
square and round-shaped levels constitute a mandala related to the symbolism of
‘squaring the circle’ (6). The symbolic structure of the Greek temple is fundamentally the same as that of the lake-dwelling: that is, it symbolizes the intercommunication between the Three Worlds—the Lower (represented by the water and
the piles on the one hand and earth and the subterranean part on the other), the
Terrestrial (the base and columns) and the Upper (suggested by the pediment).
Christian cathedrals are related less to the macrocosm than to the microcosm, the
human figure being depicted in terms of the apse (representing the head), the
cross and transepts (the arms), the nave and side aisles (the body) and the altar
(the heart). In the Gothic temple, the upward sweep, the vital rôle of the vertical
axis—and indeed the structure as a whole—embrace the idea of the templemountain with its implied synthesis of the symbolism of both macrocosm and
microcosm. According to Schneider, the two towers usually placed at the western
face correspond to the twin-peaked ‘mountain of Mars’ in primitive megalithic
cultures (and linked with the Gemini myth), while the cimborrio over the transept
is expressive of a higher synthesis, an image of heaven. Both the synthesis and the
crux of the matter are established by Gershom G. Scholem, in Les Origines de la
Kabbale (Paris, 1966). He recalls that God lives in his reason or that God is the absolute Reason and logos of the world, and that the temple ‘is the house’ or
abode of God, and thus identifies temple with reason.

To see a temple in your dream, represents inspiration, spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it. Perhaps you need to pamper yourself. Alternatively, the dream suggests that you are looking for a place of refuge and a place to keep things that are dear to you.

Seeing a temple in your dream, represents your spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it.

To dream that your vision is obstructed, indicates that you are about to make an error in judgment. There is something that you are not seeing clearly.

To see visions in your dream, indicate that your mind is free from any restraint and free to wander without any inhibitions. Such dreams are said to have a different feel. Some of these vision dreams may be described as epic dreams.

Dreaming that your vision is obstructed means that you are having difficulties and errors in judgment. Seeing strange visions in your dream indicates misfortune and illness.

As a symbol, it has the same characteristics as the mirror in fact; the
temporal and existential variety of its function provides the explanation of its
significance and at the same time the diversity of its meaningful associations. It
has been said that it is a symbol of the imagination—or of consciousness—in its
capacity to reflect the formal reality of the visible world. It has also been related
to thought, in so far as thought—for Scheler and other philosophers—is the
instrument of self-contemplation as well as the reflection of the universe. This
links mirror-symbolism with water as a reflector and with the Narcissus myth:
the cosmos appears as a huge Narcissus regarding his own reflections in the
human consciousness. Now, the world, as a state of discontinuity affected by the
laws of change and substitution, is the agent which projects this quasinegative,
kaleidoscopic image of appearance and disappearance reflected in the mirror.
From the earliest times, the mirror has been thought of as ambivalent. It is a
surface which reproduces images and in a way contains and absorbs them. In
legend and folklore, it is frequently invested with a magic quality—a mere hypertrophic version of its fundamental meaning. In this way it serves to invoke
apparitions by conjuring up again the images which it has received at some time
in the past, or by annihilating distances when it reflects what was once an object
facing it and now is far removed. This fluctuation between the ‘absent’ mirror and
the ‘peopled’ mirror lends it a kind of phasing, feminine in implication, and
hence—like the fan—it is related to moon-symbolism. Further evidence that the
mirror is lunar is afforded by its reflecting and passive characteristics, for it
receives images as the moon receives the light of the sun (8). Again, its close
relationship to the moon is demonstrated by the fact that among the primitives it
was seen as a symbol of the multiplicity of the soul: of its mobility and its ability
to adapt itself to those objects which ‘visit’ it and retain its ‘interest’. At times,
it takes the mythic form of a door through which the soul may free itself ‘passing’
to the other side: this is an idea reproduced by Lewis Carroll in Alice Through the
Looking Glass. This alone is sufficient explanation of the custom of covering up
mirrors or turning them to face the wall on certain occasions, in particular when someone in the house dies (21). All that we have said so far by no means exhausts
the complex symbolism of the mirror: like the echo, it stands for twins (thesis and
antithesis), and specifically for the sea of flames (or life as an infirmity) (50, 51).
For Loeffler, mirrors are magic symbols for unconscious memories (comparable
with crystal palaces) (38). Hand-mirrors, in particular, are emblems of truth (4),
and in China they are supposed to have an allegorical function as aids to conjugal
happiness as well as a protection against diabolical influences (5). Some Chinese
legends tell of ‘the animals in the mirror’.

To dream of your own reflection in the mirror, suggests that you are pondering thoughts about your inner self. The reflection in the mirror is how you perceive yourself or how you want others to see you. You may be contemplating on strengthening and changing aspects of your character.

To dream that you are looking through a two-way mirror, indicates that you are coming face to face with some inner or worldly issue. What you see is related to your persona and unconscious. Seeing images through the mirror may be a safe way for you to consider and/or confront material from your unconscious. Mirrors symbolize the imagination and the link between the conscious and unconscious.

If you are being watched through a two-way mirror, then it suggests that you feel you are being scrutinized and criticized. Alternatively, the dream means that you are unwilling to acknowledge your unconscious emotions.

To break a mirror in your dream, suggests that you are breaking an old image of yourself. You may be putting an end to an old habit. Breaking a mirror is also an old symbol for seven years of bad luck.

To see a cracked or broken mirror in your dream. represents a poor or distorted self-image. Alternatively, it means that you have put an end to your old habits and ways.

To see a fogged mirror in your dream, signifies a hazy concept of who you are and confusion in your life goals. You are lacking clarity and purpose and questioning your self-identity.

To dream of seeing yourself in a mirror, denotes that you will meet many discouraging issues, and sickness will cause you distress and loss in fortune.

To see a broken mirror, foretells the sudden or violent death of some one related to you.

To see others in a mirror, denotes that others will act unfairly towards you to promote their own interests.

To see animals in a mirror, denotes disappointment and loss in fortune.

For a young woman to break a mirror, foretells unfortunate friendships and an unhappy marriage. To see her lover in a mirror looking pale and careworn, denotes death or a broken engagement. If he seems happy, a slight estrangement will arise, but it will be of short duration.

Seeing your own reflection in the mirror, suggests that you are pondering thoughts about your inner self. The reflection in the mirror is how you perceive yourself or how you want others to see you. You may be contemplating on strengthening and changing aspects of your character. Dreaming that you are looking through a two-way mirror indicates that you are coming face to face with some inner or worldly issue. What you see is related to your persona and unconscious. Seeing images through the mirror may be a safe way for you to consider and/or confront material from your unconscious. Mirrors symbolize the imagination and a link between the conscious and unconscious. Dreaming that you are being watched through a two-way mirror, suggests that you feel you are being scrutinized and criticized. Alternatively, you may be blocking or unwilling to acknowledge your unconscious emotions. To break a mirror in your dream, suggests that you are breaking an old image of yourself. You may be putting an end to an old habit. Breaking a mirror is also an old symbol for seven years of bad luck. Seeing a cracked or broken mirror in your dream. represents a poor or distorted self-image. Alternatively, it suggests that you have put an end to your old habits and ways. Seeing a fogged mirror in your dream means a hazy concept of who you are and questions about your self-identity. You are confused in your goals in life an you may have a lack of clarity in a purpose.

It is a symbol of vanity and superficiality. You may be concerned about your image and the way you present yourself to the world. Some say that if you see a clear image, you may be getting a glimpse of your true self. Broken mirrors always seem to be a sign of bad luck, or, at least, represent some distortions. On a deeper level the mirror can be considered to be a representation of the intellect. The intellect is an instrument of navigation and is constantly persuading us to identify ourselves. When we think about this, it makes a lot of sense. Our self-identity is very much connected to the way we look (not only superficially but also characteristically as man - woman, young - old, etc). We use this self-identity, which is greatly a production of our intellect, to navigate through life.