@ Fishmans house. Dan Lange and eye in dream
Driving a car and meeting like 9 new charachters. Some sort of meeting with tear gas and Alex Jones had gone bad upon our arrival. We decide to leave in a hurry before getting too involved. We get in a jeep and take it off roading evading some police and inside I see Ted Armbruster and several other allies. Eye arrive at my sisters house.
Megan has tanks with several interesting animals including a sort of squid and many tropical fish eye have never seen on earth. Various small pets and a mini ferret and cat combo thing. Eye spent time with her in this place for a moment. The animals were interesting and touching the squid thing freaked me out a bit.
(Many things have happened in this dream and I chose to sleep for nearly 12 hours at dads house to continue the dream flipping from my back to my side and finally awoke at 3pm before heading to Caledonia.)
The essence of the question involved here is contained in the saying of
Plotinus that the eye would not be able to see the sun if, in a manner, it were not
itself a sun. Given that the sun is the source of light and that light is symbolic of
the intelligence and of the spirit, then the process of seeing represents a spiritual
act and symbolizes understanding. Hence, the ‘divine eye’ of the Egyptians—a
determinative sign in their hieroglyphics called Wadza—denotes ‘He who feeds
the sacred fire or the intelligence of Man’ (28)—Osiris, in fact. Very interesting,
too, is the way the Egyptians defined the eye—or, rather, the circle of the iris
with the pupil as centre—as the ‘sun in the mouth’ (or the creative Word) (8). René Magritte, the surrealist painter, has illustrated this same relationship between the sun and the mouth in one of his most fascinating paintings. The possession of two eyes conveys physical normality and its spiritual equivalent, and it
follows that the third eye is symbolic of the superhuman or the divine. As for the
single eye, its significance is ambivalent: on the one hand it implies the subhuman
because it is less than two (two eyes being equated with the norm); but on the
other hand, given its location in the forehead, above the place designated for the
eyes by nature, it seems to allude to extra-human powers which are in fact—in
mythology—incarnated in the Cyclops. At the same time the eye in the forehead
is linked up with the idea of destruction, for obvious reasons in the case of the
single eye; but the same also applies when there is a third eye in the forehead, as
with Siva (or Shiva). This is explained by reference to one of the facets of the
symbolism of the number three: for if three can be said to correspond to the
active, the passive and the neutral, it can also apply to creation, conservation and
destruction. Heterotopic eyes are the spiritual equivalent of sight, that is, of
clairvoyance. (Heterotopic eyes are those which have been transferred anatomically to various parts of the body, such as the hands, wings, torso, arms, and
different parts of the head, in figures of fantastic beings, angels, deities and so on.)
When the eyes are situated in the hand, for example, by association with the
symbolism of the hand they come to denote clairvoyant action. An excessive
number of eyes has an ambivalent significance which it is important to note. In
the first place, the eyes refer to night with its myriads of stars, in the second
place, paradoxically yet necessarily, the possessor of so many eyes is left in
darkness. Furthermore, by way of corroboration, let us recall that in symbolist
theory multiplicity is always a sign of inferiority. Such ambivalences are common
in the realm of the unconscious and its projected images. Instructive in this
connexion is the example of Argus, who with all his eyes could not escape death.
The Adversary (Satan, in Hebrew) has been represented in a variety of ways,
among others, as a being with many eyes. A Tarot card in the Cabinet des Estampes
in Paris (Kh. 34d), for instance, depicts the devil as Argus with many eyes all over
his body. Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it
were, a certain autonomy of character or which is directly associated with a
definite function, and portraying it as a face. Multiple faces and eyes imply
disintegration or psychic decomposition—a conception which lies at the root of the demoniacal idea of rending apart (59). Finally, to come back to the pure
meaning of the eye in itself, Jung considers it to be the maternal bosom, and the
pupil its ‘child’.
(1)
Thus the great solar god becomes a child again, seeking renovation at his mother’s bosom (a symbol, for the Egyptians, of the mouth) (31).
1 The Jungian idea is expressed as a pun. ‘Niña’ means both ‘daughter’ and ‘pupil (of the eye)’. The
phrase ‘Niña de los ojos’ is like the English ‘apple of one’s eye’, which gives something of the feel of
the pun.—Translator
To dream of seeing an eye, warns you that watchful enemies are seeking the slightest chance to work injury to your business. This dream indicates to a lover, that a rival will usurp him if he is not careful.
To dream of brown eyes, denotes deceit and perfidy.
To see blue eyes, denotes weakness in carrying out any intention.
To see gray eyes, denotes a love of flattery for the owner.
To dream of losing an eye, or that the eyes are sore, denotes trouble.
To see a one-eyed man, denotes that you will be threatened with loss and trouble, beside which all others will appear insignificant.
Seeing your own eyes in your dream, represents enlightenment, knowledge, comprehension, understanding, and intellectual awareness. Unconscious thoughts may be coming onto the surface. The left eye is symbolic of the moon, while the right eye represents the sun. It may also be a pun on "I" or the self. If you dream that your eyes have turned inside your head and you can now see the inside of your head, then it symbolizes insight and something that you need to be aware of. This dream may be literally telling you that you need to look within yourself. Trust your intuition and instincts. Dreaming that you have something in your eye, represents obstacles in your path. Alternatively, it may represent your critical view and how you tend to see faults in others. Dreaming that you have one eye indicates your refusal to accept another viewpoint. It suggests that you are one-sided in your ways of thinking. Dreaming that you have a third eye, symbolizes inner vision and insight. You need to start looking within yourself. Dreaming that your eyes are injured or closed, suggests your refusal to see the truth about something or the avoidance of intimacy. You may be expressing feelings of hurt, pain or sympathy. Dreaming that you have crossed eyes indicates that you are not seeing straight with regards to some situation. You may be getting your facts mixed up.
Mystics have always traditionally considered the feminine aspect of
the universe as a chest, a house or a wall, as well as an enclosed garden. Another
symbolic association is that which equates the house (and the above, related
forms) with the repository of all wisdom, that is, tradition itself (4). In architectural symbolism, on the other hand, the house carries not only an overall symbolism but also particular associations attached to each of its component parts.
Nevertheless, the house as a home arouses strong, spontaneous associations with
the human body and human thought (or life, in other words), as has been confirmed empirically by psychoanalysts. Ania Teillard explains this by pointing
out that, in dreams, we employ the image of the house as a representation of the
different layers of the psyche. The outside of the house signifies the outward
appearance of Man: his personality or his mask. The various floors are related to
the vertical and spatial symbols. The roof and upper floor correspond to the head
and the mind, as well as to the conscious exercise of self-control. Similarly, the
basement corresponds to the unconscious and the instincts (just as sewers do, in
symbols pertaining to the city). The kitchen, since this is where foodstuff is
transformed, sometimes signifies the place or the moment of psychic transmutation in the alchemical sense. The intercommunicating rooms speak for themselves. The stairs are the link between the various planes of the psyche, but their
particular significance depends upon whether they are seen as ascending or descending. Finally, there is, as we have said, the association of the house with the
human body, especially regarding its openings, as was well understood by
Artemidorus Daldianus (56).
To see a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. To dream that a house has no walls, represents a lack of privacy. You feel that everyone is looking over your shoulder or up in your business.
To dream that you are cleaning your house, signifies your need to clear out your thoughts and get rid of old ways. You are seeking self-improvement.
If you live with others in your waking life, but dream that you are living alone, suggests that you need to take new steps toward independence. You need to accept responsibilities and be more self-reliant.
To see an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. To dream that your house is damaged, indicates your waking concerns about the condition of your house.
To see a new house in your dream, indicates that you are entering into a new phase or new area in your life. You are becoming more emotionally mature. If you are locked out of the house, then it represents rejection and insecurity. You feel you are being left behind.
To dream that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied.
To dream of a haunted house, signifies unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings.
To dream that a house has disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To dream of building a house, you will make wise changes in your present affairs.
To dream that you own an elegant house, denotes that you will soon leave your home for a better, and fortune will be kind to you.
Old and dilapidated houses, denote failure in business or any effort, and declining health.
Seeing a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. Dreaming that you are cleaning your house means your need to clear out your thoughts and getting rid of old ways. You are seeking self-improvement. Seeing an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. Dreaming that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied. Dreaming of a haunted house means unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings. Dreaming that a house disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.
It is common to dream about houses. They usually symbolise our emotional and psychological selves. All of your experiences, stages of development, and parts of your conscious and unconscious life may be represented by that house. The house may be representing issues concerning a particular dilemma in your life, or it may be more general and comprehensive. Either way, if you pay attention to the details in this dream, you may learn a thing or two about yourself.
To see or taste pepper in your dream, indicates that you need to put a little more spice and variety in your life. Alternatively, there may be something that is bothering or irritating you. Your dream may lend a clue to the source of the irritation.
To dream of pepper burning your tongue, foretells that you will suffer from your acquaintances through your love of gossip.
To see red pepper growing, foretells for you a thrifty and an independent partner in the marriage state.
To see piles of red pepper pods, signifies that you will aggressively maintain your rights.
To grind black pepper, denotes that you will be victimized by the wiles of ingenious men or women. To see it in stands on the table, omens sharp reproaches or quarrels.
For a young woman to put it on her food, foretells that she will be deceived by her friends.
Seeing pepper in your dream indicates that you need to put a little more spice and variety in your life. Alternatively, there may be something that is bothering or irritating you and your dream may be trying to point to the source.
To see or live on a farm in your dream, suggests that you need to develop an aspect of yourself and utilize your potential. You are ready for growth.
To dream that you are living on a farm, denotes that you will be fortunate in all undertakings.
To dream that you are buying a farm, denotes abundant crops to the farmer, a profitable deal of some kind to the business man, and a safe voyage to travelers and sailors.
If you are visiting a farm, it signifies pleasant associations.
Seeing or live on a farm in your dream, suggests that you need to develop aspect of yourself and utilize your potential. You are ready for growth.
A farm in a dream can represent financial success, either real or desired.
A farm that is on fire can symbolize energy.
The phrase bought the farm is sometimes used as a euphemism for died. Therefore, a farm in a dream may have the same symbolic meaning as death in a dream.
Seeing your or someone else's pet in your dream, represents civilized instincts. You are keeping your temper in line. Alternatively, it indicates a need for love and acceptance. You are lacking attention from others and are feeling neglected. The pet may also be a pun for "petting" as in some sexual behavior. Seeing a pet that has been dead for awhile, suggests that something that you had thought was left in the past is coming back to haunt you. Similarly to seeing your childhood home, a past pet serves the same function as trying to bring you back into that particular time period. A situation in your current life may parallel a situation in your past and the dream is providing a means of resolving it.
To dream that you are in a meeting, suggests that you need to redirect your energies toward a more productive endeavor. Alternatively, the dream means that you are learning to accept various aspects of yourself and integrating them into your personality.
To dream that you are late or miss a meeting, signifies anxieties that you are not measuring when it comes to achieving your goals. You may unprepared in some situation or challenge in your waking life.
Dreaming that you are in a meeting, suggests that you need to redirect your energies toward a more productive endeavor. Alternatively, you are learning to accept various aspects of yourself and integrating these various parts. Dreaming that you are late or miss a meeting means anxieties that you are not measuring when it comes to your professional life and toward achieving your goals. You may feel unprepared in some situation or challenge in your waking life.
Of the utmost importance in symbolism, both in connexion with
their distinguishing features, their movement, shapes and colours, and because of
their relationship with man. The origins of animal symbolism are closely linked
with totemism and animal worship. The symbolism of any given animal varies
according to its position in the symbolic pattern, and to the attitude and context
in which it is depicted. Thus the frequent symbol of the ‘tamed animal’ can
signify the reversal of those symbolic meanings associated with the same animal
when wild. In the struggle between a knight and a wild or fabulous animal—one of
the most frequent themes in symbolism—the knight’s victory can consist either
in the death or in the taming of the animal. In Chrétien de Troyes’ mediaeval
romance, Yvain, the hero is assisted by a lion. In the legend of St. George, the
conquered dragon serves its conqueror. In the West, some of the earliest references to animal symbolism are found in Aristotle and in Pliny, but the most
important source is the treatise Physiologus, written in Alexandria in the 2nd
century A.D. Another important contribution was made one or two centuries
later by Horapollo, with his two treatises on Hieroglyphica, based on Egyptian
symbolism. From these sources flows a stream of mediaeval animal symbolism
which produced such notable bestiaries as that of Philip of Thaun (A.D. 1121),
Peter of Picardy and William of Normandy (13th century); or the De Animalibus,
attributed to Albertus Magnus; Libre de les besties of Raymond Lull; and
Fournival’s Bestiaire d’Amour (14th century). The primitives’ view of animals,
as analysed by Schneider (50), is mirrored in all these works, namely that while
man is an equivocal, ‘masked’ or complex being, the animal is univocal, for its
positive or negative qualities remain ever constant, thus making it possible to
classify each animal, once and for all, as belonging to a specific mode of cosmic
phenomena. More generally, the different stages of animal evolution, as manifested by the varying degrees of biological complexity, ranging from the insect and
the reptile to the mammal, reflect the hierarchy of the instincts. In Assyrian and
Persian bas-reliefs, the victory of a higher over a lower animal always stands for
the victory of the higher life over the lower instincts. A similar case is in the
characteristic struggle of the eagle with the snake as found in pre-Columbian
America. The victory of the lion over the bull usually signifies the victory of Day
over Night and, by analogy, Light triumphing over Darkness and Good over Evil.
The symbolic classification of animals is often related to that of the four Elements. Animals such as the duck, the frog and the fish, however much they may
differ one from the other, are all connected with the idea of water and hence with
the concept of the ‘primal waters’; consequently, they can stand as symbols of
the origin of things and of the powers of rebirth (37, 9). On the other hand, some animals, such as dragons and snakes, are sometimes assigned to water, sometimes
to earth and sometimes even to fire (17). However, the most generally accepted
classification—which is also the most fundamentally correct—associates aquatic
and amphibious animals with water; reptiles with earth; birds with air; and mammals (because they are warm-blooded) with fire. For the purposes of symbolic
art, animals are subdivided into two categories: natural (often in antithetical
pairs: toad/frog, owl/eagle, etc.) and fabulous. Within the cosmic order, the latter
occupy an intermediate position between the world of fully differentiated beings
and the world of formless matter (50). They may have been suggested by the
discovery of skeletons of antediluvian animals, and also by certain beings which,
though natural, are ambiguous in appearance (carnivorous plants, sea urchins,
flying fish, bats), and thus stand for flux and transformism, and also for purposeful evolution towards new forms. In any event, fabulous animals are powerful
instruments of psychological projection. The most important fabulous animals
are: chimaera, sphinx, lamia, minotaur, siren, triton, hydra, unicorn, griffin, harpy,
winged horse, hippogryph, dragon, etc. In some of these the transmutation is a
simple one, and clearly positive in character—such as Pegasus’ wings (the spiritualization of a lower force)—but more often the symbol is a consequence of a
more complex and ambiguous process of the imagination. The result is a range of
highly ambivalent symbols, whose significance is heightened by the ingrained
belief in the great powers exercised by such beings as well as in the magic importance of abnormality and deformity. In addition, there are animals which, while
hardly or not at all fabulous in appearance, are credited with non-existential or
supernatural qualities as the result of a symbolic projection (for example, the
pelican, phoenix, salamander). There is a fragment by Callimachus on the Age of
Saturn, in which animals have the power of speech (this being a symbol of the
Golden Age which preceded the emergence of the intellect—Man—when the
blind forces of Nature, not yet subject to the logos, were endowed with all sorts
of extraordinary and exalted qualities). Hebrew and Islamic traditions also include
references to ‘speaking animals’ (35). Another interesting classification is that of
‘lunar animals’, embracing all those animals whose life-span includes some kind
of cyclic alternation, with periodic appearances and disappearances (18). The
symbolism of such animals includes, in addition to the animal’s specific symbolic
significance, a whole range of lunar meanings. Schneider also mentions a very
curious primitive belief: namely, that the voice of those animals which can be said
to serve as symbols of heaven is high-pitched if the animal is large (the elephant,
for example), but low-pitched if the animal is small (as the bee); while the converse is true of earth-symbol animals. Some animals, in particular the eagle and the lion, seem to embody certain qualities, such as beauty and the fighting spirit,
to such an extent that they have come to be universally accepted as the allegorical
representations of these qualities. The emblematic animals of Roman signa were:
eagle, wolf, bull, horse and wild boar. In symbolism, whenever animals (or any
other symbolic elements) are brought together in a system, the order of arrangement is always highly significant, implying either hierarchical precedence or relative position in space. In alchemy, the descending order of precedence is symbolized by different animals, thus: the phoenix (the culmination of the alchemical
opus), the unicorn, the lion (the necessary qualities), the dragon (prime matter)
(32). Symbolic groups of animals are usually based on analogical and numerical
patterns: the tetramorphs of Western tradition, as found in the Bible, are a fundamental example; another example would be the Chinese series of the four benevolent animals: the unicorn, phoenix, turtle and dragon. The following animals occur
particularly in Romanesque art: the peacock, ox, eagle, hare, lion, cock, crane,
locust and partridge (50). Their symbolic meaning is mainly derived from the
Scriptures or from patristic tradition, though some meanings, arising from analogy, such as that between cruelty and the leopard, are immediately obvious (20).
The importance in Christianity of the symbols of the dove, the lamb and the fish
is well known. The significance of the attitudes in which symbolic animals are
depicted is usually self-evident: the counterbalancing of two identical—or two
different— animals, so common in heraldry, stands for balance (i.e. justice and
order, as symbolized for instance by the two snakes of the caduceus); the animals
are usually shown supporting a shield or surmounting the crest of a helmet. Jung
supports this interpretation with his observation that the counterbalancing of the
lion and the unicorn in Britain’s coat of arms stands for the inner stress of
balanced opposites finding their equilibrium in the centre (32). In alchemy, the
counterbalancing of the male and the female of the same species (lion/lioness, dog/
bitch) signifies the essential contrast between sulphur and mercury, the fixed and
the volatile elements. This is also the case when a winged animal is opposed to a
wingless one. The ancient interest in animals as vehicles of cosmic meanings, over
and above the mere fact of their physical existence, persisted from the earliest
beginnings of the Neolithic Age up to as late as 1767, with the publication of such
works as Jubile van den Heyligen Macarius. This treatise describes processions
in which each symbolic chariot has a characteristic animal (the peacock, phoenix,
pelican, unicorn, lion, eagle, stag, ostrich, dragon, crocodile, wild boar, goat, swan,
winged horse, rhinoceros, tiger and elephant). These same animals, together with
many others (such as the duck, donkey, ox, owl, horse, camel, ram, pig, deer stork, cat, griffin, ibis, leopard, wolf, fly, bear, bird, dove, panther, fish,-snake
and fox) are those mainly used also as watermarks in papermaking. The use of
watermarks, undoubtedly mystical and symbolic in origin, spread throughout the
Western world from the end of the 13th century onwards. All the above particular
symbolic uses rest on a general symbolism of animals, in which they are related to
three main ideas: the animal as a mount (i.e. as a means of transport); as an object
of sacrifice; and as an inferior form of life (4). The appearance of animals in
dreams or visions, as in Fuseli’s famous painting, expresses an energy still undifferentiated and not yet rationalized, nor yet mastered by the will (in the sense of
that which controls the instincts) (31). According to Jung, the animal stands for
the non-human psyche, for the world of subhuman instincts, and for the unconscious areas of the psyche. The more primitive the animal, the deeper the stratum
of which it is an expression. As in all symbolism, the greater the number of objects
depicted, the baser and the more primitive is the meaning (56). Identifying oneself
with animals represents integration of the unconscious and sometimes—like immersion in the primal waters—rejuvenation through bathing in the sources of life
itself (32). It is obvious that, for pre-Christian man (as well as in amoral cults),
the animal signifies exaltation rather than opposition. This is clearly seen in the
Roman signa, showing eagles and wolves symbolically placed on cubes (the
earth) and spheres (heaven, the universe) in order to express the triumphant
power of the force of an instinct. With regard to mythic animals, a more extensive
treatment of this subject is to be found in the Manual de zoología fantástica of
Borges y Guerrero (Mexico and Buenos Aires, 1957), in which such creatures are
characterized as basically symbolic and, in most cases, expressive of ‘cosmic
terror’.
To see animals in your dream, represent your own physical characteristic, primitive desires, and sexual nature, depending on the qualities of the particular animal. Animals symbolize the untamed and uncivilized aspects of yourself. Thus, to dream that you are fighting with an animal signifies a hidden part of yourself that you are trying to reject and push back into your subconscious. Refer to the specific animal in your dream.
To dream that animals can talk, represent superior knowledge. Its message is often some form of wisdom. Alternatively, a talking animal denotes your potential to be all that you can be.
To dream that you are saving the life of an animal, suggests that you are successfully acknowledging certain emotions and characteristics represented by the animal. The dream may also stem from feelings of inadequacy or being overwhelmed. If you are setting an animal free, then it indicates an expression and release of your own primal desires.
To see lab animals in your dream, suggest that an aspect of yourself is being repressed. You feel that you are not able to fully express your desires and emotions. Alternatively, it suggests that you need to experiment with your fears, choices, and beliefs. Try not to limit yourself.
Seeing a squid in your dream, suggests that unconsciously you are feeling threatened. Your judgment may also be clouded. Perhaps you are not seeing things too clearly at the moment. Alternatively, it symbolizes greed. It is always about what you want. Dreaming that you are Seeing or eating squid indicates that you are feeling self-conscious and worried how others perceive you. You may be finding it easier to isolate yourself instead of risking judgment from others.
Squid guides movement and productivity at night and aids in finding what is hidden. As with Octopus, the art of camouflage is important. She teaches adaptability to situations and concealment until the moment is right. Squid aids and balances the emotional realm. Communication may include light and color at this time. Is it time to fulfill or embark on artistic endeavors? She will show how to be aware with the skill of retreat. Curious and observant, Squid medicine helps in transitioning between the un/subconscious worlds leading you to explore more facets of your spiritual being.
To dream that you are feeling bad, suggests that you are off balance, off centered, or even feeling worthless.