In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

To dream about acceptance, indicates issues of self-esteem and measuring up to the expectations of others. There is a waking situation where you are seeking acceptance and wanting to be a part of.

To dream of seeing turkeys, signifies abundant gain in business, and favorable crops to the farmer.

To see them dressed for the market, denotes improvement in your affairs.

To see them sick, or dead, foretells that stringent circumstances will cause your pride to suffer.

To dream you eat turkey, foretells some joyful occasion approaching.

To see them flying, denotes a rapid transit from obscurity to prominence.
To shoot them as game, is a sign that you will unscrupulously amass wealth.

To see a turkey in your dream, indicates that you are being foolish. You are not thinking clearly. Alternatively, a turkey is symbolic of Thanksgiving and thus, a time of togetherness and family.

To see a sick or dead turkey in your dream, denotes an attack to your pride.

To see a flying turkey in your dream, foretells of a rapid rise from obscurity to a position of prominence.

To dream that you are hunting or shooting a turkey, suggests that your success is achieved through dishonest and underhanded means.

Seeing a turkey in your dream indicates that you have been foolish. You are not thinking clearly. Alternatively, it may represent Thanksgiving and thus, a time of togetherness and family, Seeing sick or dead turkeys in your dream indicates an attack to your pride. Seeing a flying turkey in your dream, foretells of a rapid rise from obscurity to a position of prominence. Dreaming that you hunt turkeys means that you will acquire wealth through dishonest means.

Turkey Animal Symbolism

Turkeys have been a symbol of thanksgiving and abundance long before the Piligrim's "first meal" in 1621 with the Northern Native Americans.

Native American Indians view the turkey as both a symbol of abundance and fertility. Indeed, the turkey was the guest of honor (sacrificial, that is) in various fertility and gratitude ceremonies.

The Creek tribes still practice the turkey dance during its annual fire festivals. The feathers of turkeys are also used in ritual (see my Native American Feather Symbolism post )

The turkey was thought to be sacred to ancient Mexican cultures. The Aztecs, Mayans and Toltecs viewed the turkey as a "jeweled bird" and also referred to it as the "Great Xolotl." Male turkeys were honored for it's beauty and essence of cocky pride.

A Quick-list summary of animal symbolism of the turkey:

Pride
Abundance
Generosity
Awareness
Virility
Fertility
Sacrifice

Turkeys (like the peacock) give clear signs of agitation prior to poor weather conditions This is often seen by primitive cultures as a symbol of foretelling.

Turkeys are at their peak of power in the autumn months. As fall season animals, turkeys are also symbolic of:

harvest
new beginnings
cycles
preparation

Animal symbolism of the turkey also deals with male virility and pride. This isn't surprising when we observe male turkeys in the wild. They are quite noble looking as the strut and fan their impressive plumage for all to see.

When the turkey visits us it is a sign that we must be mindful of the blessings bestowed upon us each day. Further, it is a message to express our strength and brilliance - it's time to show our own plumage and reveal true selves.

Harvest time, makes us thankful for all blessings, shows adaptability in all areas of life, energy of sharing and gift giving, teaches us how to harvest items with patience, show us how to expand our thoughts to attract we need, there is a time for everything so patience is necessary for there is a time to fly and a time to be grounded. Turkey teaches the vitality of life and how all is sacred. It is time to listen to your higher vision to achieve goals whether it be spiritual, physical, mental or emotional. Turkey will aid in the exchange and transformation of such perceptions.

To dream of your wife, denotes unsettled affairs and discord in the home.

To dream that your wife is unusually affable, denotes that you will receive profit from some important venture in trade.

For a wife to dream her husband whips her, foretells unlucky influences will cause harsh criticism in the home and a general turmoil will ensue.

To see your wife in your dream, signifies discord and unresolved issues. Pay attention to how you feel in the dream as it may highlight feelings that you are not expressing in your waking life. If you do not actually have a wife, then your dream wife symbolizes the feminine aspects of yourself. Perhaps you may even be expressing a desire to be in a committed relationship. Or the dream may just be a reflection of your waking life and bear no real significance.

Seeing your wife in your dream means discord and unresolved issues.

To dream that you are running about wild, foretells that you will sustain a serious fall or accident.

To see others doing so, denotes unfavorable prospects will cause you worry and excitement.

To see something wild in your dream, represents the uninhibited and animalistic aspect of your personality. In dreams, you feel freer to behave in a way that you normally would not in your waking life.

To see mushrooms in your dreams, denotes unhealthy desires, and unwise haste in amassing wealth, as it may vanish in law suits and vain pleasures.

To eat them, signifies humiliation and disgraceful love.

For a young woman to dream of them, foretells her defiance of propriety in her pursuit of foolish pleasures.

To dream that you are a bastard, suggests that you need to learn to give love in order to receive love.

To see or dream that you are a beggar, represents your sense of insecurity and lack of self-worth. You feel that you are undeserving. Alternatively, the dream may be telling you that "beggars can't be choosers". Perhaps you are being too picky about something that you should not be picky about.

To dream that you are helping a beggar, indicates that you will overcome your hardships and inadequacies.

To see an old, decrepit beggar, is a sign of bad management, and unless you are economical, you will lose much property. Scandalous reports will prove detrimental to your fame.

To give to a beggar, denotes dissatisfaction with present surroundings.

To dream that you refuse to give to a beggar is altogether bad.

Dreaming of or dream that you are a beggar, represents your sense of insecurity and lack of self-worth. You feel that you are undeserving.

Dreaming that you are talking to an unknown spirit, forewarns that someone is trying to deceive you. Generally if the spirit is known and welcomed it is a sign of great good luck and/or good fortune in business affairs.

To see a ribbon in your dream, signifies innocence, playfulness, festivities, frivolity and girliness. Consider the type of ribbon and how it is tied. Also consider the color of the ribbon for additional significance. For example, a blue ribbon is associated with being the best. Pink ribbon is symbolic of breast cancer awareness. Yellow ribbon signifies the pending return of a loved one from the military. And a red ribbon symbolizes AIDS awareness.

Seeing ribbons floating from the costume of any person in your dreams, indicates you will have gay and pleasant companions, and practical cares will not trouble you greatly.

For a young woman to dream of decorating herself with ribbons, she will soon have a desirable offer of marriage, but frivolity may cause her to make a mistake. If she sees other girls wearing ribbons, she will encounter rivalry in her endeavors to secure a husband. If she buys them, she will have a pleasant and easy place in life. If she feels angry or displeased about them, she will find that some other woman is dividing her honors and pleasures with her in her social realm.

Seeing floating ribbons floating in your dream means pleasant companions.

To dream of seeing only the side of any object, denotes that some person is going to treat your honest proposals with indifference.

To dream that your side pains you, there will be vexations in your affairs that will gall your endurance.

To dream that you have a fleshy, healthy side, you will be successful in courtship and business.