So me and DC are making these pieces of silver, platinum metal-like devices and originally that were in the shape of 5's. Somewhere in the alchemical mixing the 5's transform into different shaped parts. Each piece was one of two pieces that completed the swastika. And i'm talking about the Buddha swastika that sits straight up, the real super galactic pimpin' swastika.
So we're playing with what elements make up the metals so when the two pieces join it creates another entity of energy. Like each piece is a different alchemical mix and when joined to create that design it is an activation of some sort. A brushed metal looking design.
And I remember after that there was another scene where I was rollin over to his house. I was there betting with a few people and I remember this one lady threw down a BIG stack of cash and I remember counting the stack and it was around $700.
I can't recall who won, i just got the vision that we're playing the "game" they're betting and i'm betting, they're all IN.
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a little buddha swastika information:
It is referred to as "The Seal on Buddha's Heart". In Buddhism, a swastika often appears on the chest of past and modern images of a Buddha.
It means….good luck, good fortune and well being…
The word swastika came from the Sanskrit word svastika, meaning Lucky or auspicious object, and in particular a mark made on persons and things to denote good luck.
It is composed of su- meaning "good, well" and asti "to be" svasti thus means "well-being." The suffix -ka either forms a diminutive or intensifies the verbal meaning, and svastika might thus be translated literally as "that which is associated with well-being," corresponding to "lucky charm".
The left-hand swastika (called a sauvastika) usually represents the terrifying goddess Kali, night and magic. However, this form of the swastika is not “evil” and it is the form most commonly used in Buddhism.
The right-hand swastika is one of the 108 symbols of the god Vishnu as well as a symbol of the sun and of the sun god Surya. The symbol imitates in the rotation of its arms the course taken daily by the sun.
To see Vishnu in your dream, symbolizes love, mercy, grace, and truth. His appearance in your dream may be an indication that you need time for contemplation.
The real beginnings of alchemy date back to the first centuries
A.D., when it was practised mainly by Greeks and Arabs. Elements from
various traditions, including Christian mysticism, were later incorporated. It
was essentially a symbolic process involving the endeavour to make gold,
regarded as the symbol of illumination and salvation. The four stages of the
process were signified by different colours, as follows: black (guilt, origin,
latent forces) for ‘prime matter’ (a symbol of the soul in its original condition);
white (minor work, first transmutation, quicksilver); red (sulphur, passion);
and, finally, gold. Piobb analyses the symbolic meaning of the various operations. The first, known as calcination, stood for the ‘death of the profane’, i.e.
the extinction of all interest in life and in the manifest world; the second,
putrefaction, was a consequence of the first, consisting of the separation of
the destroyed remains; solution, the third, denoted the purification of matter;distillation, the fourth, was the ‘rain’ of purified matter, i.e. of the elements of
salvation isolated by the preceding operations; fifthly, conjunction symbolized
the joining of opposites (the coincidentia oppositorum, identified by Jung with
the close union, in Man, of the male principle of consciousness with the female
principle of the unconscious); sublimation, the sixth stage, symbolized the suffering resulting from the mystic detachment from the world and the dedication to
spiritual striving. In emblematic designs, this stage is depicted by a wingless
creature borne away by a winged being, or sometimes it is represented by the
Prometheus myth. The final stage is philosophic congelation, i.e. the binding
together inseparably of the fixed and the volatile principles (the male/invariable
with the female/’saved’ variable). Alchemical evolution is epitomized, then, in the
formula Solve et Coagula (that is to say: ‘analyse all the elements in yourself,
dissolve all that is inferior in you, even though you may break in doing so; then,
with the strength acquired from the preceding operation, congeal’) (48). In addition to this specific symbolism, alchemy may be seen as the pattern of all other
work. It shows that virtues are exercised in every kind of activity, even the
humblest, and that the soul is strengthened, and the individual develops. Evola
(Tradizione Ermetica) writes: ‘Our Work is the conversion and change of one
being into another being, one thing into another thing, weakness into strength,
bodily into spiritual nature. . . .’ On the subject of the hermaphrodite, Eugenio
d’Ors (Introducción a la vida angélica) writes: ‘That which failed to “become
two in one flesh” (love) will succeed in “becoming two in one spirit” (individuation).’
To dream of alchemy, suggests that you are going through a period of turmoil, inner transformation, and self-renewal. You are striving toward perfection. Although these may be tough and difficult times, it will have a positive outcome.
Alchemy is a sign of change, inner change. You might be going through a period of transformation, which will not be always easy, but the rewards will be greater than the pain.
a medieval chemical philosophy or art, having as its asserted aims the transmutation or transformation of base metals into gold. the discovery of the panacea, and the preparation of the elixir of longevity. The miraculous power of transmutation or extraction. Now considered a "psuedo-science" commonly recalled for experiments to transmute base metals into gold, the formulation of a universal cure to remedy all known diseases, the indefinite extension of life through chemical and magical means, and the production of artificial life forms in a laboratory setting. Richly illustrated in symbolism and steeped in arcane traditions, the practice of alchemy eventually led to the formation of accepted sciences such as chemistry. Today, sometimes regarded as a symbolic philosophy for the evolution of the human spirit from 'base man' to 'enlightened man' through the use of alchemical symbolism and imagery.
This graphic symbol is to be found in almost every ancient and
primitive cult all over the world—in Christian catacombs, in Britain, Ireland,
Mycenae and Gascony; among the Etruscans, the Hindus, the Celts and the
Germanic peoples; in central Asia as well as in pre-Columbian America. The
implications of the swastika are very wide, for it is a synthesis of two symbols of
independent force: the (Greek) cross with arms of equal length and the cross with four arms appearing to rotate in the same direction. The tetraskelion, or swastika
with four arms at right angles, is also called the gammadion because it can be
formed by joining up four gamma letters. According to Ludwig Müller, the swastika, during the Iron Age, represented the supreme deity (39). For Mackenzie, it
is associated with agriculture and with the points of the compass. Colley March
sees the swastika as a specific sign denoting rotation about an axis. There are in
fact two swastikas: the right-handed Swastika and the left-handed Swavastika
(41). The shape of the swastika has been interpreted as a solar wheel with rays
and feet sketched in at the extremities (56). By the Middle Ages, the most general
interpretation was that it symbolized movement and the power of the sun (14);
but, at the same time, it was seen as an obvious symbol of the quaternary, in the
particular sense of the ‘configuration of a movement split up into four parts’,
related to the poles and the four cardinal directions (16). The latter view is one
held by René Guénon, for whom the swastika is the ‘sign of the pole’. Since it is
widely accepted that the pole and the zenith coincide with the mystic Centre, it
follows, then, that the swastika would signify the action of the Origin upon the
universe (25). Schneider has suggested a very different meaning: that the swastika
is the symbol of the succession of the generations, and that the hooks on the ends
of its arms are the ships of life, or, put another way, the different stages of life
(51).
To see the swastika in your dream, symbolizes hatred, evil, cruelty, and destruction. It is commonly associated with the Nazis.
Seeing the swastika in your dream, symbolizes hatred, evil, cruelty, and destruction. It is commonly associated with the Nazis.
To see Buddha in your dream, symbolizes wisdom, insight, compassion, and inner spirituality. You need to find calmness and peace within your own Self.
Dreaming of Buddha, symbolizes wisdom, insight, compassion, and inner spirituality.
To remember something in your dream, indicates that you have learned something significant from your past mistakes or previous experiences. The dream may also serve as a reminder of something important that is occurring in your waking life. You are so worried that you will forget something that the preoccupation has made its way into your dream.
In theogony, the Sun represents the moment (surpassing all others in the
succession of celestial dynasties) when the heroic principle shines at its brightest.
Thus, after Uranus, Saturn and Jupiter, comes Helios Apollo. On occasion, the
Sun appears as the direct son and heir of the god of heaven, and Krappe notes that
he inherits one of the most notable and moral of the attributes of this deity: he
sees all and, in consequence, knows all. In India, as Sûrya, it is the eye of Varuna;
in Persia, it is the eye of Ahuramazda; in Greece, as Helios, the eye of Zeus (or of
Uranus); in Egypt it is the eye of Ra, and in Islam, of Allah (35). With his
‘youthful’ and filial characteristic, the Sun is associated with the hero, as opposed
to the father, who connotes the heavens, although the two (sun and sky) are
sometimes equated. Hence, the weapon of heaven is the net (the pattern of the
stars) or the power of binding; while the hero is armed with the sword (symbolically associated with fire). And it is for this reason that heroes are promoted to
solar eminence and even identified with the Sun itself. In a given period of history
and at a certain cultural level, the solar cult is the predominant if not the only one.
Frazer, however, as Eliade has noted, brought out the divergencies of the solar
elements in the sacred rites of Africa, of Australia and Oceania as a whole, and of
North and South America. The cult of the Sun reached an advanced stage of
development only in the New World, and—most advanced of all—in Mexico and
Peru. Eliade concludes that, since these were the only countries in pre-Columbian
America to evolve a viable political system, it may be concluded that there is a
parallel between predominantly solar cults and ‘historical’ forms of human existence. We must not overlook the fact that Rome, the most powerful political force
of Antiquity, and the originator of the historical sense, upheld solar hierophany,
which, during the Empire, dominated all other cults in the form of Mithraic ritual
(17). An heroic and courageous force, creative and guiding—this is the core of
solar symbolism; it may actually come to constitute a religion complete in itself,
as is shown by the ‘heresy’ of Ikhnaton in the 18th dynasty of Egypt; here the
hymns to the sun are, setting aside their profound lyrical interest, expressions of
theories about the beneficent activity of the king of astral bodies. The sun on the
horizon had long served the Egyptians of the Ancient Empire as a means of
defining ‘brightness’ or ‘splendour’. They were also forcibly struck by the analogy between the daily disappearance of the Sun and the winter solstice (19). At same time, there was, for the primitive, astrobiological mind, an essential connexion
between the Sun and Moon, analogous to that between heaven and earth. It is well
known that, for the vast majority of peoples, the sky is symbolic of the active
principle (related to the masculine sex and to the spirit), while the earth symbolizes the passive principle (cognate with the feminine sex and with matter); these
equations, nevertheless, are occasionally transposed. And the same thing happens with the Sun and Moon: solar ‘passion’, so to speak, with its heroic and
fierce character, clearly had to be assimilated to the masculine principle, and the
pale and delicate nature of lunar light, with its connexion with the waters of the ocean (and the rhythm of woman), obviously had to be classified as feminine.
These equations are certainly not constant; but the exceptions do not invalidate
the essential truth of this symbolism. Even physically speaking, the Moon merely
fulfils the passive rôle of reflecting the light which the Sun actively diffuses.
Many primitive tribes hold that the eyes of heaven are the Sun and the Moon
located on either side of the ‘world-axis’, and there are prehistoric drawings and
engravings which may be interpreted after this fashion. Eliade notes that, for the
Pigmies and Bushmen, the sun is the eye of the supreme god. The Samoyeds see
the Sun and the Moon as the eyes of heaven, the Sun being the good eye, and the
Moon the evil eye (one can see here an unequivocal instance of the symbolism of
dualism expanded by the assimilation of that of moral polarity). The idea of the
invincible character of the sun is reinforced by the belief that whereas the Moon
must suffer fragmentation (since it wanes) before it can reach its monthly stage of
three-day disappearance, the Sun does not need to die in order to descend into
hell; it can reach the ocean or the lake of the Lower Waters and cross it without
being dissolved. Hence, the death of the Sun necessarily implies the idea of
resurrection and actually comes to be regarded as a death which is not a true death.
For this reason, too, ancestor-worship is associated with the cult of the sun, in
order to offer the symbolic promise of protection and salvation. Megalithic monuments are based upon the amalgamation of these two cults (17). Thus, the broadest and most authentic interpretation sees the sun as the cosmic reductio of the
masculine force, and the Moon of the feminine (49). This implies that the active
faculties (of reflexion, good judgement or will power) are solar, while the passive
qualities (imagination, sentiment and perception) are feminine, with intuition
possibly androgynous (26). The ‘correspondences’ of the Sun are chiefly gold,
among the metals, and, of the colours, yellow.
Alchemists regarded it as ‘gold prepared for the work’ or ‘philosophical
sulphur’, as opposed to the Moon and mercury (the metal), which is lunar (57).
Another alchemic concept, that of the Sol in homine (or the invisible essence of
the celestial Sun which nourishes the inborn fire of Man) (57), is an early pointer
to the way the astral body has latterly been interpreted by psychoanalysts,
narrowing its meaning down to that of heat or energy, equivalent to the fire of life
and the libido. Hence Jung’s point that the Sun is, in truth, a symbol of the source
of life and of the ultimate wholeness of man (32). But here there is probably some
inexactitude, for totality is in fact uniquely symbolized by the ‘conjunction’ of
the Sun and the Moon, as king and queen, brother and sister (32). In some
folklore-traditions, the urge to allude in some way to the supreme good, which, by definition, is incapable of definition, is met by the saying ‘to join the Sun and
the Moon’.
Now, having established the principal terms of solar symbolism—as an heroic image (Sol invictus, Sol salutis, Sol iustitiae) (14), as the divine eye, the active
principle and the source of life and energy—let us come back to the dualism of the
Sun as regards its hidden passage—its ‘Night Sea-Crossing’—symbolic of immanence (like the colour black) and also of sin, occultation and expiation. In the
Rigveda—Eliade reminds us—the Sun is ambivalent: on the one hand it is ‘resplendent’ and on the other it is ‘black’ or invisible, in which case it is associated
with chthonian and funereal animals such as the horse and the serpent (17).
Alchemists took up this image of the Sol niger to symbolize ‘prime matter’, or
the unconscious in its base, ‘unworked’ state. In other words, the Sun is then at
the nadir, in the depths out of which it must, slowly and painfully, ascend
towards its zenith. This inevitable ascent does not relate to its daily journey,
although this is used as an image, and hence it is symbolized by the transmutation
of prime matter into gold, passing through the white and red stages, like the Sun
itself in its orbit. Of undoubted interest, as an indication of the intensity of man’s
attitude towards the Sun, is the reference by Tacitus and Strabo to the ‘sound’
made by the Sun as it rises in the East and drowns in the oceans of the West. The
sudden disappearance of the Sun below the horizon is related to the sudden death
of heroes such as Samson, Hercules and Siegfried (35).
To dream of seeing a clear, shining sunrise, foretells joyous events and prosperity, which give delightful promises.
To see the sun at noontide, denotes the maturity of ambitions and signals unbounded satisfaction.
To see the sunset, is prognostic of joys and wealth passing their zenith, and warns you to care for your interests with renewed vigilance.
A sun shining through clouds, denotes that troubles and difficulties are losing hold on you, and prosperity is nearing you.
If the sun appears weird, or in an eclipse, there will be stormy and dangerous times, but these will eventually pass, leaving your business and domestic affairs in better forms than before.
To see the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy and divine power. Generally, the sun is a good omen, especially if the sun is shining in your dream. The sun may also be a metaphor for your "son".
To dream that the sun has a creepy, harsh glare, represents a significant disruption or serious problem in your life. The sun is considered a life-giver and thus, any abnormalities and peculiarities to the sun's appearance represents some sort of pain or chaos occurring in your waking life.
Seeing the sun in your dream, symbolizes peace of mind, enlightenment, tranquility, fortune, goodwill, and insight. It also represents radiant energy. It is a good omen to have the sun shining in your dream.
The sun sustains all life on Earth. When you see it in your dreams, it suggests that you are being nurtured and sustained by your environment and your life choices. It could also represent a spiritual force or the light of God. Sunrise may indicate new beginnings and a new wave of energy while sunsets suggest a period of closure and completion. Sunlight in your dreams is never a negative symbol. Light always symbolises or indicates consciousness and may signify masculine energy. Its presence, even in the most disturbing dreams, has reassuring qualities. Old dream interpretation books say that sun shining on you is an omen of good fortune and good will.
Planet: Sun.
Season: Summer.
Positive associations with this tarot card:
happiness, greatness, enlightenment, vitality, good health, love, fulfillment.
Negative associations with this tarot card:
misjudgement, delays, potential failure, inflated ego.
Simply one of the best, if not the best, cards in the Tarot. The Sun is a most welcome card and a signal of very happy, joyous times.
This card can represent holidays, good news around children or perhaps news or the conception or birth of a much wanted baby.
The Sun heralds a time of fun with friends and family and agreeable companionships and relationships.
Ultimately The Sun dispels negativity and promises of a happy ending.
Negatively The Sun perhaps suggests delays to your plans or achievements and does warn against arrogance and misjudgement caused by an inflated ego.