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I Ching + Sacred Typography Inceptions

I am in this building with Matty Mac, we're on the hunt for these sacred documents. We know somewhere within the building there is a folder with these documents of information.
I find them and go through the papers, the most vivid clear one was a paper with 6 various I Ching designs, two rows of three. They are pencil or faded ink drawn, very old and the paper is very old as well. There are many other documents and papers within the folder.

They (whoever "they" are) are after us because of the files. I notice they're close and run into one room and hid under this futon/couch. They come in the room search around and pass through. Within a few my sister ends up discovering me and pulls back the futon. Then I roll out of there and find out that Matty was caught by whoever was searching for us. He had most of the documents except for one paper.

The place is calm and I run into this older asian man downstairs, I was definitely in China, but possibly Japan. I tell him I have one paper left from the documents and it was the ultimate paper I was after which was the style of font / typography and of course it was a message spelled and was a lost and forgotten language with great sacred importance.

He tells me "You have the only thing you need." Then continues to explain to do what needs to be done to decode the message and bring back that language and artistic typography back.

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I am now pulling 6 of the most resonant I Ching designs I can find and going to recreate all of them digitally through Illustrator, Maya, C4D. I will meditate and move into creating/re-creating the forgotten languages and glyphs.

12
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The last two images I created after the dream. The first one (the cover picture) I created in Illustrator and the gold one I did in Cinema 4D

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