To see your brothers, while dreaming, full of energy, you will have cause to rejoice at your own, or their good fortune; but if they are poor and in distress, or begging for assistance, you will be called to a deathbed soon, or some dire loss will overwhelm you or them.

To see a vampire in your dream, symbolizes seduction and sensuality, as well as fear and death. The vampire represents contrasting images of civilized nobility and aggression/ferocity. It may depict someone in your waking life whose charm may ultimately prove harmful. Deep down inside, you know that this person is bad for you, yet you are still drawn to him or her. Vampires also sometimes relate to decisions about sex and losing your virginity. Alternatively, to see a vampire suggests that you are feeling physically or emotionally drained. The vampire may also be symbolic of someone who is addicted to drugs or someone in an obsessive relationship.

To dream that you are a vampire, signifies that you are sucking in the life energy of others for your own selfish benefit.

Seeing a vampire in your dream, symbolizes seduction and sensuality, as well as fear and death. The vampire represents contrasting images of civilized nobility and aggression/ferocity. It may depict someone in your waking life whose charm may ultimately prove harmful. Deep down inside you know that this person is bad for you, yet you are still drawn to it. Alternatively, to see a vampire suggests that you are feeling physically or emotionally drained. The vampire may also be symbolic for someone who is addicted to drugs or someone in an obsessive relationship. Dreaming that you are a vampire means that you are sucking in the life energy of others for your own selfish benefit.

Vampires, for most people, represent powerful and evil creatures. Dreaming about vampires suggests that the dreamer may be feeling overwhelmed in some areas of his or her life and is struggling with negative thoughts, feelings, and actions. You may be currently concerned about ethical or moral issues and are experiencing anxiety as a result. The vampire represents personal attributes or negative habits that drain energy and resources or cause emotional exhaustion. If a vampire is attacking you, you may perceive yourself as a powerless victim. Interpreting this dream's message may help you to identify the source of your negative feelings and helplessness.

Mythical creature who rises up out of it's grave at night to feed on the blood of others. Mythological or folkloric beings who subsist by feeding on the life essence (generally in the form of blood) of living creatures, regardless of whether they are undead or a living person. Although vampiric entities have been recorded in many cultures and in spite of speculation by literary historian Brian Frost that the "belief in vampires and bloodsucking demons is as old as man himself", and may go back to "prehistoric times", the term vampire was not popularized until the early 18th century, after an influx of vampire superstition into Western Europe from areas where vampire legends were frequent, such as the Balkans and Eastern Europe, although local variants were also known by different names, such as vrykolakas in Greece and strigoi in Romania. This increased level of vampire superstition in Europe led to mass hysteria and in some cases resulted in corpses actually being staked and people being accused of vampirism.
While even folkloric vampires of the Balkans and Eastern Europe had a wide range of appearance ranging from nearly human to bloated rotting corpses, it was the success of John Polidori's1819 novella The Vampyre that established the archetype of charismatic and sophisticated vampire; it is arguably the most influential vampire work of the early 19th century, inspiring such works as Varney the Vampire and eventually Dracula.
However, it is Bram Stoker's 1897 novel Dracula that is remembered as the quintessential vampire novel and which provided the basis of modern vampire fiction. Dracula drew on earlier mythologies of werewolves and similar legendary demons and "was to voice the anxieties of an age", and the "fears of late Victorian patriarchy". The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, video games, and television shows. The vampire is such a dominant figure in the horror genre that literary historian Susan Sellers places the current vampire myth in the "comparative safety of nightmare fantasy".
The Oxford English Dictionary dates the first appearance of the word vampire in English from 1734, in a travelogue titled Travels of Three English Gentlemen published in the Harleian Miscellany in 1745. Vampires had already been discussed in German literature. After Austria gained control of northern Serbia and Oltenia with the Treaty of Passarowitz in 1718, officials noted the local practice of exhuming bodies and "killing vampires". These reports, prepared between 1725 and 1732, received widespread publicity.
The English term was derived (possibly via French vampyre) from the German Vampir, in turn derived in the early 18th century from the Serbian вампир/vampir. when Arnold Paole, a purported vampire in Serbia was described during the time Serbia was incorporated into the Austrian Empire.
The Serbian form has parallels in virtually all Slavic languages: Bulgarian вампир (vampir), Croatian upir /upirina, Czech and Slovak upír, Polish wąpierz, and (perhaps East Slavic-influenced) upiór, Finnish vampyyri, Ukrainian упир (upyr), Russian упырь (upyr'), Belarusian упыр (upyr), from Old East Slavic упирь (upir'). (Note that many of these languages have also borrowed forms such as "vampir/wampir" subsequently from the West; these are distinct from the original local words for the creature.) The exact etymology is unclear. Among the proposed proto-Slavic forms are *ǫpyrь and *ǫpirь. Another, less widespread theory, is that the Slavic languages have borrowed the word from a Turkic term for "witch" (e.g., Tatar ubyr).
The first recorded use of the Old Russian form Упирь (Upir') is commonly believed to be in a document dated 6555 (1047 AD).[23] It is a colophon in a manuscript of the Book of Psalms written by a priest who transcribed the book from Glagolitic into Cyrillic for the Novgorodian Prince Volodymyr Yaroslavovych. The priest writes that his name is "Upir' Likhyi " (Оупирь Лихыи), which means something like "Wicked Vampire" or "Foul Vampire". This apparently strange name has been cited as an example both of surviving paganism and of the use of nicknames as personal names.
Another early use of the Old Russian word is in the anti-pagan treatise "Word of Saint Grigoriy", dated variously to the 11th–13th centuries, where pagan worship of upyri is reported.
Many elaborate rituals were used to identify a vampire. One method of finding a vampire's grave involved leading a virgin boy through a graveyard or church grounds on a virgin stallion—the horse would supposedly balk at the grave in question. Generally a black horse was required, though in Albania it should be white. Holes appearing in the earth over a grave were taken as a sign of vampirism.
Corpses thought to be vampires were generally described as having a healthier appearance than expected, plump and showing little or no signs of decomposition. In some cases, when suspected graves were opened, villagers even described the corpse as having fresh blood from a victim all over its face. Evidence that a vampire was active in a given locality included death of cattle, sheep, relatives or neighbours. Folkloric vampires could also make their presence felt by engaging in minor poltergeist-like activity, such as hurling stones on roofs or moving household objects, and pressing on people in their sleep.
An image from Max Ernst's Une Semaine de BontéApotropaics, items able to ward off revenants, are common in vampire folklore. Garlic is a common example, a branch of wild rose and hawthorn plant are said to harm vampires, and in Europe, sprinkling mustard seeds on the roof of a house was said to keep them away. Other apotropaics include sacred items, for example a crucifix, rosary, or holy water. Vampires are said to be unable to walk on consecrated ground, such as those of churches or temples, or cross running water. Although not traditionally regarded as an apotropaic, mirrors have been used to ward off vampires when placed facing outwards on a door (in some cultures, vampires do not have a reflection and sometimes do not cast a shadow, perhaps as a manifestation of the vampire's lack of a soul). This attribute, although not universal (the Greek vrykolakas/tympanios was capable of both reflection and shadow), was used by Bram Stoker in Dracula and has remained popular with subsequent authors and filmmakers. Some traditions also hold that a vampire cannot enter a house unless invited by the owner, although after the first invitation they can come and go as they please. Though folkloric vampires were believed to be more active at night, they were not generally considered vulnerable to sunlight.
Methods of destroying suspected vampires varied, with staking the most commonly cited method, particularly in southern Slavic cultures. Ash was the preferred wood in Russia and the Baltic states, or hawthorn in Serbia, with a record of oak in Silesia. Potential vampires were most often staked through the heart, though the mouth was targeted in Russia and northern Germany and the stomach in north-eastern Serbia. Piercing the skin of the chest was a way of "deflating" the bloated vampire; this is similar to the act of burying sharp objects, such as sickles, in with the corpse, so that they may penetrate the skin if the body bloats sufficiently while transforming into a revenant. Decapitation was the preferred method in German and western Slavic areas, with the head buried between the feet, behind the buttocks or away from the body. This act was seen as a way of hastening the departure of the soul, which in some cultures, was said to linger in the corpse. The vampire's head, body, or clothes could also be spiked and pinned to the earth to prevent rising. Gypsies drove steel or iron needles into a corpse's heart and placed bits of steel in the mouth, over the eyes, ears and between the fingers at the time of burial. They also placed hawthorn in the corpse's sock or drove a hawthorn stake through the legs. In a 16th-century burial near Venice, a brick forced into the mouth of a female corpse has been interpreted as a vampire-slaying ritual by the archaeologists who discovered it in 2006. Further measures included pouring boiling water over the grave or complete incineration of the body. In the Balkans a vampire could also be killed by being shot or drowned, by repeating the funeral service, by sprinkling holy water on the body, or by exorcism. In Romania garlic could be placed in the mouth, and as recently as the 19th century, the precaution of shooting a bullet through the coffin was taken. For resistant cases, the body was dismembered and the pieces burned, mixed with water, and administered to family members as a cure. In Saxon regions of Germany, a lemon was placed in the mouth of suspected vampires

The transformation of one being or of one species into
another generally relates to the broad symbolism of Inversion, but also to the
essential notion of the difference between primigenial, undifferentiated Oneness
and the world of manifestation. Everything may be transformed into anything
else, since nothing is really anything. Transmutation is quite another matter: it is
metamorphosis in an ascending direction, carrying all appearances away from the
moving rim of the Wheel of Transformations along the radial path to the ‘Unmoved mover’—the non-spatial and timeless Centre. ‘The duplicity of Mercurius’,
writes Jung, ‘his simultaneously metallic and pneumatic nature, is a parallel to the
symbolization of an extremely spiritual idea like the Anthropos by a corporeal,
indeed metallic substance (gold). One can only conclude that the unconscious
tends to regard spirit and matter not merely as equivalent but as actually identical,
and this in flagrant contrast to the intellectual one-sidedness of consciousness,
which would sometimes like to materialize matter and at other times to materialize spirit. . . .’

To see a metamorphosis take place in your dream, denotes sudden and rapid changes in your personal life. The metamorphosis helps to draw attention to two different aspects of your life. If the metamorphosis is a smooth one, then it indicates some changes are necessary for you to adapt to a new situation. However, if the metamorphosis is a complicated and unpleasant one, then it suggests that you are ill prepared for the changes in your life.

Seeing a metamorphosis take place in your dream indicates sudden and rapid changes in your personal life. If the metamorphosis is a smooth one, then it indicates necessary changes for you to adapt to a new situation. However, if the metamorphosis is a complicated and unpleasant one, then it suggests that you are ill prepared for the changes in your life.