My recent dream with a healing session brings me back to another dream experience, that I had over 5 years ago, when I was about to make a huge shift in my reality, leaving my country, and moving to the other side of the globe.
Together with my grandmother we are going through a forest, to meet with healer woman that lives underground. Her husband leads us down. I remember sitting in front of her in her space..I see a table covered with a white cloth..there are also other people around, watching us. She is sewing a white thread through my collar, and I can hear a sharp sound of it so intensely. Afterwards my eyes are flipping up, until a third eye activates, and I see myself flying all over the room, hovering below the ceiling. It was a very deep and mind altering experience.
In another dream scenes I am visiting my inner sanctuary. I see my future partner and me walking up the stairs, to a white round ancient temple with marble pillars.
I am also seeing myself inside. In a great hall with a very high ceiling, I see a huge masterfully crafted painting with figures of angelic beings. Then I have a close-up sights of faces of these cosmic beings on the background of the starry skies. They are very alive, with very powerful presences, and they are looking at me.
Within the general symbolism of landscape, forests occupy a notable
place, and are often found in myths, legends and folktales. Forest-symbolism is
complex, but it is connected at all levels with the symbolism of the female principle or of the Great Mother. The forest is the place where vegetable life thrives
and luxuriates, free from any control or cultivation. And since its foliage obscures
the light of the sun, it is therefore regarded as opposed to the sun’s power and as
a symbol of the earth. In Druid mythology, the forest was given to the sun in
marriage (49). Since the female principle is identified with the unconscious in
Man, it follows that the forest is also a symbol of the unconscious. It is for this
reason that Jung maintains that the sylvan terrors that figure so prominently in
children’s tales symbolize the perilous aspects of the unconscious, that is, its
tendency to devour or obscure the reason (31). Zimmer stresses that, in contrast
with the city, the house and cultivated land, which are all safe areas, the forest
harbours all kinds of dangers and demons, enemies and diseases (60). This is why forests were among the first places in nature to be dedicated to the cult of the
gods, and why propitiatory offerings were suspended from trees (the tree being,
in this case, the equivalent of a sacrificial stake) (8).
To dream that you are in or walking through the forest, signifies a transitional phase. Follow your instincts. Alternatively, it indicates that you want to escape to a simpler way of life. You are feeling weighed down by the demands of your life.
To dream that you are lost in a forest, indicates that you are searching through your unconscious for a better understanding of yourself.
To dream of a forest fire, indicates that transformation and regeneration is only possible through some hardships. Alternatively, it suggests that your anger is out of control; it is affecting those around you.
To dream that you find yourself in a dense forest, denotes loss in trade, unhappy home influences and quarrels among families. If you are cold and feel hungry, you will be forced to make a long journey to settle some unpleasant affair.
To see a forest of stately trees in foliage, denotes prosperity and pleasures. To literary people, this dream foretells fame and much appreciation from the public. A young lady relates the following dream and its fulfilment: ``I was in a strange forest of what appeared to be cocoanut trees, with red and yellow berries growing on them. The ground was covered with blasted leaves, and I could hear them crackle under my feet as I wandered about lost. The next afternoon I received a telegram announcing the death of a dear cousin.''
Dreaming that you are in or walking through the forest means a transitional phase. You may be following your instincts. Dreaming that you are lost in a forest means that you are searching through your unconscious for a better understanding of yourself.
The word ‘temple’ derives from the root tem—’to divide’. Etruscan
soothsayers made a division of the heavens by means of two straight lines intersecting at a point directly above the head, the point of intersection being a projection of the notion of the ‘Centre’, and the lines representing the two ‘directions’
of the plane; the north-south line was called cardo and the east-west decumanus.
Phenomena were interpreted according to their situation within this division of
space. Hence, the earthly temple is seen as an image of the celestial temple and its
basic structure is determined by considerations of order and orientation (7). The
temple affords a particular and additional meaning to the generic symbolism of architectonic structures. Broadly speaking, it is the mystic significance of the
‘Centre’ which prevails; the temple and, in particular, the altar, being identified
with the symbol of the mountain-top as the focal point of the intersection of the
two worlds of heaven and earth. Solomon’s temple, according to Philo and Flavius
Josephus, was a figurative representation of the cosmos, and its interior was
disposed accordingly: the incense table signified thanksgiving; the seven-branched
candelabra stood for the seven planetary heavens; the holy table represented the
terrestrial order. In addition to this, the twelve loaves of bread corresponded to
the twelve months of the year. The Ark of the Covenant symbolizes the intelligibles
(14). Romanesque, Gothic and Renaissance architects, each in their own way,
sought to imitate this superior archetype. For example, between 1596 and 1604,
imaginary reconstructions of the Temple of Solomon appeared in various works
published in Rome and based upon holy writ, and the illustrations they contained
deeply influenced the architects of the period. Another fundamental significance
of the temple derives from its being a synthesis of the various symbols for the
world-axis, such as the hollow mountain, steps and the sacrificial mountain-peak
mentioned above. In certain astrobiological cultures the temple or altar is in fact
built upon an artificial mountain—the teocalli of Mexico is an example. A more
advanced concept can be seen in the architectural portrayal of those essential
elements of the inner pattern of the universe founded upon the numbers three,
seven, ten and twelve in particular. Seven is basic to the representation of the
planets and their derived symbolisms, and hence the Mesopotamian templemountains—or ziggurats—were constructed after the fashion of a seven-terraced
pyramid. Each of the terraces was dedicate to a particular planet. The Babylonian
ziggurat known as Etemenanki (‘the house of the seven directions of heaven and
earth’) was built of crude bricks overlaid with others that had been fired. A tablet
in the Louvre records that in plan it measured 2,200 feet long by 1,200 wide. The
first level was black in colour and dedicated to Saturn, the second orange-coloured
and sacred to Jupiter, the third red and consecrated to Mars, the fourth golden and
sacred to the Sun, the fifth yellow (to Venus), the sixth blue (to Mercury), the
seventh silver (to the Moon) (39). This order is not always observed, for sometimes the Moon is situated in the sixth heaven and the Sun in the seventh (17).
Berthelot, however, suggests that the ziggurat not only embraces the mystic
aspects of the Mountain and the Centre (by virtue of its mass and situation) and
of Steps (because of its shape), but also constitutes an image of paradise, since
vegetation appears to flourish on its terraces (7). The origins of this type of
structure are Sumerian (7), and examples are to be found in Egypt, India, China
and pre-Columbian America. Eliade, in confirming this, adds that the climb to the top of the Mesopotamian or of the Hindu temple-mountain was equivalent to an
ecstatic journey to the ‘Centre’ of the world; once the traveller has reached the
topmost terrace, he breaks free from the laws of level, transcends profane space
and enters a region of purity (18). It is hardly necessary to observe that climbing
mountains implies ultimately the same mystic tendency, as can be seen in the fact
that mountain heights are the chosen abode of the recluse. And the favourable
symbolic significance of the goat derives solely from his predilection for heights.
Another important example of the temple-mountain, a product of Hindu culture,
comes from Indo-China—the temple of Borobudur built in the centre of the
island of Java in the 8th century of our era. Basically it consists of four levels of
square-shaped galleries, with four more circular platforms on top surmounted by
an enclosed belvedere. In form, then, it is similar to the Egyptian ziggurat, or, in
the Khmer language, a Phnom, signifying a temple-mountain comparable with
Meru, the Hindu Olympus. Four flights of steps up the centre of each pyramid
face lead directly from the base to the top. It would appear that the profoundest
meaning attached to this temple is of a supernatural character. Its name—
Borobudur—signifies ‘the seat of secret revelation’. All graduated edifices such
as steps concern the symbolism of discontinuous spiritual evolution, that is, the
separate but progressive stages of evolution (6). At the same time, the groundplan of the Borobudur temple is diagrammatically a true yantra, and its various
square and round-shaped levels constitute a mandala related to the symbolism of
‘squaring the circle’ (6). The symbolic structure of the Greek temple is fundamentally the same as that of the lake-dwelling: that is, it symbolizes the intercommunication between the Three Worlds—the Lower (represented by the water and
the piles on the one hand and earth and the subterranean part on the other), the
Terrestrial (the base and columns) and the Upper (suggested by the pediment).
Christian cathedrals are related less to the macrocosm than to the microcosm, the
human figure being depicted in terms of the apse (representing the head), the
cross and transepts (the arms), the nave and side aisles (the body) and the altar
(the heart). In the Gothic temple, the upward sweep, the vital rôle of the vertical
axis—and indeed the structure as a whole—embrace the idea of the templemountain with its implied synthesis of the symbolism of both macrocosm and
microcosm. According to Schneider, the two towers usually placed at the western
face correspond to the twin-peaked ‘mountain of Mars’ in primitive megalithic
cultures (and linked with the Gemini myth), while the cimborrio over the transept
is expressive of a higher synthesis, an image of heaven. Both the synthesis and the
crux of the matter are established by Gershom G. Scholem, in Les Origines de la
Kabbale (Paris, 1966). He recalls that God lives in his reason or that God is the absolute Reason and logos of the world, and that the temple ‘is the house’ or
abode of God, and thus identifies temple with reason.
To see a temple in your dream, represents inspiration, spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it. Perhaps you need to pamper yourself. Alternatively, the dream suggests that you are looking for a place of refuge and a place to keep things that are dear to you.
Seeing a temple in your dream, represents your spiritual thinking, meditation and growth. It is also symbolic of your physical body and the attention you give it.
To dream of an ancient theme, symbolizes your sense of foundation. You are well-grounded and are able to learn from your past.
Dreaming of something ancient means that you give matters in life the respect it desereves, and that you are able to look positively at your past and use what you have learned to progress in society.
To see a shaman in your dream, symbolizes a spiritual messenger or guide. The shaman is a variation of the "wise old man", an archetypal figure who represents superior knowledge, wisdom and insight. Alternatively, the dream suggests that you need to turn your negative energy into something positive.
Seeing a shaman in your dream, symbolizes a spiritual messenger or guide. The shaman is a variation of the "wise old man", an archetypal figure who represents superior knowledge, wisdom and insight.
A tribal medium, witch-doctor, or priest accredited with supernatural powers as originally exemplified by Siberian tribes. [From the German Schamane, derived from the Russian shaman, derived from Tungusic samân]
To dream of being in an underground habitation, you are in danger of losing reputation and fortune.
To dream of riding on an underground railway, foretells that you will engage in some peculiar speculation which will contribute to your distress and anxiety.
To dream of going or living underground, indicates that you are trying to force certain thoughts and issues into your subconscious mind. You really need to confront and explore your unconscious. Alternatively, the dream suggests that you are expressing a desire to go unnoticed or to lie low.
To dream that you are riding in an underground railway, signifies anxiety and distress arising from a peculiar situation.
Dreaming that you live underground, symbolizes loss of fortune and reputation and the desire for greater security and peace of mind. You may be pushing thoughts and issues into your subconscious mind. Dreaming that you are riding in an underground railway means anxiety and distress arising from a peculiar activity.
To dream that you are flying, signifies a sense of freedom where you had initially felt restricted and limited.
To dream that you are flying with black wings, signifies bitter disappointments.
To dream of flying high through a space, denotes marital calamities.
To fly low, almost to the ground, indicates sickness and uneasy states from which the dreamer will recover.
To fly over muddy water, warns you to keep close with your private affairs, as enemies are watching to enthrall you.
To fly over broken places, signifies ill luck and gloomy surroundings. If you notice green trees and vegetation below you in flying, you will suffer temporary embarrassment, but will have a flood of prosperity upon you.
To dream of seeing the sun while flying, signifies useless worries, as your affairs will succeed despite your fears of evil.
To dream of flying through the firmament passing the moon and other planets; foretells famine, wars, and troubles of all kinds.
To dream that you fly with black wings, portends bitter disappointments. To fall while flying, signifies your downfall. If you wake while falling, you will succeed in reinstating yourself.
For a young man to dream that he is flying with white wings above green foliage, foretells advancement in business, and he will also be successful in love. If he dreams this often it is a sign of increasing prosperity and the fulfilment of desires. If the trees appear barren or dead, there will be obstacles to combat in obtaining desires. He will get along, but his work will bring small results.
For a woman to dream of flying from one city to another, and alighting on church spires, foretells she will have much to contend against in the way of false persuasions and declarations of love. She will be threatened with a disastrous season of ill health, and the death of some one near to her may follow.
For a young woman to dream that she is shot at while flying, denotes enemies will endeavor to restrain her advancement into higher spheres of usefulness and prosperity.
Dreaming that you are flying means a sense of freedom where you had initially felt restricted and limited. Dreaming that you are flying with black wings means bitter disappointments.
Dreams of flying are common and most people can recall having flown in a dream or two. There are many ideas as to what this means. Some people believe that flying in our dreams can be an actual out of body experience, that we go to places on this physical plane as well as into the inner planes (mostly the Astral). We have a desire to be free and above all difficulties! The details of your dream will give you clues as to what it symbolizes, if your dream was a spiritual experience or ego based; enjoy it, flying is great!
You first start dreaming of flying when you are 3 to 5 years old. It is a very common dream, though less prevalent in adults. More than one third of the dreaming population has dreamed of flying one time or the other.
* Flying dreams are known to have a positive relationship with relief from tension and nightmares.
* Lucid dreamers tend to have twice as much of flying dreams.
* An intense emotional condition can also trigger off a flying dream
* The dreams are not exclusive to the post flying machines era. They have occurred in ancient times too, as records in dream books
of Babylonian and Egyptian civilizations reveal.
* People with an imaginative personality and creative thinkers have more flying dreams
* Those who fly planes have these dreams, though they rather fly like Superman in their dreams, not in aeroplanes.
What triggers off a flying dream? The reasons offered for these dreams are
* Psychological - The dreamer has had an intense emotional experience
* Physiological - There is a change in the breathing pattern of the dreamer
* Physical - There is an actual physical movement of the bed.
* Precognitive - In preparation of a flying trip
* Consciousness - Awareness of movement around you
To dream that you are in a sanctuary, signifies your need to escape from the demands of your daily life. You are searching for some peace and quiet. You need time to decompress and to restore your faith.
In anthropology, woman corresponds to the passive principle of
nature. She has three basic aspects: first, as a siren, lamia or monstrous being who
enchants, diverts and entices men away from the path of evolution; second, as the
mother, or Magna mater (the motherland, the city or mother-nature) related in
turn to the formless aspect of the waters and of the unconscious; and third, as the
unknown damsel, the beloved or the anima in Jungian psychology. In his Symbols
of Transformation, Jung maintains that the ancients saw Woman as either Eve,
Helen, Sophia or Mary (corresponding to the impulsive, the emotional, the intellectual, and the moral) (33). One of the purest and all-embracing archetypes of
Woman as anima is Beatrice in Dante’s Commedia (32). All allegories based upon
the personification of Woman invariably retain all the implications of the three
basic aspects mentioned above. Of great interest are those symbols in which the
Woman appears in association with the figure of an animal—for example, the
swan-woman in Celtic and Germanic mythology, related to the woman with the
hoof of a goat in Hispanic folklore. In both cases the woman disappears once her
maternal mission has been completed and, similarly, the virgin qua virgin ‘dies’ in order to give way to the matron (31). In iconography it is common to find parts
of the female figure combined with that of a lion. The Egyptian goddess Sekhmet,
characterized by her destructiveness, had the body of a woman and the head (and
therefore the mind) of a lion. Conversely, a figure with a lion’s body and a
woman’s head appears in the Hieroglyphica of Valeriano as an emblem of the
hetaira (39). The inclusion of feminine, morphological elements in the composition of traditional symbols such as the sphinx always alludes to a background of
nature overlaid with the projection of a concept or of an entire complex of cosmic
intuitions. In consequence, the Woman is an archetypal image of great complexity
in which the decisive factor may be the superimposed symbolic aspects—for
example, the superior aspects of Woman as Sophia or Mary determine her function as a personification of science or of supreme virtue; and when presented as
an image of the anima, she is superior to the man because she is a reflection of the
loftiest and purest qualities of the man. In her baser forms as Eve or as Helen—
the instinctive and emotional aspects—Woman is on a lower level than the man.
It is here, perhaps, that she appears at her most characteristic—a temptress, the
Ewig Weibliche, who drags everything down with her, and a symbol comparable
with the volatile principle in alchemy, signifying all that is transitory, inconsistent, unfaithful and dissembling. See also The Loved One and Sophia.
To see a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or your mother. Alternatively, a woman indicates temptation and guilt. If you know the woman, then it may reflect concerns and feelings you have about her.
To see an old woman in your dream, indicates your concerns about aging and growing old. Alternatively, the old woman may be an archetypal figure to symbolize feminine power.
To see a group of women talking in your dream, refers to some gossip.
To see a pregnant women in your dream, symbolizes abundant wealth.
Seeing a woman in your dream, represents nurturance, passivity, caring nature, and love. It refers to your own female aspects or may also represent your mother. Alternatively, it may indicate temptation and guilt. If you know the woman, then it may symbolize the concerns and feelings you have about her. Seeing an old woman in your dream indicates aging and growing old. Seeing a group of women talking in your dream, refers to some gossip. Seeing a pregnant women in your dream, symbolizes abundant wealth.
A woman or women generally represent intuition, creativity, nurturing, and love. At times they can also represent the negative attributes that are given to women and include physical and emotional weakness, gossip, martyrdom, passivity, moodiness, temptation, and guilt. The content of the dream is to be considered, as well as the emotional tone. If the dream is sexual in nature, look up sex. If the woman in your dream was a stranger and you are a man, she could be symbolic of your feminine side or your attitude about women. If you are a woman, this stranger may be symbolic of different parts of your character or personality. The woman is that force or current inside of you that nudges you on and inspires you. It is your intuition and the knowledge that in not necessarily attached to words.
