According to Guénon, the Roman pontifex was literally a ‘builder of
bridges’, that is, of that which bridges two separate worlds. St. Bernard has said
that the Roman Pontiff, as the etymology of his name suggests, is a kind of bridge
between God and Man (Tractatus de Moribus et Officio Episcoporum, III, 9). For
this reason, the rainbow is a natural symbol of the pontificate. For the Israelites,
it was the sign of the Covenant between the Creator and his people, and, in China,
the sign denoting the union of heaven and earth. For the Greeks, it was Iris, a
messenger of the gods. And there are a great many cultures where the bridge
symbolizes the link between what can be perceived and what is beyond perception (28). Even when it lacks this mystic sense, the bridge is always symbolic of
a transition from one state to another—of change or the desire for change.

To dream that you are crossing a bridge, signifies an important decision or a critical junction in your life. This decision will prove to be a positive change filled with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. If the bridge is over water, then it suggests that your transition will be an emotional one. If you fall off the bridge and into the water, then the dream indicates that you are letting your emotions hold you back and prevent you from moving forward. Alternatively, the bridge may indicate that you are trying to "bridge" or connect two things together.

To dream of a run-down bridge, indicates that you should not contemplate any major changes in your life at this time.

To see a bridge collapse in your dream, implies that you have let an important opportunity pass you by.

To see a long bridge dilapidated, and mysteriously winding into darkness, profound melancholy over the loss of dearest possessions and dismal situations will fall upon you. To the young and those in love, disappointment in the heart's fondest hopes, as the loved one will fall below your ideal.

To cross a bridge safely, a final surmounting of difficulties, though the means seem hardly safe to use. Any obstacle or delay denotes disaster.

To see a bridge give way before you, beware of treachery and false admirers. Affluence comes with clear waters. Sorrowful returns of best efforts are experienced after looking upon or coming in contact with muddy or turbid water in dreams.

Dreaming that you are crossing a bridge means an important decision or a critical junction in your life. This decision will prove to be a positive change with prosperity and wealth in the horizon. Bridges represent a transitional period in your life where you will be moving on to a new stage. Dreaming of a run-down bridge indicates that you should not contemplate any major changes in your life at this time. Dreaming of a bridge collapse indicates that you have let a great opportunity pass you by.

The first consideration should be given to how much you travel. The bridge can be interpreted literally if it is a part of your daily life

On a more theoretical level, bridges can symbolise transitions (e.g. transition from one stage to another, from one level of consciousness to another). Since most bridges are over water (i.e. emotions, unconscious), this dream could also be symbolic of your rising above your emotional difficulties or unconscious drives.

The material out of which the bridge is made can give an idea of the strength of your convictions. A wooden bridge can mean that you need more willpower, while a a bridge of concrete, stone or steel can mean that you have a very strong will.

The symbolism of the moon is wide in scope and very complex. The
power of this satellite was noted by Cicero, when he observed that ‘Every month
the moon completes the same trajectory executed by the sun in a year. . . . It
contributes in large measure to the maturation of shrubs and the growth of animals.’ This helps to explain the important rôle of the lunar goddesses such as
Ishtar, Hathor, Anaitis, Artemis. Man, from the earliest times, has been aware of
the relationship between the moon and the tides, and of the more mysterious
connexion between the lunar cycle and the physiological cycle of woman. Krappe
believes—with Darwin—that this follows from the fact that animal life originated in the watery deeps and that this origin imparted a rhythm to life which has
lasted for millions of years. As he observes, the moon thus becomes the ‘Master
of women’. Another essential fact in the ‘psychology of the moon’ is the apparent changes in its surface that accompany its periodic phases. He postulates that
these phases—especially in their negative sense of partial and gradual disappearance—may have been the source of inspiration for the Dismemberment myth
(Zagreus, Pentheus, Orpheus, Actaeon, and Osiris for example). The same might be said of the myths and legends of the ‘spinners’ (35). When patriarchy superseded matriarchy, a feminine character came to be attributed to the moon and a
masculine to the sun. The hieros gamos, generally understood as the marriage of
heaven and earth, may also be taken as the union of the sun and the moon. It is
generally conceded nowadays that the lunar rhythms were utilized before the
solar rhythms as measures of time, and there is also a possible equation with the
resurrection—spring follows upon winter, flowers appear after the frost, the sun
rises again after the gloom of night, and the crescent moon grows out of the ‘new
moon’. Eliade points to the connexion between these cosmic events and the myth
of the periodic creation and recreation of the universe (17). The regulating function of the moon can also be seen in the distribution of the waters and the rains,
and hence it made an early appearance as the mediator between earth and heaven.
The moon not only measures and determines terrestrial phases but also unifies
them through its activity: it unifies, that is, the waters and rain, the fecundity of
women and of animals, and the fertility of vegetation. But above all it is the being
which does not keep its identity but suffers ‘painful’ modifications to its shape
as a clear and entirely visible circle. These phases are analogous to the seasons of
the year and to the ages in the span of man’s life, and are the reasons for the
affinity of the moon with the biological order of things, since it is also subject to
the laws of change, growth (from youth to maturity) and decline (from maturity
to old age). This accounts for the mythic belief that the moon’s invisible phase
corresponds to death in man, and, in consequence, the idea that the dead go to the
moon (and return from it—according to those traditions which accept reincarnation). ‘Death’, observes Eliade, ‘is not therefore an extinction, but a temporal
modification of the plan of life. For three nights the moon disappears from
heaven, but on the fourth day it is reborn. . . . The idea of the journey to the moon
after death is one which has been preserved in the more advanced cultures (in
Greece, India and Iran). Pythagorean thought imparted a fresh impulse to astral
theology: the “Islands of the Blessed” and all mythic geography came to be
projected on to celestial planes—the sun, the moon, the Milky Way. It is not
difficult to find, in these later formulas, the traditional themes of the moon as the
Land of the Dead or as the regenerating receptacle of souls. (But) . . . lunar space
was no more than one stage in the ascension; there were others: the sun, the
Milky Way, the “supreme circle”. This is the reason why the moon presides over
the formation of organisms, and also over their decomposition (as the colour
green). Its destiny consists of reabsorbing forms and of recreating them. Only
that which is beyond the moon, or above it, can transcend becoming. Hence, for Plutarch, the souls of the just are purified in the moon, whilst their bodies return
to earth and their spirit to the sun.’ The lunar condition, then, is equivalent to the
human condition. Our Lady is depicted above the moon, thereby denoting that
eternity is above the mutable and transitory (17). René Guénon has confirmed
that, in ‘the sphere of the moon’, forms are dissolved, so that the superior states
are severed from the inferior; hence the dual rôle of the moon as Diana and
Hecate—the celestial and the infernal. Diana or Jana is the feminine form of Janus
(26, 17). Within the cosmic order, the moon is regarded as a duplication of the
sun, but in diminished form, for, if the latter brings life to the entire planetary
system, the moon influences only our own planet. Because of its passive character—in that it receives its light from the sun—it is equated with the symbolism of
the number two and with the passive or feminine principle. It is also related to the
Egg of the World, the matrix and the casket (9). The metal corresponding to the
moon is silver (57). It is regarded as the guide to the occult side of nature, as
opposed to the sun which is responsible for the life of the manifest world and for
fiery activity. In alchemy, the moon represents the volatile (or mutable) and
feminine principle, and also multiplicity because of the fragmentary nature of its
phases. These two ideas have sometimes been confused, giving rise to literal
interpretations which fall into the trap of superstition. The Greenlanders, for
example, believe that all celestial bodies were at one time human beings, but the
moon in particular they accuse of inciting their women to orgies and for this
reason they are not permitted to contemplate it for long (8). In pre-Islamic
Arabia, as in other Semitic cultures, the cult of the moon prevailed over sunworship. Mohammed forbade the use of any metal in amulets except silver (39).
Another significant aspect of the moon concerns its close association with the
night (maternal, enveloping, unconscious and ambivalent because it is both protective and dangerous) and the pale quality of its light only half-illuminating
objects. Because of this, the moon is associated with the imagination and the
fancy as the intermediary realm between the self-denial of the spiritual life and
the blazing sun of intuition. Schneider has drawn attention to a highly interesting
morphological point with his observation that the progressive change in the
shape of the moon—from disk-shape to a thin thread of light—seems to have
given birth to a mystic theory of forms which has influenced, for example, the
manner of constructing musical instruments (51). At the same time, Stuchen,
Hommel and Dornseif have demonstrated the influence of the lunar shapes upon
the characters of the Hebrew and Arabic alphabets, in addition to their profound
effect upon the morphology of instruments. Eliade quotes Hentze’s comment to the effect that all dualisms find in the moon’s phases, if not their historical cause,
at least a mythic and a symbolic model. ‘The nether world—the world of darkness—is represented by a dying moon (horns=quarter moon; the sign of a double
volute=two quarter moons facing in opposite directions; two quarters superimposed back to back = lunar change representing a decrepit, bony old man). The
upper world—the world of life and of the nascent sun—is symbolized by a tiger
(the monster of darkness and of the new moon) with the human being, represented by a child, emerging from its jaws’ (17). Animals regarded as lunar are
those which alternate between appearance and disappearance, like the amphibians; examples are the snail which leaves its shell and returns to it; or the bear
which vanishes in winter and reappears in spring, and so on. Lunar objects may
be taken as those of a passive or reflecting character, like the mirror; or those
which can alter their surface-area, like the fan. An interesting point to note is that
both objects are feminine in character.

To see the moon in your dream, represents some hidden, mysterious aspect of yourself. It is often associated with the feminine mystique and intuition. Alternatively, the moon signifies your changing moods.

To see the eclipse of the moon in your dream, signifies that your feminine side is being overshadowed. Or it may mean that some hidden aspect of yourself is coming to the surface.

To see the crescent moon in your dream, indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path. A full moon signifies completion and wholeness, while a new moon symbolizes new beginnings.

To dream of seeing the moon with the aspect of the heavens remaining normal, prognosticates success in love and business affairs.

A weird and uncanny moon, denotes unpropitious lovemaking, domestic infelicities and disappointing enterprises of a business character.

The moon in eclipse, denotes that contagion will ravage your community.

To see the new moon, denotes an increase in wealth and congenial partners in marriage.

For a young woman to dream that she appeals to the moon to know her fate, denotes that she will soon be rewarded with marriage to the one of her choice. If she sees two moons, she will lose her lover by being mercenary. If she sees the moon grow dim, she will let the supreme happiness of her life slip for want of womanly tact.

To see a blood red moon, indicates war and strife, and she will see her lover march away in defence of his country.

Seeing the moon in your your dream, represents something hidden, mystery and the feminine aspect of your self. In particular, a full moon means completion, whereas a new moon symbolizes new beginnings. Dreaming that the moon in odd in any way means infidelity of your lover and disappointments in business. Seeing the eclipse of the moon in your dream means that your feminine side is being overshadowed. It also foretells of illness of someone near you. Seeing the crescent moon in your dream indicates cyclic changes, renewal, and movement. You are progressing smoothly toward your life path.

The Moon is an interesting symbol that signifies feminine energy; it is associated with the irrational and the intuitive. The Moon affects the ocean tides, and it has been linked to madness. As a dream symbol is can represent all of these things and more. As always, pay attention to the details in the dream before making conclusions. The moon could represent romance and our earthly impulses and passions. It could reveal things about the nature of soul and the unconscious. The Moon can also reflect inner peace and feelings of serenity and security.

Often associated with the destination or repository for souls after death. The gods adn goddesses of the underworld, the realm of the dead, are often lunar deities. The association of the moon with death and rebirth is due to it's waxing and waning: every 28 days, teh moon "dies" and is "re-born". The ancient Greeks believed the moon to be a midway point for souls traveling from Earth to Heaven or visa versa. The souls of the newly dead first went to the moon where their astral bodies were cleansed before continuing on to Heaven. According to the Upanishads, the sacred Hindu texts, the souls of unenlightened people go to the moon after death where they await reincarnation. Enlightened souls who have been liberated from reincarnation go to the Sun.

Astrological Sign: Pisces.
Positive associations with this tarot card:
imagination, unexpected possibilities, illumination.
Negative associations with this tarot card:
fear, confusion, highly charged emotions, bewilderment, lies, deceit.
When The Moon appears you can be sure it will be a time of highly charged emotions and confusion .
Despite any fear you may have, the wan light of The Moon will illuminate the way, and even if the path you are on is tough, all will turn out right in the end.
Upright and in a favourable position in a reading this card is a good omen if you are involved in a clandestine affair, otherwise it may signify that your secret may be exposed.
The Moon can lead to artistic expression through art, writing or music, which may lead to unexpected opportunities.
Negatively this card stands for lack of progress because of deep rooted fears and anxieties. It tells of failure of nerve, it also warns of lies and deceit - perhaps this is the cause of your worries.

To see your home in your dream, signifies security, basic needs, and values. You may be feeling at "home" or settled at your new job or environment. Alternatively, the dream represents your basic needs and priorities.

In particular, to see your childhood home, your hometown, or a home that you previously lived in, indicates your own desires for building a family and your family ideologies. It also reflects aspects of yourself that were prominent or developed during the time you lived in that home. You may experience some unfinished feelings that are being triggered by some waking situation. Alternatively, the dream may represent your outdated thinking.

To dream that you cannot find your way home, indicates that you have lost faith and belief in yourself. It may also signify a major transition in your life.

To dream of visiting your old home, you will have good news to rejoice over.

To see your old home in a dilapidated state, warns you of the sickness or death of a relative. For a young woman this is a dream of sorrow. She will lose a dear friend.

To go home and find everything cheery and comfortable, denotes harmony in the present home life and satisfactory results in business.

To dream of home-life in early boyhood indicates good health and prosperity. Good
sign of progress.

Seeing your home in your dream means security, basic needs, and values. You may feel at home at your new job or you finally feel settled and comfortable in a new environment. In particular, to see your childhood home or a home that you no longer live in, suggests your own desires for building a family. It also reflects aspects of yourself that were prominent or developed during the time you lived in that home. You may experience some feelings or unfinished expression of emotions that are now being triggered by a waking situation. Dreaming that you cannot find your way home indicates that you have lost faith and belief in yourself. It may also signify a major transition in your life.

One of the most widespread of symbols, despite its complexity. In
almost every land and age its characteristics are the same—the circular form, the
twelve subdivisions with their corre spending signs and their relationship with
the seven planets. The Mesopotamian cultures, Egypt, Judea, Persia, India, Tibet, China, America, Islam, Greece and Northern Europe—all were acquainted
with zodiacal symbolism. The name of this circular ‘form’ comes from zoe (life)
and diakos (wheel); and the basic element of this ‘wheel of life’ is found in the
Ouroboros (the snake biting its own tail), symbolizing the Aion (duration). The
general significance of the Zodiac concerns the process by which ‘primordial
energy, once fecundated, passes from the potential to the virtual, from unity to
multiplicity, from spirit to matter, from the non-formal world to the world of
forms’, and then returns along the same path (52). This accords with the teaching
of oriental ontology, which holds that the life of the universe is split into two
opposing yet complementary phases: involution (or materialization) and evolution (or spiritualization). Applying this belief to the Zodiac, the first six signs
(from Aries to Virgo) come to represent involution, while the other six (from Libra
to Pisces) relate to evolution. This pattern refers not only to the evolution of the
cosmos in the broadest sense, but also to specific phases of this process as well
as to any given period in the development of the manifest world as such (for
example, a period in history, the lifetime of a race or of an individual, the period
of the world’s existence, the time taken in carrying out a task) (52). As evidence
of the great antiquity of this symbol, we would point to the zodiacal signs in the
rock-paintings in the Cueva de Arce (at the Laguna de la Janda, Cadiz), the
celestial maps in the stone-engravings at Eira d’os Mouros (in Galicia), and the
sculpting of the cromlech at Alvão (in Portugal), not to speak of the numerous
other examples of the same kind of thing: but there is no conclusive evidence of
the existence of a truly systematic understanding of Zodiacal symbolism before
the time of king Sargon of Agade (2750 B.C.), who was known to possess a work
of astrology containing forecasts of the eclipses of the sun. From the time of
Hammurabi (2000 B.C.) man’s study of the heavens began to assume a more
scientific character. But the Zodiac, and the characteristic signs as we know them
today, cannot, in the opinion of Berthelot, be traced back farther than the tablet of
Cambyses (6th century B.C.); this, however, does not invalidate the theory that
the separate elements that contributed to the symbolic pattern of the Zodiac as a
whole were of much greater antiquity than this. For example, the mystic twelvefold
vision of the world; and the symbol of the ram associated with the mythic Ram
and with the Primitive cult of the sun; and also the Gemini. Marc Saunier has
commented, in connexion with the twelve-part division of the Zodiac, that spreading into our solar world from an unknowable unknown, through the twelve luminous doors of the Zodiac, it becomes concentrated into the form of the sun
whence it radiates outwards to the seven planetary spheres which refract its
unity in the gamut of sounds, rhythms and colours (49). As Jung notes, according to Manichean belief the demiurge builds a cosmic wheel, related to the rota and
the opus circulatorium of alchemy and identical in that it signifies sublimation
(31). It is almost unnecessary to point out that this form of motion, rotation on
the vertical plane—descending and ascending—echoes the Platonic theories of
the soul’s ‘fall’ into material existence and its need to find salvation by returning
along the same path. The most important and definitive adaptations of the zodiacal cycle—for other variants arise by analogy—are, first, that which equates the
twelve signs with monthly periods, and the complete cycle with the year (commencing with March—with the spring), and, secondly, that corresponding to the
great cycle (lasting 25,920 years) of the precession of the equinoxes, whereby,
every 2160 years, the equinox withdraws by the space of one sign (thirty degrees). The fact that the figures which make up the zodiacal pattern are mostly
animals has prompted Schneider to suggest that the constellations may owe their
curious names to an earlier religion of totemistic origin, whose basic features were
subsequently applied to the heavens through the process of catasterism (50).
Piobb has observed that the Zodiac, besides being a process, may also be understood as a circuit and that its twelve-part division springs from the way in which
the quantitative becomes qualitative (in vibrations, sounds or colours) and hence
the ecliptic is a zone of energy differing in potential between its entrance (Aries)
and its exit (Pisces). He also notes that, if one wishes to grasp the ancient conceptions, one must regard the Zodiac as a totality comprising twelve ideographs
which, in sum, epitomize the dodecagon (48). It is clear that every twelve-part
scheme alludes to the zodiacal pattern. The signs (q.v. under separate headings)
are as follows: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, Pisces (40). According to Senard, these twelve signs
are derived from the four Elements combined with the three modes or gunas
(levels) known as sattva, rajas and tamas (corresponding, firstly, to a situation—
or level—of superiority or of essence; secondly, to an intermediate or transitional
situation: and, thirdly, to the level of the inferior and material). But we cannot
here go into Senard’s theory of the signs of the Zodiac, beyond noting, briefly, the
meanings that he attributes to each of them: Aries he interprets as the urge to
create and transform: Taurus as undifferentiated magnetism; the Gemini as creative synthesis, or imagination; Cancer as gestation and birth; Leo as individuation, will; Virgo as intelligence; Libra as equilibrium; Scorpio as histolysis; Sagittarius as coordination and synthesis; Capricorn as ascesis; Aquarius as illumination; and Pisces as mystic fusion (52). Mertens-Stienon founds his study of the
Zodiac upon an article by the Hindu T. Subba Rao, published in October 1881
and translated into French for Le Lotus bleu in 1937, drawing also upon the work of Blavatsky and Dupuis (the latter favouring an almost exclusively astronomical
interpretation of the myths). Mertens Stienon, then, divides the zodiacal signs
into three quaternaries, although in our view a better division would be the inverse
of this—four ternaries, forming a triunity for each of the seasons of the year (as
well as for the cardinal points). He supports the view that the Zodiac may serve
to symbolize and analyse the phases of each and every cycle, together with the
evolutive stages which it embraces. He distinguishes between the astronomical
Zodiac (the constellations) and the intellectual Zodiac (symbols), affirming that it
was the constellations that took their names from the symbols. For instance,
since, in Egyptian times, so much importance was attached to the symbolic bull
and ram, this was why, astronomically speaking, these figures came to mark the
vernal equinoxes which, in our era, coincide with Pisces. He shows that the
apparent orbit of the sun through the twelve divisions corresponds to twelve
degrees or stages in the action of the active principle upon the passive. These
stages are denoted in mythology by the avatars of the creator-god—by his metamorphoses and manifestations. The precise symbolism of each sign springs from:
(a) the number it bears in the series of twelve signs: (b) its situation within the
series as a whole; (c) its situation within each of the four ternaries; (d) its symbolic figure; (e) the ideas related to this figure; and (f) the concomitant planetary
symbolism. In the symbolism of the Zodiac one can sense the resolve to create, as
in the Tarot pack, an all-embracing archetypal pattern—a kind of figurative model
to serve as a comprehensive definition of each and every existential possibility in
the macrocosm and the microcosm. As is the case with other symbolic forms,
zodiacal symbolism is the product of the serial intellection of the universe,
arising out of the belief that all things occupy positions and situations in spacetime which are limited and typical, and implying, not determinism, but belief in
the ‘system of destinies’, that is to say, the theory that certain antecedents must
cause certain consequences and that any given situation must have ramifications
that are neither replaceable nor arbitrary. Regarding the application of the Zodiac
to the cycle of human existence in the concrete sense, there are certain obvious
affinities with symbols pertaining to medicinal rites, as Schneider has shown. It is
to Jorge Quintana, and his El gobierno teocrático de Mohenjo-Daro (Ampurias,
IV), that we owe our knowledge of an octonary zodiac dating from the protoIndian period of the third millennium before our era. This zodiac is composed of
the following signs: edu (the ram), yal (the harp), nand (the crab), amma (the
mother), tuk (the scales), kani (the dart), kuda (the pitcher) and min (the fish).
There are obvious parallels between most of these signs and those of the
dodecanarian Zodiac. The supreme god of the proto-Indians was equated with the sun, crossing, in his procession through the constellations, the corresponding
degrees of the Zodiac, whence he derives his title of ‘god of the eight forms’.

To dream of the zodiac is a prognostication of unparalleled rise in material worth, but also indicates alloyed peace and happiness.

To see it appearing weird, denotes that some untoward grief is hovering over you and it will take strenuous efforts to dispell it.

To study the zodiac in your dreams, denotes that you will gain distinction and favor by your intercourse with strangers.

If you approach it or it approaches you, foretells that you will succeed in your speculations to the wonderment of others and beyond your wildest imagination.

To draw a map of it, signifies future gain.

To see the zodiac in your dream, represents the various aspects of your conscious being and how you connect to the universe. Alternatively, the zodiac may appear in a dream to denote the passage of time.

To dream of a particular zodiac sign, look at the particular traits and attributes associated with the given sign.

Seeing the zodiac in your dream, represents the various aspects of your conscious being. Dreaming of a particular zodiac sign, look at the particular traits and attributes associated with the given sign.

is an imaginary belt-shaped region in the heavens, 16[deg] broad, or 18[deg] broad, in the middle of which is the ecliptic, or sun's path. It is made up of and divided into 12 constellations or signs for astrological purposes. In (Western) astronlogy it is represented as a circular diagram representing the 12 zodiacal constellations and showing their birth signs. There are twelve signs in all and depending upon the date of birth of an individual, a corresponding sign is allocated to that individual. It is believed that individuals born under any one of the twelve signs will exhibit certain character traits which are associated with those signs. The table below shows the twelve signs of the zodiac (Western) and their corresponding symbols. Sometimes the zodiac in conjunction with astrology is used in the production of a daily, weekly, monthly or yearly horoscope - this is a method of using the relative positions of the stars to predict a person's future it is a method of divination.

To look up at the clear blue sky in your dream, denotes hope, possibilities, creativity, peace and freedom of expression. As the saying goes "the sky's the limit." If the sky is cloudy and overcast, then it foretells of sadness and trouble.

To see a green colored sky in your dream, symbolizes high hopes. The strange color of the sky helps to instantly draw your attention to it. The color green and the sky itself both represent hope, nature or creativity. So these are the qualities that you need to focus on. It is also indicative of a positive outlook and prosperous future.

To see a red colored sky in your dream, represents looming danger. Alternatively, it suggests that something is coming to an end. If the sky is white, then it symbolizes desires. If you dream of a colorful sky in your dream, then it denotes romance.

To dream that the sky is falling, represents your fear of the unknown. You feel that your hopes and dreams have been shattered. Perhaps you have been too idealistic and the dream is an attempt to bring you back to reality.

To dream that something is falling out of the sky, signifies your pessimistic attitude. You are losing perspective on a situation. If the object is getting closer and casting a shadow on you, then it indicates that you are being ignorant about some situation. You need to get out from under the shadow and gain a different perspective on things.

To dream of the sky, signifies distinguished honors and interesting travel with cultured companions, if the sky is clear. Otherwise, it portends blasted expectations, and trouble with women.

To dream of floating in the sky among weird faces and animals, and wondering all the while if you are really awake, or only dreaming, foretells that all trouble, the most excruciating pain, that reach even the dullest sense will be distilled into one drop called jealousy, and will be inserted into your faithful love, and loyalty will suffer dethronement.

To see the sky turn red, indicates that public disquiet and rioting may be expected.

To look up at the clear blue sky in your dream indicates peace and freedom of expression. If the sky is cloudy and overcast, then it foretells of sadness and trouble.

To dream of talking, denotes that you will soon hear of the sickness of relatives, and there will be worries in your affairs.

To hear others talking loudly, foretells that you will be accused of interfering in the affairs of others. To think they are talking about you, denotes that you are menaced with illness and disfavor.

To dream that you are talking does not have any significance unless it is unusual or bizarre. What are you saying specifically. Consider also if what you say evoke strong feelings or behavioral reactions. The dream may simply be highlighting your need improve your communication skills or learn to express yourself more clearly.

Dreaming that you are talking does not have any significance unless it is unusual or bizarre. Consider also if what you say evoke strong feelings or behavioral reactions. Hearing others talking loudly in your dream means that you will be accused of not minding your own business and butting into everybody else's affairs.

To see a truck in your dream, suggests that you are overworked. You are taking on too many tasks and are weighed down by all the responsibilities. Pregnant women often dream of trucks or driving trucks. This may be a metaphor of the load they are carrying or an expression of their changing bodies.

Seeing a truck in your dream, implies that you are overworked. You may be taking on too many tasks and responsibilities and are weighing you down. On a side note, pregnant women often dream of trucks or driving trucks. This may be a metaphor of the load they are are carrying or an expression of their changing bodies.

The deepest and most ancient meaning of the myth of the giant alludes
to the supposed existence of an immense, primordial being, by whose sacrifice
creation was brought forth. This cosmogonic myth was very common among
primitive and ancient peoples, and it shows how rites involving the sacrifice of
humans are an attempt to revive the initial sacrifice and to resuscitate the cosmic
forces or to reawaken, at least, their favourable proclivities (17). Now, the giant
is, in himself, neither good nor bad, but merely a quantitative amplification of the
ordinary; hence, as the case may be, there are some legendary giants who are
protectors and others who are aggressive. This sense of the giant as ‘that which
surpasses’ human stature (here symbolic of power and strength), is also indicative of the broad significance of the giant. He may be an image of the ‘Terrible
Father’, arising from childhood memories—children see their parents as giants—
or an image of the unconscious, the ‘dark side’ of the personality menacing the
Jungian Selbst (21), etc. It is interesting to note that in folklore the giant is tutelar
in character: he is usually the defender of the common people against the overlord, upholding their liberties and rights. Without generalizing, one implication of
the giant may be said to be the personification of collective Man—as implied in
the maxim ‘united we stand’—or of the life of a community (16). But the general
myth of the giant is far from being confined to this specialized meaning. In nearly
all symbolic traditions, he tends to appear as an outcropping of the marvellous
and the terrible, even though he always has a certain quality of the inferior or the
subordinate about him. The Bible refers to Goliath and to Og, king of Bashan at
the time of the exodus (46). Samson has certain characteristics of the giant. In the
West, Bodo, Rübezahl, Geryon, Gargantua and Hercules are the most significant
in gigantomachy; in Greek tradition, there are the Titans and the Cyclops. Christian tradition has often seen Satan as a giant (50). The tragic hero is intimately
linked with the giant, although, at times, in inverse relation as his adversary (60).
Frazer describes the numerous cases in which giant figures in wood or wickerwork were set fire to during midsummer festivals, comparable with the Valencian
fallas (or bonfires). The ancients would fill these figures with animals and even
live men, who were burnt with the effigy. They were considered as representatives of the spirit of vegetation, or of the god sacrificed to the world—which
brings us back once again to our cosmogonic interpretation. The giant may be a
symbol of ‘everlasting rebellion’, of the forces of dissatisfaction which grow
within Man and determine his history and his destiny; it may, that is to say, be a
symbol of the Universal Man (Adam Kadmon, 21). Now, according to Jungian 119 GOG AND MAGOG
psychology, the giant’s essence—or his appearance, rather—seems to correspond to the father-symbol, representing the spirit that withstands the instincts,
or as the guardian of the treasure (that is, the mother—the unconscious), in which
case it is identical with the dragon-symbol. Reviewing all this, Jung quotes the
example of Humbaba, the guardian of the garden of Ishtar in the Gilgamesh epic
(31).

To see a giant in your dream, indicates a great struggle between you and your opponents. You are trying to overcome an overwhelming obstacle. Alternatively, a giant symbolizes an issue, a person or a feeling that is dominating you. You are having an inferiority complex.

To dream that you turn into a giant, indicates feelings of inferiority.

To dream of a giant appearing suddenly before you, denotes that there will be a great struggle between you and your opponents. If the giant succeeds in stopping your journey, you will be overcome by your enemy. If he runs from you, prosperity and good health will be yours.

Great difficulty to be encountered. But meet it with boldness. Then it will vanish.
This indicates that you will have an enemy of the most dreadful character.

Seeing a giant in your dream means of a great struggle between you and your opponents. This may prove to be a major and overwhelming obstacle for you to overcome. Alternatively, a giant may be symbolic of an issue or feeling that is dominating you. Dreaming that you turn into a giant indicates feelings of inferiority.

Since it consists of an aperture, the window expresses the ideas of
penetration, of possibility and of distance, and because it is square in shape, its
implications are rational and terrestrial. It is also symbolic of consciousness (32),
especially when it is located at the top of a tower, by analogy with the head of the
human figure. Divided windows carry a secondary significance, which may at
times even be the predominant sense, deriving from the number of openings or lights and from the inter-relationships between the relevant number-symbolism
and the general symbolism of the window (Plate XXXI).

To see windows in your dreams, is an augury of fateful culmination to bright hopes. You will see your fairest wish go down in despair. Fruitless endeavors will be your portion.

To see closed windows is a representation of desertion. If they are broken, you will be hounded by miserable suspicions of disloyalty from those you love.

To sit in a window, denotes that you will be the victim of folly. To enter a house through a window, denotes that you will be found out while using dishonorable means to consummate a seemingly honorable purpose.

To escape by one, indicates that you will fall into a trouble whose toils will hold you unmercifully close.

To look through a window when passing and strange objects appear, foretells that you will fail in your chosen avocation and lose the respect for which you risked health and contentment.

To see a window in your dream, signifies bright hopes, vast possibilities and insight. If the window of a house is dark, then it indicates a loss to your perception or vitality.

To dream that you are looking out the window, signifies your outlook on life, your consciousness and your point of view. It also refers to your intuition and awareness. You may be reflecting on a decision. Or you need to go out into the larger world and experience life. If you are looking in the window, then it indicates that you are doing some soul searching and looking within yourself. It is time for some introspection. To see another face in the window in your dream, suggests that you are feeling emotionally distant and physically detached. Also consider the emotion depicted on the face.

To see shut windows in your dream, signify desertion and abandonment.

To see a shattered and broken window in your dream, represents your distorted view and skewed outlook on life. It is also refers to a state of vulnerability.

To dream that you are fixing or replacing a broken window, indicates that you are reassessing your view and outlook on life. You are gaining a new perspective on things.

To see a tinted window in your dream, represents your need for privacy. You are keeping some aspects of yourself hidden. You also want to remain ambiguous.

To dream that you are washing windows, suggest that you need some clarity in some matter. Something is not clear.

Seeing windows in your dream means bright hopes, vast possibilities and insight. Dreaming that you are looking out the window means your outlook on life, your consciousness, point of view, awareness, and intuition. You may be reflecting on a decision and seeking guidance. If you are looking in the window, then it indicates that you are doing some soul searching and looking within yourself. Seeing shut windows in your dream means desertion and abandonment. Seeing shattered and broken windows indicates misery and disloyalty. Seeing a tinted window in your dream, represents you need for privacy and your ways of getting it. You are keeping aspects of yourself hidden or that you want to remain ambiguous.

A window is a rich dream symbol. Its accurate interpretation can lead to awareness and a better understanding of a personal outlook on life. If you are looking through the window, pay close attention to what you are looking at. Is it a beautiful landscape or a scene dealing with an experience or a situation from your past? Looking through a window and seeing a beautiful landscape may represent your desire for greater satisfaction and more peace in your life. If you are seeing something familiar, you may be able to perceive the situation in a new way and gain some insight. Some say that a window may represent a time frame. A closed window suggests an inability to effectively communicate, and an opened widow may represent desire for new adventure in life. Windows in our houses allow us to see the world on the outside, the windows in our dreams may encourage us to better see the world within ourselves, as well as the world outside.