To see or lick a lollipop in your dream, indicates surprises, new experiences and adventures. It also represents indulgence, sensuality and the pleasant aspects of your life. Alternatively, the lollipop may be a pun for "sucker" and thus suggests that you need to proceed with caution in some relationship or situation. Someone may be taking advantage of you.

Seeing or lick a lollipop in your dream indicates surprises, new experiences and adventures. It also represents indulgence, sensuality and the pleasant aspects of life. Alternatively, the lollipop may be a pun for "sucker" and thus suggests that you need to proceed with caution in some relationship or situation.

To dream of trees in new foliage, foretells a happy consummation of hopes and desires. Dead trees signal sorrow and loss.

To climb a tree is a sign of swift elevation and preferment.

To cut one down, or pull it up by the roots, denotes that you will waste your energies and wealth foolishly.

To see green tress newly felled, portends unhappiness coming unexpectedly upon scenes of enjoyment, or prosperity.

To see lush green trees in your dream, symbolize new hopes, growth, desires, knowledge, and life. It also implies strength, protection and stability. You are concentrating on your own self-development and individuation.

To dream that you are climbing a tree, signifies achievement of your career goals and attainment of higher positions in life. The speed at which you climb the tree will parallel the speed of your achievement of these goals.

To dream that you chop or cut down a tree, indicates that you are wasting your energy, time, and money on foolish pursuits. Alternatively, the dream may be a comment on your sexual fear or guilt.

To see a falling tree in your dream, means that you are feeling off balance and out of sync. Perhaps, you are off track and headed in the wrong direction.

To see a withered or dead tree in your dream, indicates that your hopes and desires have been dashed. You are experiencing some instability and setback in your life. Alternatively, the dead tree represents infertility or a lack of virility. Perhaps it signal an end to a familial line (as in a family tree).

To see bare trees in your dream, indicate used up energy. You have put your all into some relationship or project and now you are exhausted. Perhaps you are even feeling depressed. Alternatively, the dream signifies the cycle of life or the passage of time.

To see crows perched on the dead tree, symbolizes the end of some cycle or behavior. It is representative of death.

Seeing lush green trees in your dream, symbolizes new hopes, growth and desires. It also implies strength and stability. You are concentrating on your own self-development and individuation. Dreaming that you are climbing a tree means that you will achieve your career goals and reach those high places in society. The degree of difficulty to which you climb the tree will measure the speed of your achievement of these goals Dreaming that you cut down a tree means that you are wasting your energy, time, and money on foolish pursuits. Seeing a falling tree in your dream indicates that you are off balance and out of sync. You are off track and headed in the wrong direction.

The myth of the creative storm (or creative intercourse between the
Elements) is universal: among the Nordic peoples it appears in connexion with
Thor, in Assyrio-Babylonian mythology with Bel, in the Germanic with Donar,
in the Greek with Zeus, among the Slavs with Peroun, and so on (38). The storm,
like everything else that occurs in heaven or descends therefrom, has a sacred
quality about it.

To see and hear a storm approaching, foretells continued sickness, unfavorable business, and separation from friends, which will cause added distress. If the storm passes, your affliction will not be so heavy.

To see a storm in your dream, signifies some overwhelming struggle, shock, loss or catastrophe in your waking life. The storm also represents unexpressed fears or emotions, such as anger, rage, turmoil, etc. On a more positive note, the storm symbolizes your rising spirituality. It may signal rapid changes ahead for you.

To dream that you take cover in a storm, foretells that whatever disturbance or problems is occurring in your life will quickly blow over. Consider also the phrase "weather the storm", which refers to your ability and strength to withstand whatever comes.

Seeing a storm in your dream means overwhelming struggle, shock, devastating loss and catastrophe in your personal affairs. The storm also represents unexpressed fears or emotions, such as anger, rage, turmoil, etc. On a more positive note, the storm means the rising of spirit within. Dreaming that you take cover in a storm, foretells that whatever disturbance or problems is occurring in your life will quickly blow over. Consider also the phrase "weather the storm", which suggests your ability and strength to withstand whatever comes.

The storm in your dreams may be a reflection of some difficulty in your life. Consider all of the details and notice if you took shelter from the storm or were you swept away by it. Did the storm pass you by, were you safe, or did you suffer? All of us experience difficulties in life and our dreams make an attempt to bring us into awareness and out of denial. Think about the storms in your life, how you will weather them, and what you can do to make them subside.

An architectonic structure, apparently aimless, and of a pattern
so complex that, once inside, it is impossible or very difficult to escape. Or it may
take the form of a garden similarly patterned. Ancient writings mention five great
mazes: that of Egypt, which Pliny located in lake Moeris; the two Cretan labyrinths of Cnossus (or Gnossus) and Gortyna; the Greek maze on the island of
Lemnos; and the Etruscan at Clusium. It is likely that certain initiatory temples
were labyrinthine in construction for doctrinal reasons. Ground-plans, sketches
and emblems of mazes appear fairly frequently over a very wide area, but principally in Asia and Europe. Some are believed to have been conceived with the
purpose of luring devils into them so that they might never escape. It is to be
supposed, therefore, that, for the Primitive, the maze had a certain fascination
comparable with the abyss, the whirlpool and other phenomena (8). Nevertheless, Waldemar Fenn suggests that some circular or elliptical labyrinths in prehistoric engravings—those at Peña de Mogor, for example—should be interpreted as
diagrams of heaven, that is, as images of the apparent motions of the astral bodies. This notion is not opposed to the previous one: it is independent of it and, up to
a point, complementary, because the terrestrial maze, as a structure or a pattern,
is capable of reproducing the celestial, and because both allude to the same basic
idea—the loss of the spirit in the process of creation—that is, the ‘fall’ in the
neoplatonic sense—and the consequent need to seek out the way through the
‘Centre’, back to the spirit. There is an illustration in De Groene Leeuw, by
Goosse van Wreeswyk (Amsterdam, 1672), which depicts the sanctuary of the
alchemists’ lapis, encircled by the orbits of the planets, as walls, suggesting in this
way a cosmic labyrinth (32). The emblem of the labyrinth was widely used by mediaeval architects. To trace through the labyrinthic path of a mosaic patterned
on the ground was once considered a symbolic substitute for a pilgrimage to the
Holy Land (28). Some labyrinths shaped like a cross, known in Italy as ‘Solomon’s
knot’, and featured in Celtic, Germanic and Romanesque decoration, are a synthesis of the dual symbolism of the cross and the labyrinth; they are known, for this
reason, as the ‘emblem of divine inscrutability’. It is not difficult to make out, in
the centre of the pattern, the figure of the swastika, which adds to the basic
symbolism a suggestion of rotating, generating and unifying motion (4). For Diel,
the maze signifies the unconscious, and also error and remoteness from the fount
of life (15). Eliade notes that the essential mission of the maze was to defend the
‘Centre’—that it was, in fact, an initiation into sanctity, immortality and absolute
reality and, as such, equivalent to other ‘trials’ such as the fight with the dragon.
At the same time, the labyrinth may be interpreted as an apprenticeship for the
neophyte who would learn to distinguish the proper path leading to the Land of
the Dead (17).

To see or dream that you are in a labyrinth, indicates your desires to get to the center of some issue or problem. Alternatively, it suggests that you are feeling trapped in some situation. You feel lost and that there is no way out.

If you dream of a labyrinth, you will find yourself entangled in intricate and perplexing business conditions, and your wife will make the home environment intolerable; children and sweethearts will prove ill-tempered and unattractive.

If you are in a labyrinth of night or darkness, it foretells passing, but agonizing sickness and trouble.

A labyrinth of green vines and timbers, denotes unexpected happiness from what was seemingly a cause for loss and despair.

In a network, or labyrinth of railroads, assures you of long and tedious journeys. Interesting people will be met, but no financial success will aid you on these journeys.

Seeing a labyrinth in your dream means that you will be involved with my complicated situations where your domestic sphere will be quite intolerable. Dreaming that you are in a labyrinth of green vines and timber means an unexpected turn of happiness where despair and loss was anticipated. Dreaming that you are in a labyrinth of night or darkness indicates bitter trouble and sickness.

To dream that you are sitting, indicates your indecision. You do not know what you want to do about something. It also suggests that you are idling and wasting your life away.

Dreaming that you are sitting indicates your indecision and not knowing what you want to do with yourself in the near future. It may also suggest that you are just being idle and doing nothing.

To see the front of something in your dream, indicates that you expressing a desire to keep your distance. The dream may also be a pun on "fronting". Are you being someone that you are not? Are you overly concerned about how you come across to others and how they see you?

To dream that you are in a jungle, signifies aspects of yourself and your personality that may be inhibited. You may be experiencing some chaos and unpredictable circumstances in your waking life. Consider the phrase "it's a jungle out there!"

If you are lost or trapped in a jungle, then it indicates that your negative feelings are hindering your progress. You need to come to terms with aspects of your unconscious.

Dreaming that you are in a jungle means aspects of yourself and your personality that may have been inhibited

The jungle could represent your confusing and overwhelming thoughts regarding daily life. If you dream you are in an impenetrable jungle, your unconscious may be revealing to you the anxiety you have about a particular situation, a current difficulty, or the future. If you find yourself freely exploring the jungle, it is a positive dream image that might be encouraging you to go on a new adventure and discover unexplored areas of your own psyche.

Logically speaking it may be deduced that the countryside—
landscapes of all kinds—is the mundane manifestation of a dynamic complex
which in origin was non-spatial. Inner forces are liberated to unfold as forms
which disclose in themselves the qualitative and quantitative order of their inner
tensions. Thus a mountain crest becomes a graphic sign. Let us take, by way of
illustration, landscapes as they appear in dreams. Leaving aside the phenomenon
of memory, reminiscence, or the complex association of various sense-data, the
scenes and towns which figure in dreams are neither arbitrary and indeterminate
nor objective: they are symbolic—that is, they well up in order to illuminate
certain momentary experiences called forth by varying combinations of influences in varying degrees of intensity. Landscape-scenes arising in the imagination
in this way are sustained solely by the validity, duration and intensity of the
feelings which aroused them. Form—just as in physical morphology—is the
diagram of force. Now, what we have said about landscapes in dreams can be
applied also to an actual landscape, seen and selected by an automatic response of
the unconscious, which detects in it an affinity that gives us pause and makes us
return to it again and again. This, then, is a question not of a projection of the mind
but of an analogy whereby the landscape is adopted by the spirit in consequence
of the inner bond linking the character of the scene with the spirit of the observer
himself. Subjectivism concerns only the act of choosing. The intellection of the
significance of a landscape is, then, wholly objective, as is the grasping of the
symbolic values of colours and numbers. The Chinese saw this with the utmost
clarity: as Luc Benoist has observed, Chinese art has always placed more emphasis upon landscape than upon man (as a figure, that is to say), and upon the
macrocosm rather than the microcosm. ‘If the superior man loves the countryside,’ to quote the words of Kuo Hsi, ‘why is this so? Hills and gardens will
always be the haunts of him who seeks to cultivate his original nature; fountains
and rocks are a constant joy to him who wanders whistling among them. . .’ (6).
It is a well-established tradition of symbology that the different worlds (or zones)
are strictly only different states of being. Hence the fact that the ‘chosen site’ is
the enshrining image which arises out of it. The ‘trysting place’, when it truly
possesses that character, and is not merely arbitrary or fortuitous, signifies a
meeting or ‘conjoining’ in precisely this same sense—that is, transposed into topographical or spatial terms (26). However revolutionary these assertions may
seem, they are nevertheless confirmed by the findings of the psychology of form
and by isomorphism, since it has been shown that it is not possible to distinguish
between psychic and physical formal processes—other than externally. In support of all this, there is the comment of Mircea Eliade that ‘In point of fact, man
never chooses a site, he simply “discovers it”. . . . One of the means of discovering
one’s situation is by orientation’ (17). Now, in order to grasp the symbolic sense
of a landscape it is necessary to distinguish between the predominant elements
and the merely incidental, and between the character of the whole and the character of the component elements. When the predominant element is a cosmic one,
its effect is to bind all the other components together, and it is this cosmic
ingredient which makes its influence felt over and above that of the individual
features of the landscape. Instances of such cosmic features are the sea, the
desert, the icy wastes, the mountain-peak, clouds and sky. It is when the ingredients of landscape-symbolism are varied and evenly balanced that symbolic interpretation is most needed. The interpreter must, then, look for the following: (a)
a spatial pattern organized within particular limits which endow it with a structure after the manner of a building or a work of art. By spatial symbolism we
mean, in the first place, the symbolism of level, that is, the disposition of the
zones of the landscape according to the three levels of the normal, the lower and
the higher; and secondly the symbolism of orientation, that is, the position of the
accidental elements in relation to the north-south and the east-west axes. He must
then bear in mind (b) the form—the pattern or the shape of the terrain, whether
it is undulating or broken, steeply sloped or flat, soft or hard; (c) the positional
relationship of the particular area chosen to the region as a whole or to the zone
surrounding it—whether it is lower or higher, more open or more enclosed; and
finally (d) the natural and artificial elements which make up the organized pattern: trees, shrubs, plants, lakes, springs, wells, rocks, sandy shores, houses,
steps, benches, grottoes, gardens, fences, doors and gates. Also important is the
predominating colour, or the clash of colours, or the general feeling of fecundity or
barrenness, of brightness or gloom, of order or disorder. Roads and cross-roads
are of great significance, and so are streams. About the objective meaning of each
of the factors we have listed above there is much that we could say; however,
since the more important factors—such as the symbolism of level—are dealt
with under separate headings, we will here add no more than a few notes. Steepness indicates primitiveness and regression; flat country denotes the apocalyptic
end, the longing for power and for death. There is a Persian tradition that, when
the end of the world has come—when Ahriman is vanquished for ever, the mountains will be levelled and all the earth will become one great plain. Ideas cognate with this are to be found in certain traditions of Israel and France (35). It would
not be hard to point to the history of architecture and town-planning as evidence
of the subconscious application of these principles. Furthermore, there are some
aspects of landscapes which have a symbolic air about them that is very difficult
to analyse intellectually. For instance, the following descriptive passage from
Dante’s Commedia has always seemed to us to evoke an atmosphere of profound
mystery: ‘Around this little island, in its lowest reaches, there, where it is lashed
by the waves, reeds grow in the soft mud’ (Purgatorio I, 100). Independent of the
cosmic significance of landscape, there may also be a sexual implication. It is also
essential to bear in mind that this is not strictly a matter of symbols as such but
of complex, symbolic functions. For instance, in scenes depicting low-lying topographical features, the following factors may be at work: (a) depth in the sense
of what is base, comparable therefore with the wicked and infernal; (b) depth in
the sense of what is symbolically profound; (c) depth as it pertains to the material earth itself, implying a chthonian and maternal symbolism. Only the context
can help us to tell the essence from the accessory—as is true also of the vast
majority of symbols. Here we must bear in mind the primitive concept of the
archetypal ‘ideal countryside’. Schneider has observed that the fact of there being
so many identical names for rivers and mountains in different parts of the world,
suggests that megalithic ways of thought must have led to the custom of naming
the topographical features of different regions after some ideal model. This model,
it may be argued, could be the product of the lasting impression made upon the
mind of Primitive Man by a particular environment endowed with such unity and
variety as to prevent him from ever wishing to leave it; but it could also be
explained as the projection of a psychic order founded upon laws comparable
with those governing quaternary patterns, or the mandala, etc. Man’s attention
was first drawn to the contraposition of heaven and earth by topographical
features, and he gave expression to this in the struggle between gods and Titans,
angels and demons, and in the opposition of mountain and valley. Next, he set out
to explain the earth’s surface by means of the laws of orientation, taking the four
points of the compass from the apparent orbit of the sun as well as from the
human anatomy, and identifying them as ambivalent forces—ambivalent because
they are at once hostile to things external and the defenders of their limits. As
Schneider adds: ‘To preserve cosmic order, the gods fought with the giants and
the monsters which had from the very beginning of creation sought to devour the
sun. They stationed the heroic lion on the celestial mountain. Four archers’—the
tetramorphs—’are continuously on guard day and night against anyone who
attempts to disrupt the order of the cosmos’ (50). The stockade, the wall or stone
enclosure, comments Eliade, are among the oldest known parts of the structure of temples, appearing as early as in proto-Indian civilizations such as that of MohenjoDaro and also in Crete (17). They owe their origins to the same basic, primordial
idea of the symbolism of landscape—its representation of cosmic order. The
mountain with one peak is symbolic of the One—of transcendent purpose; the
two-peaked Mountain of Mars stands for the Gemini, the world of appearances
and the dualism of all forms of life. Both these symbolic mountains find their
symbolic complement in the general pattern of archetypal landscape—also, incidentally, an image of the year; this pattern is composed of the river of life (denoting the positive phase) and the river of oblivion (the negative phase) which flow
through the sea of flames (expressing infirmity) and well up from a single source
(birth or the Origin). According to this scheme, every landscape has a disastrous
and a felicitous tendency, corresponding on the temporal plane with the selfevident distinction between ‘coming’ and ‘going’ which in turn is analogous to the
two halves of human existence. But, quite apart from all this, the symbolic
interpretation of a landscape may be determined according to the laws governing
diverse and individual correspondences, as well as the overall significance derived
from the complex of meanings afforded by its separate features. By way of an
illustration of the many possibilities of interpreting the significance of a landscape, we will conclude with some comments on Vallcarca with its characteristic
low-lying features. The gardens are at a lower level than the city proper, and
screened from it by the vegetation, which has something of the archaic and oriental about it. The main street leads north towards an open plain, signifying the
process of disintegration. On the other hand, those streets which lead towards the
mountain are on the favourable axis. In this case, the interpretation is obvious
enough, as it is in all instances of scenes where it is possible to identify the
essential features of archetypal landscape.

To dream of various landscapes in your dream, represent where you are in your life or in your relationships. How do you see yourself with respect to the rest of the world and those around you? Consider what is going on in the landscape and how it may parallel your own waking life. In particular, a barren or dry landscape depicts dissatisfaction in your love life. According to Freud, the dream landscape symbolizes the human body. A landscape with gentle contours symbolize the female body, while a rocky landscape represents the male body. Also consider the feelings that the landscape invokes.

To dream of ever changing landscapes, indicates psychological transitions or emotional progress. It represents the various stages in your life. Alternatively, it may be offering you various viewpoints in looking at the same idea or situation. Something may be slipping away from your grasp. Look at the symbolism of key elements in the landscape.

Dreaming of various landscapes in your dream, represents where you are in your life or in your relationships. How do you see yourself with respect to the rest of the world and those around you? According to Freud, the landscape symbolizes the human body. Dreaming of ever changing landscapes indicates psychological transitions or emotional progress. It represents the various stages in your life. Alternatively, it may be offering you various viewpoints in looking at the same idea or situation. Consider the symbolism of key elements in the landscape.

To dream of a watch, denotes you will be prosperous in well-directed speculations. To look at the time of one, your efforts will be defeated by rivalry. To break one, there will be distress and loss menacing you.

To drop the crystal of one, foretells carelessness, or unpleasant companionship. For a woman to lose one, signifies domestic disturbances will produce unhappiness. To imagine you steal one, you will have a violent enemy who will attack your reputation.

To make a present of one, denotes you will suffer your interest to decline in the pursuance of undignified recreations.

To see or wear a watch in your dream, suggests that you need to be more carefree and spontaneous. Your life is too structured. Or you are feeling limited and constrained. Alternatively, the watch symbolizes the ticking of the human heart and thus is indicative of the emotional side of your life. The dream may also be a metaphor to indicate that you need to "watch out".

To see a broken watch in your dream, indicates that you are unsure of your own feelings or how to express yourself. You are experiencing an emotional standstill. Alternatively, a watch suggests that you have poor time management. You have lost track of what you have to do.

Seeing or wearing a watch in your dream, suggests that you need to be more carefree and spontaneous. You are feeling limited and constrained. Seeing a broken watch in your dream indicates that you are unsure of your own feelings or how to express yourself. You are experiencing an emotional standstill.

To dream that you are in the bathroom, relates to your instinctual urges. You may be experiencing some burdens/feelings and need to "relieve yourself". Alternatively, a bathroom symbolizes purification and self-renewal. You need to cleanse yourself, both emotionally and psychologically.

To dream that you are in a public restroom with no stalls or that there are a lot of people around while you are trying to do your business, signifies your frustrations about getting enough privacy. You are always putting others ahead of your own needs. As a result, you are lacking a sense of personal space. Alternatively, the dream indicates that you are having difficulties letting go of old emotions. You are afraid that if you reveal these feelings, then others around you will judge and criticize you.

To dream that you are in a bathroom meant for the opposite sex, suggests that you are overstepping your boundaries. You have crossed the line in some situation.

To dream that you can not find the bathroom or that you have difficulties finding one, indicates that you have difficulties in releasing and expressing your emotions. You are holding back your true feelings about something.

To see white roses in a bathroom, and yellow ones in a box, denote that sickness will interfere with pleasure; but more lasting joys will result from this disappointment.

For a young woman to dream of a bathroom, foretells that her inclinations trend too much toward light pleasures and frivolities.

Dreaming that you are in the bathroom, relates to your instinctual urges. You may be experiencing some burdens/feelings and need to "relieve yourself". Alternatively, it may symbolize purification and self-renewal. You need to cleanse yourself, both emotionally and psychologically. Dreaming that you are in a public restroom with no stalls means your frustrations about getting enough privacy. It may also indicate that you are having difficulties letting go of old emotions. If you reveal these feelings, you are afraid that others around you will judge and criticize you. Dreaming that you can not find the bathroom means that you are have difficulties in releasing and expressing your emotions.

In our dreams bathrooms may be valuable symbols. They suggest that there is a need for emotional and psychological cleansing. You may need to get rid of emotional and psychological baggage. It is difficult to be carefree and happy when old issues keep "bringing you down." The bathroom is a good dream symbol. Consider all of the details in your dream. Make an effort to cleanse mind and spirit by putting useless thoughts and feelings behind you.

A feminine symbol (32) which, notwithstanding, contains all the implications of the symbolic hole, since it is the door which gives access to the hole; its
significance is therefore the antithesis of the wall. There is the same relationship
between the temple-door and the altar as between the circumference and the
centre: even though in each case the two component elements are the farthest
apart, they are nonetheless, in a way, the closest since the one determines and
reflects the other. This is well illustrated in the architectural ornamentation of
cathedrals, where the façade is nearly always treated as if it were an altar-piece.

To dream that you are entering through a door, signifies new opportunities that are presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside, signifies your need to be more accessible to others, whereas a door that opens into the inside, denotes your desire for inner exploration and self-discovery.

To see an opened door in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind the door, suggests that you are moving toward greater enlightenment/spirituality.

To dream that the door is closed or locked, signifies opportunities that are denied and not available to you or that you have missed out on. Something or someone is blocking your progress. It also symbolizes the ending of a phase or project. In particular, if you are outside the locked door, then it suggests that you have anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned.

To dream that you are locking the door, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. If someone slams the door in your face, then it indicates that you are feeling shut out or some activity or that you are being ignored.

To see revolving doors in your dream, suggests that you are literally moving in circles and going nowhere. You may feel that your opportunities and choices lead to a dead end.

To dream of entering a door, denotes slander, and enemies from whom you are trying in vain to escape. This is the same of any door, except the door of your childhood home. If it is this door you dream of entering, your days will be filled with plenty and congeniality.

To dream of entering a door at night through the rain, denotes, to women, unpardonable escapades; to a man, it is significant of a drawing on his resources by unwarranted vice, and also foretells assignations.

To see others go through a doorway, denotes unsuccessful attempts to get your affairs into a paying condition. It also means changes to farmers and the political world. To an author, it foretells that the reading public will reprove his way of stating facts by refusing to read his later works.

To dream that you attempt to close a door, and it falls from its hinges, injuring some one, denotes that malignant evil threatens your friend through your unintentionally wrong advice. If you see another attempt to lock a door, and it falls from its hinges, you will have knowledge of some friend's misfortune and be powerless to aid him.

Dreaming that you are entering through a door means new opportunities that will be presented before you. You are entering into a new stage in your life and moving from one level of consciousness to another. In particular, a door that opens to the outside means your need to be more accessible to others, whereas a door that opens into the inside indicates your desire for inner exploration and self-discovery. Seeing opened doors in your dream, symbolizes your receptiveness and willingness to accept new ideas/concepts. In particular, to see a light behind it suggests that you are moving toward greater enlightenment/spirituality. Dreaming that the doors are locked means opportunities that are denied and not available to you or that you have missed out on. In particular, if you are outside the locked door, then it suggests that you are having some anti-social tendencies. If you are inside the locked door, then it represents harsh lessons that need to be learned. Dreaming that you are locking doors, suggests that you are closing yourself off from others. You are hesitant in letting others in and revealing your feelings. It is indicative of some fear and low self-worth. Seeing revolving doors in your dream, suggests that you are literally moving in circles and going no where. You may feel that your opportunities and choices lead to a dead end.

Doors are passageways and in our dreams that is their symbolism. Going through a door may represent going from one state of consciousness to another, or from one inner plane to another. Locked or closed doors may represent an obstacle or opportunities that are not currently available to you. Many doors may represent your current choices.