To dream that you are floating on air, indicates satisfaction, contentment and acceptance of some situation. You are letting go of your problems and rising above obstacles. You are experiencing new-found freedom and gaining a new perspective on things. Nothing seems overwhelming or too difficult to handle. Alternatively, floating in your dream suggests that you are wandering through life aimlessly with no goals. You are just going with the flow.

To dream that you are floating in water, suggests that you have a handle on your emotions.

To dream that you are floating, but are afraid to move, suggests that you are questioning your own abilities. You are experiencing doubts in yourself.

To dream of floating, denotes that you will victoriously overcome obstacles which are seemingly overwhelming you. If the water is muddy your victories will not be gratifying.

Floating in water can be symbolic of floating on top of your emotions and being in harmony with the unconscious. It an also represent overcoming obstacles. Floating through the air has the same symbolism as flying. In fact, when people dream of flying, they usually dream of floating in the air, rather than moving forward purposefully. Floating usually represents your current feelings of peacefulness and general freedom. On a more negative note, floating could also be symbolic of your aloofness, lack of connection or a need to become more grounded.

To dream that you are in a rowboat, symbolizes hard work and perseverance. You are coping with your problems and emotions in your own way and at your own pace. Consider the condition of the water.

To dream that you are in a rowboat with others, denotes that you will derive much pleasure from the companionship of gay and worldly persons. If the boat is capsized, you will suffer financial losses by engaging in seductive enterprises.

If you find yourself defeated in a rowing race,
you will lose favors to your rivals with your sweetheart.
If you are the victor, you will easily obtain supremacy with women.
Your affairs will move agreeably.

Dreaming that you are in a rowboat with others means that you enjoy pleasures with people of a worldly quality.

Night is related to the passive principle, the feminine and the unconscious. Hesiod gave it the name of ‘mother of the gods’, for the Greeks believed
that night and darkness preceded the creation of all things (8). Hence, night—like
water—is expressive of fertility, potentiality and germination (17); for it is an
anticipatory state in that, though not yet day, it is the promise of daylight. Within
the tradition of symbology it has the same significance as death and the colour
black.

To have a dream that takes place at night, represents some major setbacks and obstacles in achieving your goals. You are being faced with an issue that is not so clear cut. Perhaps, you should put the issues aside so you can clear your head and come back to it later. Alternatively, night may be synonymous with death, rebirth, reflection, and new beginnings.

If you are surrounded by night in your dreams, you may expect unusual oppression and hardships in business. If the night seems to be vanishing, conditions which hitherto seemed unfavorable will now grow bright, and affairs will assume prosperous phases.

Dreaming of night means some major setbacks and obstacles in achieving your goals. You may find that some issues you are facing are not all that clear and you need to put them to rest for awhile before a decision is made.

To see or spin a top in your dream, represents idleness. You are not going anywhere in life and are wasting your time away on frivolous pleasures.

To dream that you are on top, signifies your goals, aspirations and ideals. You are seeking higher understanding and knowledge.

Seeing or spin a top in your dream, represents idleness. You are wasting your time away on frivolous pleasures. Dreaming that you are on top means your aspirations and ideals. You are seeking higher understanding and knowledge.

To dream that you are crawling on the ground, and hurt your hand, you may expect humiliating tasks to be placed on you.

To crawl over rough places and stones, indicates that you have not taken proper advantage of your opportunities. A young woman, after dreaming of crawling, if not very careful of her conduct, will lose the respect of her lover.

To crawl in mire with others, denotes depression in business and loss of credit. Your friends will have cause to censure you.

If all symbols are really functions and signs of things
imbued with energy, then the serpent or snake is, by analogy, symbolic of energy
itself—of force pure and simple; hence its ambivalence and multivalencies. Another reason for its great variety of symbolic meaning derives from the consideration that these meanings may relate either to the serpent as a whole or to any of
its major characteristics—for example, to its sinuous movements, its common
association with the tree and its formal analogy with the roots and branches of the
tree, the way it sheds its skin, its threatening tongue, the undulating pattern of its
body, its hiss, its resemblance to a ligament, its method of attacking its victims by coiling itself round them, and so on. Still another explanation lies in its varying
habitat: there are snakes which inhabit woods, others which thrive in the desert,
aquatic serpents and those that lurk in lakes and ponds, wells and springs. In India, snake cults or cults of the spirit of the snake are connected with the
symbolism of the waters of the sea. Snakes are guardians of the springs of life and
of immortality, and also of those superior riches of the spirit that are symbolized
by hidden treasure (17). As regards the West, Bayley has suggested that the
snake, since its sinuous shape is similar to that of waves, may be a symbol of the
wisdom of the deeps (4) and of the great mysteries. Yet, in their multiplicity and
as creatures of the desert, snakes are forces of destruction, afflicting all those who
have succeeded in crossing the Red Sea and leaving Egypt (57); in this sense, they
are connected with the ‘temptations’ facing those who have overcome the limitations of matter and have entered into the realm of the ‘dryness’ of the spirit. This
explains why Blavatsky can say that, physically, the snake symbolizes the seduction of strength by matter (as Jason by Medea, Hercules by Omphale, Adam
by Eve), thereby providing us with a palpable illustration of the workings of the
process of involution; and of how the inferior can lurk within the superior, or the
previous within the subsequent (9). This is borne out by Diel, for whom the
snake is symbolic not of personal sin but of the principle of evil inherent in all
worldly things. The same idea is incorporated into the Nordic myth about the
serpent of Midgard (15). There is a clear connexion between the snake and the
feminine principle. Eliade observes that Gresmann (Mytische Reste in der
Paradieserzahlung, in Archiv f. Rel. X, 345) regarded Eve as an archaic Phoenician
goddess of the underworld who is personified in the serpent (although a better
interpretation would be to identify it with the allegorical figure of Lilith, the
enemy and temptress of Eve). In support of this, Eliade points to the numerous
Mediterranean deities who are represented carrying a snake in one or both of their
hands (for example, the Greek Artemis, Hecate, Persephone), and he relates these
to the finely sculpted Cretan priestesses in gold or ivory, and to mythic figures
with snakes for hair (Medusa the Gorgon, or the Erinyes). He goes on to mention
that in Central Europe there is a belief that hairs pulled out from the head of a
woman under the influence of the moon will be turned into snakes (17). The
serpent (or snake) was very common in Egypt; the hieroglyph which corresponds phonetically to the letter Z is a representation of the movement of the
snake. Like the sign of the slug, or horned snake (phonetically equivalent to F),
this hieroglyph refers to primigenial and cosmic forces. Generally speaking, the
names of the goddesses are determined by signs representing the snake—which is
tantamount to saying that it is because of Woman that the spirit has fallen into
matter and evil. The snake is also used, as are other reptiles, to refer to the
primordial—the most primitive strata of life. In the Book of the Dead (XVII), the
reptiles are the first to acclaim Ra when he appears above the surface of the waters of Nou (or Nu or Nun). The demonic implications of the serpent are
exemplified in Tuat, whose evil spirits are portrayed as snakes; however, these—
like the vanquished dragon—may also take on a beneficent form as forces which
have been mastered, controlled, sublimated and utilized for the superior purposes
of the psyche and the development of mankind, and in this sense they correspond
to the goddesses Nekhebit and Uadjit (or Buto). They also become an Uraeus—
the same thing happens in the symbolism of the Kundalini—constituting the
most precious ornament of the royal diadem (19).
As we have said, it is the basic characteristics of the snake which have
determined its symbolic significances. To quote Teillard’s definition of the snake,
it is: ‘An animal endowed with magnetic force. Because it sheds its skin, it
symbolizes resurrection. Because of its sinuous movement’ (and also because its
coils are capable of strangling) ‘it signifies strength. Because of its viciousness, it
represents the evil side of nature’ (56). Its ability to shed its skin greatly impressed ancient writers: Philo of Alexandria believed that when the snake shakes
off its skin it likewise shakes off its old age, that it can both kill and cure and that
it is therefore the symbol and attribute of the aggressive powers, positive and
negative, which rule the world. (This is a Gnostic and Manichean idea of Persian
provenance.) He decided finally that it is the ‘most spiritual of animals’. Jung has
pointed out that the Gnostics related it to the spinal cord and the spinal marrow,
an excellent image of the way the unconscious expresses itself suddenly and
unexpectedly with its peremptory and terrible incursions (31). He adds that,
psychologically, the snake is a symptom of anguish expressive of abnormal stirrings
in the unconscious, that is, of a reactivation of its destructive potentiality. This is
directly comparable to the significance of the serpent of Midgard in Norse mythology. In the Völuspa it is proclaimed that the deluge will commence when the
serpent awakens to destroy the universe (31). For Zimmer, the serpent is the
lifeforce which determines birth and rebirth and hence it is connected with the
Wheel of Life. The legend of Buddha tells how the serpent wound itself round his
body seven times (as in the effigies of the Mithraic Cronos), but, since it could
not crush him, it turned into a youth bowing low before Gautama (60).
The connexion of the snake with the wheel is expressed in graphic form in the
Gnostic symbol of the Ouroboros, or serpent biting its own tail; half of this
mythic being is dark and the other half light (as in the Chinese Yang-Yin symbol),
which clearly illustrates the essential ambivalence of the snake in that it pertains
to both aspects of the cycle (the active and the passive, the affirmative and the
negative, the constructive and the destructive). Wirth comments that the ‘ancient
serpent is the prop of the world, providing it with both materials and energy, unfolding as reason and imagination, and also as a force of the darkness’ (59). The
snake was an important symbol for the Gnostics, and especially for the so-called
Naassene sect (from naas—snake). Hippolytus, criticizing this doctrine, asserted that the snake was said to live in all objects and in all beings. This brings us
to the Yoga concept of the Kundalini or the snake as an image of inner strength.
Kundalini is represented symbolically as a snake coiled up upon itself in the form
of a ring (kundala) (29), in that subtle part of the organism corresponding to the
lower extremity of the spinal column; this, at any rate, is the case with the
ordinary man. But, as a result of exercises directed towards his spiritualization—
Hatha Yoga, for instance—the snake uncoils and stretches up through wheels
(chakras) corresponding to the various plexuses of the body until it reaches the
area of the forehead corresponding to the third eye of Shiva. It is then, according
to Hindu belief, that man recovers his sense of the eternal (28). The symbolism
here probably relates to an ascending force, rising up, that is, from the area
governed by the sexual organ up to the realm of thought—an interpretation which
it is also possible to justify by simple reference to the symbolism of level, taking
the heart as central. In other words, the symbol denotes ‘sublimation of the
personality’ (Avalon, The Serpent Power). Jung has noted that the custom of
representing transformation and renovation of figures of snakes constitutes a
well-documented archetype; and he suggests that the Egyptian Uraeus is the
visible expression of the Kundalini on a higher plane (32). There are also various
rites which accord with this concept of progressive elevation. The progress through
the six chakras—there is in fact a seventh, but it is unnamed and (like the central
point of certain mandala-like patterns) is not represented visually—may be regarded as analogous to climbing up the terraces of the ziggurat or mounting the
steps pertaining to the seven metals in the Mithraic ritual (11). Apart from the
circular (and cosmic) position it tends to take up, and the quality of completeness
which this implies, the snake is frequently related to other symbols. The most
common of these is the tree, which, being unitary, may be said to correspond to
the masculine principle, in which case the ophidian would represent the feminine.
The tree and the serpent are, in mythology, prefigurations of Adam and Eve.
Furthermore, by analogy, we also have here a situation of symbolic Entanglement—the snake curled round the tree (or round the staff of Aesculapius)—and
a symbolic image of moral dualism. Diel, who tends to favour this kind of interpretation, suggests that the snake coiled round the staff or club of the god of
medicine recalls the basic, Biblical symbol of the Tree of Life encircled by the
snake and signifying the principle of evil; the pattern here points to the close
relationship between life and corruption as the source of all evil. Diel goes on to suggest that it is this subversion of the spirit that brings about the death of the
soul, and that this is what medicine must, in the first place, set out to combat (15).
Now, the opposite to the encircling (or triumphant) snake is the crucified
snake, as it is to be found among the figures included in Abraham le Juif (Paris,
Bibl. Nat. Ms. Fr. 14765, of the 16th century) (32). This figure of the reptile
nailed to a cross—or the chthonian and feminine principle vanquished by the
spirit—is also represented mythically by the victory of eagle over serpent. Heinrich
Zimmer recalls that, in the Iliad, an eagle appears to the Greeks, carrying a
wounded snake in its claws. The seer Calchas saw this as an omen portending the
triumph of the Greeks (the masculine and patriarchal order of the Aryans subduing the predominantly feminine and matriarchal principle of Asia) (60). Since all
struggle is a form of ‘conjunction’ and therefore of love, it is hardly surprising that
man should have created a synthesis of opposing powers—heaven and earth—in
the image of the ‘plumed serpent’, the most notable symbol of pre-Columbian
America. This serpent has feathers on its head, in its tail and sometimes on its
body. Quetzalcoatl is another androgynous symbol of this kind (41). The symmetrical placing of two serpents, as in the caduceus of Mercury, is indicative of an
equilibrium of forces, of the counterbalancing of the cowed serpent (or sublimated power) by the untamed serpent, so representing good balanced by evil,
health by sickness. As Jung has shrewdly observed, this much-used image is an
adumbration of homoeopathy—a cure effected by what caused the ailment. The
serpent therefore becomes the source of the healing of the wound caused by the
serpent. This is why it could serve as a symbol of St. John the Evangelist (32) and
appear in association with a chalice.
The different forms which the serpent may take are not numerous. The seaserpent seems simply to emphasize the integration of the symbolism of the
unconscious with that of the abyss (9). If it has more than one head, this merely
serves to add to the basic symbolism, the extra significance corresponding to the
particular number of heads it is given. The dragon or the serpent with seven heads
occurs often in legends, myths and folktales simply because seven represents
multiplication of unity and locates the reptile among the essential orders of the
cosmos. The seven-headed serpent partakes of the symbolism of the seven Directions of Space, the seven days of the week, and the seven planetary gods, and
has a bearing upon the seven sins (9). The three-headed serpent refers to the three
principles of the active, the passive and the neutral. In alchemy, the winged
serpent represents the volatile principle, and the wingless the fixed principle. The
crucified serpent denotes the fixation of the volatile and also sublimation (as in
the Prometheus myth). Alchemists also saw in the serpent an illustration of ‘the feminine in Man’ or his ‘humid essence’, relating the reptile to Mercury (57) as
the androgynous god who—like Shiva—was doubtless endowed with a tendency
towards both good and evil (an aspect also portrayed by the Gnostics in their
twin serpents called Agathodaemon and Kakodaemon) (9). There are also serpents of unusual aspect—the snake with a sheep’s head, for instance, in reliefs on
certain Gallo-Roman sepulchres. In view of the favourable symbolic sense of the
sheep (connected with Aries, spring, initiation and fire), this adaptation implies a
degree of spiritualization (16). Finally, according to Schneider, the sacrificed
serpent is the symbolic equivalent of the swan’s neck and of the swan itself (and
it is by the swan that the hero is wafted heavenwards, plucking away upon his
harp) (50). That is to say, the sacrifice of the serpent (as a life-force) makes it
possible to accept death gratefully (like the swan) and to soar up to higher
regions. Father Heras has suggested that the snake is symbolic of fertility and
destruction and that it is in this sense that it appears on the menhir of Kernuz
(Finistère). It appears in opposition to the arrow in the effigy of the horned god
of Cerdeña (with another head on top alluding to the symbolism of the Gemini).

To see a serpent in your dream, signifies the balance of good and evil.

To see a winged serpent in your dream, denotes wisdom. You have overcome the negativity in your life.

Seeing a serpent in your dream means high intellectual power, deception, and the balance of good and evil. Seeing a winged serpent in your dream indicates wisdom and that you've overcome negative ways.

To see a rainbow in your dream, represents hope, success and good fortune in the form of money, prestige, or fame. The rainbow is also seen as a bridge between your earthly, grounded self and the higher, spiritual self. It refers to joy and happiness in your relationship. Alternatively, the rainbow is a symbol for gay pride in the western culture.

To see an all white rainbow in your dream, signifies heightened spirituality and purity.

To see a rainbow in a dream, is prognostic of unusual happenings. Affairs will assume a more promising countenance, and crops will give promise of a plentiful yield.

For lovers to see the rainbow, is an omen of much happiness from their union.

To see the rainbow hanging low over green trees, signifies unconditional success in any undertaking.

Seeing a rainbow in your dream means much hope, success and good fortune in the form of money, prestige, or fame. The rainbow is a bridge between your earthly, grounded self and the higher, spiritual self. For lovers to see a rainbow, symbolizes overwhelming happiness from their union.

Rainbows are colourful bridges that fall across the sky, but we can not walk across them. Currently you may experience great joy and have extraordinary or even magical ideas, but remember that you can not walk across the rainbow bridge, so stay well-grounded. Usually a rainbow follows a rainstorm. If so, you have weathered a difficult time that is coming to closure, this dream symbol may represent your optimism. Generally, rainbows make people smile and feel happy. Thus, some may consider this dream a sign of your good luck.

In the Zohar, the ‘magic head’ stands for astral light (9); in mediaeval art
it is a symbol for the mind (46) and for the spiritual life, which explains the
frequency with which it appeared in decorative art. On the other hand, Plato in
Timaeus asserts that ‘the human head is the image of the world’. In corroboration
of this, Leblant points out that the skull, the semi-spherical crown of the human
body, signifies the heavens. Clearly, the head-symbol here coalesces with that of
the sphere as a symbol of Oneness. It had the same significance in Egyptian
hieroglyphics (19). The eagle’s head has been used as a solar symbol and an
emblem of the centre-point of emanation—that is, of the cosmic flame and the
spiritual fire of the universe (4). Two, three or four heads shown in juxtaposition
symbolize a corresponding intensification of a given aspect of head-symbolism.
Thus, the Gemini, a symbol of the duality of Nature, or of the integrating (but not
unifying) link between the two principles of creation, are represented by beings
with two heads or two faces, like the Roman Janus for example. Hecate is depicted with three heads—she is called triform for this reason—a symbolism
which may be related to the ‘three levels’ of heaven, earth and hell, as well as to
Diel’s three ‘urges of life’ (15). The juxtaposition of four heads or faces, as in the
image of Brahma the Supreme Lord, stems from the same symbolism as that of
the tetramorph (60). A factor of major importance bearing upon the symbolism of
the head is mentioned by Herbert Kühn, in his L’Ascension de l’humanité (Paris,
1958). He makes the point that the decapitation of corpses in prehistoric times
marked Man’s discovery of the independence of the spiritual principle, residing
in the head, as opposed to the vital principle represented by the body as a whole.
Kühn adds that Neolithic thought was very close to the mediaeval in its conviction that an eternal and invisible essence underlies all appearances (Plate XV).

To see a head in your dream, signifies wisdom, intellect, understanding and rationality. It may also represent your accomplishments, self-image, and perception of the world. The dream may also be metaphor to indicate that you are "ahead" in some situation or that you need to get ahead.

To dream that someone is trying to rip your head off, suggests that you are not seeing a situation or problem clearly. Perhaps you are refusing to see the truth. You have to confront the situation or the person despite the pain and discomfort you might feel in doing so.

To dream that you have two heads, indicate that you need to learn to ask for help and accept assistance. Consider the metaphor "two heads are better than one". Do not try to do everything yourself.

To see a person's head in your dream, and it is well-shaped and prominent, you will meet persons of power and vast influence who will lend you aid in enterprises of importance.

If you dream of your own head, you are threatened with nervous or brain trouble.

To see a head severed from its trunk, and bloody, you will meet sickening disappointments, and the overthrow of your dearest hopes and anticipations.

To see yourself with two or more heads, foretells phenomenal and rapid rise in life, but the probabilities are that the rise will not be stable.

To dream that your head aches, denotes that you will be oppressed with worry.

To dream of a swollen head, you will have more good than bad in your life.

To dream of a child's head, there will be much pleasure ill store for you and signal financial success.

To dream of the head of a beast, denotes that the nature of your desires will run on a low plane, and only material pleasures will concern you.

To wash your head, you will be sought after by prominent people for your judgment and good counsel.

Seeing a head in your dream means wisdom, intellect, understanding and rationality. It may also represent your accomplishments, self-image, and perception of the world. Dreaming that someone is trying to rip your head off, suggests that you are not see a situation or problem clearly. Perhaps you are refusing to see the truth. You have to confront the situation or the person despite the pain and discomfort you might feel in doing so.

A head symbolizes intelligence, logic, wisdom and making decisions. A dream of a head may mean that you are changing your mind about something or are unable to make up your mind. A dream of a headless body may be a warning that you aren't thinking clearly - you're "losing your head."

To see a reef in your dream, suggests that you are blocking out unconscious material from emerging onto the surface. Alternatively, the dream may also mean a refuge or protection from your emotions.

Seeing a reef in your dream, suggests that you are blocking out unconscious material from emerging onto the surface.

To see a barrier in your dream, represents an obstacle to your emotional growth. You may feel hindered in fully expressing yourself. The dream may also indicate your resistance to change.

Dreaming of a barrier represents an obstacle to emotional growth. You may feel hindered in fully expressing yourself. The dream may also indicate your resistance to change.