I was in a massive office building. Someone was giving me a tour of the space. As it turned out, all of my friends had offices in this building. Someone had given each of us spaces, suited to our interests. We would now all be able to work in the same place and do what we loved as work.
The space that I had been given was a station in a tattoo shop named "Storm", that was down on the ground floor. We went to visit there next. As promised, I had my own station... but it wasn't very nice. It was a rotating space, so many people had tattooed there before. The presiding equipment was flimsy and dirty and had fallen to disrepair.
I didn't let it discourage me, though. I knew I had a lot of work ahead of me so I dove right in. I started by cleaning and organizing, envisioning spaces for my tools. I also realized that I could very well make it a sweet space by installing a semi-permanent gazebo structure around the space. It had no roof and was open to the elements.
I was approached by a bigger guy who wanted a tattoo. He was very excited and spilling over with details. I took them in, and then told him how to get in touch with me. Then he wandered across the street and sat in the chair of another tattoo artist at another shop.
I realized that I had to be careful since I was the new kid on the block. I didn't want to steal anyone's clients or step on any toes.
As I was looking down the block, I realized I was in a tunnel and at the end of the tunnel it was snowing. I remarked that it was way too early for this type of weather.
I don't remember the transition, but next I was being dragged off by a WOW-looking thug and his androgynous thug partner. While the thug went off to battle, I was left with the androgyne, who was thenceforth trying to attack me. I was in a bit of a clearing and all I had was rocks to defend myself with. At first, I tried fighting with fists and kicks. I was able to keep my captor at bay, but it didn't seem useful for me to waste my energies in this way. I needed to vanquish the foe. Soon, I noticed a plethora of head-sized rocks at my feet. I began using them as weapons, hurling them and smashing my opponent in the head with them. It seemed that regardless of my violent abilities, nothing could truly kill this beast. My best bet would be to continue bludgeoning it until it either gave up or died.
In retrospect, I can see the symbolism of this dream quite clear. Lately I've been impeded by a painful blockage. I've been void of inspiration and even desire to create. I've been burnt out on tattooing (even though I'm in a great place and loving it completely), and finding myself wanting to focus on other things for a while. I feel that the creature I was fighting in the dream was a representation of the creative block I've had and through my bludgeoning, I was working to dislodge this block. When I woke this morning, I felt a renewed sense of creative inspiration.
In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.
Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.
To see your body appearing tattooed, foretells that some difficulty will cause you to make a long and tedious absence from your home.
To see tattooes on others, foretells that strange loves will make you an object of jealousy.
To dream you are a tattooist, is a sign that you will estrange yourself from friends because of your fancy for some strange experience.
To dream that you have tattoos, represent your sense of individuality and the desire to stand out in a crowd. You want to be unique and different from everybody else, particularly if you do not have any tattoos in real life. Consider also what the tattoo is and what significance it has in your life. It may represent something that has left a lasting impression on you. Alternatively, to dream that you have a tattoo, suggests that a waking situation or decision is having a much longer lasting effect that you had expected.
To dream that you are a tattoo artist, suggests that your exotic tastes and strange experiences may turn off those around you. If you are a tattooist in real life, then the dream is just a reflection of who you are.
Dreaming that you have tattoos means that some urgent and difficult business will call you away from your home for an extended period of time. It may also signal a new stage in your life. Seeing tattoos on others in your dream indicates that you will be the object of jealousy. Dreaming that you are getting a tattoo with a friend, represents your deep bond and long-lasting, solid friendship. Dreaming that you are a tattoo artist means that your strange life style will alienate your friends and family.
Tattoos may represent those things in our lives that seem only skin deep, but may be interesting and fun. They could represent our thinking, our playful ways, and our seemingly unimportant habits. As time progresses, we may realise that our passing fads have become permanent. Thus, a tattoo may be symbolic of something that we inflict on ourselves, is permanent if not deep, and generally carries with it some negativity.
To dream that you are hard at work, denotes that you will win merited success by concentration of energy.
To see others at work, denotes that hopeful conditions will surround you.
To look for work, means that you will be benefited by some unaccountable occurrence.
To dream that you are at work, indicates that you are experiencing some anxiety about a current project or task. The dream may also be telling you that you need to "get back to work". Perhaps you have been slacking off and need to pick up the pace. Stop procrastinating. Alternatively, the dream reflects your success.
To dream that you are at your former work, suggests that there is an old lesson that you need to learn and apply to your current situation.
To dream that you have been replaced at work, represents your concern about your current job security. You feel that you are in a precarious position at work or in some group project.
Dreaming that you are at work indicates that you are experiencing some anxiety about a current project or task. The dream may also be telling you that you need to "get back to work". Perhaps you have been slacking and need to pick up the pace. Dreaming that you are at your former or past work, suggests that there is an old lesson that you need to learn and apply to your current situation. Dreaming that you are hard at work means success and merit. Alternatively, it may suggest anxieties about a current task or project. You may need to "get back to work" and stop procrastinating.
To dream of a shop, denotes that you will be opposed in every attempt you make for advancement by scheming and jealous friends.
To dream of going through a tunnel is bad for those in business and in love.
To see a train coming towards you while in a tunnel, foretells ill health and change in occupation.
To pass through a tunnel in a car, denotes unsatisfactory business, and much unpleasant and expensive travel.
To see a tunnel caving in, portends failure and malignant enemies.
To look into one, denotes that you will soon be compelled to face a desperate issue.
To see a tunnel in your dream, represents the vagina, womb, and birth. Thus it may refer to a need for security and nurturance.
To dream that you are going through a tunnel, suggests that you are exploring aspects of your unconscious. You are opening yourself to a brand new awareness. Alternatively, it indicates your limited perspective as in the phrase "tunnel vision". Are you being close minded or narrow minded in some issue?
To see the light at the end of a tunnel, symbolizes hope. You will navigate through life and all its difficulties with great success. Alternatively, it also indicates the end of your journey and the realization of your goals.
Seeing a tunnel in your dream, represents the vagina, womb, and birth. Thus it may refer to a need for security and nurturance. Dreaming that you are going through a tunnel, suggests that you are exploring aspects of your unconscious. You are opening yourself to a brand new awareness. Alternatively, it indicates your limited perspective. Seeing the light at the end of a tunnel, symbolizes hope.
Did you see a light at the end of the tunnel, or were you trapped in a tunnel unable to determine your location? The tunnel could represent a variety of things. If it was not an unpleasant experience, it may symbolise a transitional period and a passage into new levels of understanding or ways of living.
To see a building in your dream, represents the self and the body. How high you are in the building indicates a rising level of understanding, awareness or success. If you are in the lower levels of the building, then it refers to more primal attitudes and/or sexuality.
To see a building in ruins or damaged, indicates that your approach toward a situation or relationship is all wrong. You need to change. Your own self-image may have suffered and taken some blow.
To dream that a building collapses, indicates that you are losing sight of your ambitions and goals. Your pursuit for material gains is failing.
To dream that you or someone fall off a building, suggests that you are descending into the realm of unconscious. You are learning about and acknowledging aspects of your unconscious. Alternatively, it symbolizes your fear of not being able to complete or succeeding in a task.
To dream that you are scaling or climbing a building, indicates that you are getting carried away by your ambitions.
Dreaming of a building, represents the self and the body. How high you are in the building indicates a rising level of understanding or awareness. If you are in the lower levels of the building, then it refers to more primal attitudes and/or sexuality. Dreaming of a building in ruins or damaged indicates that your approach toward a situation or relationship is all wrong. You need to change. Your own self-image may have suffered and taken some blow. Dreaming that you or someone fall off a building, suggests that you are descending into the realm of unconscious. You are learning about and acknowledging aspects of your unconscious. Alternatively, it symbolizes your fear of not being able to complete or succeeding in a task. See also Falling in our Common Dream Themes section.
To see a rock in your dream, symbolizes strength, permanence, stability and integrity, as conveyed in the common phrase "as solid as a rock". The dream may also indicate that you are making a commitment to a relationship or that you are contemplating some changes in your life that will lay the groundwork for a more solid foundation. Alternatively, a rock represents stubbornness, disharmony and unhappiness.
To dream that you are climbing a rock, signifies your determination, ambition and struggle. If the rock is particularly steep, then it refers to obstacles and disappointments.
To dream of rocks, denotes that you will meet reverses, and that there will be discord and general unhappiness.
To climb a steep rock, foretells immediate struggles and disappointing surroundings.
To dream that you are in a fight, indicates inner turmoil. Some aspect of yourself is in conflict with another aspect of yourself. Perhaps an unresolved or unacknowledged part is fighting for its right to be heard. It may also parallel a fight or struggle that you are going through in your waking life. If you are fighting to the death, then it refers to your refusal to acknowledge some waking conflict or inner turmoil. You are unwilling to change your old attitudes and habits.
To see others fighting in your dream, suggests that you are unwilling to acknowledge your own problems and turmoil. You are not taking any responsibility or initiative in trying to resolve issues in your waking life.
Quarrels in families. Misunderstanding among lovers, if not temporary
separation. A bad dream for merchants, soldiers and sailors.
Dreaming that you participate in a fight indicates inner turmoil. Some aspect of yourself is in conflict with another aspect of yourself. Perhaps an unresolved or unacknowledged part is fighting for its right to be heard. It may also parallel a fight or struggle that you are going through in your waking life. Seeing others fighting in your dream, suggests that you are unwilling to acknowledge your own problems and turmoil. You are not taking any responsibility or initiative in trying to resolve issues in your waking life. Dreaming that you are fighting to the death indicates that you are unwilling to acknowledge a waking conflict or your own inner turmoil. You are unwilling and refusing to change your old attitudes and habits.
Usually symbolises anger and confusion that comes about in times of change. If nothing is changing in your life, it may be a clue that a change is needed or that you want to change internally. Fighting with strangers usually represents an internal struggle. Fighting with familiar people may be an extension of daily life and a reflection on your relationship with them.