There is an apparent contradiction in the symbolism of the pyramid. In the first place, in megalithic culture and in European folklores which have
preserved its memory, it is symbolic of the earth in its maternal aspect. Pyramids
with Christmas decorations and lights, moreover, express the twofold idea of
death and immortality, both associated with the Great Mother. But this concerns
the pyramid only in so far as it is a hollow mountain, the dwelling of ancestors
and an earth-monument. The pyramid of stone, of regular geometrical shape,
corresponds to fire, at any rate in the Far East (4). Marc Saunier has suggested the
right approach to a more precise understanding of the problem. He regards the
pyramid as a synthesis of different forms, each with its own significance. The
base is square and represents the earth. The apex is the starting-point and the
finishing-point of all things—the mystic ‘Centre’ (Nicholas of Cusa, in his disquisitions, concurs with this interpretation). Joining the apex to the base are the
triangular-shaped faces of the pyramid, symbolizing fire, divine revelation and
the threefold principle of creation. In consequence, the pyramid is seen as a
symbol expressing the whole of the work of creation in its three essential aspects.

To see a pyramid in your dream, symbolizes longevity and stability. You have built a solid foundation for success. Alternatively, the dream suggests that major changes will occur over a short period of time.

To dream that you are climbing a pyramid, indicates that you will find gratification and fulfillment through perseverance.

To dream of pyramids, denotes that many changes will come to you.

If you scale them, you will journey along before you find the gratification of desires. For the young woman, it prognosticates a husband who is in no sense congenial.

To dream that you are studying the mystery of the ancient pyramids, denotes that you will develop a love for the mysteries of nature, and you will become learned and polished.

Seeing pyramids in your dream means that many new and major changes will be occurring in a short amount of time. It is a symbol of longevity, stability, and a firm foundation. Dreaming that you are climbing a pyramid indicates that you will wander aimlessly for awhile before finding the gratification of your desires.

Light, traditionally, is equated with the spirit (9). Ely Star asserts that
the superiority of the spirit is immediately recognizable by its luminous intensity. Light is the manifestation of morality, of the intellect and the seven virtues
(54). Its whiteness alludes to just such a synthesis of the All. Light of any given
colour possesses a symbolism corresponding to that colour, plus the significance
of emanation from the ‘Centre’, for light is also the creative force, cosmic energy irradiation (57). Symbolically, illumination comes from the East. Psychologically
speaking, to become illuminated is to become aware of a source of light, and, in
consequence, of spiritual strength (32).

To see light in your dream, represents illumination, clarity, guidance, plain understanding, and insight. Light is being shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Also consider the color of the light for additional significance.

If the light is particularly bright, then it indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

To see soft or shadowy lighting in your dreams, indicates feelings and thoughts from the primal aspects and less developed parts of your unconscious.

To dream that you cannot turn on the light, indicates a lack of insight and perspective on a situation.

If you dream of light, success will attend you. To dream of weird light, or if the light goes out, you will be disagreeably surprised by some undertaking resulting in nothing.

To see a dim light, indicates partial success.

To dream of lights is very good. It denotes riches and honour.

Seeing light in your dream indicates a clear mind, plain understanding, and insight. Light has been shed on a once cloudy situation or problem. You have found the truth to a situation or an answer to a problem. Seeing a bright light in your dream indicates that you need to move toward a higher level of awareness and feeling. Bright light dreams are sometimes common for those who are near death.

Stone is a symbol of being, of cohesion and harmonious reconciliation
with self. The hardness and durability of stone have always impressed men,
suggesting to them the antithesis to biological things subject to the laws of change,
decay and death, as well as the antithesis to dust, sand and stone splinters, as
aspects of disintegration. The stone when whole symbolized unity and strength;
when shattered it signified dismemberment, psychic disintegration, infirmity,
death and annihilation. Stones fallen from heaven served to explain the origin of
life. In volcanic eruptions, air turned to fire, fire became ‘water’ and ‘water’
changed to stone; hence stone constitutes the first solid form of the creative
rhythm (51)—the sculpture of essential movement, and the petrified music of creation (50). The mythic and religious significance is only one step removed
from this basic symbolic sense, a step which was taken by the immense majority
of peoples during the animistic era. Meteorites, in particular, came in for worship; the most celebrated are the Kaaba meteorite in Mecca and the Black Stone
of Pessinus, an aniconic image of the Phrygian Great Mother taken to Rome
during the last of the Punic Wars (17). Here is a description of the Mohammedans’ stone, taken from Marques-Rivière: ‘Inside the Kaaba, which is nothing
more than a dark hall, there are three columns holding up the roof which has a
number of silver and gold lamps hanging down from it. The floor is of marble tiles.
In the eastern corner, some five feet above floor-level, not far from the door, is the
famous black stone (al hadjar alaswad) sealed off, composed of three great
sections. . . . In colour it is reddish black with red and yellow patches; in appearance it recalls lava or basalt’ (39). Among the stones venerated by the ancients, we
must not overlook the Greek omphaloi; Guénon maintains that they are really
bethels, a word derived from the Hebrew Beith-El (or the House of God), related
to the biblical ‘And this stone which I have set for a pillar, shall be God’s House’
(Genesis xxviii, 22), even though its sense is magic and not architectonic (28).
There are numerous legends dealing with stones: the so-called Abadir which
Saturn devoured, mistaking it for Jupiter; or the stones of Deucalion and Pyrrha;
or those in the myth of Medusa the Gorgon (6); or that which contained Mithras
until his birth (11). There are other stones in folktales, but these seem to be
invested with rather more modest powers: the Lapis lineus, for example, as it was
called by the Romans, which was supposed to be able to prophesy by changing
its colour; or the Irish stone Lia-Fail, associated with coronations (8). As for the
philosophers’ stone in alchemy, it represents the ‘conjunction’ of opposites, or
the integration of the conscious self with the feminine or unconscious side (or in
other words, the fixing of volatile elements); it is, then, a symbol of the All (33).
As Jung rightly says, the alchemists approached their task obliquely—they did
not seek the divine in matter but tried to ‘produce’ it by means of a lengthy
process of purification and transmutation (32). According to Evola, the touchstone is symbolic of the body, since it is ‘fixed’, as opposed to the ‘wandering’
characteristic of thought, the spirits and desires. But only the resuscitated body—
in which ‘two will be one’—can correspond to the philosophers’ stone. Evola
points out that, for the alchemist, ‘between eternal birth, reintegration, and the
discovery of the philosophers’ stone, there is no difference whatsoever’.

To see stones in your dreams, foretells numberless perplexities and failures.

To walk among rocks, or stones, omens that an uneven and rough pathway will be yours for at least a while.

To make deals in ore-bearing rock lands, you will be successful in business after many lines have been tried. If you fail to profit by the deal, you will have disappointments. If anxiety is greatly felt in closing the trade, you will succeed in buying or selling something that will prove profitable to you.

Small stones or pebbles, implies that little worries and vexations will irritate you.

If you throw a stone, you will have cause to admonish a person.

If you design to throw a pebble or stone at some belligerent person, it denotes that some evil feared by you will pass because of your untiring attention to right principles.

Seeing stones in your dream, symbolizes strength, unity, and unyielding beliefs. Consider the common phrase "etched in stone" which suggest permanence and unchanging attitudes. Some stones also carry sacred and magical meanings. Alternatively, stones may relate to issues of moral judgment and/or guilt. Dreaming that you are carrying a bag of stones, refers to your inner strength and fortitude that you have yet to unleash and reveal to others. Seeing rough stones in your dream, represents your quest in recognizing and developing your self-identity. Part of this quest is to become aware of your unconscious and suppressed thoughts. For various cultures, stones have spiritual significance. Consider the Black Stone of Mecca which is believed by Muslims to allow for direct communication with God. For the Irish, the Blarney Stone is seen as a gift of eloquence.

In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

In the vertical scheme of the human body, the focal points are three in
number: the brain, the heart and the sexual organs. But the central point is the
heart, and in consequence it comes to partake of the meanings of the other two.
The heart was the only part of the viscera left by the Egyptians in the mummy,
since it was regarded as the centre indispensable to the body in eternity; for all
centres are symbols of eternity, since time is the motion of the periphery of the
wheel of phenomena rotating around the Aristotelian ‘unmoved mover’. In traditional ways of thought, the heart was taken as the true seat of intelligence, the
brain being merely instrumental (25); hence, in ancient attempts to explain the
profound and continuing analogies between concepts, the moon was said to
correspond to the brain and the sun to the heart. All representations of the
‘Centre’ have been related in some way to the heart, either through correspondences or through substitution, as in the case of the goblet, the coffer and the
cavern. For the alchemists, the heart was the image of the sun within man, just as
gold was the image of the sun on earth (32). The importance of love in the mystic
doctrine of unity explains how it is that love-symbolism came to be closely linked
with heart-symbolism, for to love is only to experience a force which urges the
lover towards a given centre. In emblems, then, the heart signifies love as the
centre of illumination and happiness, and this is why it is surmounted by flames,
or a cross, or a fleur-de-lis, or a crown (4).

To see your heart in your dream, signifies truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.

To see a winged heart in your dream, represents the power of love and its ability to penetrate through to anyone.

To dream that your heart is bleeding or aching, represents desperation, despair, extreme sadness and sympathy. You are lacking support or love in some a situation in your life.

To dream that you have a heart transplant or heart surgery, indicates a huge change in your personal relationship. Perhaps you are involved in a rebound relationship.

To dream of your heart paining and suffocating you, there will be trouble in your business. Some mistake of your own will bring loss if not corrected.

Seeing your heart, foretells sickness and failure of energy.

To see the heart of an animal, you will overcome enemies and merit the respect of all.

To eat the heart of a chicken, denotes strange desires will cause you to carry out very difficult projects for your advancement.

Seeing your heart in your dream means truth, courage, love, and romance. It is representative of how you are currently dealing with your feelings and expressing your emotions. Also consider the saying "the heart of the matter" which implies that you may need to get down to the core of a situation before proceeding.

To dream that you are energetic, symbolizes growth, activity, expansion and insight. You need to channel your energy in a positive way.

Traditional symbols of love always express a duality in which the two
antagonistic elements are, nevertheless, reconciled. Thus, the Indian lingam, the Yang-Yin, or even the Cross, where the upright beam is the world-axis and Chinese
the cross-beam the world of phenomena. They are, in other words, symbols of a
conjunction, or the expression of the ultimate goal of true love: the elimination of
dualism and separation, uniting them in the mystic ‘centre’, the ‘unvarying mean’
of Far Eastern philosophy. The rose, the lotus flower, the heart, the irradiating
point—these are the most frequent symbols of this hidden centre; ‘hidden’ because it does not exist in space, although it is imagined as doing so, but denotes the
state achieved through the elimination of separation. The biological act of love
itself expresses this desire to die in the object of the desire, to dissolve in that
which is already dissolved. According to the Book of Baruch: ‘Erotic desire and
its satisfaction is the key to the origin of the world. Disappointment in love and
the revenge which follows in its wake are the root of all the evil and the selfishness
in this world. The whole of history is the work of love. Beings seek and find one
another; separate and hurt one another; and in the end, comes acute suffering
which leads to renunciation.’ Or to put it another way: Maya as opposed to
Lilith, illusion balanced by the serpent.

To dream of love or being in love, suggests intense feelings carried over from a waking relationship. It refers to your contentment with what you already have and where you are in life. On the other hand, the dream may be compensatory and implies that you may not be getting enough love in your life. We naturally long for the sense to belong and to be accepted.

To see a couple in love or expressing love to each other, indicates success ahead for you.

To dream that your friend is in love with you, may be one of wish fulfillment. Perhaps you have developed feelings for your friend and are wondering how he or she feels. Your preoccupation has found its way into your dreaming mind. On the other hand, the dream may suggests that you have accepted certain qualities of your friend and incorporated it into your own character.

To dream that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.

To dream of loving any object, denotes satisfaction with your present environments.

To dream that the love of others fills you with happy forebodings, successful affairs will give you contentment and freedom from the anxious cares of life. If you find that your love fails, or is not reciprocated, you will become despondent over some conflicting question arising in your mind as to whether it is best to change your mode of living or to marry and trust fortune for the future advancement of your state.

For a husband or wife to dream that their companion is loving, foretells great happiness around the hearthstone, and bright children will contribute to the sunshine of the home.

To dream of the love of parents, foretells uprightness in character and a continual progress toward fortune and elevation.

The love of animals, indicates contentment with what you possess, though you may not think so. For a time, fortune will crown you.

Dreaming of love of being in love, suggests intense feelings carried over from a waking relationship. It implies happiness and contentment with what you have and where you are in life. On the other hand, you may not be getting enough love in your daily life. We naturally long for the sense to belong and to be accepted. Seeing a couple in love or expressing love to each other indicates much success ahead for you. Dreaming that you are making love in public or in different places, relates to some overt sexual issue or need. Your dream may be telling you that you need to express yourself more openly. Alternatively, it represents your perceptions about your own sexuality in the context of politic and social norms. You may be questioning your feelings about sex, marriage, love, and gender roles.