The primitive and astrobiological conception of creation is that it can
take place only through ‘primordial sacrifice’; similarly, what has been created
can only be preserved through sacrifice and war. The image of Janus, or the twinpeaked mountain of Mars, are symbols of inversion, that is, of the intercommunication between the Upper, non-formed World of future potentialities, and the
Lower World of materialized forms. Schneider insists upon this principle as
characteristic of the primordial order, commenting that ‘its rigid law demands a
death for each life, sublimates the criminal instinct to serve good and humanitarian
ends, and fuses love and hate in the interests of the renewal of life. In order to
preserve the order of existence, the gods struggled with the giants and monsters
who from the beginning of creation sought to devour the sun’—the Logos (50).
Mars is the perennial incarnation of this necessity for the shedding of blood,
apparent in all orders of the cosmos. Hence, early cults of Mars embraced vegetation: it was to Mars that the Roman farmer appealed for the prosperity of his
harvest (21). His attributes are weapons, and specially the sword.

To see Mars in your dream, symbolizes energy, drive, passion, fearlessness and ambition. It also represents war, violence and masculine power.

To dream of Mars, denotes that your life will be made miserable and hardly worth living by the cruel treatment of friends. Enemies will endeavor to ruin you.

If you feel yourself drawn up toward the planet, you will develop keen judgment and advance beyond your friends in learning and wealth.

Seeing Mars in your dream means that cruel friends will make you feel miserable and depressed over life.

To dream that you are a pioneer, suggests that you are exploring aspects of your unconscious. You are looking for a new way to express yourself and expand your thinking.

Dreaming that you are a pioneer, suggests that you are exploring aspects of your unconscious. You are looking for a new way to express yourself and expand your thinking.

To dream that you are in the future, signifies your hopes or your fears of how things will turn out. You are feeling apprehensive about the future.

To dream of the future, is a prognostic of careful reckoning and avoiding of detrimental extravagance.

Dreaming that you are in the future means your hopes or your fears of how things will turn out depending on the scenario.

The symbolism of music is of the greatest complexity and we cannot
here do more than sketch out some general ideas. It pervades all the component
elements of created sound: instruments, rhythm, tone or timbre, the notes of the
natural scale, serial patterns, expressive devices, melodies, harmonies and forms.
The symbolism of music may be approached from two basic standpoints: either
by regarding it as part of the ordered pattern of the cosmos as understood by the ancient, megalithic and astrobiological cultures, or else by accepting it as a phenomenon of ‘correspondence’ linked with the business of expression and communication. Another of the fundamental aspects of music-symbolism is its connexion
with metre and with number, arising out of the Pythagorean theory (27). The
cosmic significance of musical instruments—their allegiance to one particular
Element—was first studied by Curt Sachs in Geist und Werden der
Musikinstrumente (Berlin, 1929). In this symbolism, the characteristic shape of
an instrument must be distinguished from the timbre, and there are some common
‘contradictions’ between these two aspects which might possibly be of significance as an expression of the mediating rôle of the musical instrument and of
music as a whole (for an instrument is a form of relationship or communication,
substantially dynamic, as in the case of the voice or the spoken word). For
example, the flute is phallic and masculine in shape and feminine in its shrill pitch
and light, silvery (and therefore lunar) tone, while the drum is feminine by virtue
of its receptacle-like shape, yet masculine in its deep tones (50). The connexion
of music-symbolism with self-expression (and even with graphic art) is well in
evidence in primitive music-making, which often amounted to almost literal imitations of the rhythms and movements, the features and even the shapes of
animals. Schneider describes how, hearing some Senegalese singing the ‘Song of
the Stork’, he began to ‘see as he was listening’, for the rhythm corresponded
exactly to the movements of the bird. When he asked the singers about this, their
reply confirmed his observation. Given the laws of analogy, we can also find
cases of the expressive transferred to the symbolic: that is, a melodic progression
as a whole expresses certain coherent emotions, and this progression corresponds
to certain coherent, symbolic forms. On the other hand, alternating deep and highpitched tones express a ‘leap’, anguish and the need for Inversion; Schneider
concludes that this is an expression of the idea of conquering the space between
the valley and the mountain (corresponding to the earth and the sky). He observes that in Europe the mystic designation of ‘high music’ (that is, high-pitched)
and ‘low music’ (low-pitched) persisted right up to the Renaissance. The question of relating musical notes to colours or to planets is far from being as certain
as other symbolic correspondences of music. Nevertheless, we cannot pass on
without giving some idea of the profound, serial relationship which exists in
phenomena: for instance, corresponding to the pentatonic scale we usually find
patterns grouped in fives; the diatonic and modal scale, since it has seven notes,
is related to most of the astrobiological systems, and is unquestionably the most
important of all the series; the present-day tendency towards the twelve-note
series could be compared to the signs of the Zodiac. But, so far, we have not found sufficient evidence for this particular facet of musicsymbolism. All the
same, here are the correspondences as set down by Fabre d’Olivet, the French
occultist: Mi—the Sun, fa—Mercury, sol—Venus, la—the Moon, ti—Saturn,
do—Jupiter, re—Mars (26). A more valid series of relationships, at least in the
expressive aspect, is that which links the Greek modes with the planets and with
particular aspects of the ethos, as follows: the mi-mode (the Dorian)—Mars
(who is severe or pathetic); the re-mode (the Phrygian)—Jupiter (ecstatic): the
do-mode (the Lydian)—Saturn (pained and sad); the ti-mode (the Hypodorian)—
the Sun (enthusiastic); the la-mode (the Hypophrygian)—Mercury (active); the
sol-mode (the Hypolydian)—Venus (erotic); the fa-mode (the Mixolydian)—the
Moon (melancholy) (50). Schneider’s profound investigations into the symbolism of music seem to us well-founded. The tetrachord formed by the notes do, re,
mi, fa, he considers, for instance, to be a mediator between heaven and earth, the
four notes corresponding respectively to the lion (signifying valour and strength),
the ox (sacrifice and duty), man (faith and incarnation) and the eagle (elevation
and prayer). Conversely, the tetrachord formed by sol, la, ti, do, could represent
a kind of divine duplicate of the previous tetrachord. Fa, do, sol, re are regarded as
masculine elements corresponding to the Elements of fire and air and to the
instruments of stone and metal, whereas la, mi, ti, are feminine, and pertain to the
Elements of water and earth. The interval fa-ti, known to musicologists as a
tritone (or augmented fourth), expresses with its dissonance the ‘painful’ clash
between the Elements of fire and water—a clash occurring in death itself (50). We
have been able to suggest here only a few outlines of the music-symbolism
developed by Schneider in his work The Musical Origin of Animal-Symbols, the
scope of which is so wide that, as he has privately intimated to us, he believes all
symbolic meanings are at root musical or at least to do with sounds. This becomes
easier to understand when we recall that singing, as the harmonization of successive, melodic elements, is an image of the natural connexion between all things,
and, at the same time, the communication, the spreading and the exaltation of the
inner relationship linking all things together. Hence Plato’s remark that the character of a nation’s music cannot be altered without changing the customs and
institutions of the State (26).

To hear harmonious and soothing music in your dream, signifies prosperity and pleasure. You are expressing your emotions in a positive way. Music serves to heal the soul.

To hear discordant or out of tune music in your dream, signifies unhappiness, lack of harmony, and troubles in your relationship or domestic life.

To dream of hearing harmonious music, omens pleasure and prosperity.

Discordant music foretells troubles with unruly children, and unhappiness in the household.

To dream that you are a hero, signifies your inner strength and weaknesses. The dream refers to your ability, determination and level of confidence. You have the power to bravely face the secrets of your unconscious and confront life's challenges.

Dreaming that you are a hero means your inner strength and weaknesses. It may be representative of how you are bravely facing and challenging the secrets of your unconscious.

In a manner of speaking, space is an intermediate zone between the
cosmos and chaos. Taken as the realm of all that is possible, it is chaotic; regarded
as the region in which all forms and structures have their existence, it is cosmic.
Space soon came to be associated with time, and this association proved one of
the ways of coming to grips with the recalcitrant nature of space. Another—and
the most important—was the concept of space as a three-part organization based
upon its three dimensions. Each dimension has two possible directions of movement, implying the possibility of two poles or two contexts. To the six points
achieved in this way, there was added a seventh: the centre; and space thus
became a logical structure. The symbolisms of level and of orientation were
finally brought to bear in order to complete the exegesis. The three dimensions of
space are illustrated by means of a three-dimensional cross, whose arms are oriented along these six spatial directions, made up of the four points of the
compass plus the two points of the zenith and the nadir. According to René
Guénon, this symbolism—because of its structural character—is identical with
that of the Sacred Palace (or the inner palace) of the Cabala, located at the centrepoint from which the six directions radiate. In the three-dimensional cross, the
zenith and the nadir correspond to the top and the bottom, the front and back to
East and West, the right and left to the South and North. The upright axis is the
polar axis, the North-South axis is the solstitial line, the East-West the equinoctial. The significance of the vertical or level-symbolism concerns the analogy
between the high and the good, the low and the inferior. The Hindu doctrine of the
three gunas—sattva (height, superiority), rajas (intermediate zone of the world
of appearances, or ambivalence) and tamas (inferiority, or darkness)—is in itself
sufficient to explain the meaning of the symbolism of level up and down the
vertical axis. It is, in consequence, the intermediate plane of the four-directional
cross (that which incorporates the cardinal points and which implies the square)
which represents the world of appearances. Taking next the East-West axis,
traditional orientation-symbolism associates the East—being the point of sunrise—with spiritual illumination; and the West—the point where the sun sets—
with death and darkness. Passing next to the North-South axis, there is no one
definite interpretation. In many oriental cultures, the zenith coincides with the
mystic ‘Hole’ through which transition and transcendence are effected, that is,
the path from the world of manifestation (spatial and temporal) to that of eternity. But it has also been identified with the centre of the three-dimensional cross,
taken as the heart of space. Reduced to two dimensions—those of the contrasting
horizontal and vertical arms—the cross comes to represent harmony between
extension (associated with width) and exaltation (with height). The horizontal
arm concerns the implications of a given gradation or moment in an individual’s
existence, and the vertical pertains to moral elevation (25). William of SaintThierry, describing the seven gradations of the soul, observes that it ascends these
steps in order to reach the celestial life (14). If we seek an interpretation which
will justify the four points of the horizontal plane’s being reduced to two (the left
and right), we can find a basis for it in Jung’s assertion that the rear part coincides
with the unconscious and the front with the manifest or consciousness; and since
the left also can be equated with the unconscious and the right with consciousness, the rear then becomes equivalent to the left and the front to the right (32).
Other equivalents are: left side with the past, the sinister, the repressed, involution, the abnormal and the illegitimate; the right side with the future, the felicitous, openness, evolution, the normal and the legitimate (42). In all this, there is an apparent contradiction with the corresponding number-symbolisms: Paneth
observes that, in most cultures, the uneven numbers are considered to be masculine and the even numbers to be feminine. Since the left side is the zone of origin
and the right that of the outcome, the corresponding number-symbolisms would
seem to be one (the uneven or masculine number) for the left side (that is, the
past) and two (the even or feminine number) for the right side (the subsequent or
outcome). The solution is to be found in the fact that the number one (unity)
never corresponds to the plane of the manifest world or to spatial reality: it is the
symbol of the centre, but not in the sense of occupying any situation in space
which might imply a sequel. Hence we must conclude that two is the number
corresponding to the left side and three is that related to the right. Guénon
explains the way in which the cosmic order conforms with all this in a lucid
exposition of the relevant Hindu doctrines to the effect that the right hand zone is
the solar region; the left-hand the lunar. ‘In the aspect of this symbolism which
refers to the temporal condition, the Sun and the right eye correspond to the
future, the Moon and the left eye to the past; the frontal eye corresponds to the
present which, from the point of view of the manifested, is but an imperceptible
moment, comparable to the geometrical point without dimensions in the spatial
order; that is why a single look from the third eye destroys all manifestation
(which is expressed symbolically by saying that it reduces everything to ashes),
and that is also why it is not represented by any bodily organ; but when one rises
above this contingent point of view, the present is seen to contain all reality (just
as the point carries within itself all the possibilities of space), and when succession is transmuted into simultaneity, all things abide in the “eternal present”, so
that the apparent destruction is truly a “transformation” ‘ (26). Now, the seven
aspects that define space have been regarded as the origin of all septenary groups,
and in particular of the seven planets, the seven colours and the seven kinds of
landscape (50). Hence Luc Benoist can assert that the Christian Church, by
building on earth a mighty, three-dimensional cross of stone, has created for the
entire world the co-ordinate lines of a supernatural geometry. Benoist then quotes
Clement of Alexandria as saying that the six directions of space symbolize—or
are equivalent to—the simultaneous and eternal presence of the six days of the
Creation, and that the seventh day (of rest) signifies the return to the centre and
the beginning (6). Once the cosmic sense of spatial symbolism has been demonstrated, it is simple to deduce its psychological applications. And once the static
laws have been determined, it is easy to grasp the dynamic-implications, always
bearing in mind the symbolism of orientation. Here, we must point out that the
swastika—a solar and polar symbol—implies a movement from right to left, like the apparent movement of the sun; and that Clotho—one of the Parcae—spins
her ‘wheel of destiny’ in the same direction, that is, the opposite way to existence, so destroying it. Right-handedness is characteristic of all symbols of natural
life (28); hence, in the Egyptian system of hieroglyphs, to enter is to go towards
the right and to go out is to go towards the left (19); orienting these hieroglyphs,
we have the right corresponding with the rise and the left with the setting of the
sun. Similarly, the right side takes on an extra implication of birth and life, while
the left side acquires an association with death (17). Another consequence, apparent in allegories and emblems, is that the right side corresponds to the higher
virtues—if one may put it that way—such as compassion, and the left side to
justice. All of the above conclusions are logical deductions drawn from the study
of oriental tradition, supported by the findings of experimental psychology. But
they are conclusions which have also been verified by anthropologists and sociologists in their studies of the habits of diverse peoples. Ania Teillard, for example, has collated a mass of facts; she quotes J. J. Bachofen as asserting (in his
Mutterrecht und Urreligion und Grabersymbolik der Alten) that, in the important
and very common equation ‘right hand=masculinity’, the left hand harbours
magic powers and the right hand the force of reason, and also that in matriarchal
societies one always finds the idea of superiority attributed to the left side, and
conversely. To turn to the left is to look back upon the past, the unconscious,
implying introversion; to turn to the right is to look upon the outside world,
implying action and extraversion. At the same time, ethnologists are agreed that
during the first stage of any period of sun-worship, the right side becomes preeminent, whereas in lunar cults it is the left side which prevails (56). In paintings,
reliefs and other artistic creations of man, the left side is characterized by a more
vivid projection of the self (that is, by identification) and the right side is more
extravert.

Seeing or dreaming that you are in space, represents exploration. You are an independent thinker.

An emblem of faithfulness, and it is in this sense that it appears so often
at the feet of women in the engravings on mediaeval tombs; in the same way the
lion, an attribute of the male, symbolizes valour (20). In Christian symbolism, the
dog has another sense, deriving from the function of the sheep-dog: that of guarding and guiding the flocks, which at times becomes an allegory of the priest (46).
In a more profound sense, though still related to the foregoing, the dog is—like the
vulture—the companion of the dead on their ‘Night Sea-Crossing’, which is
associated with the symbolisms of the mother and of resurrection. It has a similar
significance when it appears in scenes depicting the Mithraic sacrifice of the bull
(31). In alchemy, it was used as a sign rather than as a symbol. A dog devoured by
a wolf represents the purification of gold by means of antimony.

To see a dog in your dream, symbolizes intuition, loyalty, generosity, protection, and fidelity. The dream suggests that your strong values and good intentions will enable you to go forward in the world and bring you success. The dream dog may also represent someone in your life who exhibits these qualities. Alternatively, to see a dog in your dream, indicates a skill that you may have ignored or forgotten. If the dog is vicious and/or growling, then it indicates some inner conflict within yourself. It may also indicate betrayal and untrustworthiness. If the dog is dead or dying, then it means a loss of a good friend or a deterioration of your instincts.

To dream that a dog bites you on the leg, suggests that you have lost your ability to balance aspects of your life. You may be hesitant in approaching a new situation or have no desire to move forward with your goals. Alternatively, it symbolizes disloyalty.

To see a happily barking dog in your dream, symbolizes pleasures and social activity. You are being accepted into some circle. If the dog is barking ferociously, then it represents your habit of making demands on people and controlling situations around you. Are you "barking" too many orders? Alternatively, it could also indicate unfriendly companions.

To dream that you are buying a dog, indicates your tendency to buy your friends or buy compliments and favors. Alternatively, it suggest a need for you to find companionship. If you are being guided by a dog, then it suggests that you are having difficulties in navigating out of a situation or problem.

To dream that you give or send your dog away, indicates that the decisions and choices you are making now may be misinterpreted as disloyalty. You have to do what is right for you and not worry about what others think of the decision. Alternatively, it signifies rejection of friendship.

To dream that you are dressing up your dog, signifies your attempts to cover up your own character flaws and habits.

To see a black colored dog in your dream, symbolizes the shadow aspect of a friend. The dark side of someone close to you is being revealed and you are able to see through to their true intentions.

Also consider the notions associated with the word dog, such as loyalty ("man's best friend") and to be "treated like a dog".

Seeing a dog in your dream, indicate a skill that you have ignored or forgotten, but needs to be activated. Alternatively, dogs may symbolize intuition, loyalty, generosity, protection, and fidelity. Your own values and intentions will enable you to go forward in the world and succeed. If the dog is vicious and/or growling, then it means some inner conflict within yourself. It may indicate betrayal and untrustworthiness. If the dog is dead or dying, then it indicates a loss of a good friend. Alternatively, it represents a deterioration of your instincts. Dreaming that a dog bites your on the leg, suggests that you have lost your ability to balance aspects of your life. You may be hesitant in approaching a new situation or have no desire to move forward with your goals. Seeing a happily barking dog in your dream, symbolizes pleasures and much social activity. If the dog is barking ferociously, then it represents your habit of making demands on people and controlling situations around you. It could also mean unfriendly companions. Dreaming that you are buying a dog indicates your tendency to buy your friends or buy compliments/favors. Alternatively, it suggest a need for you to find companionship. Dreaming that you are dressing up your dog means your attempts to cover up your own character flaws and habits.

Dogs in dreams could symbolise a large variety of ideas and concepts, but mostly they are symbolic of the dreamer's defensive structure and may represent personal boundary issues. Carefully consider all of the details and the mood in your dream. First, if you have a dog, it may be natural to dream about him. We become emotionally attached to our dogs and we dream about them just as we dream about anything else that is important to us. Otherwise, dogs could symbolize loyalty and hard work.

If you hear a barking dog in your dream, your unconscious could be warning you of danger. A growling dog can be a warning that someone you know is being untrustworthy.

If you dream of being bitten by a dog, you could be engaging in activities that will cause you problems later on in waking life.

If someone calls you a dog, it is a negative reflection on your personality. If you are being treated like a dog, you are most likely being abused in some way.

On the metaphysical level, dogs are considered to be the guardians of the underworld. Finally, dogs could represent the more basic or "animal" parts of our nature and some think that they specifically represent male energy.

Dog Meaning and Dog Symbolism

To me, dog meaning and symbolism rings my bells in the realms of communication, and I elaborate on that the theme of communication on my "Dog Meaning and Symbolism in the Tarot" article.

I'll let you in on a little secret: Once upon a time, the sound of barking dogs put my nerves in a "tilt." Worse than scrapes down a chalkboard; barking and yapping dogs would send me in a nervous tailspin. I'm an audio-attuned person, and certain sounds just send rancor through my nerve-ranks.

Thankfully, that nerve-crushing reaction subsided when I met with an Iroquois native. Naturally perceptive, she noticed my jangled state while we were passing a group of neighborhood canines. Acting on her observations, she took the time to explain the intricacies and importance of "dog-speak." She shared with me how canine language is complex and vital to how dogs communicate their well-being (or otherwise), their views and the status of their community. Embracing her Iroquoian wisdom, I viewed (heard) dog-speak in a whole new light.

Now, every time I hear dogs baying in my awareness - I get quiet. I listen. I realize their speech is an opportunity to gain vital information on the status of my environment (and theirs). Intonation, pitch, guttural inflection, repetitious patterns....they all contribute to the overall message a dog is conveying. If you listen close, you can pick up on their language. It can be a true oracle. Try it sometime.

A short-list of dog meaning includes symbolic attributes like:

Fidelity
Loyalty
Assistance
Intelligence
Obedience
Protection
Community
Cooperation
Resourcefulness
Communication
Sensory Perception

The theme of communication becomes heightened when we peer into histories and discover dog meaning and symbolism is connected to the metaphysical realms. The dog has long been considered a liaison between the physical and non-physical dimensions. Ancient Egyptian, Greek, Roman, Celtic and beyond have all prescribed the dog as a sacred guardian of the Otherworlds - those realms outside our daily/mundane experience. If you hear of dogs being symbols of death - this is the connection: Dogs are the guardians of ephemeral domains, and can even serve as spirit guides in non-physical journeys.

Consider Anubis, the Egyptian god whose charge is to insure safe transitions from common reality (physical life on Earth) into the Afterlife experience. With the head of a jackal (of canine ilk), Anubis dons the super-powerful sensory perception of the dog. Further, that dog connection represents the epitome of protection, guidance, loyalty and adherence to the flow of unseen spiritual energy. To be sure, safe passage from "life" to Afterlife will be seen to success under the governance of the dog/jackal-headed Anubis. In this ancient light, we get distinct impressions of: Security, Guardianship, Protection.

Dogs are sacred to Hecate, the Greek-Roman overseer of lots of things - but surely a matron bound to protect that which is misunderstood. It seems (to me) where there is senseless lashing out against that which is misunderstood, Hecate comes ferociously in justification - her dogs baying with equal verve at her side. Death, darkness, wild wandering, lunar moodiness, midnight journeying...Hecate defends the soul's right to wander in these little-known, oft-misunderstood alleyways. With her highly perceptive hounds guiding the way (and protecting the body as the spirit wanders), astral travel becomes eons easier.

Interestingly, Hecate and her hounds will also speak for (and protect) those who cannot do so for themselves. Newborns. Hecate and her dogs represent an Alliance for Defense and Protection to those who cannot defend themselves: Babies, Children, the Meek, the Mild, the Mad and the unjustly Maligned.

In Celtic symbolism, dogs are a representation of heroism. They embody heart-pounding attributes such as: Courage, Persistence, Virility. This, in large part is due to a Celtic dog's role in hunting. Dogs were even trained by the ancient Celts to assist in battle. So here we see that same thread of defense, protection and action for the good of the clan. An interesting paradox: Celtic dogs are also symbolic of healing. They are often associated with Nodens, a Celtic god of nutritive waters, hunting and healing (water is often synonymous with healing in Celtic wisdom). Dogs have also been portrayed with Sucellus, the Celtic god of protection and provision (from an agricultural view).

Native American Indian tribes have long depended upon the dog for their helpful guidance and assistance in everyday chores. Before horses, there were dogs and they were trained to help the tribe in agricultural efficiency as well as hunting. In fact, when horses were introduced to North America by the Spaniards, the term "sky dogs" was dubbed for horses because they were as helpful as their canine allies. In Native American wisdom dogs convey symbolism of: Assistance, Fidelity, Community, Protection, Friendship and Communication.

The dog is a totem of faith, reliability and mentoring. Its basic instinct is to serve a master, and even though it is often mistreated, it always answers with love. Since the dog strives to be respected by its master, it is, of course, possible to spoil it with the wrong training. Ultimately, the dog is the guardian of its master and willing to do anything for him, possibly even follow him into death. Traditionally, the dog is also guardian of secret areas and ancient knowledge. The dog's heart is filled with compassion, and it is willing to overlook human weakness. The dog can help bring these qualities to life in a person. He teaches us about mentoring, that is being the person who believes in us more that we believe in ourselves. The dog teaches us to examine one's loyalty toward one-self and others, and if a dog has arrived in your life it is a question about whether you are truly giving support.

Protection, companionship, faithfulness, warnings. Dog is a symbol of friendship and the unconditional ability to love and accept. They exhibit loyalty and are fierce protectors when needed. Examine the type of dog and what it says about you. What behaviors do you have or would like to have of the dog? Are you showing compassion for others? Are you a good companion and protector balanced with playfulness and joy? Are you serving humanity in the best way you can? Dog can teach you strength in the above qualities.

To dream that you are watching a movie, suggests that you are watching life pass you by. Perhaps you are living vicariously through the actions of others. Consider also how the movie parallels to situations in your waking life. Observe how the characters relate to you and how they may represent an aspect of yourself.

To dream that you are playing a role in the movie, foretells that something from your unconscious is about to emerge or be revealed. It may also represent memories of images from your past. Alternatively, the dream may be pointing you toward a new role that you might be undertaking. Your unconscious is psychologically preparing you for this new role.

To dream that the movie screen is blank, suggests that you are feeling excluded in some situation. You feel lonely and sad.

Dreaming that you are watching a movie, suggests that you are watching life pass you by. Perhaps you are living vicariously through the actions of others. Consider also how the movie parallels to situations in your waking life. Observe how the characters relate to you and how they may represent an aspect of yourself. Dreaming that you are playing a role in the movie, foretells that something from your unconscious is about to emerge or be revealed. It may also represent memories of images or scenes from your past. Alternatively, the dream may be pointing you toward a new role that you might be undertaking. Your unconscious is psychologically preparing you for this new role.