2004 ~
I had a visionary dream experience one night directly following an intense craniosacral therapy session. My girl friend at the time (Samantha) was a very skilled and "in-tune" craniosacral therapist. During the session, with her hands on my head, I experience an extraordinary potent release of what felt like dark energy and a taste of fecal matter being released from the center of my brain (probably around the pineal or pituitary gland). As the energy released, it felt as if a very deep and centered clearing had been done within the core of my biological brain and mind. The rush of energy was so intense and concentrated, and the release so pure, that immediately afterward I threw myself into bed and fell into a fast and deep sleep.
In the dream: I saw a small inverted tree with the roots pointing upward toward the sky like branches. Two birds perched in the root/branch system. A snake coiled it's way up the narrow trunk, and spotted the birds. Here, I became the snake for a moment, seeing the scene from its perspective as it selected one bird from the other (on the left)--and then STRUCK!!! At the precise moment of interception--with the bird captured suddenly in the clenched mouth of the extended snake--(my perspective returned to the overall view) I watched time slow down to a perfect standstill (like "bullet time" in the Matrix movie), and could see the bird-in-snake-mouth with a type of extrasensory perception that went beyond normal ocular perception into seeing "feelings" as well. I could observe every detail about the scene from any perspective with astounding physical precision. I could "see/feel" each and every biological cell both within the tightened jaw muscles of the snake and within the wispy tendrils of the bird's ruffled wing feathers. I could feel the fusion of both bird and snake as a unified space-time-meaning event signifying both LIFE and DEATH simultaneously, and every whole cycle of nature and psyche combined.
Overall, this real-time active symbol was infused and radiating with an overflowing state of complete ecstasy and joy. The cognitive state of the snake, including and transcending far beyond its instinctive expression of aggression in the act, was emanating a profound state of gratitude toward the bird and everything else. And even the bird, who's body was mostly hidden within the strong clench of the snake mouth, with feathers shooting out in disarray--so immediately taken into the impending grasp of certain pain and death--also emanated a perfect rapture of enormous gratitude toward the snake and everything else. In the combined collective state, all was dynamically equalized in complete exchange of overwhelming ecstatic joy and gratitude for the cycle of life and death as it is : every cell and organelle of snake and bird and tree emanating this joy for all with a surmounting quality and quantity which effulgently approached the speed of light …
I awoke! And the feeling of ecstatic joy was momentarily embodied … sending me immediately into sobbing tears of both sorrow and overwhelming joy ~
. . .
A few days afterward, I shared the dream with a good friend who has much knowledge of mythical archetypes. He informed me that the symbol of the inverted tree, the snake around a tree, and the two birds perched in the tree are established cultural symbols of antiquity (tho he could not recall exactly from where).
Then just last year (2011), while reading the vedic book of Bhagavad Gita, I discovered references to both the upside down tree as a symbol of the relation between the material world and the spiritual world, and a reference to two birds perched in the branches of the tree as the Supreme One and Ahamkara (the Higher Self and Egoic Self). Of course, the snake and the tree are universal symbols thru out many global cultures.
http://www.bhagavadgitausa.com.cnchost.com/bg15.htm
"The Vedas … compare the soul and the Supersoul to two friendly birds sitting on the same tree. One of the birds (the individual atomic soul) is eating the fruit of the tree, and the other bird (Krsna) is simply watching His friend. Of these two birds--although they are the same in quality--one is captivated by the fruits of the material tree, while the other is simply witnessing the activities of His friend. Krsna is the witnessing bird, and Arjuna is the eating bird. Although they are friends, one is still the master and the other is the servant."
http://www.suhotraswami.net/in2-mec/index.php?p=J040108
A state of emotion or alter state of consciousness, that can be so intense that the person experiencing it is carried beyond rational thought and self control. A state of ecstasy is associated with feelings of intense, pleasure, joy or delight. Sometimes a state of ecstasy is associated with a trance-like state of rapture and frenzy, associated with prophetic or mystic exaltation. For example the state can be accompanied by feelings of the mind being elevated above the reach of ordinary impressions. In the state of ecstasy there is often the influence of overpowering emotion; 'an extraordinary elevation of the spirit, as when the soul, unconscious of sensible objects, is supposed to contemplate heavenly mysteries.' Generally it is a state of being carried away by overwhelming emotion.
To dream of your brain, suggests that you are under severe intellectual stress. You need to put your problem-solving abilities to use. Alternatively, it implies that your ideas are not receiving enough attention and validation. You are concerned that your knowledge and teachings are not be transmitted clearly.
To dream that you are undergoing brain surgery, indicates that you need to rethink some important issue. You need to change your way of thinking and put aside any misconceived notions you have.
To see your own brain in a dream, denotes uncongenial surroundings will irritate and dwarf you into an unpleasant companion. To see the brains of animals, foretells that you will suffer mental trouble.
If you eat them, you will gain knowledge, and profit unexpectedly.
Dreaming of your brain, suggests that you are under severe intellectual stress. It may also symbolize your problem-solving abilities and that you need to put those abilities to use. Alternatively, it may imply that your ideas are not receiving enough attention and validation. You are concerned that your knowledge and teachings are not be transmitted clearly.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
Seeing a snake or be bitten by one in your dream means hidden fears and worries that are threatening you. Your dream may be alerting you to something in your waking life that you are not aware of or that has not yet surfaced. The snake may also be seen as phallic and thus symbolize dangerous and forbidden sexuality. The snake may also refer to a person around you who is callous, ruthless, and can't be trusted. As a positive symbol, snakes represent transformation, knowledge and wisdom. It is indicative of self-renewal and positive changes.
In some cultures snakes are highly regarded and symbolise the ability to transcend into higher levels of consciousness or into areas of knowledge that exist outside perceived time and space. In the pre-Christian days, snakes were considered symbols of fertility, healing, and nurturing (the healing serpent representing a god). Post Eden, snakes are often considered symbols of temptation and evil, anger, and envy. Snakes emerging out of the ground may represent your unconscious or repressed materials coming to your conscious mind. Most snake dreams seem to be disturbing and they leave the dreamer feeling anxious and afraid. There are no simple interpretations to the snake dreams. Sometimes snakes may be phallic symbols and other times they represent negativity in our lives that hampers our progress and constantly threatens us. In the long run the snake may be a positive symbol; it may represent difficulties that lead us to the centre of personality and result in feelings of completeness.
Snake symbolic meaning, overwhelmingly and in various cultures, deals with primordial life force and usually turns our attention to gender supremacy (both male and female).
Consequently, snakes span the symbolic bridge between lunar and solar associations as well as aspects between water and fire.
Coiled within this polarity, we clearly see symbolism of duality and the search for balance. Other snake symbolic meaning includes:
Cycles
Rebirth
Patience
Fertility
Eternity
Balance
Cunning
Intuition
Awareness
Healing
Intellect
Protection
Solemnity
Rejuvenation
Transformation
Occult (hidden) Knowledge
Male/Female, Yin-Yang, Duality
As a Native American Indian symbol (depending on the nation/tribe) the snake can be a masculine symbol, associated with the phallus of lightning which is considered a medicine staff of tremendous assertive power. Other tribes lean in the direction of feminine attribution for the snake and pair it with mothering (creation), and lunar (moon) symbolism.
Whether raising itself in masculine authority, or encircling the Earth in a motherly fashion – the snake symbol of the Native American’s was highly regarded; utilized in ritual to invoke an element of pointed focus and weighty influence.
The ancient Celts were extremely nature-wise too, and approached snake symbolism from the behavior and life cycle of this magnificent creature. From the Celtic perspective, the snake was a symbol of secret knowledge, cunning and transformation.
Further, the snake Celtic symbol comes from observations of the European viper (also known as the adder) which is the only (along with the common grass snake) species able to tolerate the colder climate of the ancient Celts.
In the keen Celtic mind, snake symbolic meaning of transformation came from the shedding of its skin. Physical evidence of leaving its form behind (casting off the old self), and emerging a sleeker, newer version made the snake a powerful symbol of rebirth and renewal.
As far as the occult (hidden) symbolic meaning in Celtic and other cultures, this can be connected to the sleuth-like ways of the snake.
Disappearing in colder months and summoned by the sun marks the snake’s connection to the shadow worlds with its successful ability to live within the dark realms for extended periods of time. Alternatively, the snake softly moves into the embrace of the sun, and so it encapsulates the ancient magician's creed of moving in perfect rhythm of natural forces.
In Eastern Indian myth the Sanskrit word for snake is naga and these are associated with the element of water. Picking up water’s symbolism of emotion, love and motion, nagas in this light are considered a feminine aspect and embody nurturing, benevolent, wise qualities.
To wit, the practice of nagayuna in Eastern Indian alchemy seeks to achieve loving harmony between the physical and ethereal. Simply put, all of us striving to better ourselves by calmly easing into places of personal balance within the cosmic balance of the whole are practicing this ancient technique.
Snake tattoo symbolism varies according to the bearer of the mark. For example, I have a back piece depicting two serpents (nagas) wrapped around the seven prime chakras down the length of my spine. This (to me) incorporates the kundalini power available to all humans.
Additionally, this entwined snake imagery hearkens to the caduceus, in which the staves of Asclepius are made of two polar (and copulating) serpents which symbolizes balance, equanimity, union and regeneration.
Double snakes are common in almost all cultural symbolic languages. Ultimately the double snake is an icon representing:
Connection between primal forces
Integration of opposites
Advanced communication
Joining together on a divine level
Making whole what was once fragmented and doing so in a magical, organic way.
Snake Double HelixCarrying this dual snake imagery a step further, we could look to the language of science. Observe the formation of DNA and how it forms a perfect, serpentine double helix (shown left). This prompts us to consider how the energetic mind is connected to the grander whole, and how it so effortlessly makes graceful connections between the basic building blocks of data with the manifestations of the natural world.
There is no doubt, the snake is a unifying force embodying infinite messages to those who are energetically available to perceive them. Alchemists understood this, and thus incorporated the philosophy of snakes in their grimoires, practices, and even their daily life.
Indeed, alchemy literature is rife with the image of the uroboros which is symbolic of conceptualizing totality – embracing the whole of consciousness and devouring it with unquenchable passion.
As an animal totem, the snake surfaces into our awareness with all the power of the symbolic attributes listed on this page (and more). Those who are drawn to the snake (and vice versa) are gifted at perceiving life through an uncommon lens. Other characteristics of those who are connected to snake energy include:
A natural ability to balance energies (you’re likely a gifted healer)
Diplomatic and eloquent in areas of speech and writing
Dynamically intuitive (often knowing other’s thoughts and emotional states without trying)
Impulsive, but not without careful consideration – this may sound paradoxical, but those with the snake totem know what I mean here.
I invite you to step into the calming energy of the snake, and see what this noble creature offers you in the form of messages, growth, and enlightenment.
Further, it should be understood this page is but a miniscule sampling of the diverse snake symbolic meaning s available to us. Therefore, I encourage you to slither into your own personal ruminations, research and meditation of the snake.
You will find your investment to be infinitely rewarding.
By shedding its skin, the snake symbolizes change in the cycle of birth, life, death, and rebirth. It counts among its strengths the power of creation, of se xuality, of the soul, as well as of transformation and immortality. Snake-people are higher cast, because as part of their experiences they have had to come into contact with poison (physical or mental) and have been able to transform the poison in their bodies into something harmless. The snake belongs to the element of fire, which causes desire and passion in the physical realm and, in the spiritual realm, creates a connection with the Great Spirit and leads to all-encompassing wisdom. Whenever the snake appears in your dreams, it is a sign of change as you come ever closer to perfection.
This animal gives you the ability to let go of things that are worn out and no longer useful - just like the snake sheds it skin when it is no longer needed.
Rebirth, wisdom, fluidity, wholeness, transmutations, sexuality, look for transitions, changes and new opportunities. Creative forces are awakening with heightened intuition. Snake can teach about shedding what is not needed; perceptions, attitudes, ideals. Snake shows how to access vitality, ambitions and dreams along with intellect and personal power. What things are surfacing that you need to strike out and take advantage of? Perhaps a time to rest and reflect? Listen to your intuition and visions at this time. Contemplate the colors, striking ability and activity of the snake type to further understand what snake is saying.
Every winged being is symbolic of spiritualization. The bird, according to Jung, is a beneficent animal representing spirits or angels, supernatural
aid (31), thoughts and flights of fancy (32). Hindu tradition has it that birds
represent the higher states of being. To quote a passage from the Upanishads:
Two birds, inseparable companions, inhabit the same tree; the first eats of the
fruit of the tree, the second regards it but does not eat. The first bird is Jivâtmâ,
and the second is Atmâ or pure knowledge, free and unconditioned; and when
they are joined inseparably, then the one is indistinguishable from the other except in an illusory sense’ (26). This interpretation of the bird as symbolic of
the soul is very commonly found in folklore all over the world. There is a Hindu
tale retold by Frazer in which an ogre explains to his daughter where he keeps
his soul: ‘Sixteen miles away from this place’, he says, ‘is a tree. Round the tree
are tigers, and bears, and scorpions, and snakes; on the top of the tree is a very
great fat snake; on his head is a little cage; in the cage is a bird; and my soul is in
that bird’ (21). This was given precise expression in ancient Egyptian symbolism by supplying the bird with a human head; in their system of hieroglyphs it
was a sign corresponding to the determinative Ba (the soul), or the idea that the
soul flies away from the body after death (19). This androcephalous bird appears also in Greek and Romanesque art, and always in this same sense (50).
But the idea of the soul as a bird—the reverse of the symbolic notion—does not
of itself imply that the soul is good. Hence the passage in Revelation (xvii, 2)
describing Babylon as ‘the hold of every foul spirit, and a cage of every unclean
and hateful bird’. According to Loeffler, the bird, like the fish, was originally a
phallic symbol, endowed however with the power of heightening—suggesting
sublimation and spiritualization. In fairy stories there are many birds which
talk and sing, symbolizing amorous yearning (and cognate with arrows and
breezes). The bird may also stand for the metamorphosis of a lover. Loeffler
adds that birds are universally recognized as intelligent collaborators with man
in myths and folktales, and that they are derived from the great bird-demiurges
of the primitives—bearers of celestial messages and creators of the nether
world; this explains the further significance of birds as messengers (38). The
particular colour of a bird is a factor which determines its secondary symbolisms. The blue bird is regarded by Bachelard (3) as ‘the outcome of aerial
motion’, that is, as a pure association of ideas; but in our view, although this
may well have been its origin, its ultimate aim is something quite different—to
provide a symbol of the impossible (like the blue rose). In alchemy, birds stand
for forces in process of activation; here the precise sense is determined by the
location of the bird: soaring skywards it expresses volatilization or sublimation, and swooping earthwards it expresses precipitation and condensation;
these two symbolic movements joined to form a single figure are expressive of
distillation. Winged beings contrasted with others that are wingless constitute a
symbol of air, of the volatile principle as opposed to the fixed. Nevertheless, as
Diel has pointed out, birds, and particularly flocks of birds—for multiplicity is
ever a sign of the negative—may take on evil implications; for example, swarms
of insects symbolize forces in process of dissolution—forces which are teeming, restless, indeterminate, shattered. Thus, birds, in the Hercules legend, rising up from the lake Stymphalus (which stands for the stagnation of the soul
and the paralysis of the spirit) denote manifold wicked desires (15). The ‘giant
bird’ is always symbolic of a creative deity. The Hindus of Vedic times used to
depict the sun in the form of a huge bird—an eagle or a swan. Germanic tradition
affords further examples of a solar bird (35). It is also symbolic of storms; in
Scandinavian mythology there are references to a gigantic bird called Hraesvelg
(or Hraesveglur), which is supposed to create the wind by beating its wings
(35). In North America, the supreme Being is often equated with the mythic
personification of lightning and thunder as a great bird (17). The bird has a
formidable antagonist in the snake or serpent. According to Zimmer, it is only
in the West that this carries a moral implication; in India, the natural elements
only are contrasted—the solar force as opposed to the fluid energy of the
terrestrial oceans. The name of this solar bird is Garuda, the ‘slayer of the nâgas
or serpents’ (60). Kühn, in The Rock Pictures of Europe, considers a Lascaux
cave picture of a wounded bison, a man stricken to death and a bird on a pole,
and suggests that, by the late Palaeolithic, the bird may have come to symbolize
the soul or a trance-like state.
To see birds in your dream, symbolize your goals, aspirations and hopes. To dream of chirping and/or flying birds, represent joy, harmony, ecstasy, balance, and love. It denotes a sunny outlook in life. You are experiencing spiritual freedom and psychological liberation. It is almost as if a weight has been lifted off your shoulders.
To dream of dead or dying birds, indicates disappointments. You will find yourself worrying over problems that are nagging on your mind.
To see bird eggs in your dream, symbolize money.
To see birds hatching in your dream, symbolize delayed success.
To see a bird nest in your dream, symbolizes independence, refuge and security. You need something to fall back on. Alternatively, it may signify a prosperous endeavor, new opportunities, and fortune.
Dreaming of a chirping and/or flying birds, represents joy, harmony, ecstasy, balance, and love. It indicates a sunny outlook in life. You will experience spiritual freedom and psychological liberation. It is almost as if a weight has been lifted off your shoulders. Dreaming of dead or dying birds, foretells a period of coming disappointments. You will find yourself worrying over problems that are constantly on your mind. Dreaming of bird eggs, symbolizes money. Dreaming of birds hatching, symbolizes delayed success. Dreaming of a bird nest, symbolizes independence, refuge and security. You need something to fall back on. Alternatively, it may signify a prosperous endeavor, new opportunities, and fortune.
Birds are very frequently used to symbolize human souls, some of
the earliest examples being found in the art of ancient Egypt. Sometimes, they
are depicted with human heads, as in Hellenic iconography. In the Mirach it is
written that, when Mohammed went to heaven, he found, standing in the middle
of a great square, the Tree of Life whose fruit restores youth to all those who
eat of it. This Tree of Life is surrounded by groves and avenues of leafy trees on
whose boughs perch many birds, brilliantly coloured and singing melodiously:
these are the souls of the faithful. The souls of evildoers, on the other hand, are
incarnated in birds of prey (46). Generally speaking, birds, like angels, are
symbols of thought, of imagination and of the swiftness of spiritual processes
and relationships. They pertain to the Element of air and, as noted in connexion
with the eagle, they denote ‘height’ and—consequently—’loftiness’ of spirit.
This general symbolism has sometimes been narrowed down excessively to the
particular, as often happens in traditional symbolism. Thus, Odo of Tusculum,
in his sermon XCII, describes different kinds of spirituality in men in terms of
the characteristics of different kinds of birds. Some birds, he says, are guileless,
such as the dove; others, cunning like the partridge; some come to the hand, like
the hawk, others flee from it, like the hen; some enjoy the company of men, like
the swallow; others prefer solitude and the desert, like the turtle-dove. . . . Lowflying birds symbolize an earth-bound attitude; high-flying birds, spiritual longing
(46).
It is a favorable dream to see birds of beautiful plumage. A wealthy and happy partner is near if a woman has dreams of this nature.
Moulting and songless birds, denotes merciless and inhuman treatment of the outcast and fallen by people of wealth.
To see a wounded bird, is fateful of deep sorrow caused by erring offspring.
To see flying birds, is a sign of prosperity to the dreamer. All disagreeable environments will vanish before the wave of prospective good.
To catch birds, is not at all bad. To hear them speak, is owning one's inability to perform tasks that demand great clearness of perception.
To kill than with a gun, is disaster from dearth of harvest.
To see birds flying are very unlucky; it denotes sorrowful setback in circumstances.
Poor persons may become better especially if they hear birds sing.
To dream that you are joyful, denotes harmony amongst friends and loved ones. The dream is a reflection of your waking state of mind.
To dream that you feel joy over any event, denotes harmony among friends.
Dreaming that you are joyful indicates harmony amongst friends and loved ones.
To see friends in your dream, signify aspects of your personality that you have rejected, but are ready to incorporate and acknowledge. The relationships you have with those around you are important in learning about yourself. Alternatively, dreaming of a friend, indicates positive news.
To see your childhood friend in your dream, signifies regression into your past where you had no responsibilities. Things were much simpler and carefree. You may be wanting to escape the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend suggests that you have been acting in a childish manner. You need to start acting like an adult.
To dream that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
To dream of friends being well and happy, denotes pleasant tidings of them, or you will soon see them or some of their relatives.
To see your friend troubled and haggard, sickness or distress is upon them.
To see your friends dark-colored, denotes unusual sickness or trouble to you or to them. To see them take the form of animals, signifies that enemies will separate you from your closest relations.
To see your friend who dresses in somber colors in flaming red, foretells that unpleasant things will transpire, causing you anxiety if not loss, and that friends will be implicated.
To dream you see a friend standing like a statue on a hill, denotes you will advance beyond present pursuits, but will retain former impressions of justice and knowledge, seeking these through every change. If the figure below be low, you will ignore your friends of former days in your future advancement. If it is on a plane or level with you, you will fail in your ambition to reach other spheres. If you seem to be going from it, you will force yourself to seek a change in spite of friendly ties or self-admonition.
To dream you see a friend with a white cloth tied over his face, denotes that you will be injured by some person who will endeavor to keep up friendly relations with you.
To dream that you are shaking hands with a person who has wronged you, and he is taking his departure and looks sad, foretells you will have differences with a close friend and alienation will perhaps follow. You are most assuredly nearing loss of some character.
Seeing your friends in your dream means aspects of your personality that you have rejected, but are ready to integrate these rejected part of yourself. The relationships you have with those around you are important in learning about yourself. Additionally, this symbol foretells of happy tidings from them and the arrival of good news. Seeing your childhood friend in your dream means regression into your past where you had no responsibilities and things were much simpler and carefree. You may be wanting to escape the the pressures and stresses of adulthood. Consider the relationship you had with this friend and the lessons that were learned. Alternatively, the childhood friend may be suggesting that you have been acting in a childish manner and you need to start acting like an adult. Dreaming that your best friend is dying, suggests that some aspect or quality that your best friend possess is dying within your own self.
Symbolically, death represents the end of an epoch, particularly when
it takes the form of sacrifice or the desire for self-destruction in the face of
unendurable tension (as with Romeo and Juliet, or Tristan and Isolde). The hero
dies young for this same reason: Siegfried, Achilles or Balder for example. The
public necessity for a sacrifice of this kind was what lay behind the ‘ritual
assassination of the king’ in which the possibility of his survival was sometimes
left open, should he prove victor in combat. As an example of this rite, Frazer
cites a festival called ‘The Great Sacrifice’ in which the king of Calicut was made
to hazard his crown and his life. It took place every twelve years, at the time the
planet Jupiter turns back towards the constellation of Cancer, since there was a
supposed relationship between the planet and the king’s destiny (21).
To dream about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what you like about them. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, the dream indicates that whatever that person represents has no part in your own life anymore. In particular, to dream about the death of your parents, indicates that you are undergoing a significant change in your waking life. Your relationship with your parents has evolved into a new realm.
To dream that you are faking your own death, suggests that you are looking for a new start. You need some change in your life.
To dream that you die in your dream, symbolizes inner changes, transformation, self-discovery and positive development that is happening within you or your life. You are undergoing a transitional phase and are becoming more enlightened or spiritual. Although such a dream may bring about feelings of fear and anxiety, it is no cause for alarm as it is often considered a positive symbol. Dreams of experiencing your own death usually means that big changes are ahead for you. You are moving on to new beginnings and leaving the past behind. These changes does not necessarily imply a negative turn of events. Metaphorically, dying can be seen as an end or a termination to your old ways and habits. So, dying does not always mean a physical death, but an ending of something.
On a negative note, to dream that you die may represent involvement in deeply painful relationships or unhealthy, destructive behaviors. You may feeling depressed or feel strangled by a situation or person in your waking life. Perhaps your mind is preoccupied with someone who is terminally ill or dying. Alternatively, you may be trying to get out of some obligation, responsibility or other situation. You are desperately trying to escape from the demands of your daily life.
To see someone dying in your dream, signifies that your feelings for that person are dead or that a significant change/loss is occurring in your relationship with that person. Alternatively, you may want to repress that aspect of yourself that is represented by the dying person.
To dream of seeing any of your people dead, warns you of coming dissolution or sorrow. Disappointments always follow dreams of this nature.
To hear of any friend or relative being dead, you will soon have bad news from some of them.
Dreams relating to death or dying, unless they are due to spiritual causes, are misleading and very confusing to the novice in dream lore when he attempts to interpret them. A man who thinks intensely fills his aura with thought or subjective images active with the passions that gave them birth; by thinking and acting on other lines, he may supplant these images with others possessed of a different form and nature. In his dreams he may see these images dying, dead or their burial, and mistake them for friends or enemies. In this way he may, while asleep, see himself or a relative die, when in reality he has been warned that some good thought or deed is to be supplanted by an evil one. To illustrate: If it is a dear friend or relative whom he sees in the agony of death, he is warned against immoral or other improper thought and action, but if it is an enemy or some repulsive object dismantled in death, he may overcome his evil ways and thus give himself or friends cause for joy. Often the end or beginning of suspense or trials are foretold by dreams of this nature. They also frequently occur when the dreamer is controlled by imaginary states of evil or good. A man in that state is not himself, but is what the dominating influences make him. He may be warned of approaching conditions or his extrication from the same. In our dreams we are closer to our real self than in waking life. The hideous or pleasing incidents seen and heard about us in our dreams are all of our own making, they reflect the true state of our soul and body, and we cannot flee from them unless we drive them out of our being by the use of good thoughts and deeds, by the power of the spirit within us.
This indicates long life. But a sick person dreaming of death has the positive results.
Dreaming about the death of a loved one, suggests that you are lacking a certain aspect or quality that the loved one embodies. Ask yourself what makes this person special or what do you like about him. It is that very quality that you are lacking in your own relationship or circumstances. Alternatively, it indicates that whatever that person represents has no part in your own life.
Dreaming about death is very common and it can be interpreted in many different ways. Death is usually a symbol of some type of closure or end. It implies an end to one thing and a beginning of another. Death dreams usually have positive symbolism. If you are the dead person in your dream, it could imply that you would like to leave all of your worries and struggles behind and begin anew. Dreaming about someone that you care about may express your fear about losing them. Dreaming that one of your parents died may express fear of loss, but it also may be an unconscious valve through which you release anger and other negative feelings. In some cultures dreaming about death and dying is a very good omen that represents longevity and prosperity.
Astrological Sign: Scorpio.
Positive associations with this tarot card:
endings, transformation, clearance, sweeping change.
Negative associations with this tarot card:
stagnation, loss of opportunity, loss of friendship, fear of change.
Without a doubt it is this card that causes most fear in a reading and yet it rarely, if ever, symbolizes actual death, more a time of absolute endings and absolute beginnings.
Whilst The Death card can represent rather shocking or unexpected events or changes, they usually clear the way for a brand new start and a greater value for life itself.
Out with the old and in with the new, a time of transformation is another way of looking at this card.
Negatively there isn't much difference, other than you may have a greater sense of fear and dread. when this card appears it's time to show what you're made of.
Another negative aspect of The Death card is stagnation, resisiting change when change is essential which may lead to lost opportunities.