I dwell in a lonely house I know
That vanished many a summer ago,
And left no trace but the cellar walls,
And a cellar in which the daylight falls,
And the purple-stemmed wild raspberries grow.
O'er ruined fences the grape-vines shield
The woods come back to the mowing field;
The orchard tree has grown one copse
Of new wood and old where the woodpecker chops;
The footpath down to the well is healed.
I dwell with a strangely aching heart
In that vanished abode there far apart
On that disused and forgotten road
That has no dust-bath now for the toad.
Night comes; the black bats tumble and dart;
The whippoorwill is coming to shout
And hush and cluck and flutter about:
I hear him begin far enough away
Full many a time to say his say
Before he arrives to say it out.
It is under the small, dim, summer star.
I know not who these mute folk are
Who share the unlit place with me--
Those stones out under the low-limbed tree
Doubtless bear names that the mosses mar.
They are tireless folk, but slow and sad,
Though two, close-keeping, are lass and lad,--
With none among them that ever sings,
And yet, in view of how many things,
As sweet companions as might be had.
Mystics have always traditionally considered the feminine aspect of
the universe as a chest, a house or a wall, as well as an enclosed garden. Another
symbolic association is that which equates the house (and the above, related
forms) with the repository of all wisdom, that is, tradition itself (4). In architectural symbolism, on the other hand, the house carries not only an overall symbolism but also particular associations attached to each of its component parts.
Nevertheless, the house as a home arouses strong, spontaneous associations with
the human body and human thought (or life, in other words), as has been confirmed empirically by psychoanalysts. Ania Teillard explains this by pointing
out that, in dreams, we employ the image of the house as a representation of the
different layers of the psyche. The outside of the house signifies the outward
appearance of Man: his personality or his mask. The various floors are related to
the vertical and spatial symbols. The roof and upper floor correspond to the head
and the mind, as well as to the conscious exercise of self-control. Similarly, the
basement corresponds to the unconscious and the instincts (just as sewers do, in
symbols pertaining to the city). The kitchen, since this is where foodstuff is
transformed, sometimes signifies the place or the moment of psychic transmutation in the alchemical sense. The intercommunicating rooms speak for themselves. The stairs are the link between the various planes of the psyche, but their
particular significance depends upon whether they are seen as ascending or descending. Finally, there is, as we have said, the association of the house with the
human body, especially regarding its openings, as was well understood by
Artemidorus Daldianus (56).
To see a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. To dream that a house has no walls, represents a lack of privacy. You feel that everyone is looking over your shoulder or up in your business.
To dream that you are cleaning your house, signifies your need to clear out your thoughts and get rid of old ways. You are seeking self-improvement.
If you live with others in your waking life, but dream that you are living alone, suggests that you need to take new steps toward independence. You need to accept responsibilities and be more self-reliant.
To see an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. To dream that your house is damaged, indicates your waking concerns about the condition of your house.
To see a new house in your dream, indicates that you are entering into a new phase or new area in your life. You are becoming more emotionally mature. If you are locked out of the house, then it represents rejection and insecurity. You feel you are being left behind.
To dream that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied.
To dream of a haunted house, signifies unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings.
To dream that a house has disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.
To dream that water is rising up in your house, suggests that you are becoming overwhelmed by your emotions.
To dream of building a house, you will make wise changes in your present affairs.
To dream that you own an elegant house, denotes that you will soon leave your home for a better, and fortune will be kind to you.
Old and dilapidated houses, denote failure in business or any effort, and declining health.
Seeing a house in your dream, represents your own soul and self. Specific rooms in the house indicate a specific aspect of your psyche. In general, the attic represents your intellect, the basement represents the unconscious, etc. If the house is empty, then it indicates feelings of insecurity. If the house is shifting, then it suggests that you are going through some personal changes and changing your belief system. Dreaming that you are cleaning your house means your need to clear out your thoughts and getting rid of old ways. You are seeking self-improvement. Seeing an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings. Alternatively, the old house may symbolize your need to update you mode of thinking. Dreaming that your house is broken into, suggests that you are feeling violated. It may refer to a particular relationship or current situation in your life. Alternatively, it indicates that some unconscious material is attempting to make itself known. There are some aspects of yourself that you have denied. Dreaming of a haunted house means unfinished emotional business, related to your childhood family, dead relatives, or repressed memories and feelings. Dreaming that a house disappeared, indicates that you are not feeling grounded. You feel uprooted by a particular circumstance or relationship in your life.
It is common to dream about houses. They usually symbolise our emotional and psychological selves. All of your experiences, stages of development, and parts of your conscious and unconscious life may be represented by that house. The house may be representing issues concerning a particular dilemma in your life, or it may be more general and comprehensive. Either way, if you pay attention to the details in this dream, you may learn a thing or two about yourself.
To dream about summer, represents growth, knowledge, high productivity, tolerance and maturity. You are expanding your realm of understanding. It is important to keep your hope alive.
Dreaming about summer, represents growth, knowledge and maturity. You are showing tolerance and expanding your realm of understanding .
To see your own ghost in your dream, symbolizes aspects of yourself that you fear. This may involve a painful memory, guilt, or some repressed thoughts. Or you may be afraid of death and dying. Alternatively, ghosts are representative of something that is no longer obtainable or within reach. It indicates that you are feeling disconnected from life and society. Try to figure out what the ghosts wants or what it is looking for. The dream may also be a calling for you to move on and abandon your outdated modes of thinking and behavior.
To dream that you reach out to touch a ghost, but it disappears, indicates that you are taking steps to acknowledging some painful or repressed thoughts even though you are not ready to fully confront them.
To see the ghost of a living relative or friend in your dream, signifies that you are in danger of malice acts by that person.
To see the ghost of a dead friend/relative in your dream, suggests guilt and regrets concerning the past relationships with that particular person.
To dream of the ghost of either one of your parents, denotes that you are exposed to danger, and you should be careful in forming partnerships with strangers.
To see the ghost of a dead friend, foretells that you will make a long journey with an unpleasant companion, and suffer disappointments.
For a ghost to speak to you, you will be decoyed into the hands of enemies.
For a woman, this is a prognostication of widowhood and deception.
To see an angel or a ghost appear in the sky, denotes the loss of kindred and misfortunes.
To see a female ghost on your right in the sky and a male on your left, both of pleasing countenance, signifies a quick rise from obscurity to fame, but the honor and position will be filled only for a short space, as death will be a visitor and will bear you off.
To see a female ghost in long, clinging robes floating calmly through the sky, indicates that you will make progression in scientific studies and acquire wealth almost miraculously, but there will be an under note of sadness in your life.
To dream that you see the ghost of a living relative or friend, denotes that you are in danger of some friend's malice, and you are warned to carefully keep your affairs under personal supervision. If the ghost appears to be haggard, it may be the intimation of the early death of that friend.
This is a very bad omen. Difficulties will be overwhelming. Terrible enemies will
In general, ghosts symbolizes aspects of yourself that you fear. This may involve a painful memory, guilt, or some repressed thoughts. You may be afraid of death and dying. Alternatively, ghosts are representative of something that is no longer obtainable or within reach. It indicates a feeling of disconnection from life and society. This dream may be a calling for you to move on and abandon your outdated modes of thinking and behavior. Dreaming that you reach out to touch a ghost, but it disappears indicates that you are taking steps to acknowledging some painful or repressed thoughts even though you are not ready to fully confront them. Seeing the ghost of a living relative or friend in your dream means that you are in danger of malice acts by that person. Seeing the ghost of a dead friend/relative in your dream, suggests guilt and regrets concerning the past relationships with that particular person.
An apparition, from Latin apparere (to appear), is in its literal sense merely an appearance—a sense perception of any kind, but as used in psychical research and parapsychology the word denotes an abnormal or paranormal appearance or perception, which cannot be explained by any mundane objective cause. Taken in this sense the word covers all visionary appearances, hallucinations, clairvoyance, and similar unusual perceptions. "Apparition" and "ghost" are frequently used as synonymous terms, though the former is, of course, of much wider significance. A ghost is a visual apparition of a deceased human being—the term implies that the ghost is the spirit of the person it represents. Apparitions of animals and even inanimate objects are also occasionally reported. All apparitions do not take the form of visual images; auditory and tactile false perceptions, although less common, are not unknown. For example, there is record of a house that was "haunted" with the perpetual odor of violets. The term is used somewhat incorrectly to describe the appearance of a discarnate personality. An experience usually visual but sometimes in other sense-modalities in which there appears to be present a person or animal (deceased or living) and even inanimate objects such as carriages and other things, who/which is in fact out of the sensory range of the experient; often associated with spontaneous extrasensory perception, for example, in connection with an agent who is dying or undergoing some other crisis (in which case, it is likely to be termed a "crisis apparition," or in connection with haunting (in which case, it is likely to be referred to in non-technical contexts as a "ghost")
To dream that you are in a cellar, represents a part of your subconscious mind where you have kept your fears and problems hidden.
To dream that you are going down the cellar, signifies that you are digging deep into your own past and facing your fears.
To dream of being in a cold, damp cellar, you will be oppressed by doubts.
You will lose confidence in all things and suffer gloomy forebodings
from which you will fail to escape unless you control your will.
It also indicates loss of property.
To see a cellar stored with wines and table stores, you will be offered a share in profits coming from a doubtful source. If a young woman dreams of this she will have an offer of marriage from a speculator or gambler.
Dreaming that you are in a cellar, represents a part of your subconscious mind where you have kept your fears and problems hidden. Dreaming that you are going down the cellar means that you are digging deep into your own past and facing your fears.
The house generally represents your psychological and emotional self. Each part of the house may deal with a different part of you. The cellar is built first. It is often below ground, and is essentially the foundation of the house. Dreaming about a cellar and understanding the dream may provide you with valuable information that may lead to greater self-awareness. A recurring dream about cellars should not be ignored. These dreams may be symbolic of your unconscious, instincts and intuition, and degree of awareness of a current situation or a problem. The look of the cellar may provide you with clues about your current feelings and state of contentment. If the cellar is a mess, and you see great disorder and clutter, it suggests that you may be experiencing confusion and that it is a very good time to "sort" things out emotionally and psychologically. At times, the activities, which are going on in the cellar of your dream, may be based on past experiences or childhood memories. As with all dreams, their main purpose seems to be to bring the dreamer to higher consciousness so that he may deal with his current issues more effectively, rather than to dwell on the past. Somemtimes, a dream of going down into a cellar can be a sign that the dreamer is beginning to enter a state of pyschological depression.
The tree is one of the most essential of traditional symbols. Very often
the symbolic tree is of no particular genus, although some peoples have singled
out one species as exemplifying par excellence the generic qualities. Thus, the oak
was sacred to the Celts; the ash to the Scandinavian peoples; the lime-tree in Germany; the fig-tree in India. Mythological associations between gods and trees
are extremely frequent: so, Attis and the pine; Osiris and the cedar; Jupiter and
the oak; Apollo and the laurel, etc. They express a kind of ‘elective correspondence’ (26, 17). In its most general sense, the symbolism of the tree denotes the
life of the cosmos: its consistence, growth, proliferation, generative and regenerative processes. It stands for inexhaustible life, and is therefore equivalent to a
symbol of immortality. According to Eliade, the concept of ‘life without death’
stands, ontologically speaking, for ‘absolute reality’ and, consequently, the tree
becomes a symbol of this absolute reality, that is, of the centre of the world.
Because a tree has a long, vertical shape, the centre-of-the-world symbolism is
expressed in terms of a world-axis (17). The tree, with its roots underground and
its branches rising to the sky, symbolizes an upward trend (3) and is therefore
related to other symbols, such as the ladder and the mountain, which stand for the
general relationship between the ‘three worlds’ (the lower world: the underworld,
hell; the middle world: earth; the upper world: heaven). Christian symbolism—
and especially Romanesque art—is fully aware of the primary significance of the
tree as an axis linking different worlds (14). According to Rabanus Maurus,
however, in his Allegoriae in Sacram Scripturam (46), it also symbolizes human
nature (which follows from the equation of the macrocosm with the microcosm).
The tree also corresponds to the Cross of Redemption and the Cross is often
depicted, in Christian iconography, as the Tree of Life (17). It is, of course, the
vertical arm of the Cross which is identified with the tree, and hence with the
‘world-axis’. The world-axis symbolism (which goes back to pre-Neolithic times)
has a further symbolic implication: that of the central point in the cosmos. Clearly,
the tree (or the cross) can only be the axis linking the three worlds if it stands in
the centre of the cosmos they constitute. It is interesting to note that the three
worlds of tree-symbolism reflect the three main portions of the structure of the
tree: roots, trunk and foliage. Within the general significance of the tree as worldaxis and as a symbol of the inexhaustible life-process (growth and development),
different mythologies and folklores distinguish three or four different shades of
meaning. Some of these are merely aspects of the basic symbolism, but others are
of a subtlety which gives further enrichment to the symbol. At the most primitive
level, there are the ‘Tree of Life’ and the ‘Tree of Death’ (35), rather than, as in
later stages, the cosmic tree and the tree of the knowledge of Good and Evil; but
the two trees are merely two different representations of the same idea. The
arbor vitae is found frequently, in a variety of forms, in Eastern art. The—
apparently purely decorative—motif of hom (the central tree), placed between
two fabulous beings or two animals facing each other, is a theme of Mesopotamian origin, brought both to the West and to the Far East by Persians, Arabs and
Byzantines (6). In Romanesque decoration it is the labyrinthine foliage of the
Tree of Life which receives most emphasis (the symbolic meaning remaining
unchanged, but with the addition of the theme of Entanglement) (46). An important point in connexion with the ‘cosmic tree’ symbol is that it often appears
upside down, with its roots in heaven and its foliage on earth; here, the natural
symbolism based on the analogy with actual trees has been displaced by a meaning expressing the idea of involution, as derived from the doctrines of emanation:
namely, that every process of physical growth is a spiritual opus in reverse.
Thus, Blavatsky says: ‘In the beginning, its roots were generated in Heaven, and
grew out of the Rootless Root of all-being. . . . Its trunk grew and developed,
crossing the plains of Pleroma, it shot out crossways its luxuriant branches, first
on the plane of hardly differentiated matter, and then downward till they touched
the terrestrial plane. Thus . . . (it) is said to grow with its roots above and its
branches below’ (9). This concept is already found in the Upanishads, where it is
said that the branches of the tree are: ether, air, fire, water and earth. In the Zohar
of Hebrew tradition it is also stated that ‘the Tree of Life spreads downwards
from above, and is entirely bathed in the light of the sun’. Dante, too, portrays the
pattern of the celestial spheres as the foliage of a tree whose roots (i.e. origin)
spread upwards (Uranus). In other traditions, on the other hand, no such inversion occurs, and this symbolic aspect gives way to the symbolism of vertical
upward growth. In Nordic mythology, the cosmic tree, called Yggdrasil, sends its
roots down into the very core of the earth, where hell lies (Völuspâ, 19;
Grimnismâl, 31) (17).
We can next consider the two-tree symbolism in the Bible. In Paradise there
were the Tree of Life and the tree of the knowledge of good and evil. Both were
centrally placed in the Garden of Eden. In this connexion, Schneider says (50):
‘Why does God not mention the Tree of Life to Adam? Is it because it was a
second tree of knowledge or is it because it was hidden from the sight of Adam
until he came to recognize it with his new-found knowledge of good and evil—of
wisdom? We prefer the latter hypothesis. The Tree of Life, once discovered, can
confer immortality; but to discover it is not easy. It is “hidden”, like the herb of
immortality which Gilgamesh seeks at the bottom of the sea, or is guarded by
monsters, like the golden apples of the Hesperides. The two trees occur more
frequently than might be expected. At the East gate of the Babylonian heaven, for
instance, there grew the Tree of Truth and the Tree of Life.’ The doubling of the
tree does not modify the symbol’s fundamental significance, but it does add
further symbolic implications connected with the dual nature of the Gemini: the tree, under the influence of the symbolism of the number two, then reflects the
parallel worlds of living and knowing (the Tree of Life and the Tree of Knowledge). As is often the case with symbols, many more specialized meanings have
been developed on the basis of the general tree-symbolism already outlined. Here
are a few: firstly, the triple tree. According to Schneider, the Tree of Life, when it
rises no higher than the mountain of Mars (the world of phenomena) is regarded
as a pillar supporting heaven. It is made up of three roots and three trunks—or
rather one central trunk with two large boughs corresponding to the two peaks of
the mountain of Mars (the two faces of Janus). Here the central trunk or axis
unifies the dualism expressed in the two-tree symbolism. In its lunar aspect, it is
the Tree of Life and emphasizes the moon’s identification with the realm of
phenomena; in its solar aspect it relates to knowledge and death (which, in symbolism, are often associated). In iconography, the Tree of Life (or the lunar side of
a double or triple tree) is depicted in bloom; the tree of death or knowledge (or the
solar side of a double or triple tree) is dry, and shows signs of fire (50). Psychology has interpreted this symbolic duality in sexual terms, Jung affirming that the
tree has a symbolic, bisexual nature, as can also be seen in the fact that, in Latin,
the endings of the names of trees are masculine even though their gender is
feminine (31). This conjunctio confirms the unifying significance of the cosmic
tree. Other symbols are often brought into association with the tree, sometimes
by analogy with real situations, sometimes through the juxtaposition of psychic
images and projections. The resulting composite symbolism is, of course, richer
and more complex, but also more specific, and consequently less spontaneous
and of less scope. The tree is frequently related to the rock or the mountain on
which it grows. On the other hand, the Tree of Life, as found in the celestial
Jerusalem, bears twelve fruits, or sun-shapes (symbols of the Zodiac, perhaps).
In many images, the sun, the moon and the stars are associated with the tree, thus
stressing its cosmic and astral character. In India we find a triple tree, with three
suns, the image of the Trimurti; and in China a tree with the twelve suns of the
Zodiac (25). In alchemy, a tree with moons denotes the lunar opus (the Lesser
Work) and the tree with suns the solar opus (the Great Work). The tree with the
signs of the seven planets (or metals) stands for prime matter (protohyle), from
which all differentiations emerge. Again, in alchemy, the Tree of Knowledge is
called arbor philosophica (a symbol of evolution, or of the growth of an idea, a
vocation or a force). ‘To plant the philosophers’ tree’ is tantamount to stimulating the creative imagination (32). Another interesting symbol is that of the ‘seatree’ or coral, related to the mythic sea king. The fountain, the dragon and the
snake are also frequently related to the tree. Symbol LVII of Bosch’s Ars Symbolica shows the dragon beside the tree of the Hesperides. As regards the symbolism of
levels, it is possible to establish a vertical scale of analogies: dragons and snakes
(primal forces) are associated with the roots; the lion, the unicorn, the stag and
other animals expressing the ideas of elevation, aggression and penetration, correspond to the trunk; and birds and heavenly bodies are brought into relation with
the foliage. Colour correspondences, are: roots/black; trunk/white; foliage/red.
The snake coiled round the tree introduces another symbol, that of the spiral. The
tree as world-axis is surrounded by the sequence of cycles which characterizes
the revealed world. This is an interpretation applicable to the serpent watching at
the foot of the tree on which the Golden Fleece is suspended (25). Endless
instances could be quoted of such associations of symbols, full of psychological
implications. Another typical combination of symbols, extremely frequent in
folktales, is that of the ‘singing tree’. In the Passio S. Perpetuae XI (Cambridge,
1891) we read that St. Saturius, a martyr alongside St. Perpetua, dreamed on the
eve of his martyrdom ‘that, having shed his mortal flesh, he was carried eastward
by four angels. Going up a gentle slope, they reached a spot bathed in the most
beautiful light: it was Paradise opening before us’, he adds, ‘like a garden, with
trees bearing roses and many other flower-blooms; trees tall as cypresses, singing
the while’ (46). The sacrificial stake, the harp-lyre, the ship-of-death and the
drum are all symbols derived from the tree seen as the path leading to the other
world (50) (Plate XXIX). Gershom G. Scholem, in Les Origines de la Kabbale,
speaks of the symbolism of the tree in connexion with hierarchical, vertical structures (such as the ‘sefirothic tree’ of the Cabbala, a theme that we cannot develop
here). He asks himself whether the ‘tree of Porphyry’, which was a widespread
symbol during the Middle Ages, was of a similar nature. In any case, it is reminiscent of the Arbor elementalis of Raymond Lull (1295), whose trunk symbolizes
the primordial substance of Creation, or hyle, and whose branches and leaves
represent its nine accidents. The figure ten has the same connotation as in the
sefiroth, the ‘sum of all the real which can be determined by numbers’.
The tree in your dream is you. The health, size and overall quality of the tree is indicative of how you feel about yourself. This interpretation is to be made only when the tree is the focal point of the dream. Also, consider whether the tree is alive with leaves, flowers or fruit, or if it's barren. You may see trees in your dream as a part of a landscape or as a secondary symbol. At those times, consider all of the details as they may have different interpretations than the one just given.
To dream that you are sad, suggests that you need to learn from your disappointments and just be happy. Try not to dwell on the negative. The dream may be a reflection of how you are feeling in your waking life.
Dreaming that you are sad, suggests that you need to learn from your disappointments and make yourself happy. Try not to dwell on the negative.