I went to sleep after a bad interaction with a roomate here at my house. The following is the dream that sprang forth in my subconscious later that evening...
I had a series of dreams where my roommate Jennifer and I were not getting along and she continuesly was being passive aggressive. We were traveling with Scott and Katrina and on multiple incidences she would use them to be overly nice and just make me feel left out and uncomfortable. Also there was a couple of times in the dream where she would seemingly conveniently not have money or had left it back in the hotel and Scott would just help her out or pay for her period, in both cases she you was very smug about it. A couple of times she would aggressively open the door on me, accidentally throw an object in my direction, or push me out of the way, followed with what seemed to me as a fake apology.
While smoking this morning, things seem to be blown over a little....
To see a hotel in your dream, signifies a new state of mind or a shift in personal identity. You are undergoing some sort of transition and need to move away from your old habits and old way of thinking. You need to temporarily escape from your daily life. Alternatively, the dream may imply a loss in your personal identity.
To dream of living in a hotel, denotes ease and profit.
To visit women in a hotel, your life will be rather on a dissolute order.
To dream of seeing a fine hotel, indicates wealth and travel.
If you dream that you are the proprietor of a hotel, you will earn all the fortune you will ever possess.
To work in a hotel, you could find a more remunerative employment than what you have.
To dream of hunting a hotel, you will be baffled in your search for wealth and happiness.
Seeing a hotel in your dream means a new state of mind or a shift in personal identity. You need to move away from your old habits and old way of thinking.
All dwelling places generally represent the dreamer's psychological, emotional, or spiritual condition. The dream may reflect a current reality, issue, or dilemma and attempt to bring the dreamer into greater self-awareness. Because a hotel is a transitory dwelling, it suggests a time away from one's responsibilities or routine. As a dream symbol it could reflect a need for rest and reflection. Depending on the details of the dream, specific information can be ascertained. For example, if the hotel is luxurious it suggests prosperity and positive decision-making. However, if the hotel is rundown and inadequate, it may reflect a time of uneasiness and depravation. Whether the hotel in your dream represented a retreat or escapism is for you to determine by examining your current daily reality. Finally, a hotel may refer to a temporary stage in life or be a form of compensation with which the dreamer eases the anxiety and stress experienced during the day.
To dream that you are feeling bad, suggests that you are off balance, off centered, or even feeling worthless.
To dream of the direction left, symbolizes the unconscious and your repressed thoughts/emotions. It is an indication of passivity.
To dream that you are left behind, represents feelings of rejection or not fitting into a group. It may also highlight fears of not being able to keep up. You are questioning your abilities. The dream may be telling you that you are not utilizing your full potential. If you left something or someone behind, then it indicates that you are ready to let go of the past or move forward.
Dreaming of the direction left, symbolizes the unconscious and your repressed thoughts/emotions. It is an indication of passivity.
To see a couple in your dream, symbolize marriage, your parents, or a relationship. Consider what the couple are doing in your dream for additional clues about their significance. It may point to something that is lacking or missing from your life.
To dream that you are pushing something, symbolizes energy, effort, encouragement and motivation. You have a new drive to succeed in life. Consider also how you or someone in your life may be a "pushover".
To dream that you are pushed or being pushed, suggests that you are being coerced into doing something. You are facing a lot of pressure. Alternatively, the dream implies that you do not have enough time to complete a task. You strive for perfection.
Dreaming that you are pushing something, symbolizes energy, effort, encouragement and a new drive to succeed in life. Consider also how you are someone in your life may be a "pushover". Dreaming that you are pushed or being pushed means that you are being pressure or feel coerced into doing something. Alternatively, it implies your need for perfection. You may be finding that you do not have enough time to complete a task.
The symbolism of objects varies with the kind of object in question.
But, broadly speaking, every object consists of a material structure with certain
unconscious elements adhering to it (31). The fact that these forgotten or repressed constituents should reappear in a new medium—the object—enables the
spirit to accept them in a form different from the original. Utensils in particular
are possessed of a mystic force which helps to strengthen the intensity and the
rhythm of human volition. Thus, Schneider maintains that such instruments fulfil
a triple rôle: they are cultural instruments, instruments of labour and finally
reflections of the harmonious soul of the universe. The drinking-vessel, for instance, is a sacrificial vessel and also a drum. The blow-pipe is both a flute and a
magic whistle, etc. (50). Such ideas as these, concerned with the primitive notion
of an object, have lately been resuscitated by artistic movements such as Dadaism
and surrealism. By depicting objects in common use as if they were works of art,
Marcel Duchamp removed them from the context of their merely utilitarian function (their only function according to Western ways of thinking) and showed
them in the light of their true essence, since that essence is revealed only in their
uselessness (freed from the necessity to serve some useful purpose). He showed
that it was possible to see in a bottle-stand, for instance, the very mystic structure that governed the Gothic spires rising in the form of a cage, or the lamps in
Islamic mosques with their multiple, descending hoops; and that all the foregoing
are related to the hollow pyramid of the Primitives (a symbol of the ‘conjunction’
of earth—or the mother—with fire—or the spirit), and also to the artificial mountain and the geometric temple. The form of the object, then, fulfils an essential
rôle in determining the symbolism; thus, all those symbols which take the form of
a twin bell, with the upper bell placed upside down on the lower—for example,
the twin drum or the hour-glass—are closely related to the corresponding graphic
symbol: the letter X, or the cross of St. Andrew (symbolic of the intercommunication between the Upper and the Lower Worlds). Objects that are simple in form
and function usually correspond either to the active or to the passive groups; in
other words, they represent either the contents or the receptacle. For instance:
the lance (which is made to pierce) and the cup or chalice (whose sole function is
to contain). The parallel between this classification and the division of the sexes
is self-evident; but to limit the symbolic relevance of a given object to this sexual
implication is to mutilate seriously its true symbolism. The ‘conjunction’ of the
feminine and masculine principles within a complex object, specially if this object
is—as in the case of a machine—endowed with movement, enables us to carry the sexual parallel a stage further and to characterize it as a kind of secularized lingam.
The ‘objects of symbolic function’ of the surrealists were nothing but the practical illustration of this allusive reality, strengthened by the fetishistic character of
the objects illustrated in their compositions. It was Lautréamont in Les Chants de
Maldoror who best described this shifting of the symbolic significance of objects
towards their generic grouping in his remark: ‘beautiful as the chance-finding of an
umbrella and a sewing-machine on a dissecting table’. As always, a symbol of
integration such as this can be taken either on the cosmic plane or at the existential
and sexual level. In the latter case, the umbrella would be a merely phallic representation, the machine would stand for the cteis, and the dissection-table would
be an illustration of the bed. On the cosmic plane, the umbrella is the cosmic
serpent, the machine is the jaguar, and the table is the universe. At the same time,
objects owe part of their significance to their origins: objects fallen from heaven,
such as aerolites and meteorites for example, partake of the sacred character of
Uranus and constitute a symbol of the power of the celestial deities (17). Submarine objects, on the other hand, possess a viscous and abysmal quality betokening
their irrational nature and their aptness for the expression of all that is base and
unconscious. Sacred objects are so by virtue of their associations—as in the case
of attributes or emblems for instance, or their origins—such as the legendary
palladium of Troy, the Salian shields of Rome, the Hebrew Ark of the Covenant,
etc. (28). To come back now to the broadest of generalizations, alongside their
specific symbolism deriving from their form, function, character, origin, colour
and so on, objects in themselves are always symbols of the world: that is, they are
particular expressions of a material order which expounds both the blind irrational force of continuity and the structural pattern defining the object as opposed
to the subject. Finally we would mention that an elaborate application of the
theory of correspondences would demonstrate the serial structure of objects and
suggest a way of reconciling their ‘character’ with the principles governing the
two essential prototypes of the serial arrangement of the universe: that based
upon the number seven, or the planetary prototype; and twelve, or the zodiacal
model. The incomplete character of such forms of symbolic expression has been
apparent to man since the earliest times, and for this reason the attempt was made
to discover objects which could be invested with great symbolic power by means
of the combination and juxtaposition of various ingredients, which were usually
‘noble’ in character, but were occasionally bizarre or even base—as was the case,
for example, with the alchemic preparation known as ‘prime matter’. The aim
was to endow the object with all the powers inherent in the several planes of
cosmic reality. An example of a ‘complete object’ of this kind is the sword in the Grail legend: its pommel was a precious stone of many colours, each colour
representing a particular virtue; its haft was composed of the bones of strange
beasts.
To dream that you are throwing something, indicates that there is someone or something that you need to rid yourself of from your life. Consider the object that you are throwing. Alternatively, the dream may be a pun that you are "throwing" or fixing a game or situation. Are you working against the objective?